The Anglican Clergy in the Novels of Barbara Pym
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Excellent Women
EXCELLENT WOMEN: THE NOVELS OF BARBARA PYM AND ANITA BROOKNER Elizabeth Susanna van Aswegen B.A. (Bib!.), M.A. A thesis accepted by the Faculty of Arts, Potchefstroomse Universiteit vir Christelike Boer Onderwys, in fulfilment or the requirements for the degree of DOCTOR LITTERARUM Promoter: Prof. Annette L. Combrink, M.A., D.Litt., U.E.D. POTCHEFSTROOM April 198'l ACKNOWLEDGEMENTS I .wish to thank: my promoter, Professor Combrink, for her painstaking and valued guidance, as well as for her help and encouragement to this long-distance writer; the staff of the Ferdinand Postma Library and the Cape Technikon Library for their assistance; Cathy Coetzee and Brenda Bodde for their encouragement; Jenny Zinn for her impeccable typing; my daughter, Lisa, who faced the ordeal of a scrivening mother with patience and good nature. iii TABLE OF CONTimTS INTRODUCTION 2 A SURVEY OF CRITICISM: BARBARA PYM 11 2.1 Introduction 13 2.2 The early novels 14 2.3 The early published novels 16 2.4 Critical acclaim 20 2.5 "The novelist most touted by one's most literate friends" 23 2.6 Criticism: 1977 to date 26 2.6.1 Some Tame Gazelle 27 2.6.2 Excellent Women 29 2.6.3 Jane and Prudence 37 2.6.4 Less than Angels 40 2.6.5 A Class of Blessings 43 2.6.6 No Fond Return of Love 48 2.6. 7 An Unsuitable Attachment 54 2.6.8 Quartet in Autumn 61 2.6.9 The Sweet Dove Died 63 2.6.10 A Few Green Leaves 68 2.6.11 Crampton Hodnet 73 2.6.12 An Academic Question 79 2. -
Barbara Pym, Useless Longings, and Some Tame Gazelle
Love In Her Own Peculiar Way: Barbara Pym, Useless Longings, and Some Tame Gazelle Michelle Huneven Paper presented at the 18th North American Conference of the Barbara Pym Society Cambridge, Massachusetts, 12-13 March 2016 Like Henry James, Barbara Pym’s great subject is the impossibility of love. While James wrote of an inability to love, Pym wrote of love that is not returned. Unrequited love. Useless longings. Herself an ambivalent adept of one-sided passion—she did appreciate a good, gut-twisting love pang— Pym wrote of women who love married men (Some Tame Gazelle and Jane and Prudence ), women who form intense attachments to gay men (A Glass of Blessings, The Sweet Dove Died), and women who stalk their love objects (No Fond Return of Love). Pym was 22 when, to amuse her friends at Oxford—and also to get a handle on a distressing love affair— she wrote a short story about all of them called Some Tame Gazelle. Her friends were amused, and Pym determined to expand it into a novel. Not as easy as she’d thought! It would take her fifteen years to hammer that painful romantic episode into her pitch-perfect comic masterpiece. 1. Barbara Barbara Pym as a college student was tall, attractive, well-dressed, shy, funny as hell, and very smart. Men liked her, and she was keenly interested in return. Perhaps a little too interested; her Oxford diary pays more attention to boys than to books. As she was shy, quiet, and facing her first only nominally-chaperoned co- educational environment, Pym invented a persona to face the opposite sex: the dashing and adventurous Sandra. -
Clergy Handbook: Office Holders Terms and Condi�Ons of Service
[Inten�onally Blank] Diocese of Exeter Clergy Handbook: Office Holders Terms and Condi�ons of Service Contents Page Welcome from the Bishop of Exeter 3 Introduc�on 4 Sec�on 1: Diocese of Exeter – Who We Are 6 Sec�on 2: Appointment and Office 13 2.1 Varieties of Tenure 13 2.2 Key Documents 15 2.3 Nominated Officers 16 2.4 Fixed Term Appointments 17 2.5 Priests Over 70 18 2.6 Other Requirements 19 2.7 Housing 22 Sec�on 3: Managing Finances in Office 25 3.1 Grants 25 3.2 Expenses 26 3.3 Stipend and Pensions 26 3.4 Payroll and Tax 28 3.5 Financial Help 29 Sec�on 4: Day to Day Working Arrangements 31 4.1 Personal Details 31 4.2 Rest Periods and Annual Leave 31 4.3 Sickness 32 4.4 Other Types of Leave 35 Sec�on 5: Health, Safety and Security 37 5.1 Health and Safety 5.2 Personal Security 5.3 Safeguarding Sec�on 6: IT and Communica�ons 38 6.1 IT Security and Data Protection 38 6.2 Giving Professional and Personal References 40 6.3 Working With the Media 41 6.4 Social Media Guidelines 42 September 2020 1 Sec�on 7: Ongoing Ministry 44 7.1 Growing in Ministry 44 7.2 Ministerial Development Reviews 44 7.3 Continuing Ministerial Development 45 Sec�on 8: Welfare and Wellbeing 46 8.1 Clergy Wellbeing Covenant 46 8.2 Support During Sickness Absence 46 8.3 Pastoral Care and Counselling 47 8.4 Relationship Support 48 8.5 Retirement support 50 Sec�on 9: Work Life Balance (Family Friendly Policies) 52 9.1 Legal Entitlement to Statutory Leave and Pay 52 9.2 Maternity Leave and Pay 54 9.3 Adoption Leave and Pay 56 9.4 Paternity Leave and Pay 58 9.5 Shared Parental -
Frankfurt October
Translation Rights List Frankfurt October 1 1 Contents • About Bookouture p. 3 • Rights Department p. 4 • Historical p. 5 • Crime Thriller p. 21 • Women’s Fiction p. 78 • p. 104 • Schedule 2021 p. 106 • Rights Representatives p. 111 2 Digital publisher of brilliant fiction Bookouture is a fast-growing UK-based digital imprint specialising in a broad range of fiction and building authors globally. At just 8 years old, and with a team of 38 people, Bookouture has already scored 353 Amazon UK top 100 hits, and sold over 40 million copies. • From only 634 books and 154 authors, we sold 9.2 million copies in 2019 • We have had over 52 top-five Kindle bestsellers and over 78 top-ten Kindle bestsellers. 51% of all our titles have hit the Amazon UK Top 100. • We publish super-smart writing that keeps our readers up late into the night o Women’s fiction o Crime o Historical o Psychological suspense o Police procedurals o Chick lit o Paranormal romance o Young adult o Seasonal fiction o Sagas o Romance o Psychological thrillers o Thrillers o Holiday reads ‘Britain's Hottest Digital Publisher ’ 3 Rights Department ANDY HINE Rights Director Brazil, Germany, Italy, Poland, Scandinavia and the Baltic States [email protected] +44 (0) 20 3122 6545 KATE HIBBERT Rights Director Worldwide Spanish and Catalan, Portugal, Far East, the Netherlands, Flemish Belgium, the Indian Subcontinent and all of Eastern Europe excluding Poland [email protected] +44 (0) 20 3122 6619 HELENA DOREE Senior Rights Manager The USA, France, Greece, Hebrew -
Following Barbara's Footsteps
Following Barbara’s Footsteps by Ellen J. Miller Second Edition, revised and expanded by Tom Sopko © 2004, 2020 by The Barbara Pym Society All Rights Reserved Dedication & Preface to the First Edition To Hilary, who created her own footsteps. A Few Green Leaves is set in Oxfordshire; that is almost all we are told. Barbara Pym’s style – economical, direct, never using a long word where a short one will do, relying above all on dialogue – has never included much by way of physical setting. If the reader pictures bosky vicarage gardens, sedate London offices (of anthropological societies), the suburbia of decayed expectations, it is all in the mind’s eye – the author has not told us about it.... And if at times this seems a shortcoming, it is because we have come to expect a lot: the author has given us a particular and a total world and we want to relate it to the familiar and the general one. We want to specify the London landscapes obliquely hinted at, to set down Leonora and the characters of Quartet in Autumn in familiar streets and houses. Penelope Lively, ’The World of Barbara Pym’ in D. Salwak, Ed., The Life and Work of Barbara Pym (1987) As Ms. Lively notes, the unique world that Barbara Pym has left us only hints at London landscapes and the familiar streets and houses populated by Leonora, Letty, Jane, Wilmet and many other Pym personalities. A number of readers want to pinpoint specific locations in the novels as well as visit the places where Barbara lived, worked and worshiped. -
In Quartet in Autumn
“Here’s to Us, Then”: The Difficulties and Rewards of “Making Contact” in Quartet in Autumn Kathy Ackley Paper presented at the 17th North American Conference of the Barbara Pym Society Cambridge, Massachusetts, 14-15 March 2015 A colleague, wanting to encourage volunteer social worker Janice Brabner after her discouraging initial visit to Marcia Ivory’s home, tells her: “Make contact, by force, if necessary. Believe me, it can be most reward- ing.” The statement is not only amusing in a distinctly Pymian way with its startling suggestion that force might be necessary, but also perplexing for the questions that it raises: What does she mean by “contact”? What sort of force does she have in mind? And for whom is the contact rewarding—the social worker or the person being contacted, or both? Nevertheless, the advice represents one of the novel’s major themes: making contact with others can be difficult, but it can also be enriching. While there are various kinds of contact, in this novel, the words “make contact” denote, broadly, the act of connecting or establishing a bond with another human being. There is a complexity to this kind of contact: What role does conscience or doing one’s duty play, for instance? Is the attempt to make contact sincere or merely a gesture, and if a gesture, does it not count for anything? Who ben- efits from making contact and what form does the reward take? As the novel demonstrates, almost everyone who tries to make contact with others, for whatever reasons, benefits to a certain degree, whether the attempt succeeds or fails. -
The Love of a Good Narrative: Textuality and Digitality TERESA M
English Teaching: Practice and Critique September 2006, Volume 5, Number 2 http://education.waikato.ac.nz/research/files/etpc/2006v5n2art4.pdf pp. 56-68 The love of a good narrative: Textuality and digitality TERESA M. DOBSON University of British Columbia, Vancouver, Canada ABSTRACT: It has often been observed that Alice Munro is a master of narrative complexity. “The love of a good woman”, in particular, is a story that challenges conventional notions of structure in short fiction through digression or deferral, discontinuity, layering, and so on. Ross (2002) rightly observes that conventional theories of reading fail to get at the process involved in achieving successful “apprenticeship” with Munro’s short fiction. This paper explores the intricacies of Munro’s creative craft as exemplified in “The love of a good woman” and proposes an approach to facilitating students’ engagement with complex narratives. Through creative writing in a computer-based “wiki” environment, it is argued, we encourage students to undertake the project of “layering” narrative and of establishing and interrogating complex narrative relations. This creative exercise, in turn, may facilitate their understanding of short fiction such as Munro’s. KEYWORDS: Digital literacy, textuality, English education, literacy education. THE LOVE OF A GOOD NARRATIVE: TEXTUALITY AND DIGITALITY The title story of Munro’s The love of a good woman begins in a small-town Ontario museum where, among the butter churns and horse harnesses, is displayed a box of optometrist’s instruments along with an explanatory note: “This box . has considerable local significance, since it belonged to Mr. D.M. Willens, who drowned in the Peregrine River, 1951. -
Society 10Th Anniversary Edition
The Anthony Powell Society Newsletter Issue 39, Summer 2010 ISSN 1743-0976 Society 10th Anniversary Edition Contents From the Secretary’s Desk … 2 Dance for Everybody? … 3-5 Mrs Widmerpool’s Bridge-Coat … 6-13 Nancy Cutbirth … 14 Society News … 15 Dates for Your Diary ... 16-17 The Early Steps of the Dance … 18-19 SRB’s Sacred Music … 20-21 Literary Anniversaries in 2010 … 22-23 Cuttings … 24-29 Merchandise & Membership … 30-32 Please note the Hon. Secretary’s new fax number: +44 (0) 20 8020 1483 Anthony Powell Society Newsletter #39 From the Secretary’s Desk The Anthony Powell Society I’ve just returned from the London dinner Registered Charity No. 1096873 to celebrate the Society’s 10th birthday th The Anthony Powell Society is a charitable and the 50 anniversary of Casanova’s literary society devoted to the life and works Chinese Restaurant (full report in the of the English author Anthony Dymoke next Newsletter). Ten years ago a handful Powell, 1905-2000. of us gathered in VP Julian Allason’s Chelsea rooms to plan a conference in Officers & Executive Committee celebration of AP, who had recently died. Patron: John MA Powell Realising that as a group of individuals President: Simon Russell Beale, CBE we would never attract sponsorship, but needing an “organisation” to back the Hon. Vice-Presidents: Julian Allason conference, we summarily formed the Patric Dickinson, LVO Anthony Powell Society; and as its first officers we proceeded to organise what *Chairman: Dr Christine Berberich *Hon. Secretary: Dr Keith C Marshall became the Eton conference of 2001. -
The West Indians and the Church in an Unsuitable Attachment by Barbara Pym
Kunapipi Volume 30 Issue 1 Article 12 2008 ‘From Greenland’s Icy Mountains’: The West Indians and the Church in An Unsuitable Attachment by Barbara Pym Orna Raz Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Raz, Orna, ‘From Greenland’s Icy Mountains’: The West Indians and the Church in An Unsuitable Attachment by Barbara Pym, Kunapipi, 30(1), 2008. Available at:https://ro.uow.edu.au/kunapipi/vol30/iss1/12 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] ‘From Greenland’s Icy Mountains’: The West Indians and the Church in An Unsuitable Attachment by Barbara Pym Abstract Passing along the ‘brightly — almost garishly — painted houses’ of the West Indians, Mark Ainger, the male protagonist of An Unsuitable Attachment, an Anglican priest, remembers that it was in this street that his wife Sophia once saw ‘a cluster of what she took to be exotic tropical fruits in one of the windows, only to realise that they were tomatoes put there to ripen. ‘“Love apples”, she had said to Mark, and the words “love apple” had somehow given a name to the district, strange and different as it was from the rest of the parish which lay over the other side of the main road, far from the railway line’ (16). This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol30/iss1/12 137 ORNA RAZ ‘From Greenland’s Icy Mountains’: The West Indians and the church in An Unsuitable Attachment by Barbara Pym passing along the ‘brightly — almost garishly — painted houses’ of the West Indians, Mark Ainger, the male protagonist of An Unsuitable Attachment, an Anglican priest, remembers that it was in this street that his wife Sophia once saw ‘a cluster of what she took to be exotic tropical fruits in one of the windows, only to realise that they were tomatoes put there to ripen. -
Academics and Librarians in the Novels of Barbara Pym
http://sajlis.journals.ac.za/ 34 S.Afr.Tydskr.Bibl.Inligtingk.,1998,66(I) 'Thankless tasks': academics and librarians in the novels of Barbara Pym Elizabeth S. van Aswegen Department of Language Practice, Department of Library and Information Studies, Cape Technikon, P.O. Box 652, Cape Town 8000 Republic of South Africa [email protected] From 1950, until her death in 1980, Barbara Pym published ten novels. However, the social and literary climate of the 'sixties and early 'seventies was not receptive to her subtle and ironic literary style, and her writing suffered an eclipse of 16 years. A renaissance in her fortunes came in January 1977, when the Times literary supplement asked a selection of critics to comment on which writers they considered the most underrated of the twentieth century; both Philip Larkin and Lord David Cecil selected Barbara Pym. This critical acclaim stimulated renewed interest in her work, and Quartet in ali/limn was nominated and shortlisted for the Booker Prize in 1977. Her new status led to her canonization in the literary world, and several previously unpublished novels, as well as her edited diaries and notebooks, appeared after her death in 1980. An analysis of character in the novels reveals that Pym's peripheral characters include a large cast of academics; in addition, some of her most malicious creations are librarians, who, with their petty concerns, are averse to both books and borrowers. This article highlights her countless subtle jibes at academe; while her characters are frequently intrinsic to theme and plot (the adjective 'peripheral' is therefore to be used with caution), her most caustic scenes deflate academic ambition and pretension. -
Walk-Ons Paper for 2012 Conference
Walk-ons and Noises Off: Peripheral Characters in Barbara Pym’s World Sandra Goldstein Paper presented at the 15th North American Conference of the Barbara Pym Society Cambridge, Massachusetts, 16-17 March 2013 “Saw today a woman with bright purple hair, her expression under it all understandably surprised; two well-dressed upper-class women, chinless….” Barbara Pym jotted down these observations in her notebook on August 20, 1955. In A Glass of Blessings, published three years later, Wilmet Forsyth, the novel’s heroine, at a social evening in the parish hall notices “two well-dressed middle-aged women with a young girl...All three were chinless, with large aristocratic noses. Near them stood a thin woman with purple hair and a surprised expression, as if she had not expected that it would turn out to be quite that colour.” The chinless ladies are later identified, but the lady with purple hair remains nameless, never to be seen again, and yet she is a great comic creation, especially since Barbara now offers a reason for her surprised expression. The four women who make up this little tableau are like spear-carriers in an opera, or walk-ons in a stage play – actors who take on small roles with few or no lines. Barbara Pym created innumerable characters of this kind. Some do not even appear, but are merely talked about; they remain behind the scenes as “noises off” – sounds created offstage to be heard during a play’s performance. Pym gives her readers fleeting glimpses into the lives of a vast array of people spanning all segments of society. -
Vol. 24, No. 1 Spring 2018
Green leaves The Journal of the Barbara Pym Society Vol. XXIV, No. 1, Spring 2018 “A few green leaves can make such a difference.” — Miss Grundy, A Few Green Leaves Report on the North American Conference, Cambridge MA, 17–18 March 2018 by Denise Marois-Wolf fter creating so many delightful excellent women, why The evening concluded with a singalong of ‘Land of Hope and A did Barbara Pym create the anti-excellent Leonora Glory’ and ‘Jerusalem’ with waving Union Jack. Eyre? Is Leonora redeemed, or even redeemable by the end of Saturday was filled with wonderful papers, food, The Sweet Dove Died? On whom did Pym base the character fellowship, and the opportunity to buy Pym-themed of James, and what are some of the hidden paraphernalia. The morning started with a codes that give us a clue to the characters’ true continental breakfast of bagels and coffee in intentions? the Austin Hall lobby, giving participants who More than a hundred Pymmites came to the hadn’t seen each other since last year a chance Barbara Pym Society’s 20th annual North to catch up before adjourning to the American Conference in Cambridge, auditorium, which was decorated with large, Massachusetts, braving the weather that was lavish bouquets of spring flowers. cold even for March. A recent storm that Dr Kym Brindle, one of four first-time swept the Northeast brought brisk winds and presenters, started the conference with a paper left snow piled up along streets and sidewalks. on the letters, impolite and otherwise, in TSDD Still, the turnout was good, with participants and Leonora’s obsessive need to surround coming all the way from the UK, Israel, Paris, herself with perfection, both in objects and Ontario, and across the United States.