190314 SUPER JUNIOR ELF- JAPAN MAGAZINE Vol.0015 – Leeteuk

Total Page:16

File Type:pdf, Size:1020Kb

190314 SUPER JUNIOR ELF- JAPAN MAGAZINE Vol.0015 – Leeteuk 190314 SUPER JUNIOR ELF- JAPAN MAGAZINE Vol.0015 – Leeteuk Qn 1 : 「Super Show 7」concerts in Japan has ended , want to hear your true feeling right now Ans: I was really happy & honored to be able to stand on the Tokyo dome stage again because I and the Japanese ELF had a very happy time together so I wanted to do the same type of live as before.To enable everyone to be close to my side again, I will work even harder. Qn 2 : It’s been 4 years apart for the concerts in Tokyo Dome , probably is the one filled with most energy and most effort put in right ? how do you spent the night just before the concert ? Ans : On the night just before the concert , I was really excited , my heart could never stop beating , no matter how I tried to sleep , I can’t . Took a half body bath to allow my emotions to be calmed down a bit , afterwards I went to sleep. Qn 3: Looking back at the performances , is there any moments that leave you a strong expression ? Ans : When getting ready to go up on stage to perform , the venue will be filled with blue , just liked the blue ocean during the encore , the waves of movement between people is really awesome . It has led me to have a strong impression . Recently and sometimes I will still think of that scene . Qn 4: In the year of 2012 , the first time that Super SHOW 4 had it’s first performance in Tokyo Dome , Fans used torchlights to create a blue ocean and compared to what you had seen now , is the feeling still the same too ? Ans : No matter what , no matter how many times that I had seen , I can only say : “ Very Touching ! ’’ Qn 5: At the venue of Super Show 7 , you sat on a moverable cart twice , while sitting on it , you waved and pointed to the audience a few times , what type of thoughts were you having at that time when revolving around the crowd ? Ans : Because there were many fans at the venue so I wanted to keep a slight distance away , fans who came upfront and before to do fan support , fanchants everytime , I do remember all of them and it’s engraved in my mind and also kept in my heart . I used my finger to point at fans by saying : “ You are mine ! ’’ (Laughs) Qn 6: 4 years ago Super Show 6 was held and compared to now , As a leader role for yourself and also physicologal understanding , are there any changes to be able to talk about ? Ans: I feel that things that I want to do now has become lesser than before , Members are all growing up in their own respective ways , in my own respective role I am also working seriously about it . Qn 7: The MV for One More Time that was released in Japan & korea was filmed at Macau , is there any happy things that happened during the filming process ? Ans: For Macau , overall the night was extremely beautiful but because the schedule was tight , so there’s no time for sightseeing , only a quick filming afterwards I went back home. Qn. 8: In SUJU New Japanese single << Make you smile>> that was recorded , there was “ In the scent of winter ’’ , “The twillight of spring ’’, “In the summer days of summer” and “You make me smile’’ etc. the song lyrics , do you have any specific scenery in any favorite seasons that you like or smell ? Ans : I like the atmosphere of Autumn but as time passes by , the sense of loneliness will continue to be strong , immersing into deeper thoughts of things will become more and more . Then , I feel that according to differences in climate changes , every season has it’s own benefits . Maybe I’m a person who likes to change according to liking. Qn 9: You will often find free time to do cooking by yourself in the midst of a busy schedule and then uploaded it on SNS, is there something that will always be kept in the fridge ? if not just keep it outside and not worry about it ? Ans: Meat ! This is something that must be kept inside and then it’s just ingredients to cook simple dishes example like Scallions and Onions !! Qn 10 : When Kyuhyun returns to the team next year , what type of image does SUPER JUNIOR wants to protray ? What type of image do you think you will be able to see ? Ans : Firstly , being able to stand on the same stage together is most important than many other things actually .Want to let every ELF see the image of togetherness of every members quickly. Qn 11. From SUPER SHOW 7 counting the respective number , in 2019 the 7 wishes for yourself is ? Ans: 1. Being able to find tiny sparkles of joy. 2. Be healthy 3. To live a life that isn’t lonely. 4. To not be tired 5. Never give up 6. Always smile 7. To love. .
Recommended publications
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • 180916 SUPER JUNIOR OFFICIAL FANCLUB E.L.F-JAPAN MAGAZINE VOL.0014 SPECIAL SOLO INTERVIEW - Shindong
    180916 SUPER JUNIOR OFFICIAL FANCLUB E.L.F-JAPAN MAGAZINE VOL.0014 SPECIAL SOLO INTERVIEW - Shindong Qn 1 : Who's the most bravest member ? Ans : The sooner it is for me to give up , feel that If I don't let go easily, this is the bravest person ah. In fact , the other members have so much determination , not to mention 「Giving up」is actually a hard thing to do ah. After all, this is my personal opinion. For Justice and Rejection is my style. I'm the bravest man (Laughs) Qn 2 : The most treasurable object that you kept since young is? Ans : Since Young , I was a teen who loved Robots personally, the most treasurable object was a gift from my father - a notebook , I still remember that it was given during my 3rd year of Junior High school . and I used it for 6 years . When I myself began to explore on many things , research on their specifications, thanks to the knowledge of using laptops, the function can also be expanded and implied. If the members have problems with their laptops, they will also asked me. Qn 3 : At times when there's a difference in the show times for the world tour , during the performance is there any amendments in any areas or sections ? Ans : In the process , an image (VCR) will be inserted into one of the sections ,it will be collaborated with the location of each place ,changes will be made , At Taiwan . it will be related to somewhere of it ,At Philippines , it will be also related to it , for example , In South America , the backdrop was a place with snow that was flying and floating around , so the editing was to be collaborated with the members camera for the images (VCR).
    [Show full text]
  • Conceptually Androgynous
    Umeå Center for Gender Studies Conceptually androgynous The production and commodification of gender in Korean pop music Petter Almqvist-Ingersoll Master Thesis in Gender Studies Spring 2019 Thesis supervisor: Johanna Overud, Ph. D. ABSTRACT Stemming from a recent surge in articles related to Korean masculinities, and based in a feminist and queer Marxist theoretical framework, this paper asks how gender, with a specific focus on what is referred to as soft masculinity, is constructed through K-pop performances, as well as what power structures are in play. By reading studies on pan-Asian masculinities and gender performativity - taking into account such factors as talnori and kkonminam, and investigating conceptual terms flower boy, aegyo, and girl crush - it forms a baseline for a qualitative research project. By conducting qualitative interviews with Swedish K-pop fans and performing semiotic analysis of K-pop music videos, the thesis finds that although K-pop masculinities are perceived as feminine to a foreign audience, they are still heavily rooted in a heteronormative framework. Furthermore, in investigating the production of gender performativity in K-pop, it finds that neoliberal commercialism holds an assertive grip over these productions and are thus able to dictate ‘conceptualizations’ of gender and project identities that are specifically tailored to attract certain audiences. Lastly, the study shows that these practices are sold under an umbrella of ‘loyalty’ in which fans are incentivized to consume in order to show support for their idols – in which the concept of desire plays a significant role. Keywords: Gender, masculinity, commercialism, queer, Marxism Contents Acknowledgments ................................................................................................................................... 1 INTRODUCTION .................................................................................................................................
    [Show full text]
  • Super Junior
    Super Junior Super Junior ((hangulhangul: )?, también conocido co- momo SuJu o o SJ SJ, es unauna boy boy band, proveniente dede Corea Corea del Sur. Formada en el 2005 porpor SM SM Entertainment,, Suju consconstabataba orioriginaginalmelmentente de 12 miemiembrmbros,os, espespe-e- cializados en el ámbito del entretenimiento musical y actoral. Los miembros originales eran:eran: Leeteuk Leeteuk (el lí- der),der), Heechul,, Yesung Yesung,, Shindong,, Kang-in Kang-in,, Sungmin Sungmin,, Eunhyuk,, Donghae Donghae,, Siwon Siwon,, Kibum Kibum,, Ryeowook Ryeowook yy Han Geng. Luego se agregó un decimotercer miembmiembroro llama- dodo Kyuhyun Kyuhyun en el 2006. Super Junior ha realizado siete álbumes de estudio y unun sencillo sencillo desde el 2005, alcanzando el reconocimien- to internacional tras el lanzamiento de su álbum “Sorry, Seúl, ciudad donde se formó Super Junior. Sorry” en el 2009. Además de su éxito comercial, Super Junior ha ganado trece premios en los Mnet Asia Music Awards, dieciséis en los Golden Disk Awards, once pre- 1.1 20002000–200–2005:5: ForFormacmaciónión y DDebebutut popularidadmios en los Seoul de Golden Music Disk Awards Awards, además los años del 2009,premio 2010 a la y 2011. En 2002000,0, SM SM Entertainment tuvo su primer casting En el 2012, fueron nominados como “Mejor Acto Asiá- en el extranjero enen Pekín Pekín,, China China, y descubrió aa Han tico” en loslos MTV MTV Europe Music Awards, mostrando una Geng, quien se presentó a la audición junto con otros vez más su popularidapopularidadd en el mundo. 3.000 participantes. Ese mismo año,año, Leeteuk Leeteuk,, Yesung Yesung yy Eunhyuk Eunhyuk fueron seleccionados después de audicionar Kibum, está como miembro inactivo para seguir con su para la compañía en un sistema de casting anual enen Seúl Seúl.
    [Show full text]
  • 1 BAB I PENDAHULUAN 1.1 Latar Belakang Masalah Kemajuan
    BAB I PENDAHULUAN 1.1 Latar Belakang Masalah Kemajuan teknologi yang semakin berkembang membuat masyarakat dapat dengan mudah mengakses berita-berita terbaru dari seluruh lapisan dunia. Pertukaran berita, budaya, hingga ide-ide kreatif dapat terjadi dengan cepat dan mudah. Sudah cukup banyak kreatifitas budaya dan seni yang mendunia seperti dari Amerika dan Jepang, tetapi pada masa sekarang ini, budaya Korea Selatan yang sedang menjadi lokomotif utama budaya kaum muda di seluruh kawasan lingkaran pasifik. Hampir seluruh masyarakat dunia merasakan “demam” Korea Selatan yang sedang mewabah ini. “Demam” Korea ini disebut dengan Korean Wave. Korean Wave adalah istilah yang dibuat oleh warga China sebagai arti kemajuan dari budaya Korea Selatan di dunia. Pada awalnya Korea Selatan terkenal dengan dunia film dan drama, namun sejak mewabahnya lagu “Gangnam Style” di tahun 2011, bidang musik Korea Selatan mulai menjadi pusat perhatian masyarakat dunia. Istilah musik populer asal Korea Selatan disebut dengan Korean Pop atau K-Pop. Jenis musik yang menarik ditambah dengan fisik artis-artis Korea Selatan yang tampan dan cantik membuat K-Pop sangat digemari. Begitu banyak jenis girls group dan boyband K-Pop berbakat yang muncul dengan berbagai kemampuan, jenis lagu, dan tarian. Dengan demikian, sulit untuk mengetahui 1 Universitas Kristen Maranatha 2 kelompok musik seperti apa yang menjadi idola. Beragam acara penghargaan dilakukan untuk memilih kelompok musik yang terbaik. Pada Agustus 2015, penghargaan Internasional The Teen Choice Award yang dilakukan di Los Angeles memberikan penghargaan kepada boyband asal Korea Selatan Super Junior sebagai Best International Artist. Situs SBS menambahkan, Super Junior bahkan mengalahkan boyband asal inggris yaitu One Direction. Kemenangan Super Junior membuktikan bahwa mereka behasil menjadi kelompok musik terbaik dari berbagai kelompok musik berbakat di Korea Selatan bahkan di dunia.
    [Show full text]
  • Running Head: K-POP FANSHIP, FANDOM, SOCIAL IDENTITY THEORY
    Running Head: K-POP FANSHIP, FANDOM, SOCIAL IDENTITY THEORY. 1 Positive Psychosocial Outcomes and Fanship in K-Pop Fans: A Social Identity Theory Perspective. Author Derek A. Laffan Affiliation Dún Laoghaire Institute of Art, Design and Technology Please cite this work as follows: Laffan, D. A. (2020). Positive Psychosocial Outcomes and Fanship in K-Pop Fans: A Social Identity Theory Perspective. Psychological Reports. doi: https://doi.org/10.1177%2F0033294120961524. [Link to article: https://journals.sagepub.com/eprint/ 7RFN3NQNZRFDYWR4C76V/full] Running Head: K-POP FANSHIP, FANDOM, SOCIAL IDENTITY THEORY. 2 Positive Psychosocial Outcomes and Fanship in K-Pop Fans: A Social Identity Theory Perspective. Abstract Korean pop culture (K-Pop) has spread its influence outside of Korea to a worldwide fan audience. The present study investigated the self-categorised K-Pop fandom characteristics that predicted higher levels of K-Pop fanship, and subsequent psychosocial outcomes. Social identity theory was applied as a theoretical framework. In total, 1477 K-Pop fans from 92 predominantly Western countries fully completed an extensive online survey measuring fanship, fandom and psychosocial outcomes (happiness, self-esteem and social connectedness). Results of this study indicated that K- Pop fanship was significantly predicted by a several K-Pop demographic and fandom characteristics. K-Pop fanship was a significant predictor of increased happiness, self-esteem and social connectedness. The study findings advance the application of social identity theory in a K-Pop fan context and the psychological fanship research more broadly. Keywords: Social identity theory, fanship, fandom, K-Pop, self-categorisation. Running Head: K-POP FANSHIP, FANDOM, SOCIAL IDENTITY THEORY.
    [Show full text]
  • Gender Discrimination in the K-Pop Industry
    Journal of International Women's Studies Volume 22 Issue 7 Gendering the Labor Market: Women’s Article 2 Struggles in the Global Labor Force July 2021 Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry Liz Jonas Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Jonas, Liz (2021). Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry. Journal of International Women's Studies, 22(7), 3-18. Available at: https://vc.bridgew.edu/jiws/vol22/iss7/2 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2021 Journal of International Women’s Studies. Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry By Liz Jonas1 Abstract This paper explores the ways in which the idol industry portrays male and female bodies through the comparison of idol groups and the dominant ways in which they are marketed to the public. A key difference is the absence or presence of agency. Whereas boy group content may market towards the female gaze, their content is crafted by a largely male creative staff or the idols themselves, affording the idols agency over their choices or placing them in power holding positions. Contrasted, girl groups are marketed towards the male gaze, by a largely male creative staff and with less idols participating.
    [Show full text]
  • Diversity of K-Pop: a Focus on Race, Language, and Musical Genre
    DIVERSITY OF K-POP: A FOCUS ON RACE, LANGUAGE, AND MUSICAL GENRE Wonseok Lee A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2018 Wonseok Lee All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Since the end of the 1990s, Korean popular culture, known as Hallyu, has spread to the world. As the most significant part of Hallyu, Korean popular music, K-pop, captivates global audiences. From a typical K-pop artist, Psy, to a recent sensation of global popular music, BTS, K-pop enthusiasts all around the world prove that K-pop is an ongoing global cultural flow. Despite the fact that the term K-pop explicitly indicates a certain ethnicity and language, as K- pop expanded and became influential to the world, it developed distinct features that did not exist in it before. This thesis examines these distinct features of K-pop focusing on race, language, and musical genre: it reveals how K-pop groups today consist of non-Korean musicians, what makes K-pop groups consisting of all Korean musicians sing in non-Korean languages, what kind of diverse musical genres exists in the K-pop field with two case studies, and what these features mean in terms of the discourse of K-pop today. By looking at the diversity of K-pop, I emphasize that K-pop is not merely a dance- oriented musical genre sung by Koreans in the Korean language.
    [Show full text]
  • An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California
    UCLA UCLA Entertainment Law Review Title Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California Permalink https://escholarship.org/uc/item/88z2z7wm Journal UCLA Entertainment Law Review, 20(2) ISSN 1073-2896 Author Tsai, Patricia Publication Date 2013 DOI 10.5070/LR8202027172 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Tal- ent Agencies Act of California Patricia Tsai* The 360 deal has been an attractive option for music labels in the United States to gain traction in the faltering music industry, but po- tential legal obstacles may hinder the incentive to enter into the deals both for the label andfor the artist. Labels entering into 360 deals may find themselves liablefor violating the Seven-Year Statute or the Talent Agencies Act (TAA). With 360 agreements becoming more popular, labels should turn to an existing music industry that has dealt with the potentiallegal problems of 360 dealsfor years. The Korean pop industry, commonly called "K-pop, " has taken advantage of a 360-deal-like model for many years, and as a conse- quence, many Korean labels have experienced the potential legal prob- lems that American labels may face. Particularly,the legal problems faced by S.M Entertainment, a talent agency and music label giant in South Korea, as a result of their contract with TVXQ, a popular and hugely successful boy band,reveal exactly the type ofpotential liability faced by American music labels.
    [Show full text]
  • Effective Marketing Strategies in K-Pop Industry
    Huy Quang Le Effective marketing strategies in K-pop industry Case study: TWICE - JYP Entertainment Bachelor Thesis Autumn 2018 Business School Degree Programme in International Business 2 SEINÄJOKI UNIVERSITY OF APPLIED SCIENCES Thesis abstract Faculty: Business School Degree Programme: International Business Specialisation: International Business Author(s): Huy Quang Le Title of thesis: Effective marketing strategies in K-pop industry Supervisor(s): Miia Koski Year:_2018 Number of pages: 28 Number of appendices: 1 Twice is currently leading girls group in the K-pop music industry. The group has attracted a significant number of fans not only in South Korea but also all around the world, thanks to spectacular marketing strategies from their managing company- JYP Entertainment. The aim of this thesis is to have a closer look on what are the key marketing strate- gies that JYP Entertainment has used to promote for Twice. There are two main parts in this thesis: theoretical framework and empirical study. In the theoretical part, a basic principle of marketing has been introduced as well as digital and social me- dia marketing. Moreover, a brief introduction about K-pop industry, JYP Entertain- ment, the girl group Twice and their marketing methods has also been presented as well as how K-pop, a music style with vast of audio-visual components has become a phenomenon worldwide. In the empirical part, a quantitative survey of random 100 people who interested in K-pop music was conducted to analyse the potential customers group and their be- haviour. Eventually, the results will help the entertainment companies creating a marketing strategy to attract more fans for their artists.
    [Show full text]
  • My Girl; My Revenge. |Kyuhyun|Donghae| //Leeteuk
    My Girl; My Revenge. |KyuHyun|DongHae| //Leeteuk/EunMi/Yesung/Sungmin// KyuHyun swung his long slender leg off his sleek black motorcycle, tracing off to the front door of Donghae’s apartment. KyuHyun was one of those “dangerous guys.” You know the kind. In fact, you know all too well the kind. The kind that gives off a chilling vibe when he walks, the kind that glares at you when you say his name, the kind that always has the stone cold killer stare, the kind that will destroy anything in his path. KyuHyun looked down, cocking his head to the right, thinking of what to say to Donghae once he sees him face-to-face. He moistened the corner of his mouth with his darting tongue eventually outlining his bottom and top lip slowly. Countless of things went through his head, “Should I just forgive him?” he questioned himself “Or should I punch him in the face?” A sly smile appeared on his thick lips. “Nah.” He shook his head jokingly, “I know exactly what to do.” Finally, KyuHyun reached to the front of the staircase leading to the entrance of the home, he pounded on the fragile wooden door. Inside; Donghae was dancing around his kitchen with his little French blue apron Eunhyuk had got him during their debut year. He pranced to his front door licking the rest of the cookie dough substance off his long fingers. Fishy swung the door wide open; “Hello~?” Donghae sung before looking into the eyes of the younger one standing before him.
    [Show full text]
  • “SUPER CAMP” in MACAU Korean Wave Hits Studio City Event Center for the First Time
    FOR IMMEDIATE RELEASE SUPER JUNIOR Special Event “SUPER CAMP” in MACAU Korean Wave Hits Studio City Event Center for the First Time Greet the Fans on May 28, 2016 Fans Meeting Tour – Macau MACAU - April 15, 2016 (Friday): Studio City and Rolemodel Entertainment Group (REG) are proud to announce one of the hottest K-pop groups over the past decade, Super Junior, bringing their special fans meeting event "SUPER CAMP" to a world-class venue, Studio City Event Center, on May 28, 2016 (Saturday). Super Junior has been touring around the world bringing this memorable SUPER JUNIOR Special Event "SUPER CAMP" and its kick-off event was held last September in Seoul. This is their first ever fans meeting tour to major cities such as Tokyo, Taipei, Beijing, Shanghai and Bangkok. This special event in Macau will be held in a mini concert format with Super Junior celebrating their 10-year-old memories with their fans through their greatest hits performance and interactive games. Super Junior will reveal their all-time energetic mode and enthusiastic performance to their lovely fans. SUPER JUNIOR Special Event “SUPER CAMP” in MACAU is a thank you gesture from Super Junior to express gratitude to their fans for their continuous support to them. As some of the Super Junior members are currently serving in the army back in Korea, unfortunately not all of them can come to meet their fans in this exclusive event. However, LEETEUK, HEECHUL, YESUNG, KANGIN, RYEOWOOK and KYUHYUN have still tried their best to commit to this tour bringing an unforgettable experience to their fans despite of their busy personal schedules.
    [Show full text]