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Avengers Dissemble! Transmedia Superhero Franchises and Cultic Management
Taylor 1 Avengers dissemble! Transmedia superhero franchises and cultic management Aaron Taylor, University of Lethbridge Abstract Through a case study of The Avengers (2012) and other recently adapted Marvel Entertainment properties, it will be demonstrated that the reimagined, rebooted and serialized intermedial text is fundamentally fan oriented: a deliberately structured and marketed invitation to certain niche audiences to engage in comparative activities. That is, its preferred spectators are often those opinionated and outspoken fan cultures whose familiarity with the texts is addressed and whose influence within a more dispersed film- going community is acknowledged, courted and potentially colonized. These superhero franchises – neither remakes nor adaptations in the familiar sense – are also paradigmatic byproducts of an adaptive management system that is possible through the appropriation of the economics of continuity and the co-option of online cultic networking. In short, blockbuster intermediality is not only indicative of the economics of post-literary adaptation, but it also exemplifies a corporate strategy that aims for the strategic co- option of potentially unruly niche audiences. Keywords Marvel Comics superheroes post-cinematic adaptations Taylor 2 fandom transmedia cult cinema It is possible to identify a number of recent corporate trends that represent a paradigmatic shift in Hollywood’s attitudes towards and manufacturing of big budget adaptations. These contemporary blockbusters exemplify the new industrial logic of transmedia franchises – serially produced films with a shared diegetic universe that can extend within and beyond the cinematic medium into correlated media texts. Consequently, the narrative comprehension of single entries within such franchises requires an increasing degree of media literacy or at least a residual awareness of the intended interrelations between correlated media products. -
Starlog Magazine
THE MATRIX SCIENCE FICTION FILMS*TV*VIDEO Indiana Carrie-Anne 4 Jones' wild iss & the death JANUARY #318 r women * of Trinity Exploit terrain to gain tactical advantages. 'Welcome to Middle-earth* The journey begins this fall. OFFICIAL GAME BASED OS ''HE I.l'l't'.RAKY WORKS Of J.R.R. 'I'OI.KIKN www.lordoftherings.com * f> Sunita ft* NUMBER 318 • JANUARY 2004 THE SCIENCE FICTION UNIVERSE ^^^^ INSIDEiRicinE THISti 111* ISSUEicri ir 23 NEIL CAIMAN'S DREAMS The fantasist weaves new tales of endless nights 28 RICHARD DONNER SPEAKS i v iu tuuay jfck--- 32 FLIGHT OF THE FIREFLY Creator is \ 1 *-^J^ Joss Whedon glad to see his saga out on DVD 36 INDY'S WOMEN L/UUUy ICLdll IMC dLLIUII 40 GALACTICA 2.0 Ron Moore defends his plans for the brand-new Battlestar 46 THE WARRIOR KING Heroic Viggo Mortensen fights to save Middle-Earth 50 FRODO LIVES Atop Mount Doom, Elijah Wood faces a final test 54 OF GOOD FELLOWSHIP Merry turns grim as Dominic Monaghan joins the Riders 58 THAT SEXY CYLON! Tricia Heifer is the model of mocmodern mini-series menace 62 LANDniun OFAC THETUE BEARDEAD Disney's new animated film is a Native-American fantasy 66 BEING & ELFISHNESS Launch into space As a young man, Will Ferrell warfare with the was raised by Elves—no, SCI Fl Channel's new really Battlestar Galactica (see page 40 & 58). 71 KEYMAKER UNLOCKED! Does Randall Duk Kim hold the key to the Matrix mysteries? 74 78 PAINTING CYBERWORLDS Production designer Paterson STARLOC: The Science Fiction Universe is published monthly by STARLOG GROUP, INC., Owen 475 Park Avenue South, New York, NY 10016. -
Astons Auctioneers & Valuers
Astons Auctioneers & Valuers Film Posters & Music Memorabilia - including a large ELVIS Baylies Hall Collection Tower Street Dudley ELVIS PRESLEY memorabilia has always been popular with West Midlands collectors - but never more so than in the case of Julie Wall - for DY1 1NB United Kingdom whom money was no object.. Started 03 Nov 2015 12:00 GMT Lot Description Heartbreak Hotel Elvis Presley 7 inch picture sleeve EP MKE-173 Mexican Record (1970s) - Excellent. Sleeve - Excellent plus Spanish 1 331/3 RPM Compacto Doble Elvis Canta 33014 R - Excellent/ S - Excellent. plus PB-11105 Picture Sleeve (1959). (Centre removed.) (3 total)----------------------------- ...[more] Blue Suede Shoes - Elvis Presley 7 inch Picture Sleeve RCA MKE-172 Mexican Record - Excellent / Sleeve - Excellent plus 47-1009 2 Danish (centre removed) plus PB11107 Picture Sleeve (centre removed) R - Ex./ S - Ex. (3 total) 3 Elvis Presley Y el Rock and Roll Spanish EP Picture Sleeve 3-20161 Record - VG / Sleeve - G. Dont be Cruel / Hound Dog - Elvis Presley Japanese Picture Sleeve RPS-140 Record - Ex. / Sleeve - Ex. plus Mexican Picture Sleeve 4 SP4027 R - Ex / S - Ex. plus PB11099 Picture Sleeve (centre removed) R - Ex/ S - EX. (3 total) Elvis Presley HMV UK Weekend Mail The Truth About Me complete with the original cut-out and mailer from Thursday April 4th 1957 5 postmarked Record - Ex. / Sleeve - Ex. plus Blue Moon of Kentucky / Thats Alright PPS3310761 Chicken, Louisiana R - Ex (total 2) Love Me Tender (Amami Tiernamente) / Dont Be Cruel (No Seas Cruel) Elvis Presley SP4035 Mexican Record (1974) - Ex / Sleeve - 6 Ex. plus PB11108 Any way you Want me / Love Me Tender R Ex / S Ex plus Danish 47/6643 (centre removed) R - Ex. -
Reboots’ at the Box Office
http://www.dailycomet.com/article/20120502/WIRE/120509895... This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution to your colleagues, clients or customers here or use the "Reprints" tool that appears above any article. Order a reprint of this article now. Settle in for a summer of ‘reboots’ at the box office By BILL GOODYKOONTZ Gannett Chief Film Critic Published: Wednesday, May 2, 2012 at 1:37 p.m. Among the many big-budget blockbusters on tap for this summer is “The Amazing Spider-Man,” which in movie jargon is undergoing what is referred to as a “reboot.” Reboot: A different take on a well-known idea. That’s not surprising. Superheroes are a summer staple, and we’ve already seen a gaggle of them gathered in “The Avengers” so far. And of all genres, the superhero film is best suited for rebooting and remaking. So, fair enough. Except ... wait a second. Didn’t Spider-Man just get a reboot 10 years ago? Yes, yes he did, in Sam Raimi’s film, which was followed by two sequels. So now he needs another? What’s the shelf life of a character, anyway? And how often do we need these things? “Need” isn’t the operative word here. Studios continue to give us what they think we want, and that’s what we get. And while a steady stream of remakes and reboots may grow tiresome and suggest a Hollywood bereft of ideas, one can look no further than Christopher Nolan’s “Batman” films to see that reboots can bear worthwhile fruit. -
DVD Profiler
101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV). -
Hugo Nomination Details for 2005
Interaction Complete Nomination Statistics Page 1 of 10 Hugo Nomination Details for 2005 As required by the WSFS Constitution, we report the top 15 vote recipients in each category, plus any others which received at least 5% of the nominations cast in that category. We validated the eligibility and names/titles of all nominees who might have affected the final ballot, but did not attempt to validate nominees who received fewer nominations. There were 546 total valid nominating forms submitted, of which 436 were electronic. Interaction Complete Nomination Statistics Page 2 of 10 Best Novel (424 nominating ballots, 230 titles, 1360 votes) 96 Jonathan Strange & Mr. Norrell by Susanna Clarke (Bloomsbury) 55 Iron Sunrise by Charles Stross (Ace) 46 Iron Council by China Miéville (Del Rey; Macmillan) 37 River Of Gods by Ian McDonald (Simon & Schuster) 33 The Algebraist by Iain M. Banks (Orbit) ------------ final ballot complete ------------ 54 Going Postal by Terry Pratchett (HarperCollins) - Declined nomination 32 Newton's Wake by Ken McLeod (Orbit) 28 Light by M. John Harrison (Bantam) 27 Camouflage by Joe Haldeman (Ace) 27 Century Rain by Alastair Reynolds (Gollancz) 26 Perfect Circle by Sean Stewart (Small Beer Press) 26 The Family Trade by Charles Stross (Tor) 24 Air by Geoff Ryman (St. Martin's Griffin) 24 Stamping Butterflies by Jon Courtenay Grimwood (Gollancz) 23 The Last Light of the Sun by Guy Gavriel Kay (Simon & Schuster UK) 22 A Hat Full of Sky by Terry Pratchett (Gollancz) Best Novella (249 nominating ballots, 84 titles, 557 votes) -
PRESS Graphic Designer
© 2021 MARVEL CAST Natasha Romanoff /Black Widow . SCARLETT JOHANSSON Yelena Belova . .FLORENCE PUGH Melina . RACHEL WEISZ Alexei . .DAVID HARBOUR Dreykov . .RAY WINSTONE Young Natasha . .EVER ANDERSON MARVEL STUDIOS Young Yelena . .VIOLET MCGRAW presents Mason . O-T FAGBENLE Secretary Ross . .WILLIAM HURT Antonia/Taskmaster . OLGA KURYLENKO Young Antonia . RYAN KIERA ARMSTRONG Lerato . .LIANI SAMUEL Oksana . .MICHELLE LEE Scientist Morocco 1 . .LEWIS YOUNG Scientist Morocco 2 . CC SMIFF Ingrid . NANNA BLONDELL Widows . SIMONA ZIVKOVSKA ERIN JAMESON SHAINA WEST YOLANDA LYNES Directed by . .CATE SHORTLAND CLAUDIA HEINZ Screenplay by . ERIC PEARSON FATOU BAH Story by . JAC SCHAEFFER JADE MA and NED BENSON JADE XU Produced by . KEVIN FEIGE, p.g.a. LUCY JAYNE MURRAY Executive Producer . LOUIS D’ESPOSITO LUCY CORK Executive Producer . VICTORIA ALONSO ENIKO FULOP Executive Producer . BRAD WINDERBAUM LAUREN OKADIGBO Executive Producer . .NIGEL GOSTELOW AURELIA AGEL Executive Producer . SCARLETT JOHANSSON ZHANE SAMUELS Co-Producer . BRIAN CHAPEK SHAWARAH BATTLES Co-Producer . MITCH BELL TABBY BOND Based on the MADELEINE NICHOLLS MARVEL COMICS YASMIN RILEY Director of Photography . .GABRIEL BERISTAIN, ASC FIONA GRIFFITHS Production Designer . CHARLES WOOD GEORGIA CURTIS Edited by . LEIGH FOLSOM BOYD, ACE SVETLANA CONSTANTINE MATTHEW SCHMIDT IONE BUTLER Costume Designer . JANY TEMIME AUBREY CLELAND Visual Eff ects Supervisor . GEOFFREY BAUMANN Ross Lieutenant . KURT YUE Music by . LORNE BALFE Ohio Agent . DOUG ROBSON Music Supervisor . DAVE JORDAN Budapest Clerk . .ZOLTAN NAGY Casting by . SARAH HALLEY FINN, CSA Man In BMW . .MARCEL DORIAN Second Unit Director . DARRIN PRESCOTT Mechanic . .LIRAN NATHAN Unit Production Manager . SIOBHAN LYONS Mechanic’s Wife . JUDIT VARGA-SZATHMARY First Assistant Director/ Mechanic’s Child . .NOEL KRISZTIAN KOZAK Associate Producer . -
Key Agents of Mediation That Define, Create, and Maintain TV Fandom
Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication Fall 12-20-2012 Abracadabra: Key Agents of Mediation that Define, Create, and Maintain TV Fandom David H. Gardner Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Recommended Citation Gardner, David H., "Abracadabra: Key Agents of Mediation that Define, Create, and Maintain TV Fandom." Thesis, Georgia State University, 2012. https://scholarworks.gsu.edu/communication_theses/95 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ABRACADABRA: KEY AGENTS OF MEDIATION THAT DEFINE, CREATE, AND MAINTAIN TV FANDOM by DAVID H. GARDNER Under the Direction of Dr. Alisa Perren ABSTRACT From a media industries, fan studies, and emerging socio-cultural public relations perspective, this project pulls back the Hollywood curtain to explore two questions: 1) How do TV public relations practitioners and key tastemaker/gatekeeper media define, create, build, and maintain fandom?; and 2) How do they make meaning of fandom and their agency/role in fan creation from their position of industrial producers, cultural intermediaries, members of the audience, and as fans themselves? This project brings five influential, working public relations and media professionals into a conversation about two case studies from the 2010-2011 television season – broadcast network CBS’ Hawaii Five-0 and basic cable network AMC’s The Walking Dead. Each of these shows speaks to fandom in particular ways and are representative of the industry’s current approaches in luring specific audiences to TV. -
Students Enrolled in Literature and Cinema From: Mrs. Mcvcrry Re: Summer Viewing Requirement
To: Students Enrolled in Literature and Cinema From: Mrs. McVcrry Re: Summer Viewing Requirement Welcome to Literature and Cinema! This letter is to inform you of the viewing requirements for our semester course. In addition, you will find explicit instructions for an assignment that is due the first day of regular classes. You are required to view two films over the summer. One film MUST be a foreign film; the other film is from the genre (i.e, action/parody/drama) of your choice. For the films that may be unfamiliar to you, I have included a very brief synopsis. HORROR: The Shining (19S0): Directed by Swnky Kurbrkk Eased upon the novel by Stephen King. Follows one man's destructive descent into madness in a haunted Coiarado hotel. A modem aJlegorv for the effects of alcoholism on the family dynamic, .4n .American Haunting (2005): Starring Sissy Spacek and Donald Sutherland. Twin stories, one set in colonial times the other set in the present, interrwine in the tradition of American Romanticism. A young woman is relentlessly attacked by an evil spirit, but the explanation for the haunting may have more human origins. Scream (1996): Written and directed by Kevin Williamson. The "horror" movie that challenged the conventions of the American horror genre. .Also starring Neve Campbell, Counney Cox .Arquette, and David .Arquette. Brief cameo by Drew Barrymore. The Others (2001).- Produced by Tom Cruise and starring Nicole Kidman. Inspired by European Gothic storyielling, one woman contends with the seemingly supernatural possession of her children and home; a haunting, she feels, may be the work of the estate's staff Poltergeist (1982); Starring Tom Skerriit: The film that inn-oduced the poltergeist phenomenon to the American public. -
Spider-Man 3: the Film Spider-Man 3 Came out in Cinemas in Is Peter Any Different in This May 2007
FACT FILE Spider-Man 3: The Film Spider-Man 3 came out in cinemas in Is Peter any different in this May 2007. It continues the story of story? Film Peter Parker and tells of Spider-Man’s Peter is still ‘just an average guy’, Launch fight against some exciting new as Spider-Man creator Stan Lee New York City loves Spider- villains. We asked some questions calls him. But he’s really tested Man! Spider-Man 3 was about this amazing film … this time. There are questions launched in Manhattan with a about his feelings and his mind. whole Spider-Man week. They ‘Peter has to deal with his dark had special events at side,’ said Avi Arad, one of the the Natural History film's producers. Museum, the city gardens unusual villain. He Why is the colour black and the zoo. doesn’t want to rule the world. He important in this film? just wants to help his sick daughter. Some black goo Sam Raimi, arrives on earth How would you launch a Spider- the director Man film in your town? What in a meteorite. events would you organise? So, a third Spider-Man film! It takes over Did the same team work on it? Peter’s suit. Does Spider- Director Sam Raimi came back for When Peter wears the black Man 3 have the third time to work with same suit, he’s different. His darker new music? acting team of Tobey Maguire feelings are stronger as well as Spider-Man has (Peter Parker / Spider-Man), And Harry Osborn is the New his powers. -
Loki Production Brief
PRODUCTION BRIEF “I am Loki, and I am burdened with glorious purpose.” —Loki arvel Studios’ “Loki,” an original live-action series created exclusively for Disney+, features the mercurial God of Mischief as he steps out of his brother’s shadow. The series, described as a crime-thriller meets epic-adventure, takes place after the events Mof “Avengers: Endgame.” “‘Loki’ is intriguingly different with a bold creative swing,” says Kevin Feige, President, Marvel Studios and Chief Creative Officer, Marvel. “This series breaks new ground for the Marvel Cinematic Universe before it, and lays the groundwork for things to come.” The starting point of the series is the moment in “Avengers: Endgame” when the 2012 Loki takes the Tesseract—from there Loki lands in the hands of the Time Variance Authority (TVA), which is outside of the timeline, concurrent to the current day Marvel Cinematic Universe. In his cross-timeline journey, Loki finds himself a fish out of water as he tries to navigate—and manipulate—his way through the bureaucratic nightmare that is the Time Variance Authority and its by-the-numbers mentality. This is Loki as you have never seen him. Stripped of his self- proclaimed majesty but with his ego still intact, Loki faces consequences he never thought could happen to such a supreme being as himself. In that, there is a lot of humor as he is taken down a few pegs and struggles to find his footing in the unforgiving bureaucracy of the Time Variance Authority. As the series progresses, we see different sides of Loki as he is drawn into helping to solve a serious crime with an agent 1 of the TVA, Mobius, who needs his “unique Loki perspective” to locate the culprits and mend the timeline. -
Resume – August 2021 *COMPLETE RESUME AVAILABLE UPON REQUEST* 2
NANCY NAYOR CASTING Office: 323-857-0151 / Cell: 213-309-8497 E-mail: [email protected] Former SVP Feature Film Casting, Universal Pictures - 10 years THE MOTHER (Feature) NETFLIX Director: Niki Caro Producers: Elaine Goldsmith-Thomas, Benny Medina, Marc Evans, Roy Lee, Miri Yoon Cast: Jennifer Lopez 65 (Feature) SONY PICTURES Writers/Directors: Scott Beck & Bryan Woods Producers: Sam Raimi, Zainab Azizi, Debbie Liebling, Scott Beck, Bryan Woods Cast: Adam Driver, Ariana Greenblatt, Chloe Coleman IVY + BEAN (3 Feature Series) NETFLIX Director: Elissa Down Producers: Anne Brogan, Melanie Stokes Cast: Jesse Tyler Ferguson, Nia Valdalos, Sasha Pieterse, Keslee Blalock, Madison Validum BAGHEAD (Feature) STUDIOCANAL Director: Alberto Corredor Producers: Andrew Rona, Alex Heineman Cast: Freya Allan, Ruby Barker PERFECT ADDICTION (Feature) CONSTANTIN Director: Castille Landon Producers: Jeremy Bolt, Robert Kulzer, Aron Levitz Cast: Kiana Madeira, Ross Butler, Matthew Noszka BARBARIAN (Feature) VERTIGO, BOULDER LIGHT Director: Zach Cregger Producers: Roy Lee, Raphael Margules, JD Lifschitz Cast: Bill Skarsgård, Georgiana Campbell, Justin Long THE LAST WILL AND TESTAMENT OF CHARLES ABERNATHY (Feature) NETFLIX Director: Alejandro Brugues Producer: Paul Schiff Cast: Briana Middleton, Rachel Nichols, Austin Stowell, Bob Gunton, David Walton, Peyton List THE COW (Feature) BOULDER LIGHT Director: Eli Horowitz Producers: Raphael Margules, JD Lifschitz Cast: Winona Ryder, Owen Teague, Dermot Mulroney SONGBIRD (Feature) STX/INVISIBLE NARRATIVES/CATCHLIGHT STUDIOS Writer/Director: Adam Mason Producers: Michael Bay, Adam Goodman, Eben Davidson, Jason Clark, Jeanette Volturno, Marcei Brown Cast: Demi Moore, K.J. Apa, Paul Walter Hauser, Craig Robinson, Bradley Whitford, Jenna Ortega, Sofia Carson UMMA (Feature) SONY STAGE 6/CATCH LIGHT STUDIOS Writer/Director: Iris K.