DOCSLIB.ORG

“Now There's a Good Woman”: How Rural Life Course Events Shape

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
“Now There's a Good Woman”: How Rural Life Course Events Shape “NOW THERE’S A GOOD WOMAN”: HOW RURAL LIFE COURSE EVENTS SHAPE THE RESPONSE TO COGNITIVE DECLINE IN OLDER WOMEN A DISSERTATION IN Nursing Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY by CHRISTINE MARIE EISENHAUER B.A., Mount Marty College, 1997 M.S.N., University of Nebraska Medical Center, 2003 Kansas City, Missouri 2012 ©2012 CHRISTINE MARIE EISENHAUER ALL RIGHTS RESERVED “NOW THERE’S A GOOD WOMAN”: HOW RURAL LIFE COURSE EVENTS SHAPE THE RESPONSE TO COGNITIVE DECLINE IN OLDER WOMEN Christine Marie Eisenhauer, Candidate for the Doctor of Philosophy Degree University of Missouri-Kansas City, 2012 ABSTRACT Aims: This dissertation aimed to: (1) analyze the life-course experiences of rural, older women and the impact of those experiences on their values, health-illness behaviors and decision-making, particularly surrounding cognitive decline; (2) compare and contrast the values, health-illness behaviors and decision-making of the older women with those of three younger generations of rural women; and (3) examine findings with the local community to explore ways of working with the formal health care system to identify culturally acceptable ways to deal with cognitive decline. Background: Cognitive decline is a continuum that includes levels of memory problems, poor judgment, confusion, personality change, and difficulty with planning and social functioning. In a pilot study, rural, older women identified cognitive decline, or “losing one’s mind,” as the most significant fear and concern for which they desired interventions. The isolation of the rural lifestyle has made these women value independence and self-reliance as essential characteristics for survival. Chronic illnesses, such as progressive types of cognitive iii decline, significantly threaten the functional and cognitive independence, safety, and quality of life of this population. Method: An ethnographic design utilized in-depth life history interviews with four key informants across one year, focus groups with cross-generational cohorts (n=20), participant observation, and review of cultural artifacts. Interviews were transcribed verbatim and thematically analyzed. Findings: Findings include: (1) historical knowledge indicates belonging, (2) drifting about but not out, (3) gender roles- men protect from outside, women protect from inside, (4) neighbors as a network, (5) trust as an exchangeable commodity, (6) the new outsiders: health service insensitivity reinforces distrust, (7) then and now: loss of social capital, (8) come and eat, (9) there’s no place like home, (10) self-determination, (11) all natural please, (12) suffering continuum, (13) stoicism begets emotional disconnect with the health-illness experience, (14) I need help but it is a private matter, and (15) protective silence-avoidance. Conclusion: The findings provide a greater understanding of rural culture, help to personalize health care through sensitivity to culture and generation, decrease disparities in access to care related to rural isolation and improve health outcomes for rural women facing cognitive decline. iv APPROVAL PAGE The faculty listed below, appointed by the Dean of the School of Nursing, have examined a dissertation titled “Now There’s a Good Woman”: How Rural Life Course Events Shape the Response to Cognitive Decline in Older Women, presented by Christine Marie Eisenhauer, candidate for the Doctor of Philosophy degree, and certify that in their opinion it is worthy of acceptance. Supervisory Committee Jennifer Hunter, RN, Ph.D. Committee Chair School of Nursing Pat Kelly, RN, Ph.D. School of Nursing Terry Nelson, Ph.D. Mount Marty College Mary O’Connor RN, Ph.D. School of Nursing Carol Pullen, RN, Ed.D. University of Nebraska Medical Center v CONTENTS ABSTRACT ....................................................................................................................... iii LIST OF ILLUSTRATIONS ............................................................................................ vii LIST OF TABLES ............................................................................................................. ix ACKNOWLEDGEMENTS ................................................................................................ x Chapter 1. INTRODUCTION .................................................................................................. 1 2. REVIEW OF LITERATURE ............................................................................... 13 3. METHODS ........................................................................................................... 48 4. ENTRÉE TO THE FIELD .................................................................................... 65 5. LIFE HISTORY OF THE RURAL, OLDER WOMEN ....................................... 74 6. RESULTS ............................................................................................................. 95 7. FOCUS GROUP COMPARISONS .................................................................... 139 8. SUMMARY, DISCUSSION, LIMITATIONS, RECOMMENDATIONS, AND IMPLICATIONS FOR PRACTICE ................................................................... 165 Appendix A. LIFE HISTORY INTERVIEW GUIDE............................................................... 188 B. DEMOGRAPHIC INFORMATION .................................................................... 196 C. UMKC SSIRB APPROVAL ................................................................................ 199 REFERENCE LIST ........................................................................................................ 201 VITA ............................................................................................................................... 230 vi LIST OF ILLUSTRATIONS Figure Page 2.1 Culture Emergent Theory ....................................................................................... 44 3.1 Maps of Knox County, Nebraska ........................................................................... 51 3.2 Rural Context Surrounding Cognitive Decline ...................................................... 60 4.1 Neighbor Reciprocity ............................................................................................. 68 4.2 Rugged Hillsides That Lead To the Women’s Homes .......................................... 71 4.3 Native Prairie ......................................................................................................... 71 4.4 Symbols of Farming Practices Years Ago ............................................................. 72 4.5 Country Home ......................................................................................................... 72 5.1 Neighbor Lady Cookbooks ..................................................................................... 78 5.2 Jelly Making ............................................................................................................. 80 5.3 Playing Keyboard as Entertainment ......................................................................... 85 5.4 Quilting as a Coping Measure .................................................................................. 87 6.1 Concentric Nature of Cultural Themes .................................................................... 96 6.2 Knox County Lay of the Land ................................................................................. 97 6.3 Picnic Table Corner.................................................................................................. 99 6.4 Centennial Books ................................................................................................... 100 6.5 Neighborhood Deer Season.................................................................................... 106 6.6 Farm Mechanization............................................................................................... 108 6.7 Demolishing Farm Places ....................................................................................... 109 vii 6.8 Changing Landscape ............................................................................................... 110 6.9 Hand Shake-Trust as an Exchangeable Commodity ............................................... 111 6.10 Canning Cellar and Storage Caves .......................................................................... 117 6.11 Family Archives of Recipes .................................................................................... 118 6.12 Extension Club Cookbooks ..................................................................................... 119 6.13 Raccoon ................................................................................................................... 122 6.14 Porcupine Story ....................................................................................................... 122 6.15 Spring Fed Home Water Supply ............................................................................. 125 6.16 Retrofitted Tractor Step .......................................................................................... 128 viii LIST OF TABLES Table Page 8.1 Variations Between Rural and Medical Culture ................................................. 181 ix ACKNOWLEDGEMENTS I would like to thank my chair, Dr. Jennifer Hunter, for her guidance and support throughout the past four years. Her creative insight and passion for inductive inquiry have been a great motivation and source of
Load more

Recommended publications
  • The Love of a Good Narrative: Textuality and Digitality TERESA M
    English Teaching: Practice and Critique September 2006, Volume 5, Number 2 http://education.waikato.ac.nz/research/files/etpc/2006v5n2art4.pdf pp. 56-68 The love of a good narrative: Textuality and digitality TERESA M. DOBSON University of British Columbia, Vancouver, Canada ABSTRACT: It has often been observed that Alice Munro is a master of narrative complexity. “The love of a good woman”, in particular, is a story that challenges conventional notions of structure in short fiction through digression or deferral, discontinuity, layering, and so on. Ross (2002) rightly observes that conventional theories of reading fail to get at the process involved in achieving successful “apprenticeship” with Munro’s short fiction. This paper explores the intricacies of Munro’s creative craft as exemplified in “The love of a good woman” and proposes an approach to facilitating students’ engagement with complex narratives. Through creative writing in a computer-based “wiki” environment, it is argued, we encourage students to undertake the project of “layering” narrative and of establishing and interrogating complex narrative relations. This creative exercise, in turn, may facilitate their understanding of short fiction such as Munro’s. KEYWORDS: Digital literacy, textuality, English education, literacy education. THE LOVE OF A GOOD NARRATIVE: TEXTUALITY AND DIGITALITY The title story of Munro’s The love of a good woman begins in a small-town Ontario museum where, among the butter churns and horse harnesses, is displayed a box of optometrist’s instruments along with an explanatory note: “This box . has considerable local significance, since it belonged to Mr. D.M. Willens, who drowned in the Peregrine River, 1951.
    [Show full text]
  • The Love of a Good Woman” Ulrica Skagert University of Kristianstad
    Things within Things Possible Readings of Alice Munro’s “The Love of a Good Woman” Ulrica Skagert University of Kristianstad Abstract: Alice Munro’s “The Love of a Good Woman” is perhaps one of the most important stories in her œuvre in terms of how it accentuates the motivation for the Nobel Prize of Literature: “master of the contemporary short story.” The story was first published in The New Yorker in December 1996, and over 70 pages long it pushes every rule of what it means to be categorised as short fiction. Early critic of the genre, Edgar Allan Poe distinguished short fiction as an extremely focused attention to plot, properly defined as that to which “no part can be displaced wit- hout ruin to the whole”. Part of Munro’s art is that of stitching seemingly disparate narrative threads together and still leaving the reader with a sense of complete- ness. The story’s publication in The New Yorker included a subtitle that is not part of its appearing in the two-year-later collection. The subtitle, “a murder, a mystery, a romance,” is interesting in how it is suggestive for possible interpretations and the story’s play with genres. In a discussion of critical readings of Munro’s story, I propose that the story’s resonation of significance lies in its daring composition of narrative threads where depths of meaning keep occurring depending on what aspects one is focusing on for the moment. Further, I suggest that a sense of completion is created in tone and paralleling of imagery.
    [Show full text]
  • The Good Woman of Setzuan
    BERTOLT BRECHT THE GOOD WOMAN OF SETZUAN Revised English version and Introduction by ERIC BENTLEY GROVE PRESS, INC. NEW YORK -'AcKNOWLEDGMENT. The translator wishes to acknowledge . -the contribution of Mrs. Maja Apelman to the first version of the book Parables of the Theatre, as published by the University of Minnesota Press in 1948. Copyright by Eric Bentley, 1947, as an unpublished MS, Registration No. D-12239. Copyright © 1956, 1961 by Eric Bentley. Epilogue copyright © 1965 by Eric Bentley. Introduction copyright © 1965 by Eric Bentley. ALL RIGHTS RESERVED. This play may not be acted, read aloud to an audience, broadcast, televised, performed or presented in any way, as a whole or in part, without permission. Inquiries should be addressed to Samuel French, Inc., 25 West 45th Street, New York, New York 10036 Library of Congress Catalog Card Number: 66-14106 First Evergreen Black Cat Edition 1966 MANUFACTURED IN THE UNITED STATES OF AMERICA INTRODUCTION Bertolt Brecht wrote Der gute Mensch von Sezuan in Scan­ dinavia at the end of the nineteen-thirties. It was originally dedicated to his wife Helene Weigel, to whose playing it was ideally suited. Even the male part of the role would have been nothing new for her: she had played the Young Comrade in The Measures Taken. Yet, in fact, The Good Woman had its world premiere in Zurich during World War II, when Frau Weigel was a refugee in America. And by the time the play was produced by the Berliner Ensem­ ble she was too old for the role. Meanwhile there had been many American productions.
    [Show full text]
  • The Noveis of Louisa May Alcott As Commentary On
    THE NOVEIS OF LOUISA MAY ALCOTT AS COMMENTARY ON THE AMERICAN FAMILY Martha Irene Smith Shull A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 1975 Approved.by Doctoral Committee i 1 k - - II ACKNOWLEDGEMENTS I should like to acknowledge my grateful thanks for all the assistance and many kindnesses shown me by my committee: Dr. David Addington, Dr. J. Robert Bashore, Dr. Frederick Eckman, and Dr. Virginia Platt. I should like especially to thank the chairman of my committee, Dr. Alma J. Payne, who gave unstintingly of her time, her knowledge, her experience, and her­ self. My committee are more than academiciansj they are true reflections of Chaucer’s Clerk, "And gladly wolde he lerne and gladly teche." TABLE OF CONTENTS Page INTRODUCTION..................................... 1 Chapter I....................................... 26 Chapter II....................................... 82 Chapter III.............................. 137 Chapter IV....................................... 203 Bibliography..................................... 233 I INTRODUCTION The novels of Louisa May Alcott shed a great deal of light on the complex plight of the American family in the Gilded Age. It is generally accepted by social historians and sociologists that the beginnings of the erosion of the American family as a tightly-knit unit exerting consider­ able influence on the mores of society began with the 1870s. Parallel with this working hypothesis is the supporting literary evidence in the American novel. With the excep­ tion of the sentimental and sensational novels prior to Realism, the American novel generally did not center around a family situation or around American social behavior.
    [Show full text]
  • 'Adichie's Purple Hibiscus and the Issue
    Journal of Literature and Art Studies, June 2015, Vol. 5, No. 6, 426-437 doi: 10.17265/2159-5836/2015.06.007 D DAVID PUBLISHING Adichie’s Purple Hibiscus and the Issue of Feminism in African Novel Ibeku Ijeoma Ann Federal University Oye-Ekiti, Ekiti State, Nigeria Adichie’s Purple Hibiscus is a feminist work that challenges the dehumanizing tendencies of the menfolk as evident in the character of Mama (Beatrice Achike) who eventually exposed the African conception of an ideal woman who keeps dumb even in the face of humiliation, victimization, and brutality so as to be perceived as a good woman. We will make a resounding case to portray that Achike belongs to the category of liberal feminism. However, as events unfolds, she was forced by situations beyond her control to respond and go radical in order to crush anything that stands in her way to happiness. Efforts will be made to show how African women are rated based on the real and good women as represented by Ifeoma and Beatrice Achike respectively. This essay in exploring the different tenets of feminism will acknowledge that radical feminism is an off shoot of violence. We shall argue that radical feminism is a radical reaction to dehumanization, humiliation, and violence. This study seeks to address the issue of feminism and how characters subject to series of humiliation that leads to a radical approach to gain their freedom. Keywords: feminism, humiliation, subjugation, Catholic, fanatic, patriarchy, real woman, good woman, Africa Introduction Chimamanda Ngozi Adichie has distinguished herself as one of Nigerian’s female writers.
    [Show full text]
  • The Anglican Clergy in the Novels of Barbara Pym
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-1990 The Anglican Clergy in the Novels of Barbara Pym Isabel Ashe Bonnyman Stanley University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the English Language and Literature Commons Recommended Citation Stanley, Isabel Ashe Bonnyman, "The Anglican Clergy in the Novels of Barbara Pym. " PhD diss., University of Tennessee, 1990. https://trace.tennessee.edu/utk_graddiss/1503 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Isabel Ashe Bonnyman Stanley entitled "The Anglican Clergy in the Novels of Barbara Pym." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in English. Norman J. Sanders, Major Professor We have read this dissertation and recommend its acceptance: Richard Penner, B. J. Leggett, Martha L. Osborne Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council : I am submitting herewith a dissertation written by Isabel Ashe Bonnyman Stanley entitled "The Anglican Clergy in the Novels of Barbara Pym.
    [Show full text]
  • Adobe File (PDF)
    Touch and Listen: The Newsletter of the Florida Braille and Talking Book Library Fall 2017 Inserted in the middle of this large print edition is an optional survey to return. It is also online at https://www.surveymonkey.com/r/library_patron_2017. As always, please call to let us know updates or changes you would like to make to your service at 1-800-226-6075. We’d love to hear from you! News to Use: Help accessing multiple titles on a cartridge. Important differences in the standard v. advanced player. The standard player can access multiple titles using the Bookshelf mode, but you need to keep in mind two things: 1. When using a standard player, holding down the play/stop button to access the bookshelf also brings a copy of the Standard Player User Guide up as another book. So if the cartridge has four books, you are actually scrolling through five. 2. Once you are inside the book using the standard player, you can only jump to bookmarks (introductory matter and chapters) by holding down the fast forward button continuously until you hear a beep. Then, let go of the button and it will announce, “new location.” Make sure you are accessing the bookshelf mode correctly. To access the bookshelf mode, hold down the square green play/stop button. Wait for a pause, a distinctive beep and the word “Bookshelf,” followed by the number of books or magazines on the cartridge. Sometimes, you may need to repeat it a few times to get that sequence. When you insert a cartridge and do not press anything, it will announce the number of books and start reading the first title.
    [Show full text]
  • 1 Writing in the Margins: Jean Rhys
    Chapter 1 Writing in the Margins: Jean Rhys One of the most striking aspects of the current Jean Rhys revival is the extent to which readers united in their determination to praise Rhys have divided on the issue of autobiography in her novels. The mainstream critics who undertook the rehabilitation of her reputa­ tion in the early 1970s seemed to find the autobiographical sources of her subject matter a distraction, if not an outright embarrassment. 1 They were inclined instead to stress the formal finish and control of her prose style, to admire her ironic distance from the characters and incidents she describes, and to universalize her protagonists and the situations in which they find themselves, to the point where Rhys was represented as writing, as Elgin Mellown puts it, about "woman in one of her archetypal roles." Diana Trilling goes further: 'Rhys published one collection of short stories and four novels between 1927 and 1939, after which she effectively disappeared from public notice until 1956, when the actress Selma Vaz Dias (who had actually been in contact with Rhys, with interrup­ tions, since 1949) had the BBC place an advertisement in the New Statesman. "Redis­ covered" by this maneuver, Rhys felt encouraged to write the novel Wide Sargasso Sea (1966) and to publish two more collections of stories and an "unfinished auto­ biography" before her death in 1979. The appearance of Wide Sargasso Sea resuscitated her reputation and led to the reissuing of the earlier novels. A. Alvarez's review essay, "The Best Living English Novelist'' (New York Times Book Review, 17 March 1974, 6-7) and Howard Moss's "Going to Pieces" in the "Books" column of the New Yorker(50 [16 December 1974], 161-62) are two of the key critical pieces establishing Rhys as a major, indeed a canonical English writer.
    [Show full text]
  • Danielle Steel's
    Danielle Steel Danielle Steel Danielle Steel Partial Checklist Partial Checklist Partial Checklist (1996-2013) (1996-2013) (1996-2013) Winners (Oct.. 2013) The House Winners (Oct.. 2013) The House Winners (Oct.. 2013) The House Until the End of Time Impossible Until the End of Time Impossible Until the End of Time Impossible First Sight Miracle First Sight Miracle First Sight Miracle Sins of the Mother Toxic Bachelors Sins of the Mother Toxic Bachelors Sins of the Mother Toxic Bachelors Friends Forever Echoes Friends Forever Echoes Friends Forever Echoes Betrayal Ransom Betrayal Ransom Betrayal Ransom Hotel Vendome Second Chance Hotel Vendome Second Chance Hotel Vendome Second Chance Happy Birthday Dating Game Happy Birthday Dating Game Happy Birthday Dating Game 44 Charles Street Johnny Angel 44 Charles Street Johnny Angel 44 Charles Street Johnny Angel Legacy Safe Harbour Legacy Safe Harbour Legacy Safe Harbour Family Ties Answered Prayers Family Ties Answered Prayers Family Ties Answered Prayers Big Girl The Cottage Big Girl The Cottage Big Girl The Cottage Southern Lights Sunset in St. Tropez Southern Lights Sunset in St. Tropez Southern Lights Sunset in St. Tropez Matters of the Heart The Kiss Matters of the Heart The Kiss Matters of the Heart The Kiss One Day at a Time Leap of Faith One Day at a Time Leap of Faith One Day at a Time Leap of Faith A Good Woman Lone Eagle A Good Woman Lone Eagle A Good Woman Lone Eagle Honor Thyself The House on Hope Honor Thyself The House on Hope Honor Thyself The House on Hope Street Street Street Rogue Rogue Rogue Journey Journey Journey Amazing Grace Amazing Grace Amazing Grace The Wedding The Wedding The Wedding Bungalow 2 Bungalow 2 Bungalow 2 Bittersweet Bittersweet Bittersweet Sisters Sisters Sisters Granny Dan Granny Dan Granny Dan Coming Out Coming Out Coming Out Irresistible (1996) Irresistible (1996) Irresistible (1996) H.
    [Show full text]
  • The Confident Woman God Wants You to Be
    All scripture quotations, unless otherwise indicated, are taken from The Amplified Bible (AMP). The Amplified Bible, Old Testament. Copyright © 1965, 1987 by The Zondervan Corporation. The Amplified New Testament, copyright 1954, © 1958, 1987 by The Lockman Foundation. Used by permission. Scripture quotations marked “ NKJV” are taken from the New King James Version. Copyright © 1982 by Thomas Nelson, Inc. Used by permission. All rights reserved. Scripture quotations marked “ NIV” are taken from The Holy Bible, New International Version®. NIV®. Copyright © 1973, 1978, 1984 by International Bible Society. Used by permission of Zondervan Publishing House. All rights reserved. Copyright © Joyce Meyer 2006 All rights reserved. Warner Faith Hachette Book Group USA 237 Park Avenue, New York, NY 10017 Visit our Web site at HachetteBookGroupUSA.com. First eBook Edition: September 2006 ISBN: 978-0-7595-6837-2 Contents Introduction PART I: The God-Ordained Gift of Confidence Chapter One: Confidence Chapter Two: Setting the Record Straight Chapter Three: Does God Use Women in Ministry? Chapter Four: Seven Secrets of a Confident Woman Chapter Five: The Woman I Did Not Like Chapter Six: Overcoming Self-Doubt Chapter Seven: The Power of Preparation Chapter Eight: When The World Says No Chapter Nine: Are Women Really the Weaker Sex? Chapter Ten: Steps to Independence PART II: Living Boldly and Without Fear Chapter Eleven: The Anatomy of Fear Chapter Twelve: Fear Has Relatives Chapter Thirteen: The Relationship Between Stress and Fear Chapter Fourteen: Choosing Boldness Chapter Fifteen: Winners Never Quit Chapter Sixteen: Become a Courageous Woman Chapter Seventeen: You Go Girl! End Notes About the author TO Contact the Author in the United States: Other Books by Joyce Meyer INTRODUCTION “A woman has to be twice as good as a man to go half as far.” —FANNIE HURST For most of the world’s existence, women have not enjoyed being respected properly, nor have they enjoyed their rightful place in society.
    [Show full text]
  • Pop Books 2020A
    POP CURRENT BOOK LIST ID Author Title 1 Alers, Rochelle Claiming The Captain's Baby 2 Alers, Rochelle Her Wickham Falls SEAL 3 Alers, Rochelle The Sheriff Of Wickham Falls 4 Anderson, Catherine My Sunshine 5 Angelou, Maya I Know Why The Caged Bird Sings 6 Anonymous Primary Colors 7 Archer, Jeffrey Heads You Win 8 Arnold, Judith Hidden Treasures 9 Atkins, Dawn The New Hope Café 10 Avallone, Michael A Woman Called Golda 11 Bach, Richard A Gift Of Wings 12 Bagshawe, Louise Glamour 13 Bagwell, Stella White Dove's Promise 14 Bain, Stella Anita Shreve 15 Baldacci, David The Collectors 16 Baldacci, David Wish You Well 17 Bauer, Pamela 14 Valentine Place 18 Bell, Ted Tsar 19 Benjamin, Melanie The Swans Of Fifth Avenue 20 Bennett, Connie Somewhere Out There 21 Bessler, T. D. Traces Of Greed 22 Binchy, Maeve Firefly Summer 23 Bock, Charles Alice And Oliver 24 Bond, Larry Red Phoenix 25 Boykie, Terry Scott Autumn For A Day-Old Toad 26 Boyle, T. C. The Women 27 Bradfield, Scott Greetings From Earth 28 Bradford, Barbara Taylor A Sudden Change Of Heart 29 Bradford, Barbara Taylor The Triumph of Katie Byrne 30 Bradford, Barbara Taylor Unexpected Blessings 31 Bradford, Barbara Taylor Where You Belong 32 Bradford, Barbars Taylor Dangerous To Know 33 Bradley/Powers Flags of Our Fathers 34 Brant, Kylie Born In Secret 35 Brasselle, Keefe The Cannibals 36 Brett, Simon The Witness at the Wedding 37 Brewer, Rogenna Midway Between You And Me 38 Brockmole, Jessica Woman Enters Left 39 Bronte, Charlotte Jane Eyre 40 Bronte, Emily Wuthering Heights 41 Brown, Dan Angels And Demons 42 Brown, Dan Angels And Demons 43 Brown, Dan Inferno 44 Brown, Dan The Da Vinci Code 45 Brown, Dan the Lost Symbol 1/9/21 1 POP CURRENT BOOK LIST ID Author Title 46 Brown, Sandra Send No Flowers 47 Brunstetter, Wanda E.
    [Show full text]
  • Taltp-Spring-2008-American-Romance
    Teaching American Literature: A Journal of Theory and Practice Special Issue Spring/Summer 2008 Volume 2 Issue 2/3 Suzanne Brockmann (Anne Brock) (5 June 1960- Suzanne Brockmann, New York Times best-selling and RITA-award-winning author, pioneered and popularized military romances. Her well-researched, tightly-plotted, highly emotional, action-packed novels with their socially- and politically-pertinent messages have firmly entrenched the romance genre in the previously male-dominated world of the military thriller and expanded the reach and relevance of the romance genre far beyond its stereotypical boundaries. The Navy SEAL heroes of her Tall, Dark and Dangerous series published under the Silhouette Intimate Moments imprint and the heroes and even occasionally the heroines of her best-selling, mainstream Troubleshooter series who work for various military and counter-terrorism agencies have set the standards for military characters in the romance genre. In these two series, Brockmann combines romance, action, adventure, and mystery with frank, realistic examinations of contemporary issues such as terrorism, sexism, racial profiling, interracial relationships, divorce, rape, and homosexuality. Brockmann’s strong, emotional, and realistic heroes, her prolonged story arcs in which the heroes and heroines of future books are not only introduced but start their relationships with each other books before their own, and her innovative interactions with her readers, have made her a reader favorite. Suzanne was born in Englewood, New Jersey on 6 May, 1960 to Frederick J. Brockmann, a teacher and public education administrator, and Elise-Marie “Lee” Schriever Brockmann, an English teacher. Suzanne and her family, including one older sister, Carolee, born 28 January, 1958, lived in Pearl River, N.Y., Guilford, Conn., and Farmingdale, N.Y., following Fred Brockmann’s career as a Superintendent of Schools.
    [Show full text]