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BIO Andrew Gilbert Born 1980, Edinburgh, Scotland. Lives And
BIO Andrew Gilbert Born 1980, Edinburgh, Scotland. Lives and works in Berlin Education 1997 - 2002: M.A: (Hons) Fine Art - University of Edinburgh and Edinburgh College of Art Solo Exhibitions (selection) 2019 The Royal Botanical Drawings of Emperor Andrew, Ten Haaf Projects, Amsterdam 2018 The Glorious Opening of Emperor Andrew's Museum, Sperling, Munich Andrew Gilbert solo presentation, Sunday Fair, London, with Sperling Und willst du nicht mein Brueder sein, so schlag ich dir den Schaedel ein - with Martin Neumeier, Botschaft, Berlin 2017 Andrew Gilbert and Sam Durant, Last Tango, Zurich The Sun Will Never Set on the British Empire - The Beast Awakens, Ten Haaf Projects, Amsterdam Andrew's Glorious Occupation of Exotic Bavaria, Filsers, Mainburg Into the Valley of Death - Rode the Six Hundred, Galerie Kai Erdmann, Hamburg 2016 Solo Presentation, ABC Kunst Messe, Berlin, with Sperling Shaka Zulu the Musical - Directed by Andrew, Sperling, Munich Ulundi Is Jerusalem Andrew Is Emperor Brocoli Is Holy, Overbeck - Gesellschaft Museum / St Petri Kirche, Luebeck Emperor Andrew Meets His Waterloo, Superdeals, Brussels 2015 Trophies of the Savages - Idols of Civilisation, Blank Projects, Cape Town, South Africa The Life of Baby Afghan Squirrel, Sperling, Munich European Tribal War Idols, Waterloo 1815, Gallery Polad - Hardouin, Paris Je suis...Brocoli!, Jagla Ausstellungsraum, Koeln Andrew's Exotic and Erotic Massage Parlour, Sightfenster, Koeln 2014 Fiori e Soldati - with M. Galliani, Studio d'Arte Raffaelli, Trento Sacred Soil and Bloody Ground, -
BIMM Birmingham City and Accommodation Guide 2021/22
Birmingham City and Accommodation Guide 2021/22 bimm.ac.uk Contents Welcome Welcome 3 As Principal of BIMM Institute Birmingham, I’m hugely excited to be at the helm of our newest UK college, About Birmingham 4 located at the heart of this vibrant creative and artistic My Birmingham 10 musical city. About BIMM Institute Birmingham 12 At BIMM Institute, we give you an experience of the real BIMM Institute Birmingham Lecturers 16 industry as it stands today – it’s our mission to create BIMM Institute Birmingham Courses 18 a microcosm of the music business within the walls of Location 22 the college. If you’re a songwriter, you’ll find the best musicians to collaborate with; if you’re a guitarist, bassist, Your City 24 drummer or vocalist, you’ll find the best songwriters and Music Resources 28 fellow band members. If you’re a Music Business, Music Production, Event Management or Music Marketing, Media Accommodation Guide 34 and Communication student, you’ll have access to the best Join Us in Birmingham 38 emerging musical talent the city has to offer. BIMM Institute is a hotbed of talent and being a BIMM student means you’ll be part of that community, making many vital connections, which you’ll hopefully keep for the rest of your life and career. The day you walk into BIMM Institute as a freshly enrolled student is the first day of your career. While you’re a BIMM student, you’ll be immersed in the industry. You’ll be taught by current music professionals who bring real, up-to-date experience directly into the classroom, and the curriculum they’re teaching is current and relevant because it constantly evolves with the latest developments in the business. -
E Guide the Travel Guide with Its Own Website
Londonwww.elondon.dk.com e guide the travel guide with its own website always up-to-date d what’s happening now London e guide In style • In the know • Online www.elondon.dk.com Produced by Blue Island Publishing Contributors Jonathan Cox, Michael Ellis, Andrew Humphreys, Lisa Ritchie Photographer Max Alexander Reproduced in Singapore by Colourscan Printed and bound in Singapore by Tien Wah Press First published in Great Britain in 2005 by Dorling Kindersley Limited 80 Strand, London WC2R 0RL Reprinted with revisions 2006 Copyright © 2005, 2006 Dorling Kindersley Limited, London A Penguin Company All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the copyright owner. A CIP catalogue record is available from the British Library. ISBN 1 4053 1401 X ISBN 978 1 40531 401 5 The information in this e>>guide is checked annually. This guide is supported by a dedicated website which provides the very latest information for visitors to London; please see pages 6–7 for the web address and password. Some information, however, is liable to change, and the publishers cannot accept responsibility for any consequences arising from the use of this book, nor for any material on third party websites, and cannot guarantee that any website address in this book will be a suitable source of travel information. We value the views and suggestions of our readers very highly. Please write to: Publisher, DK Eyewitness Travel Guides, Dorling Kindersley, 80 Strand, London WC2R 0RL, Great Britain. -
Breaking Dawn Stephenie Meyer
Breaking Dawn Stephenie Meyer Copyright © 2008 by Stephenie Meyer All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Little, Brown and Company Hachette Book Group USA 237 Park Avenue, New York, NY 10017 Visit our Web site at www.lb-teens.com First eBook Edition: August 2008 Little, Brown and Company is a division of Hachette Book Group USA, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group USA, Inc. Epigraph for Book Three from Empire by Orson Scott Card. A Tor Book. Published by Tom Doherty Associates, LLC. Copyright © 2006 by Orson Scott Card. Reprinted with permission of the author. The characters and events portrayed in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author. ISBN: 978-0-316-03283-4 Contents BOOK ONE: BELLA Preface 1. Engaged 2. Long Night 3. Big Day 4. Gesture 5. Isle Esme 6. Distractions 7. Unexpected BOOK TWO: JACOB Preface 8. Waiting For The Damn Fight To Start Already 9. Sure As Hell Didn’t See That One Coming 10. Why Didn’t I Just Walk Away? Oh Right, Because I’m An Idiot. 11. The Two Things At The Very Top Of My Things-I-Never-Want-To-Do List 12. Some People Just Don’t Grasp The Concept Of “Unwelcome” 13. -
AB&T Administrative Case Disposition Report by Date
STATE OF FLORIDA DEPARTMENT OF BUSINESS AND PROFESSIONAL REGULATION AB&T Administrative Case Disposition Report Administrative Actions Taken by the Florida Alcoholic Beverages and Tobacco Division 10/12/2016 9:24:36AM 1/1/2013 Through 12/31/2013 Please note that any discipline listed is subject to appeal within 30 days of the issuance of a Final Order. Penalties outside the AB&T Division's guildelines are based upon extensive documented aggravating or mitigating circumstances. Penalties may be reduced based upon the provisions of Sections 561.706 and 569.008, Florida Statutes for an employee's illegal sale or service of alcohol or tobacco to a person who is not of lawful age based upon the licensee's qualification as a responsible vendor. Business Name: #9 FOOD STORE Licensee: NGUYEN, CVA License Number: 5802771 County: Orange Admin Case Number: 2012028583 Date Accepted: 11/19/2012 Disposition: Final Order Violation(s): 1. SELL SINGLE/LOOSE CIGARETTES 2. SALE OF TP TO U/A/P (LICENSEE) Penalty(s): Civil Penalty,11/19/2012; Business Name: (THE) OFFICE Licensee: A & S ENTERTAINMENT LLC License Number: 2301971 County: Dade Admin Case Number: 2012049043 Date Accepted: 01/09/2013 Disposition: Stipulation Violation(s): 1. LIQUOR BOTTLES; REFILLING Penalty(s): Civil Penalty,01/09/2013; Business Name: (THE) WINE SHOP OF ST. PETERSBURG BEACH Licensee: (THE) WINE SHOP OF ST. PETERSBURG BEACH, License Number: 6210952 County: Pinellas Admin Case Number: 2013033777 Date Accepted: 11/26/2013 Disposition: Final Order Violation(s): 1. VENDOR TO VENDOR SALES Penalty(s): Civil Penalty,11/26/2013; Business Name: 101 DOWNTOWN Licensee: 101 DOWNTOWN LLC License Number: 1102762 County: Alachua Admin Case Number: 2013025469 Date Accepted: 07/29/2013 Disposition: Stipulation Violation(s): 1. -
Download Your Free Digital Copy of the June 2018 Special Print Edition of Animationworld Magazine Today
ANIMATIONWorld GOOGLE SPOTLIGHT STORIES | SPECIAL SECTION: ANNECY 2018 MAGAZINE © JUNE 2018 © PIXAR’S INCREDIBLES 2 BRAD BIRD MAKES A HEROIC RETURN SONY’S NINA PALEY’S HOTEL TRANSYLVANIA 3 BILBY & BIRD KARMA SEDER-MASOCHISM GENNDY TARTAKOVSKY TAKES DREAMWORKS ANIMATION A BIBLICAL EPIC YOU CAN JUNE 2018 THE HELM SHORTS MAKE THEIR DEBUT DANCE TO ANiMATION WORLD © MAGAZINE JUNE 2018 • SPECIAL ANNECY EDITION 5 Publisher’s Letter 65 Warner Bros. SPECIAL SECTION: Animation Ramps Up 6 First-Time Director for the Streaming Age Domee Shi Takes a Bao in New Pixar Short ANNECY 2018 68 CG Global Entertainment Offers a 8 Brad Bird Makes 28 Interview with Annecy Artistic Director Total Animation Solution a Heroic Return Marcel Jean to Animation with 70 Let’s Get Digital: A Incredibles 2 29 Pascal Blanchet Evokes Global Entertainment Another Time in 2018 Media Ecosystem Is on Annecy Festival Poster the Rise 30 Interview with Mifa 71 Golden Eggplant Head Mickaël Marin Media Brings Creators and Investors Together 31 Women in Animation to Produce Quality to Receive Fourth Mifa Animated Products Animation Industry 12 Genndy Tartakovsky Award 72 After 20 Years of Takes the Helm of Excellence, Original Force Hotel Transylvania 3: 33 Special Programs at Annecy Awakens Summer Vacation Celebrate Music in Animation 74 Dragon Monster Brings 36 Drinking Deep from the Spring of Creativity: Traditional Chinese Brazil in the Spotlight at Annecy Culture to Schoolchildren 40 Political, Social and Family Issues Stand Out in a Strong Line-Up of Feature Films 44 Annecy -
TEST YOURSELF: K-Wave Is Here to Stay by Gary
Bangkok Post Learning: Test Yourself Test Yourself is where you can improve your reading skills. Whether it’s for tests like University Entrance Exams or IELTS and TOEFL, or even just for fun, these stories help you to read, understand and improve your English. K-wave is here to stay by Gary Boyle Read the following story by Tatat Bunnag from the Bangkok Post. Then, answer the questions that follow. Photo © NETFLIX The K-wave is unstoppable. Korean content and pop culture has made it on the world stage thanks to an Oscar win by Parasite (2019) and the success of musical groups like Blackpink and BTS. This year is the fifth anniversary of Netflix entering South Korea. Since then, we've seen people all across the world fall in love with Korean-made content. This includes the success of the horror series Sweet Home; a rom-com about a love affair in Crash Landing On You; the K-zombie invasion in Kingdom and #Alive; teenage life with Extracurricular; and the country's first space blockbuster Space Sweepers. Music fans also had documentaries like Blackpink: Light Up The Sky. Here are some upcoming shows to look out for in 2021. D.P. The show is based on a webtoon by Kim Bo-tong and follows the story of army private who ends up becoming a member of the "Deserter Pursuit" unit that tracks down military deserters and encounters the realities of confused young soldiers. Squid Game A story of people who decide to become players of a mysterious survival game that has a 40- million-dollar prize at stake. -
Mixing It up Bent and Twisted
The sociality of dance events and health implications Kate Ireland A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Interdisciplinary studies in sexuality, health and culture University of New South Wales Sydney, NSW 2050, Australia August, 2002 Abstract This thesis is concerned with the sociality – shared rituals and rules - of dance events and implications for health. I consider how forms of belongings, selves and practices of music, dance and drug use are produced, regulated and understood in the space of local dance events with ‗mixed‘ crowds and the everyday lives of participants. Social networks approaches, while offering an understanding of drug use as a social practice, focus on belonging as a basis for risk-reduction, to the exclusion of the role played by pleasure in producing and maintaining belonging. Contemporary cultural studies literature features an understanding of dance through the power of the ecstatic moment to produce new forms of embodied selves and belongings, but does not offer a means to think through how dance is regulated via techniques of self-care – except in the work of Pini (1993, 1997a, b, c), where pleasure, belonging and self-care are brought together. Using Pini‘s (1993, 1997a, b, c) work as a point of departure, I provide an interdisciplinary account of local ‗mixed‘ dance events, via analysis of qualitative data from ethnographic fieldwork, review of media texts and interviews with partygoers. I situate the local spaces, everyday practices and stories of events in the context of broader social processes, through setting them in relation to Foucault‘s (1986/1990b) work on self-care as a social practice and Maffesoli‘s (1988/1996) work on collective rituals of neo-tribal sociality, in a wider context of restrictive regulation of self- formation. -
Eastern Progress Eastern Progress 1965-1966
Eastern Progress Eastern Progress 1965-1966 Eastern Kentucky University Year 1966 Eastern Progress - 29 Apr 1966 Eastern Kentucky University This paper is posted at Encompass. http://encompass.eku.edu/progress 1965-66/27 RADIO SHOW NCAA RULE ■ DISGUSTING QUESTIONED ..J PAGE 2 €(XSt6R OGJieSS PAGE 4 i < 'Setting The Pace In A Progressive Era' 43rd Year No. 27 Student Publication of Eastern Kentucky University, Richmond (Effective July I) Friday, April 29, 1966 'Role Of Newspaper In Democracy* Action Show Tuesday Student Publications Editors Appointed Miss Ann Lewis Scott and Wil- After trooping all over Amer- liam Raker, both Juniors, were Theme For K.I.P.A. Conference ica, the AEC-TV cist of "Wliere named as the 1966-67 editors of the Action 13" will be on East; the award-winning student pub- "The Role of the Newspaper "Role of the Co'lote P:e-;s."i Tomorrow's sessions include ol n s campus Tue3day. lications of Eastern at a Thurs- In Democracy" is the theme of which will serve to introduce a | addresses by Mist Cattle Lou Starting at » p.m. the show day meeting of the College the two-day conference of the panel discussion on the subject Miller, state commissioner of produced by Dick Clark Produc- Board of Student Publications. Kentucky Intercollegiate Press Panelists wHl include student public information; Hill Hannah, tions, will feature such notable Miss Scott, Lebanon, will head Association which is holding its editors from five college and uni- city,, editor of the Lexington entertainers ns Paul Revere and the Milestone, student yearbook, annual spring meeting here to- versity newspaper:,: Mike Clark, leader; George Joplin, publish- the Raiders, the Knickerbockers, while Raker, Carrollton, will edit day and tomorrow. -
An Anthropological Study of Ethnicity and the Reproduction of Culture In
London School of Economics and Political Science An anthropological study of ethnicity and the reproduction of culture among Hong Kong Chinese families in Scotland Eona Margaret Bell A thesis submitted to the Department of Anthropology of the London School of Economics for the degree of Doctor of Philosophy London, October 2011 1 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 81,554 words. 2 Abstract This thesis is about inter-generational relationships and the reproduction of culture in the family lives of Hong Kong Chinese people in Scotland. It is based on fifteen months of ethnographic fieldwork and informal interviews in family homes, Chinese language schools and community organizations in Edinburgh. A central question is that of ethnicity and how people learn to “be ethnic” while living in a Western, multicultural society. The first part asks what Scottish-born Chinese children learn about ethnicity through growing up in families who work in the ethnic catering trade. -
Bloc South Further Submissions
BLOC SOUTH FURTHER SUBMISSIONS 1. Wayne Shires Witness Statement 2. Wayne Shires Exhibit 1 – East BLOC Premises liCenCe WS/01 3. Wayne Shires Exhibit 2 – The BloC Group Presentation WS/02 4. Wayne Shires Exhibit 3 – Letters of support WS/03 5. Wayne Shires Exhibit 4 – Letter of support from WS/04 Jonathan Simpson 6. Wayne Shires Exhibit 5 – Letter of support from Lord WS/05 Brian PaddiCk 7. Wayne Shires Exhibit 6 – Companies House ExtraCt WS/06 8. Wayne Shires Exhibit 7 – The Guardian Newspaper WS/07 ArtiCles 9. Wayne Shires Exhibit 8 – Revised proposed Conditions WS/08 10. Wayne Shires Exhibit 9 – Dispersal policy WS/09 11. Report prepared by Adrian Studd STATEMENT OF WAYNE SHIRES Proposed Operator of Bloc South Introduction 1. With the permission of Lambeth Council, I hope to open and operate a new nightclub and community premises to be called “Bloc South” in the railway arches at 65 Albert Embankment in Vauxhall. The club will be dedicated to serve the LGBTQ community in Lambeth and further afield. I am of course aware of the chequered history of this premises when it previously housed Club 65. 2. Within this statement I will set out : a. The reasons behind this application and my relationship with the previous operators; b. What I hope to achieve for the good of the LGBTQ community in Lambeth; c. The Bloc South concept and the operating hours required to make the project commercially viable; d. The steps I will take to ensure the licensing objectives are promoted and addressing issues raised by those who have made representations objecting to this application. -
From the Church of Disco to Waterfront Ruins: an Analysis of Gay Space
Bard College Bard Digital Commons Senior Projects Spring 2019 Bard Undergraduate Senior Projects Spring 2019 From the Church of Disco to Waterfront Ruins: An Analysis of Gay Space Liam Nolan Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2019 Part of the Architectural History and Criticism Commons, Historic Preservation and Conservation Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other American Studies Commons, Other Architecture Commons, Other History of Art, Architecture, and Archaeology Commons, and the Urban, Community and Regional Planning Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Nolan, Liam, "From the Church of Disco to Waterfront Ruins: An Analysis of Gay Space" (2019). Senior Projects Spring 2019. 1. https://digitalcommons.bard.edu/senproj_s2019/1 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. From the Church of Disco to Waterfront Ruins: An Analysis of Gay Space Senior Project Submitted to The Division of the Arts of Bard College by Liam Nolan Annandale-on-Hudson, New York May 2019 Acknowledgments Laurie, I couldn't do this without you.