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Librarians and Harry Potter: an Introduction of the SHHH! Personality Assessment Instrument Connie J
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CommonKnowledge Volume 14 , Number 1 Lively Librarians Loose in the Limelight: Libraries in Popular Media (Spring 2008) | Pages 9 - 13 July 2014 Librarians and Harry Potter: An Introduction of the SHHH! Personality Assessment Instrument Connie J. Bennett Eugene Public Library Follow this and additional works at: http://commons.pacificu.edu/olaq Part of the Library and Information Science Commons Bennett, C. J. (2014). Librarians and Harry Potter: An Introduction of the SHHH! Personality Assessment Instrument. OLA Quarterly, 14(1), 9-13. http://dx.doi.org/10.7710/1093-7374.1186 © 2014 by the author(s). OLA Quarterly is an official publication of the Oregon Library Association | ISSN 1093-7374 | http://commons.pacificu.edu/olaq Librarians and Harry Potter: An Introduction of the SHHH! Personality Assessment Instrument by Connie J. Bennett adame Pince, the cranky mis- of the Hogwarts library’s restricted shelves, Director, tress of the library at Hogwarts, would stand squarely with the latter group. Eugene Public Library Mis hardly a role model to emulate. J.K. Rowling has acknowledged that the In the librarian’s constant search for profes- Pince caricature is merely a plot device. Dur- sional balance between providing generous ing a benefit reading on August 2, 2006 at community access to resources on the one Radio City Music Hall, answering a question hand—and safeguarding those resources from a librarian in the audience, she said, from the public on the other—she’s clearly “I thought you were going to attack me for on the parsimonious end of the continuum. -
Harry Potter and the Half-Crazed Bureaucracy 33 I
The Law and Harry Potter Edited by Jeffrey E. Thomas Franklin G. Snyder CAROLINA ACADEMIC PRESS Durham. North Carolina Copyright © 20 I0 Jeffrey E. Thomas Franklin G. Snyder Contents All Rights Reserved Preface Vll Part I Library of Congress Cataloging-in-Publication Data Legal Traditions and Institutions What Role Need Law Play in a Society with Magic? 3 The law and Harry Potter I [edited by] Jeffrey E. Thomas and Franklin G. John Gava & Jeannie Marie Paterson Snyder. Bats and Gemots: Anglo-Saxon Legal References in Harry Potter 19 p. em. Includes bibliographical references. Susan P. Liemer ISBN 978-1-59460-645-8 (alI<. paper) Harry Potter and the Half-Crazed Bureaucracy 33 I. Rowling, J. K.--Criticism and interpretation. 2. Rowling, J. K.--Charac Benjamin H. Barton ters--Harry Potter. 3. Potter, Harry (Fictitious character) 4. Law in literature. Moral Choice, Wizardry, Law and Liberty: A Classical Liberal 5. Magic in literature. 6. Wizards in literature. I. Thomas, Jeffrey E. II. Sny Reading of the Role of Law in the Harry Potter Series 49 der, Franklin G. III. Title. Andrew P Morriss Part II PR6068.093Z75652010 Crimes and Punishments 823'.914--dc22 Harry Potter and the Unforgivable Curses 67 2009041207 Aaron Schwabach Sirius Black: A Case Study in Actual Innocence 91 Geoffrey Christopher Rapp The Persecution of Tom Riddle: A Study in Human Rights Law 103 Carolina Academic Press Geoffrey R. Watson 700 Kent Street Durham, North Carolina 27701 Punishment in the Harry Potter Novels 119 Telephone (919) 489-7486 Joel Fishman Fax (919) 493-5668 Part III www.cap-press.com Harry Potter and Identity Hogwarts, the Family, and the State: Forging Identity and Virtue in Harry Potter 13t Printed in the United States ofAmerica Danaya C. -
The Portrayal of Good and Evil in Harry Potter What Happens When the Rhetoric Fails?
The Portrayal of Good and Evil in Harry Potter What Happens When the Rhetoric Fails? Veera Wikström Master’s Thesis English Philology Faculty of Arts University of Helsinki April 2020 Tiedekunta – Fakultet – Faculty Koulutusohjelma – Utbildningsprogram – Degree Programme Humanistinen tiedekunta Englannin kielen ja kirjallisuuden maisteriohjelma Opintosuunta – Studieinriktning – Study Track Englantilainen filologia Tekijä – Författare – Author Veera Wikström Työn nimi – Arbetets titel – Title The Portrayal of Good and Evil in Harry Potter: What Happens When the Rhetoric Fails? Työn laji – Arbetets art – Level Aika – Datum – Month and year Sivumäärä– Sidoantal – Number of pages Pro gradu -tutkielma Huhtikuu 2020 50 Tiivistelmä – Referat – Abstract Tutkielmassa tarkastellaan retoriikan eri keinoja J. K. Rowlingin kirjasarjassa ja sitä minkälaisia eettisiä opetuksia ne tuottavat lapsille. Tarkastelussa ovat varsinkin kielellisen, empaattisen ja tarinankerronnallisen retoriikan puolet. Kirjoja tutkiskellaan eettisestä näkökulmasta. Analyysin kohteena ovat Albus Dumbledore, Sirius Musta, Rohkelikot ja Weasleyt, Luihuiset, ja Draco Malfoy. Näkökulmana on eettinen, moraalinen ja oikeudenmukainen hahmojen kohtelu tarinankerronnassa. Tutkielman tavoitteena on todistaa, että kirjojen tarjoama retoriikka voi olla haitallinen nuorille ja kokemattomille lukijoille sekä hatara vanhemmille ja kokeneemmille lukijoille. Lastenkirjailijoilla on eettinen vastuu, johon kuuluu oikeiden eettisten ja moraalisten käytäntöjen opetus tekstin kautta. Tämä tarkoittaa -
Co-Creating Harry Potter: Children’S Fan-Play, Folklore and Participatory Culture
CO-CREATING HARRY POTTER: CHILDREN’S FAN-PLAY, FOLKLORE AND PARTICIPATORY CULTURE by © Contessa Small A thesis submitted to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Folklore Memorial University of Newfoundland April 2015 St. John’s Newfoundland Abstract A number of scholars have argued that children’s traditional artifacts and play are being replaced by media culture objects and manipulated by corporations. However, while companies target and exploit children, it is problematic to see all contemporary youth or “kid” culture as simply a product of corporate interests. This thesis therefore explores children’s multivocal fan-play traditions, which are not only based on corporation interests, but also shaped by parents, educators and children themselves. The Harry Potter phenomenon, as a contested site where youth struggle for visibility and power, serves as the case study for this thesis. Through the examination of an intensely commercialized form of children’s popular culture, this thesis explores the intricate web of commercial, hegemonic, folk, popular and vernacular cultural expressions found in children’s culture. This thesis fits with the concerns of participatory literacy which describes the multiple ways readers take ownership of reading and writing to construct meaning within their own lives. Due to the intense corporate and adult interests in Pottermania, children have continually been treated in the scholarly literature as passive receptors -
An Exploration of JK Rowling's Social and Political Agenda in the Harry
Vollmer UW-L Journal of Undergraduate Research X (2007) Harry’s World: An Exploration of J.K. Rowling’s Social and Political Agenda in the Harry Potter Series Erin Vollmer Faculty Sponsor: Richard Gappa, Department of English ABSTRACT Over the years, the Harry Potter series by J.K. Rowling has grown in popularity, becoming one of the most read and most criticized pieces of children’s literature to date. Interestingly, the series has not only gained popularity with children, but also their adult counterparts. As a result of its adult success, Harry Potter has attracted more and more scholars to pursue serious literary analysis, most frequently exploring themes such as death and religion. However, the focus of this research is on the intertextual parallels of the numerous hierarchical structures found in the Harry Potter series, examining how these hierarchies develop the social and racial themes in the story and vice versa. A further purpose is to determine if there is a correlation between the power structures found in the series and our own, drawing on secondary criticisms and theory for support. Above all, although the series should not be reduced to “this versus that,” there is sufficient evidence to argue that a conflict of materialistic versus altruistic values is at work in the Harry Potter series. Therefore, the examination of race, hierarchy, and power assists in the recognition of the social and political systems at work in the series. Keywords: J.K. Rowling, Hierarchy, Materialism INTRODUCTION When a skinny boy with black hair, green eyes, and a telltale scar appeared on the scene in 1997, nobody could have predicted the significant impact this seemingly insignificant boy would have on the world. -
Diagon Alley: Being a Stranger
Harry Potter and the Sacred Text 1.05- Diagon Alley: Being a Stranger Casper: Hi, this is Casper. We recorded this episode before the attacks in Orlando, and wanted to offer our thoughts and love in response to the tragedy. A lot of people will turn to prayer or to their religious communities in such times of despair. We know that, for a whole ton of our listeners, that’s not really an option. What we wanted to suggest was, if there are times of sadness and loss of hope and courage, that this can be a kind of prayer, that turning to this text, and delving into it with attention and love, is a kind of prayer. So we found this one little passage that, for us, really speaks volumes in this time of mourning and of anger, that we hope will speak to you also. Vanessa: This offering is from The Goblet of Fire. It is the speech that Dumbledore makes when Cedric Diggory dies at the hands of Lord Voldemort. And every time I say the name ‘Cedric Diggory,’ I will be thinking of the forty-nine victims in Orlando, and of their families. “It is my belief, and never have I so hoped that I am mistaken, that we are all facing dark and difficult times. Some of you in this hall have already suffered directly. Many of your families have already been torn asunder. A week ago a student, Cedric Diggory, was taken from our midst. Remember Cedric. Remember if the time comes when you have to make a choice between what is right and what is easy, remember what happened to a boy who was good and who was kind and brave, because he strayed across the path of violence. -
The Reflection of Attachment Style in J.K. Rowling's
THE REFLECTION OF ATTACHMENT STYLE IN J.K. ROWLING’S PLAYSCRIPT HARRY POTTER AND THE CURSED CHILD TERM PAPER By: ANISA FAJRIANTI 2014130068 STRATA ONE (S-1) OF ENGLISH DEPARTMENT FACULTY OF LETTERS DARMA PERSADA UNIVERSITY JAKARTA 2018 THE REFLECTION OF ATTACHMENT STYLE IN J.K. ROWLING’S PLAYSCRIPT HARRY POTTER AND THE CURSED CHILD TERM PAPER Submitted in Part Fulfilling for Obtaining Strata One (S-1) Degree By: ANISA FAJRIANTI 2014130068 STRATA ONE (S-1) OF ENGLISH DEPARTMENT FACULTY OF LETTERS DARMAPERSADAUNIVERSITY JAKARTA 2018 ii Universitas Darma Persada iii Universitas Darma Persada iv Universitas Darma Persada v Universitas Darma Persada ACKNOWLEDGEMENT Alhamdulillahi rabbil ‘aalamiin, praise be to Allah SWT who has given the mercy and blesses to me to be able to finish my term paper entitled The Reflection Of Attachment Style In J.K. Rowling’s Playscript Harry Potter And The Cursed Child. This paper is submitted as a partial fulfillment of the requirements for obtaining the Strata One (S1) degree at the English Department, the Faculty of Letters, University of Darma Persada. There are many great people who always guide and support me from the beginning until I finish this term-paper. Their advices are very helpful for me to finish this term paper. By account of that, I would like to deliver a lot of gratitude to them, those great people are: 1. Dra. Karina Adinda, MA as the advisor who has guided me patiently and kindly in making my term-paper. 2. Drs. Rusydi M. Yusuf, M.Si as the reader who has checked and corrected the word by word in this term-paper patiently. -
DISCUSSION GUIDE Year 4 Harry Potter and the Goblet of Fire
DISCUSSION GUIDE Presented by the Year 4 Harry Potter and the Goblet of Fire Introduction to the Harry Potter Books In 1997 Joanne Rowling, a single parent living in guaranteed that she would be able to continue the story Edinburgh, Scotland, published her first book. It was the as she wished. Fans camped out overnight and lined up at fulfillment of a dream she’d had since she was a child. Her bookstores in record numbers as each new installment in story about an eleven-year-old orphaned boy who discovers the series appeared. his heritage of wizardry took the world by storm. Published as a children’s book, it was embraced by readers of all ages, This discussion guide is designed to help readers explore who found the engaging humor and gentle parody of the some of the deeper meanings underlying Rowling’s world real world to be enjoyable and thought provoking. of wizardry and magic. Incorporating elements of fantasy, mystery, humor, sports, and friendship, the series has wide Rowling had planned, from the beginning, to tell the story appeal for readers of all ages. On the surface the books are in a series of seven books. The initial success of the first title great adventure tales, but like all great fantasy literature, (published in England as Harry Potter and the Philosopher’s they also deal with universal human values, longings, Stone and in America as Harry Potter and the Sorcerer’s Stone) wishes, and choices. Year 4 Harry Potter and the Goblet of Fire Harry becomes aware of a wider wizarding world in this volume, as he attends the Quidditch World Cup with the Weasleys, and becomes involved in the Triwizard Tournament at Hogwarts, competing against students from other schools. -
Yule Ball Tournament Questions: Tossups Only 1
YULE BALL TOURNAMENT QUESTIONS: TOSSUPS ONLY 1. Before being refurbished, it was home to a number of unpleasant creatures such as doxies and boggarts. Its decor includes a serpent-shaped door knocker, as well as the mounted heads of house- elves and a strategically burned family tapestry. FTP, name this residence, the new headquarters for the Order of the Phoenix. Answer: Number 12, Grimmauld Place 2. Born to parents named Pollux and Irma, she died in 1985 as one of the last of her pure-blood line. She hated such members of her family as Alphard and Andromeda, which is why she magically burned their names off the family tree along with that of her son. Who, FTP, is this mother of Sirius? Answer: Walburga Black 3. This actor first gained fame on the stage for playing such roles as King Lear and Falstaff, but he became most famous with the movies The Singing Detective and, of course, his role in the Harry Potter movies, which he first took on in Harry Potter and the Prisoner of Azkaban. FTP, name this British-Irish actor, who replaced Richard Harris as Albus Dumbledore. Answer: Michael Gambon 4. They alone defend users against Lethifolds, though Dumbledore can also use them to send unforgeable messages. In Harry Potter and the Deathly Hallows, Umbridge's is a cat, and in the movie of Order of the Phoenix, Ginny's is a horse. What, FTP, are these creatures that are primarily used to defend wizards against Dementors? Answer: Patronus 5. According to Ron in Chamber of Secrets, Ginny loves these. -
The Contradictory Communities of Wizard Rock
Identity, Rhetoric and Behavior: The Contradictory Communities of Wizard Rock by Kelli Rohlman, B.M. A Thesis In MUSICOLOGY Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF MUSIC Approved Dr. Christopher J. Smith Chair Professor Angela Mariani Dr. Thomas Cimarusti Ralph Ferguson Dean of the Graduate School December, 2010 Copyright 2010, Kelli Rohlman Texas Tech University, Kelli Rohlman, December 2010 ACKNOWLEDGMENTS In the December 2003 issue of O Magazine, American critic and writer Bell Hooks said “Life-transforming ideas have always come to me through books.” The Harry Potter book series is one that many would claim has changed their lives in one way or another, and I am no exception. I would first like to thank, with the utmost respect and admiration, author J.K. Rowling for her literature that has inspired such a flourishing, creative, and beautiful community of fans. I would then like to register my complete gratitude to each of my informants; without their cooperation, generosity, and eagerness to share their incredible talents and expertise, this thesis would not have been possible. I would like to thank the hundreds of “wizards” that I have met or communicated with along my journey for their undying enthusiasm. I would also like to thank, specifically, Dinah Russell of the Wizrocklopedia.com for her assistance in general community support for my research. Thank you to Melissa Anelli of The Leaky Cauldron website and Pottercast for her accessibility and for answering all of my questions about Harry, A History on multiple occasions. -
Harry Potter and the Cursed Child
The digital heart of the Wizarding World www.pottermore.com Harry Potter and the Cursed Child Parts One and Two may not be performed in whole or in part and no use may be made of it whatsoever except under express license from the rights holders of the work, J.K. Rowling and Harry Potter Theatrical Productions Limited. Please email [email protected] with any inquiries. To Jack Thorne who entered my world and did beautiful things there. — J.K. Rowling For Joe, Louis, Max, Sonny, and Merle . wizards all . — John Tiffany To Elliott Thorne, born April 7, 2016. As we rehearsed, he gurgled. — Jack Thorne CONTENTS PART ONE ACT ONE ACT TWO PART TWO ACT THREE ACT FOUR ABOUT THE PRODUCTION BIOGRAPHIES OF THE ORIGINAL STORY TEAM ACKNOWLEDGEMENTS ACT ONE, SCENE ONE KING’S CROSS A busy and crowded station. Full of people trying to go somewhere. Amongst the hustle and bustle, two large cages rattle on top of two laden trolleys. They’re being pushed by two boys, JAMES POTTER and ALBUS POTTER, their mother, GINNY, follows after. A thirty-seven-year-old man, HARRY, has his daughter, LILY, on his shoulders. ALBUS: Dad. He keeps saying it. HARRY: James, give it a rest. JAMES: I only said he might be in Slytherin. And he might so . (Off his dad’s glare.) Fine. ALBUS (looking up at his mum): You’ll write to me, won’t you? GINNY: Every day if you want us to. ALBUS: No. Not every day. James says most people only get letters from home about once a month. -
6 Harry Potter Fanfiction
Univerzita Hradec Králové Pedagogická fakulta Katedra anglického jazyka a literatury Vývoj vedlejších postav ságy Harryho Pottera ve fanfiction Development of Minor Characters from Harry Potter Saga in Fanfiction Diplomová práce Autor: Bc. Anna Fólová Studijní program: N7504 Učitelství pro střední školy Studijní obor: Učitelství pro střední školy – hudební výchova, Učitelství pro 2. stupeň ZŠ – anglický jazyk a literatura Vedoucí práce: Mgr. Jan Suk, Ph.D. Hradec Králové 2019 Prohlášení Prohlašuji, že jsem tuto bakalářskou práci vypracovala samostatně a uvedla jsem všechny použité prameny a literaturu. V Hradci Králové dne 1.4.2019 Anotace FÓLOVÁ, Anna. Vývoj vedlejších postav ságy Harryho Pottera ve fanfiction. Hradec Králové: Pedagogická fakulta Univerzity Hradec Králové, 2019. 63 s. Diplomová práce. Tato práce představuje fanfikci a fanouškovskou tvorbu obecně. Uvádí její historický vývoj, reakce spisovatelů děl, podle kterých fanfikce vzniká a problémy s legální stránkou fanfikce. Popisuje fandom Harryho Pottera a jeho specifika, fandom také porovnává s fandomy ostatních děl převážně fantasy a science-fiction literatury. V praktické části potom analyzuje dvojici vybraných postav a jejich vývoj, které popisuje nejprve z pohledu původního díla, poté z pohledu fanfikce a posléze vývoj porovnává a shrnuje. Klíčová slova: Harry Potter, Fanfiction, Fandom, Vedlejší postavy. Annotation FÓLOVÁ, Anna. Development of Minor Characters from Harry Potter Saga in Fanfiction. Hradec Králové: Pedagogical Faculty, University of Hradec Králové, 2019, 63 pp. Diploma dissertation. This thesis presents fanfiction and fanwork in general. It introduces its historical development, reaction of the original work authors´ and legal issues of fanfiction. This thesis describes fandom of Harry Potter and its particularities, compares it with other fandoms, mostly fantasy and science fiction works.