Biography Urs Fischer
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Artistic Subversions: Setting the Conditions of Display (Amsterdam, 2-4 Feb 17)
Artistic Subversions: Setting the Conditions of Display (Amsterdam, 2-4 Feb 17) Amsterdam, Feb 2–04, 2017 Deadline: Aug 30, 2016 Katja Kwastek Preceding the Stedelijk Museum Amsterdam’s ‘Lose Yourself! – A Symposium on Labyrinthine Exhibitions as Curatorial Model’(03.-04.02.2017) this young researchers’ colloquium (02.02.2017) at the Vrije Universiteit Amsterdam will consider the strategies and methods by which artists take control over the space of installation. Without the artist’s permission Triple Candie, an exhibition space in New York, featured a retro- spective of Maurizio Cattelan. Entitled Maurizio Cattelan is Dead: Life & Work, 1960-2009 (2009), the show did not include a single work by the artist. Instead, it brought together a selection of pho- tocopied images from previous exhibitions with (vaguely recognizable) replicas of works by the artist. Cattelan, still very much alive, urged the Deste Foundation – established by Dakis Joannou, a prodigious collector of Cattelan’s work – to acquire the entirety of the show. In the foundation in Athens it was later installed in a room expressly selected by the artist. By repositioning the show in a new space of his own devise, Cattelan altered the conditions of its setting thereby incorporat- ing the complete exhibition into his oeuvre. This anecdote demonstrates a blurring of authorship between the artist and the curator, but it is also indicative of the significance of the setting of art, or its context, to its interpretation. This shift in emphasis to the conditions of display can be traced at least as far back as the Exposition Internationale du Surréalisme (1938). -
TERENCE KOH Born 1980, China
TERENCE KOH Born 1980, China. Lives and works in NY. SELECTED GROUP EXHIBITIONS 2003 Attack – The Kult 48 Klubhouse, K48 and Deitch Projects, NYC, NY. Today’s Man, Hiromi Yoshii, Tokyo, Japan. Game Over, Grimm/Rosenfeld, Munich, Germany. Mixer 03, Monique Meloche Gallery, Chicago, Illinois. Now Playing, D’Amelio Terras, NYC, NY. Today’s Man, John Connely Presents, NYC, NY. DL: The Down Low in Contemporary Art, Longwood Art Gallery, Bronx, New York. Retreat, Peres Projects, Los Angeles, California. Hovering, Peres Projects, Los Angeles, California. 2004 Such things I do just to make myself more attractive to you, Peres Projects, Los Angeles, California. Biennial Exhibition, Whitney Museum of American Art, NYC, NY. Get Off! Exploring the Pleasure Principle, Museum of Sex, NYC, NY. Do a Book: Asian Artists Summer Project 2004, Plum Blossoms, NYC, NY. The Black Album, Maureen Paley/Interim Art, London, England. The Temple of Golden Piss, Extra City - Center for Contemporary Art, Antwerp, Belgium. Harlem Postcards Fall 2004, The Studio Museum in Harlem, NYC, NY. Phiiliip: Divided By Lightening, Deitch Projects, NYC, NY. 2006 Log Cabin, Artists Space, NYC, NY. No Ordinary Sanctity, Kunstraum Deutsche Bank, Salzburg, Austria. (curated by Shamim Momin) The Zine UnBound: Kults, Werewolves and Sarcastic Hippies, Yerba Buena Center for the Arts, San Francisco, California. Blankness Is Not a Void, Standard, Oslo, Norway. (curated by Gardar Eide Einarsson) SELECTED SOLO EXHIBITIONS 2011 Mary Boon Gallery, NYC, NY. 2009 Flowers for Baudor Baudelaire, Vito Schnabel Gallery, NYC, NY. ansonias, Galerie Thaddaeus Ropac, Paris, France. Auta no Tama Raku, Domanus Gallery, Port-au-Prince, Haiti 2008 Captain Buddha, Schirn Kunsthalle, Frankfurt, Germany Love for Eternity, MUSAC, Museo de Arte Contemporáneo de Castilla y León, Leon, Spain. -
Richard Prince Born in 1949, in the Panama Canal Zone, USA Biography Lives and Works in Upstate New York, USA
Richard Prince Born in 1949, in the Panama Canal Zone, USA Biography Lives and works in upstate New York, USA Solo Exhibitions 2019 'Richard Prince: Portrait', Museum of Contemporary Art Detroit, Detroit, USA 2018 'Richard Prince - Works from the Astrup Fearnley Collection', Astrup Museet, Olso, Norway 'Untitled (Cowboy)', LACMA, Los Angeles, USA 2017 'Super Group Richard Prince', Galerie Max Hetzler, Berlin, Germany 'Max Hetzler', Berlin, Germany 2016 The Douglas Blair Turnbaugh Collection (1977-1988)’, Edward Cella Art & Architecture, Los Angeles, USA Sadie Coles, London, UK 2015 'Original', Gagosian Gallery, New York, USA 'New Portraits', Blum & Poe, Tokyo, Japan 2014 'New Figures', Almine Rech Gallery, Paris, France 'It's a Free Concert', Kunsthaus Bregenz, Austria 'Canal Zone', Gagosian Gallery, New York, USA 2013 Sadie Coles, London, UK 'Monochromatic Jokes', Nahmad Contemporary, New York, USA 'Protest Paintings', Skarstedt Gallery, London, UK 'Untitled (band', Le Case d'Arte, Milan, Italy 'New Work', Jürgen Becker, Hamburg, Germany 'Cowboys', Gagosian, Beverly Hills, USA 2012 ‘Prince / Picasso’, Museo Picasso Malaga, Spain 'White Paintings', Skarstedt Gallery, New York, USA 'Four Saturdays', gagosian Gallery, New York, USA '14 Paintings', 303 Gallery, New York, USA 64 rue de Turenne, 75003 Paris 18 avenue de Matignon, 75008 Paris [email protected] 2011 - ‘The Fug’, Almine Rech Gallery, Brussels, Belgium Abdijstraat 20 rue de l’Abbaye Brussel 1050 Bruxelles ‘Covering Pollock’, The Guild Hall Museum, East Hampton, USA [email protected] -
Press Release (PDF)
G A G O S I A N G A L L E R Y 14 June 2016 I called some paintings perspectives but I'm not interested in perspective; I called some butterflies but I don't think they are butterflies; I call my sculptures masks but they are not masks. —Mark Grotjahn Gagosian Gallery is pleased to present “Pink Cosco,” an exhibition of new, large-scale painted bronze sculptures by Mark Grotjahn. Grotjahn's work is inseparable from its present moment, yet willing to make explicit art-historical reference. He borrows from Op art, Abstract Expressionism, Pop art, and Renaissance perspective, but achieves effects that reach forward and backward simultaneously. To occupy this precarious past-future visual position requires intense concentration, calculation, and control. As he painted his Butterfly paintings, Grotjahn sought an escape from precision: he began making masks out of the cardboard boxes lying around his studio—the discarded shells of art materials, gifts, and other packaging. He painted the boxes and attached toilet paper roll tubes that stuck out between cut-out eyes. The Masks, although originally started as a casual practice, quickly asserted themselves as a new armature for painting—an armature that would straddle time just as much as the two-dimensional geometric works. (Continue to page 2) 2 0 G R O S V E N O R H I L L L O N D O N W 1 K 3 Q D T . 0 2 0 . 7 4 9 5 . 1 5 0 0 F . 0 2 0 . 7 4 9 5 . -
Gillian Wearing Biography
GILLIAN WEARING BIOGRAPHY Born in Birmingham, United Kingdom, 1963 Lives and works in London, United Kingdom. Education: Goldsmiths' College, University of London, B.A. (Hons.) Fine Art, 1990 Chelsea School of Art, B.TECH Art & Design, 1987 Solo Exhibitions: 2014 Gillian Wearing, Regen Projects, Los Angeles, CA, December 11, 2014 – January 24, 2015 Gillian Wearing, Maureen Paley, London, UK, October 13 – November 16, 2014 Rose Video 05 | Gillian Wearing, The Rose Art Museum, Brandeis University, Waltham, MA, November 11, 2014 – March 8, 2015 We Are Here, The New Art Gallery Walsall, Walsall, UK, 18 July – 12 October 2014 2013 Gillian Wearing, Museum Brandhorst, Munich, Germany, March 21 – July 7, 2013. PEOPLE: Selected Parkett Artists’ Editions from 1984-2013, Parkett Space, Zurich, Switzerland, February 9 – March 11, 2013. 2012 Gillian Wearing, Whitechapel Art Gallery, London, United Kingdom, March 28 – June 17, 2012; travels to K20 Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany, September 8 – January 6, 2013; Pinakothek der Moderne, Munich, Germany, March – July 2013. 2011 Gillian Wearing: People, Tanya Bonakdar Gallery, New York, NY, May 5 – June 24, 2011 2009 Gillian Wearing: Confessions/ Portraits, Videos, Musée Rodin, Paris, France, April 10 – August 23, 2009 2008 Gillian Wearing: Pin-Ups and Family History, Regen Projects, Los Angeles, CA, July 12 – August 23, 2008 2007 Gillian Wearing: Family Monument, special project curated by Fabio Cavallucci and Cristina Natalicchio, Galleria Civica de Arte Contemporanea di Trento, -
Post Magazine April 2017
Galerie Max Hetzler Berlin | Paris | London Post Magazine McHugh, Fionnuala: Swiss artist Urs Fischer: is he serious? 23 April 2017 ` Urs Fischer, with Foamcore (2017), at the Gagosian Gallery, in Central.(/) Swiss artist Urs Fischer: is he serious? The weird and questionably wonderful work of the New York-based artist, who was in Hong Kong for his first solo exhibition in Asia, raises an obvious question: is he for real? BY FIONNUALA MCHUGH 23 APR 2017 In 2004, Swiss artist Urs Fischer created an alpine chalet made out of bread (sourdough, to be exact). It was life-size and, in succeeding years, as it did MO THI the artistic rounds, it took on a life of its own. Oriental rugs appeared; so did parakeets that hadn’t yet learned to fly and pecked at their crumby surroundings. After a while, the original sweet-smelling edifice became less fragrant as its structure, sourly, rotted. In 2007, Fischer had an exhibition at Gavin Brown’s Enterprise, in New York. The gallery floor was dug up, leaving a crater that measured roughly 11 Bac metres by nine metres and was two-and-a-half metres deep. Visitors could walk around it on a narrow ledge but there was a thrillingly stern warning Kon at the entrance: THE INSTALLATION IS PHYSICALLY DANGEROUS AND INHERENTLY INVOLVES THE RISK OF SERIOUS INJURY OR DEATH. The work was Gat who called You. /m mag rea By 2012, Fischer was showing at the Palazzo Grassi, in Venice, Italy. The 18th-century palace is owned by French businessman François Pinault, whose company is the major shareholder of Christie’s auction house and who has one of the world’s largest collections of contemporary art. -
Sean Landers Cv 2021 0223
SEAN LANDERS Born 1962, Palmer, MA Lives and works in New York, NY EDUCATION 1986 MFA, Yale University School of Art, New Haven, CT 1984 BFA, Philadelphia College of Art, Philadelphia, PA SOLO EXHIBITIONS 2020 Petzel Gallery, New York, NY, 2020 Vision, April 26–ongoing (online presentation) Greengrassi, London, UK, Northeaster, June 16–July 31 Consortium Museum, Dijon, France, March 13– October 18, curated by Eric Troncy 2019 Ben Brown Fine Arts, Hong Kong, China, November 12–January 9, 2020 Galerie Rodolphe Janssen, Brussels, Belgium, November 9–December 20 (catalogue) Petzel Bookstore, New York, NY, Curated by . Featuring Sean Landers, November 7– December 14 Freehouse, London, UK, Sean Landers: Studio Films 90/95, curated by Daren Flook, January 13–February 24 2018 Petzel Gallery, New York, NY, March 1–April 21 (catalogue) 2016 Capitain Petzel, Berlin, Germany, Sean Landers: Small Brass Raffle Drum, September 16– October 29 2015 Taka Ishii Gallery, Tokyo, Japan, December 5–January 16, 2016 Galerie Rodolphe Janssen, Brussels, Belgium, October 29–December 19 (catalogue) China Art Objects, Los Angeles, CA, February 21–April 11 2014 Petzel Gallery, New York, NY, Sean Landers: North American Mammals, November 13– December 20 (catalogue) 2012 Galerie Rodolphe Janssen, Brussels, Belgium, November 8–December 21(catalogue) Sorry We’re Closed, Brussels, Belgium, Longmore, November 8–December 21 greengrassi, London, UK, April 26–June 16 1 2011 Friedrich Petzel Gallery, New York, NY, Sean Landers: Around the World Alone, May 6–June 25 Marianne Boesky Gallery, New York, NY, Sean Landers: A Midnight Modern Conversation, April 21–June 18 (catalogue) 2010 Contemporary Art Museum St. -
Urs Fischer – False Friends MUSÉE D’ART ET D’HISTOIRE, GENEVA
Urs Fischer – False Friends MUSÉE D’ART ET D’HISTOIRE, GENEVA APRIL 28 – JULY 17, 2016 PRESS RELEASE A selection of the Dakis Joannou Collection in Geneva for the first time March 2016 - Beginning on April 28, 2016, the Museum of Art and History of Geneva welcomes the DESTE Foundation, introducing the exhibition Urs Fischer – False Friends, in collaboration with of ART for The World. Urs Fischer – False Friends brings together a selection of works from the Dakis Joannou Collection. Conceived as an unusual synthesis between a solo show and a group exhibition, False Friends pairs works by a range of highly recognized artists with an ensemble of 20 works by Swiss artist Urs Fischer (b. 1973). In False Friends, Urs Fischer's work is seen alongside sculptures and paintings by artists such as Pawel Althamer, Maurizio Cattelan, Fischli and Weiss, Robert Gober, Martin Kippenberger, Jeff Koons, Paul McCarthy, Cindy Sherman and Kiki Smith, all of whom engage with fundamental themes in the history of art – the representation of the human body, the transformative power of materials, and the virtues of subtle observations. Establishing unexpected connections between artworks and aesthetics, methods and materials, False Friends traces similarities and differences among a group of artists whose work has animated and sustained critical debates in contemporary art throughout the past thirty years. The work of Urs Fischer, one of the most innovative Swiss artists of his generation, is central to False Friends. Fischer celebrates metamorphosis and change through works that reveal a particular attention to process and time. Coupling the legacy of Pop art with a neo-baroque taste for the absurd, Fischer’s creative universe trembles under the forces of entropy, decay and failure. -
Artdesk Is a Free Quarterly Magazine Published by Kirkpatrick Foundation
TOM SHANNON / ANDY WARHOL / AYODELE CASEL / WASHI NGTON D.C. / AT WORK: TWYLA THARP / FALL 2019 CONTEMPORARY ARTS, PERFORMANCE, AND THOUGHT ON I LYNN THOMA ART FOUNDAT ART THOMA LYNN I ROBERT IRWIN, Lucky You (2011) One of the many artworks in Bright Golden Haze (opening March 2020) at the new Oklahoma Contemporary Arts Center ArtDesk is a free quarterly magazine published by Kirkpatrick Foundation. COLLECTION OF THE CARL & MAR & CARL THE OF COLLECTION LETTING GO | Denise Duong The Pink Lady | I N A COCKTAI L SHAKER FULL OF I CE, SHAKE ONE AND A HALF OUNCES OF LONDON DRY GI N , A HALF OUNCE OF APPLEJACK, THE JUI CE OF HALF A LEMON, ONE FRESH EGG WHI TE, AND TWO DASHES OF GRENADI NE. POUR I NTO A COCKTAI L GLASS, and add a cherry on top. FALL ART + SCI ENCE BY RYAN STEADMAN GENERALLY, TOM SHANNON sees “invention” and “art” as entirely separate. Unlike many contemporary artists, who look skeptically at the divide between utility and fine art, Shannon embraces their opposition. “To the degree that something is functional, it is less ‘art.’ Because art is a mysterious activity,” he says. “I really distinguish between the two activities. But I can’t help myself as far as inventing, because I want to improve things.” TOM SHANNON Pi Phi Parallel (2012) ARTDESK 01 TOM SHANNON Parallel Universe (2012) (2009) SHANNON’S CAREER WAS launched at a young age, telephone, despite being ground-breaking for the after a sculpture he made at nineteen was included 1970s, was never fabricated on any scale. -
G a G O S I a N Urs Fischer Bibliography
G A G O S I A N Urs Fischer Bibliography Books and Catalogues: 2017 Fischer, Urs. Phantom Paintings. New York: Kiito-San. Pissarro, Joachim. Urs Fischer: Bruno & Yoyo. New York: Kitto-San and Vito Schnabel Gallery. 2016 Fischer, Urs. YES. New York: DESTE Foundation, Kiito-San. Fischer, Urs and Curiger, Brice. Mon cher... Arles: Fondation Vincent van Gogh Arles. 2013 Curiger, Bice. Barroco exuberante: De Cattelan a Zurbarán—Manifiestos de la precariedad vital. Bilbao: Museo Guggenheim Bilbao. de Seta, Cesare. Biennali souvenir. Milan: Mondadori Electa: 112–5. Fischer, Urs. The Making of Yes. New York: Kiito-San. Morgan, Jessica, Ulrich Lehmann and Jeffrey Deitch. Urs Fischer. New York: Kiito- San. Fischer, Urs, Jessica Morgan, and Karen Marta. Urs Fischer: 2000 words. Friedman, Samantha. Van Gogh, Dalí, and Beyond: The World Reimagined. New York: The Museum of Modern Art; Perth, Art Gallery of Western Australia: 95. Gnyp, Marta. Made in Mind: Myths and Realities of the Contemporary Artist. Stockholm: Art and Theory: 95–101. Holzwarth, Hans Werner. Art Now, Volume 4.Cologne: Taschen: 134–7. Lehmann-Reupert, Susanne. Von New York lernen: Mit Stuhl, Tisch und Sonnenschirm. Ostfildern, Germany: Hatje Cantz. 2012 Blancsubé, Michel. Poule! Ecatepec, Mexico: Fundación/Colección Jumex. Chaillou, Timothée. Seuls quelques fragments de nous toucheront quelques fragments d’autrui (Only parts of us will ever touch parts of others). Paris/Salzburg: Galerie Thaddaeus Ropac. Curiger, Bice. Deftig Barock. Von Cattelan bis Zurbarán—Manifeste des prekär Vitalen. Zurich: Kunsthaus Zürich. Deitch, Jeffrey. The Painting Factory: Abstraction after Warhol. New York: Skira Rizzoli. Driessen, Chris, and Heidi van Mierlo, eds. -
Ugo Rondinone Biography
Sadie Coles HQ Ugo Rondinone Biography 1964 Born in Brunnen, Switzerland 1986-90Hochschule für Angewandte Kunst, Vienna, Austria Lives and works in New York NY, USA Solo Exhibitions 2022 life time, Schirn Kunsthalle Frankfurt, Frankfurt, Germany 2021 nude in the landscape, Belvedere 21, Vienna, Austria your age and my age and the age of the rainbow, Belvedere 21, Vienna, Austria nuns + monks, Gladstone Gallery, 21st Street, New York NY, USA a yellow a brown and a blue candle, The National Exemplar, Iowa City IA, USA a sky . a sea . distant mountains . horses . spring ., Sadie Coles HQ, Kingly and Davies Street, London, England a wall. a door. a tree. a lightbulb. winter., SKMU Sørlandets Kunstmuseum, Kristiansand, Norway the rhone + the void, KMD Kunsthalle Marcel Duchamp, Cully, Switzerland stone figure, Rennes Ville et Métropole, France (commission) 2020 nuns + monks, Sant'Andrea de Scaphis, Rome, Italy nuns + monks, Galerie Eva Presenhuber, Zurich, Switzerland nuns + monks, Esther Schipper, Berlin, Germany with John Dilg, Poetry, National Exemplar, Iowa City IA, USA 2019 thanx 4 nothing (A Tribute to John Giorno), Gladstone Gallery, 21st Street, New York NY, USA a wall . seven windows . four people . three trees . some clouds . one sun ., Kamel Mennour, Paris, France we are poems, Beaux-Arts de Paris, Paris, France everyone gets lighter, Helsinki Festival and Kunsthalle Helsinki, Helsinki, Finland sunny days, Guild Hall, East Hampton, New York NY, USA THANX 4 NOTHING, Carré d’Art, Chapelle des Jésuites, Nîmes, France earthing, Kukje Gallery, Seoul, South Korea with Peter Halley, Still, Modern Art, London, England 2018 the radiant, Sa Maison Gardens, Floriana, Malta, organised by MICAS Malta International Contemporary Art Space drifting clouds, Gladstone Gallery, New York NY, USA your age and my age and the age of the sun, Fundación Casa Wabi, Puerto Escondido, Mexico 2017 vocabulary of solitude, Arken, Ishøj, Denmark (touring) good evening beautiful blue, The Bass, Miami Beach FL, USA moonrise. -
Ugo Rondinone
Ugo Rondinone Born 1964 in Brunnen Lives and works in New York Education: 1986 - 90 Hochschule für Angewandte Kunst, Vienna Solo Exhibitions: 2019 Everyone gets lighter, Kunsthalle Helsinki, Finland Sunny days, Guild Hall, East Hampton, New York Thanx 4 Nothing, Carré d’Art, Chapelle des Jésuites, Nîmes, France Earthing, Kukje Gallery, Seoul, South Korea Still, Modern Art, London (two-person exhibition with Peter Halley) 2018 Ugo Rondinone: The True, The Contemporary Austin, Austin, Texas Ugo Rondinone: Liverpool Mountain, Tate Liverpool, Liverpool, United Kingdom Ugo Rondinone: the radiant, Malta International Contemporary Art Space, Se Maison Drifting clouds, Gladstone Gallery, New York Your age and my age and the age of the sun, Fundación Casa Wabi, Puerto Escondido, Oaxaca, Mexico 2017 Vocabulary of solitude, Arken Museum of Modern Art, Ishøj, Denmark Moonrise. east. july, Aspen Art Museum, Aspen, Colorado Good evening beautiful blue, Bass Museum of Art, Miami Flower moon, Bristol Hotel, Paris Where do we go from here, The Istanbul Biennial, Istanbul Everyone gets lighter, Pilevneli Gallery, Istanbul, Turkey I love john giorno, Various Institutions, New York The sky over manhattan, Sky Art, New York The world just makes me laugh, Berkeley Art Museum and Pacific Film Archive, Berkeley, California Let’s start this day again, Contemporary Arts Center, Cincinnati, Ohio Winter moon, MAXXI Museo nazionale delle arti del XXI secolo, Rome Your age and my age and the age of the rainbow, The Garage Museum of Contemporary Art, Moscow 2016 Everytime