Son-WSFA 181&2 Miller 1975-04-01
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NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D. -
Fantasy Commentator EDITOR and PUBLISHER: CONTRIBUTING EDITORS: A
Fantasy Commentator EDITOR and PUBLISHER: CONTRIBUTING EDITORS: A. Langley Searles Lee Becker, T. G. Cockcroft, 7 East 235th St. Sam Moskowitz, Lincoln Bronx, N. Y. 10470 Van Rose, George T. Wetzel Vol. IV, No. 4 -- oOo--- Winter 1982 Articles Needle in a Haystack Joseph Wrzos 195 Voyagers Through Infinity - II Sam Moskowitz 207 Lucky Me Stephen Fabian 218 Edward Lucas White - III George T. Wetzel 229 'Plus Ultra' - III A. Langley Searles 240 Nicholls: Comments and Errata T. G. Cockcroft and 246 Graham Stone Verse It's the Same Everywhere! Lee Becker 205 (illustrated by Melissa Snowind) Ten Sonnets Stanton A. Coblentz 214 Standing in the Shadows B. Leilah Wendell 228 Alien Lee Becker 239 Driftwood B. Leilah Wendell 252 Regular Features Book Reviews: Dahl's "My Uncle Oswald” Joseph Wrzos 221 Joshi's "H. P. L. : 4 Decades of Criticism" Lincoln Van Rose 223 Wetzel's "Lovecraft Collectors Library" A. Langley Searles 227 Moskowitz's "S F in Old San Francisco" A. Langley Searles 242 Nicholls' "Science Fiction Encyclopedia" Edward Wood 245 Hoban's "Riddley Walker" A. Langley Searles 250 A Few Thorns Lincoln Van Rose 200 Tips on Tales staff 253 Open House Our Readers 255 Indexes to volume IV 266 This is the thirty-second number of Fantasy Commentator^ a non-profit periodical of limited circulation devoted to articles, book reviews and verse in the area of sci ence - fiction and fantasy, published annually. Subscription rate: $3 a copy, three issues for $8. All opinions expressed herein are the contributors' own, and do not necessarily reflect those of the editor or the staff. -
The Satanic Rituals Anton Szandor Lavey
The Rites of Lucifer On the altar of the Devil up is down, pleasure is pain, darkness is light, slavery is freedom, and madness is sanity. The Satanic ritual cham- ber is die ideal setting for the entertainment of unspoken thoughts or a veritable palace of perversity. Now one of the Devil's most devoted disciples gives a detailed account of all the traditional Satanic rituals. Here are the actual texts of such forbidden rites as the Black Mass and Satanic Baptisms for both adults and children. The Satanic Rituals Anton Szandor LaVey The ultimate effect of shielding men from the effects of folly is to fill the world with fools. -Herbert Spencer - CONTENTS - INTRODUCTION 11 CONCERNING THE RITUALS 15 THE ORIGINAL PSYCHODRAMA-Le Messe Noir 31 L'AIR EPAIS-The Ceremony of the Stifling Air 54 THE SEVENTH SATANIC STATEMENT- Das Tierdrama 76 THE LAW OF THE TRAPEZOID-Die elektrischen Vorspiele 106 NIGHT ON BALD MOUNTAIN-Homage to Tchort 131 PILGRIMS OF THE AGE OF FIRE- The Statement of Shaitan 151 THE METAPHYSICS OF LOVECRAFT- The Ceremony of the Nine Angles and The Call to Cthulhu 173 THE SATANIC BAPTISMS-Adult Rite and Children's Ceremony 203 THE UNKNOWN KNOWN 219 The Satanic Rituals INTRODUCTION The rituals contained herein represent a degree of candor not usually found in a magical curriculum. They all have one thing in common-homage to the elements truly representative of the other side. The Devil and his works have long assumed many forms. Until recently, to Catholics, Protestants were devils. To Protes- tants, Catholics were devils. -
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia 2008 Karen Peta Hall Bachelor of Arts (Honours) Discipline of English and Cultural Studies School of Social and Cultural Studies ii Abstract Genres are constituted, implicitly and explicitly, through their construction of the past. Genres continually reconstitute themselves, as authors, producers and, most importantly, readers situate texts in relation to one another; each text implies a reader who will locate the text on a spectrum of previously developed generic characteristics. Though science fiction appears to be a genre concerned with the future, I argue that the persistent presence of lost race stories – where the contemporary world and groups of people thought to exist only in the past intersect – in science fiction demonstrates that the past is crucial in the operation of the genre. By tracing the origins and evolution of the lost race story from late nineteenth-century novels through the early twentieth-century American pulp science fiction magazines to novel-length narratives, and narrative series, at the end of the twentieth century, this thesis shows how the consistent presence, and varied uses, of lost race stories in science fiction complicates previous critical narratives of the history and definitions of science fiction. In examining the implicit and explicit aspects of temporality and genre, this thesis works through close readings of exemplar texts as well as historicist, structural and theoretically informed readings. It focuses particularly on women writers, thus extending previous accounts of women’s participation in science fiction and demonstrating that gender inflects constructions of authority, genre and temporality. -
1385280318233.Pdf
™ CORE ™ SERIOUSly? Free-to-Play? Imagination is powerful. To quote Albert Einstein, “Imagination is more impor- tant than knowledge. For knowledge is limited to all we now know and under- stand, while imagination embraces the entire world, and all there ever will be to know and understand.” Well said. We believe in the power of imagination and how it creates wonder and inspira- tion. Roleplaying games are one of the few things that can do what they do. Some might say they are the last frontier for wild imagination and creativity. We certainly believe so. That’s why we make roleplaying games – to help make that possible. Making roleplaying games the way we have hasn’t helped us spark imagination the way we’d hoped. We want to try something different. First, we’re adopting the Creative Commons license, so that you can contribute to the game in a meaningful way. That way, we can support you in your awesome ideas and help you get them out to your fellow players. Then, we’re going to give away electronic copies of the core book for free. We’ve all bought games that didn’t end up working out for us. That’s why we’re giving this to you for free – so that you can figure out if you like the game before you decide to spend money on it. If you like The Void and you play it, we’re going to put out a bunch of cool ma- terial at very reasonable prices. We’re going to do it buffet-style, so you can pick and choose what works best for you and your group. -
The Halsey Minor Collection 13 May 2010 New York
THE HALSEY MINOR COLLECTION 13 MAY 2010 NEW YORK THE HALSEY MINOR COLLECTION 13 MAY 2010 7pm NEW YORK LOTS 1-22 Viewing Saturday 1 May, 10am – 6pm Sunday 2 May, 12pm – 6pm Monday 3 May, 10am – 6pm Tuesday 4 May, 10am – 6pm Wednesday 5 May, 10am – 6pm Thursday 6 May, 10am – 6pm Friday 7 May, 10am – 6pm Saturday 8 May, 10am – 6pm Sunday 9 May, 12pm – 6pm Monday 10 May, 10am – 6pm Tuesday 11 May, 10am – 6pm Wednesday 12 May, 10am – 6pm Front Cover Richard Prince, Nurse in Hollywood #4, 2004, Lot 8 (detail) Thursday 13 May, 10am – 12pm Back Cover Marc Newson, Prototype “Lockheed Lounge,” 1988, Lot 4 COLLECTING IS ABOUT LEARNING AND IT IS DEVELOPING CONNOISSEURSHIP. IT IS AN INTENSE ONGOING PROCESS OF EDUCATION, AND IT IS MY MISSION TO COLLECT ONLY THE BEST. HALSEY MINOR The boldness of Halsey Minor’s collecting vision lies in its identification of energy, of a constant flow of ideas emanating from the questions art asks of its viewers and of their place in the wider world. ‘Collecting is about learning and it is developing connoisseurship,’ Minor has stated. ‘It is an intense ongoing process of education, and it is my mission to collect only the best.’ Why people collect art is as straightforward and as complex as why people fall in love. There are infinite reasons. For Halsey Minor, collecting Contemporary Art and Design is a hunger that cannot be satisfied, a thirst that cannot be quenched. It is the addiction to this nectar, to put together one of the most formidable collections of Marc Newson and Ed Ruscha, for instance that drives him. -
PRICES REALIZED DETAIL - Frazetta Auction 79, Auction Date
26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Frazetta Auction 79, Auction Date: LOT ITEM PRICE PREMIUM 1 (FRAZETTA) TARZAN THE INVINCIBLE. $65,000 $13,000 2 (FRAZETTA) TARZAN AT THE EARTH’S CORE. $55,000 $11,000 3 (FRAZETTA) SUMMER OF THE COUP. $35,000 $7,000 4 (FRAZETTA) THE LION QUEEN. $140,000 $39,200 5 (FRAZETTA) CONAN AND THE SAVAGE SEA (CONAN THE BUCCANEER). $15,000 $3,000 6 (FRAZETTA) ABSTRACT. $2,000 $400 7 (FRAZETTA) FLASH GORDON “BATTLES THE MONSTER FROM MONGO”. $55,000 $15,400 8 (FRAZETTA) FLASH GORDON AND “PRINCESS OF MONGO”. $32,500 $6,500 9 (FRAZETTA) A GENTLE BREEZE. $60,000 $16,800 10 (FRAZETTA) WINDBLOWN. $20,000 $4,000 11 (FRAZETTA) SELF-PORTRAIT #1. $15,000 $3,000 12 (FRAZETTA) SELF-PORTRAIT #2. $5,000 $1,000 13 (FRAZETTA) TARZAN AT THE EARTH’S CORE COVER. $40,000 $8,000 14 (FRAZETTA) TARZAN AND THE CASTAWAYS COVER. $85,000 $23,800 15 (FRAZETTA) TARZAN AND THE CASTAWAYS. $30,000 $8,400 16 (FRAZETTA) TARZAN AND THE GOLDEN LION. $55,000 $11,000 Page 1 of 8 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Frazetta Auction 79, Auction Date: LOT ITEM PRICE PREMIUM 17 (FRAZETTA) LORD OF THE SAVAGE JUNGLE. $100,000 $28,000 18 (FRAZETTA) AT EARTH’S CORE. $32,500 $6,500 19 (FRAZETTA) AT THE EARTH’S CORE. $40,000 $8,000 20 (FRAZETTA) KUBLA KHAN PORTFOLIO. $55,000 $11,000 21 (FRAZETTA) KUBLA KHAN PORTFOLIO. -
Son-Wsfa 192 Miller 1975-08-20
SON OF THE WSFA JOONAL . SF/Fantasy News/Info ’Zine '(Supplement to THE WSFA JOURNAL) — Vol,32“^ G?1927 Editor & Publisher: Don Miller----------jO^ ea,, 8/()2.00 —------------- 20 Aug, ■.197$ In This Issue — , IN THIS ISSUE; IN BRIEF (misc. notes/announcements)■ ............................... pg 1 ODDS & ENDS: THE FOREIGN SCENE; MISCELLANY .....................................................; pg 2 THE STEADY STREAM....: Of Announcements, Books, Prozines, Semi-Pro zines, -h- & Fanzines (Genzines & Personalzines) Received During July T7U.............. pp. 3-10 THE CON GAI®: Sept. 197$ ............................................... pg 16 ' In Brief — . _ ■ .: Lots of last-minute things to pass on: (1) Effo w/issue #193? SOTWJ will be no more, but will be simply ".THE JOURNAL SUPPLEMENT". And TWJ will be renamed "THE SF&F JOURNAL". There will be other changes—in scheduling, in pricing, in distri bution, in contents, and in relationships—see the attached M-PRESS Information Sheet. The retrenchment is finally complete, and our policies finalized. Please read the info sheet carefully, and let us know asap whether you want your subs under the revised Class A or B (you will be automatically under Class A unless you tell us otherwise—libraries and overseas subbers included). #}/ (2) Mark Owings just phoned in a bit of AUSSIECON news: 197 b Hugo Awards: BEST NOVEL, The Dispossessed, by Ursula K. LeGuin (Harper, 3FBC, Gollancz, Avon); BEST NOVELLA, "A Song for Lya", by George R.R. Martin (ANALOG 6/?U); BEST NOVELETTE, "Adrift Just Off the Islets of Langerhans: Latitude 38°$b’N, Longitude 77°OO '13"W", by Harlan Ellison (F&SF io/?b); BEST SHORT STORY, "The Hole Man", by Larry Niven (ANALOG l/?b); BEST DRAMATIC PRESENTATION, Young Frankenstein; BEST PROFESSIONAL EDITOR, Ben Bova; BEST. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Patrick Olliffe Interview & Demo Al Williamson the Man & His Work Remembered by Torres, Blevins, Schultz, Yeates, Ross, and Veitch
#23 SUMMER 2012 $7.95 In The US THE PROFESSIONAL “HOW-TO” MAGAZINE ON COMICS AND CARTOONING PATRICK OLLIFFE INTERVIEW & DEMO AL WILLIAMSON THE MAN & HIS WORK REMEMBERED BY TORRES, BLEVINS, SCHULTZ, YEATES, ROSS, AND VEITCH ROUGH STUFF’s BOB McLEOD CRITIQUES A Spider-Man TM Spider-Man & ©2012 Marvel Characters, Inc. NEWCOMER’S WORK PLUS: MIKE MANLEY AND BRET BLEVINS’ Contains nudity for demonstration of figure drawing • Mature Readers Only 0 2 1 82658 27764 2 THE PROFESSIONAL “HOW-TO” MAGAZINE ON COMICS & CARTOONING WWW.DRAW-MAGAZINE.BLOGSPOT.COM SUMMER 2012 TABLE OF CONTENTS VOL. 1, NO. 23 Editor-in-Chief • Michael Manley Designer • Eric Nolen-Weathington PAT OLLIFFE Publisher • John Morrow Mike Manley interviews the artist about his career and working with Al Williamson Logo Design • John Costanza 3 Copy-Editing • Eric Nolen- Weathington Front Cover • Pat Olliffe DRAW! Summer 2012, Vol. 1, No. 23 was produced by Action Planet, Inc. and published by TwoMorrows Publishing. ROUGH CRITIQUE Michael Manley, Editor. John Morrow, Publisher. Bob McLeod gives practical advice and Editorial address: DRAW! Magazine, c/o Michael Manley, 430 Spruce Ave., Upper Darby, PA 19082. 22 tips on how to improve your work Subscription Address: TwoMorrows Publishing, 10407 Bedfordtown Dr., Raleigh, NC 27614. DRAW! and its logo are trademarks of Action Planet, Inc. All contributions herein are copyright 2012 by their respective contributors. Action Planet, Inc. and TwoMorrows Publishing accept no responsibility for unsolicited submissions. All artwork herein is copyright the year of produc- THE CRUSTY CRITIC tion, its creator (if work-for-hire, the entity which Jamar Nicholas reviews the tools of the trade. -
Pseudoscience and Science Fiction Science and Fiction
Andrew May Pseudoscience and Science Fiction Science and Fiction Editorial Board Mark Alpert Philip Ball Gregory Benford Michael Brotherton Victor Callaghan Amnon H Eden Nick Kanas Geoffrey Landis Rudi Rucker Dirk Schulze-Makuch Ru€diger Vaas Ulrich Walter Stephen Webb Science and Fiction – A Springer Series This collection of entertaining and thought-provoking books will appeal equally to science buffs, scientists and science-fiction fans. It was born out of the recognition that scientific discovery and the creation of plausible fictional scenarios are often two sides of the same coin. Each relies on an understanding of the way the world works, coupled with the imaginative ability to invent new or alternative explanations—and even other worlds. Authored by practicing scientists as well as writers of hard science fiction, these books explore and exploit the borderlands between accepted science and its fictional counterpart. Uncovering mutual influences, promoting fruitful interaction, narrating and analyzing fictional scenarios, together they serve as a reaction vessel for inspired new ideas in science, technology, and beyond. Whether fiction, fact, or forever undecidable: the Springer Series “Science and Fiction” intends to go where no one has gone before! Its largely non-technical books take several different approaches. Journey with their authors as they • Indulge in science speculation—describing intriguing, plausible yet unproven ideas; • Exploit science fiction for educational purposes and as a means of promoting critical thinking; • Explore the interplay of science and science fiction—throughout the history of the genre and looking ahead; • Delve into related topics including, but not limited to: science as a creative process, the limits of science, interplay of literature and knowledge; • Tell fictional short stories built around well-defined scientific ideas, with a supplement summarizing the science underlying the plot. -
Alternate PDF Version
CONTACTING THE WORLDS OF EDGAR RICE BURROUGHS ERB “AUTO-BIOGRAPHY” ENVELOPE The Gridley Wave #331 (April 2010) reported an unknown variant edition of ERB’s “An Auto-Biography,” published in 1916 by the Republic Motor Truck Co, Inc. Characterized as a possible “trade” edition, it was bound in illustrated card board covers. Bibliophiles member Joe Lukes reported to George McWhorter in late May that he had just purchased a mint copy of this variant, which arrived in a still- unopened envelope originally created as the mailer for the book. Joe provided these imag es of this unique envelope featuring the special artwork. In Memoriam Illustrator Al Williamson (21 March 1931 – 12 June 2010). As a teen in the 1940s, Williamson took art classes with Burne Hogarth, and later attended Hogarth's Cartoonists and Illustrators School, where he met Roy Krenkel. Among Williamson’s very first profes- sional work were laying out and penciling a number of Tarzan newspaper Sunday pages for Hogarth in 1948. Williamson reported that he had recommended John Celardo to assist Hogarth on the strip. In the early 1950s, Williamson was the youngest member in the acclaimed EC Comics stable of artists, often collaborating with Frank Frazetta. Williamson’s photorealistic pen-and-brush style and dynamic composition earned him the highest accolades from peers and fans for decades, and he became a mentor to many promising artists over the years, including Michael Kaluta. Williamson was a Al Williamson in the 1950s. featured guest at the 1998 Baltimore Dum-Dum. The Gridley Wave #334 ♦ July 2010 Published monthly for The Burroughs Bibliophiles as a supplement to The Burroughs Bulletin.