Contemporary Art Auction 2012
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For Immediate Release
FOR IMMEDIATE RELEASE IRANIAN ARTIST GOLNAZ FATHI TURNS CALLIGRAPHIC WRITING INTO ABSTRACT PAINTING, COMBINING ELEMENTS OF EAST AND WEST Exhibition dates: April 11 – May 11, 2013 Opening cocktail reception: Thursday, April 11, 6 - 8 pm Untitled, 2011, acrylic, pen and varnish on canvas, 70.9 x 88.6 inches New York, March 21, 2013—For her debut solo exhibition in New York, Iranian artist Golnaz Fathi—who divides her time between Tehran and Paris—presents recent works on canvas that draw on her long practice of traditional Iranian calligraphy. Fathi works in fine pen, mostly on varnished raw, rectangular, polyptych canvases, in a limited palette of white, black, red and yellow. She layers the surface of the canvas with thousands of minute marks that echo the curvilinear forms of calligraphic letters and words. These intricate lines coalesce into minimalist compositions that can be read in multiple ways—as landscapes, electronic transmissions or atmospheric phenomena. She refrains from titling her works, which allows the viewer free reign to assign his or her own interpretation. (continued) The basis of Fathi’s practice is siah-mashq, a traditional exercise in which the calligrapher writes large, cursive letters across the page in a dense, semi-abstract formation. The letters aren’t meant to form words or convey meaning, but rather strengthen the skill of the scribe. Fathi reinterprets this technique, drawing inspiration from various Western and Eastern sources, including American Abstract Expressionism, as well as the work of Iranian and Middle Eastern modernists who pioneered the use of the written word as a pictorial element in the late 1950s and early 1960s. -
Dissertation
DISSERTATION Titel der Dissertation Post-Orientalismus Eine soziologische Analyse zu den Dekonstruktions- und Rekonstruktionsprozessen des Orientbildes in der zeitgenössischen visuellen Kunst Verfasserin Dina El-Najjar, Bakk.phil. MA angestrebter akademischer Grad Doktorin der Philosophie (Dr.phil.) Wien, 2014 Studienkennzahl lt. Studienblatt: A 784 122 Dissertationsgebiet lt. Soziologie Studienblatt: Betreuer: Univ.-Prof. Dr. Christoph Reinprecht Danksagung Ich möchte an dieser Stelle Univ.-Prof. Dr. Christoph Reinprecht für die Betreuung und wertvollen Anregungen herzlich danken. Ohne ihn wäre die Dissertation erst gar nicht möglich gewesen. Besonderer Dank gilt meinen geliebten Eltern, die mich in der Verwirklichung meiner Träume unterstützt haben. Für meine Eltern Inhaltsverzeichnis Einleitung.............................................................................................................................................. 6 1. Theoretische Abhandlung ....................................................................................................... 23 1.1. Der Orient: Zur Schöpfungsgeschichte eines westlichen Konzepts .......................................... 23 1.2. Imperialismus-Kolonialismus-Eurozentrismus ......................................................................... 26 1.3. Kritik an Edward Said ............................................................................................................... 31 1.4. Kunst als Widerstandsstrategie: Durch die Augen des Anderen .............................................. -
PR Golnaz Fathi AB43 DE
PRESSETEXT, 28. Juli 2017 «Traces of Yesterday» – Solo-Ausstellung mit GOLNAZ FATHI AB43 CONTEMPORARY, Orangerie, Im Park 2, Thalwil/Zürich Öffentliche Vernissage: Samstag, 2. September 2017, 13.00 – 16.00 Uhr Ausstellungsdauer: 2. September – 7. Oktober 2017 Artist Talk: Samstag, 2. September 2017, 16.00 – 17.00 Uhr im Kulturraum Thalwil (Bahnhofstrasse 24, 8800 Thalwil) Das Gespräch führt Axel Langer, Kurator für die Kunst des Nahen Ostens am Museum Rietberg, Zürich (in englischer Sprache). AB43 CONTEMPORARY freut sich, neue Werke der iranischen Künstlerin GOLNAZ FATHI in einer Solo-Ausstellung zu zeigen. Fathi gilt als eine der erfolgreichsten Künstlerinnen, die Kalligrafie auf sehr moderne, zeitgenössische Art umsetzt – hat weltweite Ausstellungen und Sammler. Kunstwerk von Golnaz Fathi – Untitled, Acrylic on canvas, 2017, 170x142cm GOLNAZ FATHI (1972 in Teheran, Iran) ist eine international gefeierte Künstlerin, die es geschafft hat, die Kluft zwischen traditioneller und zeitgenössischer Kultur sowie zwischen östlichen und westlichen Lebensweisen zu überbrücken. Als ausgebildete Kalligraphin besitzt sie die Fähigkeit, Sprache geschickt in malerische Kompositionen zu verwandeln. Im Park 2 – 6 CH-8800 Thalwil/Zurich Switzerland Phone +41 41 982 08 80 [email protected] www.ab43contemporary.com Während sie Grafik Design an der Azad Universität, Tehran studierte, entdeckte sie die Kalligraphie. Ihr Können vertiefte sie daraufhin über sechs Jahre an der Kalligraphie-Vereinigung Irans. Fathi war die erste Frau, die eine Auszeichnung für Ketabat, einem speziellen Genre der Kalligraphie, gewann. Von den Regeln und Vorschriften dieser Disziplin der Kalligraphie ermattet, schuf sie in ihren Bildern eine neue Form des Ausdrucks: eine imaginäre Sprache, die tief in der persischen Tradition verwurzelt ist und gleichzeitig auf eine soziale Renaissance hindeutet. -
Marketing Western Luxury Retail Brands in the Middle East
Marketing Western Luxury Retail Brands In The Middle East HONOR’S CAPSTONE WRITTEN BY: JUDY DAGHESTANI [email protected] Advisor: Richard Linowes Kogod School of Business: Management University Honors in Business, Spring 2013 1 After moving from California to Dubai in high school and then back to Washington D.C. for college I have had the chance to observe both American and Middle Eastern consumer cultures. Through my own observations as well as academic research, I come to believe in general that the Middle Eastern consumer is open to enjoying foreign luxury fashion brands. For an international brand to be successful in the Middle East however, it needs to appeal to the local culture and take into consideration the local religion and values for advertising purposes. Successful brands realize that fostering a global image while pleasing the Middle Eastern local customers is important. For the purposes of this paper, the term Western includes Europe as well as the North American region. Furthermore, the term Middle East is considered a broad term that can be debatable. The Middle East is considered as Algeria, Bahrain, Egypt, Iran, Iraq, Israel, Jordan, Kuwait, Lebanon, Libya, Morocco, Oman, Qatar, Saudi Arabia, Syria, Tunisia, Turkey, United Arab Emirates and Yemen. 1 The term Luxury brands are defined as “goods that the mere use or display of a particular branded product brings the owner prestige apart from any functional utility.” 2 Middle Eastern countries are targeted by multinational luxury brand fashion companies; as so, this market is very lucrative for firms to emerge.3 The Middle East is attractive to luxury international brands despite the possibilities of political uncertainties 1 Glynis Jones. -
CURATED by AMIRALI GHASEMI Participating Artists Samira Abbassy
CURATED BY AMIRALI GHASEMI Participating Artists Samira Abbassy . Iman Afsarian . AKSbazi Shirin Aliabadi . Samira Alikhanzadeh Afruz Amighi . Mojtaba Amini Nazgol Ansarinia . Kamrooz Aram THE ELEPHANT IN THE DARK Reza Aramesh . Mehraneh Atashi January 25-May 30, 2012 Shoja Azari . Mahmoud Bakhshi Commissioned and Published by Gohar Dashti . Alireza Dayani . Ala Ebtekar Devi Art Foundation, New Delhi, 2012 Shirin Fakhim . Golnaz Fathi Parastou Forouhar . Shadi Ghadirian Assistant Curator Amirali Ghasemi . Bita Ghezelayagh Reha Sodhi Barbad Golshiri . Amirali Golriz Ramin Haerizadeh . Rokni Haerizadeh Catalogue Design Elham Doost Haghighi Neelima Rao, Reha Sodhi Khosrow Hassanzadeh . Ghazaleh Hedayat Peyman Hooshmandzadeh Light Design Shirazeh Houshiary . Katayoun Karami Lyle Lopez Shahram Karimi . Simin Keramati Abbas Kowsari . Farideh Lashai Printed at Amir Mobed . Masoumeh Mozaffari Archana Pendar Nabipour . Timo Nasseri www.archanapress.com Farah Ossouli . Leila Pazooki . Sara Rahbar Mohsen Rastani . Shirin Sabahi Printed on Hamed Sahihi . Zeinab Shahidi Marnani Rendezvous Natural White Behnoush Sharifi . Jinoos Taghizadeh Newsha Tavakolian . Sadegh Tirafkan ISBN and Ali Zanjani 978-81-921393-2-6 Contributors Daria Kirsanova, Amirali Ghasemi © 2012 Devi Art Foundation, Devi Art Foundation extends its thanks to the artists and authors following for assistance with photography: all artists, Aaran Art Gallery, Agastaya Thapa, No part of this publication may be Assar Art Gallery, Azad Art Gallery, Galerie reproduced, stored in a retrieval system or Sfeir-Semler, Gallery Isabelle Van Den Eynde, transmitted by any form or by any means, Green Cardamom, Isak Berbic, Leila Heller electronic, mechanical, photo copying, Gallery, Mah Art Gallery, Reha Sodhi, Rose recording or otherwise without the prior Issa Projects, Shovan Gandhi, Silk Road written permission of the publisher. -
Page 01 Nov 05.Indd
ISO 9001:2008 CERTIFIED NEWSPAPER Monday 5 November 2012 20 Dhul-Hijja 1433 - Volume 17 Number 5509 Price: QR2 Qatar banking Raikkonen sector to grow wins Abu stronger Dhabi GP Business | 18 Sport | 28 www.thepeninsulaqatar.com [email protected] | [email protected] Editorial: 4455 7741 | Advertising: 4455 7837 / 4455 7780 PM in Ethiopia Media Expo Qatar Syrian rebels 2012 opens today DOHA: The second Media, Advertising and Printing Technology Exhibition (Media Expo Qatar 2012) opens today in bid to form at the Doha Exhibition Center. The three-day expo gathers a big number of people represent- ing media organisations world- wide under one roof including satellite channels, print media, govt-in-exile radio and technology provid- ers who share latest advances in media-related technology Doha meet to continue till Thursday worldwide. DOHA: Syria’s splintered yesterday’s meet expect that their Bahrain extends opposition factions that kicked conclave would continue for three off their historic meeting here more days until Thursday and custody of activist yesterday hope to expand that the membership base of the and restructure the Syrian SNC would be expanded from the DUBAI: Bahrain has extended National Council (SNC) with a present 300 to 400 to include all the detention of a leading view to forming a provisional opposition factions. human rights activist arrested government-in-exile. SNC is to be the largest coali- last week for taking part in The SNC, though, faces an tion of the Syrian opposition out- a demonstration in the coun- uphill task in ensuring fair rep- side their country and the Council try by seven days, his lawyer resentation to all Syrian opposi- will be discussing a proposal put said yesterday. -
The Young Collectors Auction Art from the Middle East
Auction No. 12 The Young Collectors Auction Art from the Middle East Viewing: January 9 - 16, 2012, 10:00 AM to 8:00 PM Auction: Tuesday, January 17, 2012 7:00 PM Auction No. 12 The Young Collectors Auction Art from the Middle East Viewing: January 9 - 16, 2012, 10:00 AM to 8:00 PM Auction: Tuesday, January 17, 2012 7:00 PM Auction No. 12 The Young Collectors Auction Art from the Middle East Viewing: January 9 - 16, 2012, 10:00 AM to 8:00 PM Auction: Tuesday, January 17, 2012 7:00 PM Head of Session & Auctioneer Hisham Samawi For all enquiries please contact our team: Khaled Samawi Dubai + 971 4 323 6242, [email protected] Hisham Samawi Dubai + 971 4 323 6242, [email protected] Fadi Mamlouk Dubai + 971 4 323 6242, [email protected] Myriam Jakiche Dubai + 971 4 323 6242, [email protected] Katia de Rham Dubai + 971 4 323 6242, [email protected] General Information [email protected] ayyam auctions 3rd Interchange, Al Serkal Complex, Al Quoz 1, Street 8, PO Box 283174 Dubai, UAE Phone + 971 4 323 6242, Fax + 971 4 323 6243, [email protected], www.ayyamgallery.com Mohannad ORABI Born 1977 - Lot 001 Signed, Dated 100 X 90 cm. Acrylic on Canvas 2011 Estimate (US$ 6,000 - 7,000) Mohannad Orabi’s whimsical self portraits exemplify what has made Syrian art so successful over the last sixty years. Born in Damascus in 1977, Orabi graduated from the Faculty of Fine Arts in 2000. Noteworthy among his peers he has exhibited in venues across the region, and has participated in collective shows and festivals in North America, Europe and Asia, including Art Palm Beach, Miami International Art Fair, SCOPE Art Fair (Basel). -
Discover “Asia Abstract” with Opera Gallery the Art Exhibition Launches 28 Sept – 31 Oct, 2018
Discover “Asia Abstract” with Opera Gallery The Art Exhibition Launches 28 Sept – 31 Oct, 2018 (Left to right – Afjehee Nasrollah - Untitled, Chu The-Chun - 26 Mars, Shiraga Kazuo – Untitled) (Hong Kong – 21st August 2018) Opera Gallery will unveil a new group exhibition end September that celebrates the history and heritage of Asian art. Through abstract art, the exhibition will launch a dialogue that interlinks the past and present, traditional and modern designs, and Eastern and Western influences. Created through time-honored practices of traditional Asian art, each piece will reflect the artist’s diverse cultural background and experiences abroad. With specialized skills in ancient Middle Eastern calligraphy, traditional Chinese ink wash painting, and Korean scroll painting and papermaking, the exhibition will showcase artwork that have been crafted using painstaking attention, effort and time. “Asia Abstract” will boast a collection that fuses traditional methods with modern techniques. Conceptualized by the innovative artists, modern techniques reflect the artists’ state of mind and effectively address the themes of national identity, nature and humanity. Exhibition Highlights: Featured Chinese-French artists, Zao Wou-Ki (b. 1920), Chu Teh-Chun (b. 1920) and Feng Xiao-Min (b. 1959) are known for their modernist approach in integrating traditional Chinese brush-and-ink technique with Western abstract art. Over the course of their artistic career in France, the artists have acquired techniques passed on by European masters and have adopted manners of abstract expressionism and lyrical abstraction. The rhythmic nuances demonstrated in their bold sweeping strokes of colours are reminiscent of Chinese landscape paintings. While the message of the artwork may be elusive, viewers are left to bask in the immense beauty and strong emotional impact derived from the artwork’s depth, poetry and musicality. -
Middle Eastern Art While Also Demonstrating The
AR T TEFAF ART BASEL HONG KONG ARMORY WeeK NORMAN LEWIS + A UCTION THE INTERNATIONAL MAGAZINE FOR ART COLLECTORS MARCH 2015 MIDDLE EASteRN ART: INSIDER PICKS WORLDWIDE EXCLUSIVE FOCUS ON THE MIDDLE FOCUS KAZUO SHIRAGA’s GUTAI SCRAPBOOK Ea ST AT HOME WITH COLLECTOR CHRISTOPHER TSAI MULTIPLES MARKET BLOUIN MUSHROOMS A RTIN F O.CO ANDREW SENDOR M MA RCH 201 5 SHIFTING SAND23 MODERN AND CONTEMPORARY ARTISTS FROM THE MIDDLES EAST WHO TRANSCEND BORDERS WHILE TACKLING SUCH THEMES AS IDENTITY AND EXILE 78 BY TRENT MORSE he topics of wealth and conflict are running March 5 through June 5, participants come from all seemingly unavoidable in discussions of around the world, but curator Eungie Joo is privileging artists the Islamic world. When it comes to active in or with ties to the region. Further down the road, the region’s art scenes, headlines focus when the 56th Venice Biennale opens in May, the group shows on either the investment in world- in the pavilions of Iraq (curated by Philippe Van Cauteren, class museums and the establishment artistic director of s.m.a.k., the Museum of Contemporary Art of auction-house outposts in the in Ghent) and the United Arab Emirates (curated by Sheikha Gulf states, or the looting and the loss Hoor bint Sultan Al Qasimi, president and director of the of cultural heritage elsewhere in the Sharjah Art Foundation) will be augmented by “In the Eye greater Middle East and North of the Thunderstorm,” an official collateral exhibition of art of Africa (mena). What’s overlooked in the Middle East commissioned by Omar Donia, founder of this dyad is the artists from the Contemporary Practices art journal. -
CATA-IRAN-HEARTBEAT-WEB.Pdf
Hessam KHALATBARI & Yassi METGHALCHI ont le plaisir de vous convier au vernissage de Exposition du 26 novembre au 20 janvier 2016 JEUDI 26 NOVEMBRE 2015 À PARTIR DE 18H30 216 rue Saint Martin 75003 Paris, France T. +33 1 42 71 87 83 - [email protected] www.galerienicolasflamel.com Ghodratollah Agheli I Abdi Asbaghi I Reza Derakhshani I Kambiz Derambakhsh Golnaz Fathi I Parastou Forouhar I Behruz Heschmat I Bozorgmehr Hosseinpour Manouchehr Niazi I Mojtaba Ramzi I Hamed Rashtian I Kambiz Sabri Behjat Sadr I Mina Talaee I Parviz Tanavoli PREFACE TIMELESS EXCHANGES Exhibitions are one of the major means for artists to express themselves to As a lover of the arts, and a particular supporter of Iranian modern and the public. contemporary art and artists, I have never felt as excited at the developing prospects surrounding cultural interchange between Iran and the world today. Lifting of sanctions against Iran was one of the major reasons for choosing the title of our upcoming exhibition. I have always been a strong believer that where politics often fails, art and culture stand a stronger chance for winning the hearts and minds in Our gallery, in its principle role, acts as the bridge between talented Iranian differing societies, allowing for more open intellectual discourse and deeper artists and international art lovers. We have decided to seize the moment understanding, above and beyond any ideological, political or geographic offered by the international community to represent Iran as a major player confines. Today, politics aside, I am particularly enthused by the prospect in economic and political life. -
THE LINE of MARCH Pouran Jinchi September 13 – October 21, 2017
THE LINE OF MARCH Pouran Jinchi September 13 – October 21, 2017 The Third Line is proud to present The Line of March, a solo exhibition by New York-based artist Pouran Jinchi. With her new body of work, Pouran returns to a fundamental preoccupation—the parallels between art and language as modes of communication—while extending her artistic expression in new directions. Pouran Jinchi, J as Juliet, 2017, Enamel on MDF panels, 76 x 137 cm The artist quietly inventories the unspoken traces of endless wars, perpetual conflict, and pervasive militarism. For months, she has been pouring over documents on the visual apparatus of military power, noting the discreet ways these tonalities seep into culture. From Morse code and phonetic alphabets to military insignia and medals, from war paint to camouflage, Pouran takes stock of a pervasive military aesthetic. Her research extends to the ways military jargon permeates our common language, jotting notes in her notebooks—deployed, regimented, cypher, war of words, occupied. All of it becomes source material for her artworks. The title of the exhibition is borrowed from a painting by the 18th century French artist Jean-Antoine Watteau, who depicted the lives of common soldiers in times of war. Pouran studied photographs of the German city of Koblenz, where architectural fragments that remain from the destruction of WWII have been integrated into modern architecture. She unearthed a black and white photograph from 1920s Leningrad showing Soviet chess masters playing the game on a massive chessboard at the Palace Square using soldiers from the Red Army as the black pieces and sailors from the navy for the white pieces. -
Page 01 Oct 25.Indd
ISO 9001:2008 CERTIFIED NEWSPAPER Thursday 25 October 2012 9 Dhul-Hijja 1433 - Volume 17 Number 5498 Price: QR2 QE index PSG stroll drops 0.23pc to victory; this week Man City lose Business | 17 Sport | 28 www.thepeninsulaqatar.com [email protected] | [email protected] Editorial: 4455 7741 | Advertising: 4455 7837 / 4455 7780 Emir to receive Check-ups for Eid well-wishers DOHA: The Emiri Diwan announced yesterday that the Emir H H Sheikh Hamad bin new workers in Khalifa Al Thani will receive the Eid Al Adha well-wish- ers at Al Wajbah Palace in the morning of the first day as fol- lows: Immediately after the Eid Industrial Area prayer and till 6:30am, the Emir will receive their excellencies the Sheikhs, the Ministers, the Advisory Council Speaker, the Less burden on Medical Commission undersecretaries, the Advisory Council members and the citi- DOHA: The health centre plans are afoot to shift it into new zens. From 6:30am to 6:45am, in the New Industrial Area premises after three years. the Emir will receive their excel- (NIA) plans to begin con- Although the capacity of the lencies the heads of the diplo- ducting mandatory health health centre is 500 patients a matic corps accredited to Qatar. checks on newly-arriving day, it handles almost double the From 6:45am to 7am, the Emir foreign workers from early number of workers who come for will receive the Army and police next year — a job the Medical treatment for various ailments. officers and the directors of state Commission (MC) carries out Initially, about 700 workers departments and national insti- at present.