Bibliografía De John Norman
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PRICES REALIZED DETAIL - Frazetta Auction 79, Auction Date
26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Frazetta Auction 79, Auction Date: LOT ITEM PRICE PREMIUM 1 (FRAZETTA) TARZAN THE INVINCIBLE. $65,000 $13,000 2 (FRAZETTA) TARZAN AT THE EARTH’S CORE. $55,000 $11,000 3 (FRAZETTA) SUMMER OF THE COUP. $35,000 $7,000 4 (FRAZETTA) THE LION QUEEN. $140,000 $39,200 5 (FRAZETTA) CONAN AND THE SAVAGE SEA (CONAN THE BUCCANEER). $15,000 $3,000 6 (FRAZETTA) ABSTRACT. $2,000 $400 7 (FRAZETTA) FLASH GORDON “BATTLES THE MONSTER FROM MONGO”. $55,000 $15,400 8 (FRAZETTA) FLASH GORDON AND “PRINCESS OF MONGO”. $32,500 $6,500 9 (FRAZETTA) A GENTLE BREEZE. $60,000 $16,800 10 (FRAZETTA) WINDBLOWN. $20,000 $4,000 11 (FRAZETTA) SELF-PORTRAIT #1. $15,000 $3,000 12 (FRAZETTA) SELF-PORTRAIT #2. $5,000 $1,000 13 (FRAZETTA) TARZAN AT THE EARTH’S CORE COVER. $40,000 $8,000 14 (FRAZETTA) TARZAN AND THE CASTAWAYS COVER. $85,000 $23,800 15 (FRAZETTA) TARZAN AND THE CASTAWAYS. $30,000 $8,400 16 (FRAZETTA) TARZAN AND THE GOLDEN LION. $55,000 $11,000 Page 1 of 8 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Frazetta Auction 79, Auction Date: LOT ITEM PRICE PREMIUM 17 (FRAZETTA) LORD OF THE SAVAGE JUNGLE. $100,000 $28,000 18 (FRAZETTA) AT EARTH’S CORE. $32,500 $6,500 19 (FRAZETTA) AT THE EARTH’S CORE. $40,000 $8,000 20 (FRAZETTA) KUBLA KHAN PORTFOLIO. $55,000 $11,000 21 (FRAZETTA) KUBLA KHAN PORTFOLIO. -
Patrick Olliffe Interview & Demo Al Williamson the Man & His Work Remembered by Torres, Blevins, Schultz, Yeates, Ross, and Veitch
#23 SUMMER 2012 $7.95 In The US THE PROFESSIONAL “HOW-TO” MAGAZINE ON COMICS AND CARTOONING PATRICK OLLIFFE INTERVIEW & DEMO AL WILLIAMSON THE MAN & HIS WORK REMEMBERED BY TORRES, BLEVINS, SCHULTZ, YEATES, ROSS, AND VEITCH ROUGH STUFF’s BOB McLEOD CRITIQUES A Spider-Man TM Spider-Man & ©2012 Marvel Characters, Inc. NEWCOMER’S WORK PLUS: MIKE MANLEY AND BRET BLEVINS’ Contains nudity for demonstration of figure drawing • Mature Readers Only 0 2 1 82658 27764 2 THE PROFESSIONAL “HOW-TO” MAGAZINE ON COMICS & CARTOONING WWW.DRAW-MAGAZINE.BLOGSPOT.COM SUMMER 2012 TABLE OF CONTENTS VOL. 1, NO. 23 Editor-in-Chief • Michael Manley Designer • Eric Nolen-Weathington PAT OLLIFFE Publisher • John Morrow Mike Manley interviews the artist about his career and working with Al Williamson Logo Design • John Costanza 3 Copy-Editing • Eric Nolen- Weathington Front Cover • Pat Olliffe DRAW! Summer 2012, Vol. 1, No. 23 was produced by Action Planet, Inc. and published by TwoMorrows Publishing. ROUGH CRITIQUE Michael Manley, Editor. John Morrow, Publisher. Bob McLeod gives practical advice and Editorial address: DRAW! Magazine, c/o Michael Manley, 430 Spruce Ave., Upper Darby, PA 19082. 22 tips on how to improve your work Subscription Address: TwoMorrows Publishing, 10407 Bedfordtown Dr., Raleigh, NC 27614. DRAW! and its logo are trademarks of Action Planet, Inc. All contributions herein are copyright 2012 by their respective contributors. Action Planet, Inc. and TwoMorrows Publishing accept no responsibility for unsolicited submissions. All artwork herein is copyright the year of produc- THE CRUSTY CRITIC tion, its creator (if work-for-hire, the entity which Jamar Nicholas reviews the tools of the trade. -
Alternate PDF Version
CONTACTING THE WORLDS OF EDGAR RICE BURROUGHS ERB “AUTO-BIOGRAPHY” ENVELOPE The Gridley Wave #331 (April 2010) reported an unknown variant edition of ERB’s “An Auto-Biography,” published in 1916 by the Republic Motor Truck Co, Inc. Characterized as a possible “trade” edition, it was bound in illustrated card board covers. Bibliophiles member Joe Lukes reported to George McWhorter in late May that he had just purchased a mint copy of this variant, which arrived in a still- unopened envelope originally created as the mailer for the book. Joe provided these imag es of this unique envelope featuring the special artwork. In Memoriam Illustrator Al Williamson (21 March 1931 – 12 June 2010). As a teen in the 1940s, Williamson took art classes with Burne Hogarth, and later attended Hogarth's Cartoonists and Illustrators School, where he met Roy Krenkel. Among Williamson’s very first profes- sional work were laying out and penciling a number of Tarzan newspaper Sunday pages for Hogarth in 1948. Williamson reported that he had recommended John Celardo to assist Hogarth on the strip. In the early 1950s, Williamson was the youngest member in the acclaimed EC Comics stable of artists, often collaborating with Frank Frazetta. Williamson’s photorealistic pen-and-brush style and dynamic composition earned him the highest accolades from peers and fans for decades, and he became a mentor to many promising artists over the years, including Michael Kaluta. Williamson was a Al Williamson in the 1950s. featured guest at the 1998 Baltimore Dum-Dum. The Gridley Wave #334 ♦ July 2010 Published monthly for The Burroughs Bibliophiles as a supplement to The Burroughs Bulletin. -
The Drink Tank Issue 107 a Little Bit Psycho Letter Graded Mail Problem That the Facts Being Argued Sent to [email protected] About Were Pure Fabrications
The Drink Tank Issue 107 A Little Bit Psycho Letter Graded Mail problem that the facts being argued sent to [email protected] about were pure fabrications. by my Gentle Readers The same thing can be said about Ladies & Gentlemen...Eric Mayer! Bigfoot or Loch Ness or Mokele- Chris, Mbembe. Bigfoot’s probably the As I keep repeating to folks, worst of them. There’s a lot of if I’m kind of brief/late/silent it’s discussion about the two most because I’ve been pushing to get to famous videos: the Patterson the end of the first draft of the new Film of 1967 and the Redwoods book before I’m hit with the avalanche video of 1995. People will always of legal writing which is even now point to things out the video, like thundering down the slopes toward the fact that Patterson knew a me. Great Ghu. If I could ever not have Hollywood effects guy, as a way to do that for a living I’d be thrilled. to debunk. I know it’s hard to Must be maddening. I thank Roscoe discredit something entirely within that I’ve got a gig where I can do and the Tooth Fairy. The more you the discussion of the piece, but my FANAC and no one ever notices. understand the more boring it all turns little things are often blown out of I think my fannish productivity out to be. It’s nice to think there might proportion. would drop if I didn’t work be amazing things going on that aren’t I don’t particularly want to know anymore! so mundane after all. -
Son-WSFA 181&2 Miller 1975-04-01
SON OF T H E ' W S*F A J 0 U R N A L .. SF/Fantasy News/Reviow 'Zine — 1st & 2nd Apr- ’75 Issues — 25^ each*, 10/$.2xP0 Editor St Publisher: Don Miller —------- Vol, 31, #Ts 1 & 2; Whole Nos. 181 &-182 In, This Issue — ' ' . IN‘ THIS ISSUE; IN BRIEF (misc. notes/announcements); COLOPHON .............. .. pg 1 THE'’ CON GAME: Mid-April 175 thru Early May 175 ................ .. -.............. -. =» pg 2 THE LOCAL SCENE; Radio Notes; Miscellany .......... .......................................... pp 2,1 BOOKWORLD: Book Reviews (SF/Fantasy, by Don D'Ammassa, Jim Goldfrank; Non-Fiction, by Jim Goldfrank; Mystery/Suspense/Adventure/etc,, by Don D'Ammassa, Sheila D'Ammassa); Review Extracts (SF/Fantagy, Non-Fiction); Books. Announced; Books Received; pp 3-10,1 MAGAZINARAMA: Prozines (& Somi-Prozines) Received .................— .. pp 11-13 THE AMATEUR PRESS: Fanzines Received ............................................a'.... pp lb-20 SF MART: Classified Ads ....................................... ...... pg 2u ON THE MOVE.: Changes-pf-Address, etc. ............. ............ pg 20 EN PASSANT: Lettercolumn (Don D'Ammassa, Martin Last, Floyd Poill/Mary M. Schmidt, WAHF's (Linda Bushyager, Camille Cazedessus, Tom Cobb, Don D'Ammassa, James Ellis, Jim Goldfrank, Tom Mason, Norbert Spel.ner. Howard Thompson, et al) ................................................................................ .. pp 21-22 BOOKWORLD: REVIEW EXTRACTS (Non-Fiction) (Cont. from pg. 6) — prospectors, and conquistadores. There's even a Manilla galleon which periodically emerges from the shifting sand dunes along Oregon's coast, only soon to vanish again, taking-.1 ' its treasure chests and bullion with it.' . , fast-moving and certainly diverting") THE LOCAL SCENE: MISCELLANY (Cont. from pg. 2) — p.mc 2h/h» ## Sleeper at Loyola College Student Center 7:30 & 9:30 p.m. -
THE JOURNAL WSFA JOURNAL News Supplement
SON OF THE W S F A JOURNAL WSFA JOURNAL News Supplement --------------- November, 1969 (Issue #3) . In This Issue — , • ■ - IN THIS ISSUE, IN BRIEF, CHANGES-OF-ADDRESS ....................... ....... pg 1 THE BOOKSHELF: New Releases (Ace, Ballantine, Berkley, Doubleday SFBC) pp 2,3 MAGAZINARAMA: Contents of Recent Prozines (AMAZING 1/70; ANALOG 12/69, 1/70; FANTASTIC 2/70; GALAXY 11/69; F&SF 12/69, 1/70; NEW WORLDS 8/69, ' 9-10/69; IF 12/69) .................................................... .................................... pp U-6 THE STEADY STREAM.,.. (Books and Fanzines Recently received) ................. pp 6,7 ; THE CLUB CIRCUIT: News & Minutes (ESFA, NESFA, OSFA, FARA, NFFF) .......... pp 8,9 MORE IN BRIEF, COLOPHON .......................................... .................. ..............................pg 10. In Brief — January Regular WSFA Meetings will be held at the home of Bob and Peggy Pavlat, (5709 Goucher Drive, College Park, Maryland, 2O7uO) (phone 301-3U5-6652), on Fri day, January 2, and Friday, January 16, both starting at approx 8 p.m. Meetings are informal. To get there take the Capital Beltway; leave at, the-.Kenilworth Ave. exit, headed.towards Washington, D.C. At.the first traffic light, turn right onto Greenbelt Road (Route 193)« At the next light (about 100 feet.from the first light), turn left onto Edmonston Road to Charlton St. Turn right onto Charlton. At the second intersection, bear left onto Goucher Drive. The Pavlat's are at the intersection of Goucher and Marietta Lane (far left corner —Marietta being the : first intersection on Goucher). See map on page 10. The second December meeting (Dec. 19) and the January party meeting (Jan. 30) '. ' have not yet had their sites selected. -
Shel Dorf Sky Masters Al Williamson the Eternals Mike Thibodeaux Machine Man, Captain Victory, 2001, Starman Zero, Silver Surfer
Fully Authorized $4.95 By The In The US Kirby Estate CELEBRATING THE LIFE & CAREER OF THE KING! Issue #15, Apr. 1997 A 52-page Theme ISSUE featuring Jack’s work in Science Fiction!! A Rare Interview With Jack By Shel Dorf The Story Behind Sky Masters EC Comics Legend Al Williamson Interviewed Why Didn’t It Last? The Eternals Kirby Inker and friend Mike Thibodeaux Interviewed Plus Features On: Machine Man, Captain Victory, 2001, Starman Zero, Silver Surfer Graphic Novel And Others Unpublished Art . including Jack’s c n I , Pencils Before t n They Were Inked, e m n i And Much More!! a t r e t n E 1997 l e v r a M Nominee © r e For Best Biographical, f r Historical, or Journalistic u S Presentation r e v l i S (above) A little scientifically-inspired dialogue rewording from Silver Star #1. (right) Uninked pencils from Captain Victory #7, page 7. Issue #15 Contents: The Great Kirby Sci-Fi Concepts . 4 (an overview of Jack’s 1960s-70s ideas) Let’s Visit! By Shel Dorf . 10 (Shel speaks to Jack in this obscure 1975 interview) Starman Zero & Tiger 21 . 12 (how good was Jack’s unused comic strip proposal of the late 1940s?) Solar Legion . 14 (Kirby’s forgotten heroes of the 1940s) Kirby, Physics & Harvey Comics . 15 (how Hugo Gernsback started Jack on a Race For The Moon) Interview with Al Williamson . 16 (the EC Comics legend discusses Jack, Wally Wood, and sci-fi) Silver Surfer Graphic Novel . 20 (the ultimate cosmic disappointment? ) The Story Behind Sky Masters . -
Journal Sup 64-1 Mille 1969-01
JOURNAL SUPPLEMENT IWJ 6h-l DOLL'S HOUSE: Fanzine Reviews by Doll Gilliland WARHOON 25 (FAPA. Richard Bergeron, 11 E. 68th St., N.Y., N.Y., 10021. Contribs, LoC's, trade, 60^.) The cover and bacover snort a "winsome Venusian femmefan" (You can't get me this time, Phil Bridges; 1 quote the editor1s words) backing Bob Shaw for TAFF, and why not? Most if not all the interior artwork is distinctively the ed's; the exception thish is a diagram by Bob Shaw of the former Walt and Madeleine Willis domicile, "birthplace of Irish fandom", accompanying Harry Warner's series on same — here on early Walt-Willis, his first major fan pub SLANT, his conrep and "The Harp That Once or Twice" column in QUANDRY, and his visit'to the U.S. (forerunner of TAFF representatives). For the curious and everyone else's enjoyment^ Walt's column now appears in WARHOON, his topic thish "The Rats That Ate the Railroad".’ (He is a delight, and I understand that Ace will be coming out with his book shortly.) We also have James Blish on art and society (as delivered at Phillycon), Marvelous Bob Shaw writes on the psychedelic effects of baked beans, the Unrepresented Irish (imagewise, at least), and Irish fandom's 21st birthday celebration. Bob Lowndes discusses cri ticism and its possible value to the author as well as the reader. Ted White's "Re flections on Dangerous Visions" — his story-by-story critique, concludes thish, followed by a Final Statement by Harlan Ellison. FAPA comments, LoC's. A fine fanzine, this WARHOON. -