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As the Pages Turn by Stormyskize
As the Pages Turn by StormySkize AdultFanFiction.net Ashwinder http://ashwinder.sycophanthex.com/viewstory.php?sid=13233 Author’s Archive Digital Quill FanFiction.net FictionAlley LJ Author’s site LJ Community Mugglenet Obscurus Books OWL The Petulant Poetess The Restricted Section The Snape Hermione Gift Exchange The WIKTT Archives 1 A/N: This story is a combination of many genres. It is part parody, part romance, part general drama, and completely A/U. I have followed canon very loosely, drawing some inspiration from the films as well as the books. I have completely ignored the ending of HBP. For the purposes of this story, I needed Dumbledore alive, and so alive he is – at least here! The events of the books are meant to serve only as a framework on which to hang my plot. Events that, in the books, may have taken place over several days or even weeks are compressed into one day, or completely ignored. This is deliberate and I intend no disrespect to the story that JKR is telling. Almost all encounters between Hermione Granger and Severus Snape are the product of my own imagination. I wrote this story in response to a challenge posed on the WIKTT forum by Ladyofthemasque. The Challenge goes like this: Lost in a Book Challenge Offered by Ladyofthemasque Based upon the story “Lost in a (Not So) Good Book” by Bubblebunny (http://ashwinder.sycophanthex.com/viewstory.php?sid=12466) Here’s the Lost in A Book Challenge: 1. Hermione Granger and Severus Snape encounter a wizarding romance novel 2. They get sucked literally into the storyline, taking on the roles of the hero and heroine 3. -
Librarians and Harry Potter: an Introduction of the SHHH! Personality Assessment Instrument Connie J
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by CommonKnowledge Volume 14 , Number 1 Lively Librarians Loose in the Limelight: Libraries in Popular Media (Spring 2008) | Pages 9 - 13 July 2014 Librarians and Harry Potter: An Introduction of the SHHH! Personality Assessment Instrument Connie J. Bennett Eugene Public Library Follow this and additional works at: http://commons.pacificu.edu/olaq Part of the Library and Information Science Commons Bennett, C. J. (2014). Librarians and Harry Potter: An Introduction of the SHHH! Personality Assessment Instrument. OLA Quarterly, 14(1), 9-13. http://dx.doi.org/10.7710/1093-7374.1186 © 2014 by the author(s). OLA Quarterly is an official publication of the Oregon Library Association | ISSN 1093-7374 | http://commons.pacificu.edu/olaq Librarians and Harry Potter: An Introduction of the SHHH! Personality Assessment Instrument by Connie J. Bennett adame Pince, the cranky mis- of the Hogwarts library’s restricted shelves, Director, tress of the library at Hogwarts, would stand squarely with the latter group. Eugene Public Library Mis hardly a role model to emulate. J.K. Rowling has acknowledged that the In the librarian’s constant search for profes- Pince caricature is merely a plot device. Dur- sional balance between providing generous ing a benefit reading on August 2, 2006 at community access to resources on the one Radio City Music Hall, answering a question hand—and safeguarding those resources from a librarian in the audience, she said, from the public on the other—she’s clearly “I thought you were going to attack me for on the parsimonious end of the continuum. -
Co-Creating Harry Potter: Children’S Fan-Play, Folklore and Participatory Culture
CO-CREATING HARRY POTTER: CHILDREN’S FAN-PLAY, FOLKLORE AND PARTICIPATORY CULTURE by © Contessa Small A thesis submitted to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Folklore Memorial University of Newfoundland April 2015 St. John’s Newfoundland Abstract A number of scholars have argued that children’s traditional artifacts and play are being replaced by media culture objects and manipulated by corporations. However, while companies target and exploit children, it is problematic to see all contemporary youth or “kid” culture as simply a product of corporate interests. This thesis therefore explores children’s multivocal fan-play traditions, which are not only based on corporation interests, but also shaped by parents, educators and children themselves. The Harry Potter phenomenon, as a contested site where youth struggle for visibility and power, serves as the case study for this thesis. Through the examination of an intensely commercialized form of children’s popular culture, this thesis explores the intricate web of commercial, hegemonic, folk, popular and vernacular cultural expressions found in children’s culture. This thesis fits with the concerns of participatory literacy which describes the multiple ways readers take ownership of reading and writing to construct meaning within their own lives. Due to the intense corporate and adult interests in Pottermania, children have continually been treated in the scholarly literature as passive receptors -
EXTENDED ESSAY English B
EXTENDED ESSAY English B: Category 2B November 2019 session Evolution and development of the character of Ron Weasley from the saga of Harry Potter by JK Rowling To what extent the family and social context of the character Ron Weasley of the saga of Harry Potter by JK Rowling influenced in the development of his personality? Candidate Code number: 004727 - 0009 Word count: 4000 Supervisor: Gisela Riccio Ipanaque Chiclayo, Peru. Index: Introduction …………………………………………………………………………………………..……………………………1 First Chapter ………………………………………………………………………………………………………………………..2 1.1 Ron´s family context ……………………………………………………………………………………………………….2 1.2 Family influence ……………………………………………………………………………………………………………..4 1.2.1 Parents ……………………………………………………………………………..……………………………………….4 1.2.2 Siblings ………………………………………………………………………………..…………………………………….6 Second Chapter ……………………………………………………………………………………………………………….....8 2.1 Social context …………………………………………………………………………………………………………………8 2.1.1 Ron´s social context …………………………………………………………………………..…………………...…..8 2.1.2 Social context influence ……………………………………………………………………………….…………….10 2.1.2.1 Peers …………………………………………………………………………………………………………………..11 Third Chapter ………………………………………………………………………………………….………………………...13 3.1 Evolution of Ron`s personality …………………………………………………………………………………….…13 Conclusions ……………………………………………………………………………………………………………………….15 References …………………………………………………………………………………………………………………………16 1 Introduction There isn´t a secret that our development as a person is due to the constant influence that our environment gives to us. When we are -
Wands & Witches
Wands & Witches Version 0.42 by @Great_Chicken_Studio Guide by @Manfegor Wands & Witches v0.42 guide @Manfegor Guide Introduction ................................................................................................................................................................. 4 Prologue .................................................................................................................................................................................. 4 Interface ................................................................................................................................................................................... 5 Courses .................................................................................................................................................................................... 7 - Defend Against the Dark Arts lesson ............................................................................................................................... 8 - Potions lesson ..................................................................................................................................................................... 8 - Transfiguration lesson ........................................................................................................................................................ 8 - Charms lesson .................................................................................................................................................................... -
Performance and Participation in Media Fandom Sebastiaan Gorissen University of New Mexico - Main Campus
University of New Mexico UNM Digital Repository Communication ETDs Electronic Theses and Dissertations Spring 5-4-2017 Common among wizards, popstars, and cowboys: Performance and participation in media fandom Sebastiaan Gorissen University of New Mexico - Main Campus Follow this and additional works at: https://digitalrepository.unm.edu/cj_etds Part of the Communication Commons Recommended Citation Gorissen, Sebastiaan. "Common among wizards, popstars, and cowboys: Performance and participation in media fandom." (2017). https://digitalrepository.unm.edu/cj_etds/101 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Communication ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Sebastiaan Gorissen Candidate Communication & Journalism Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: Dr. David Weiss , Chairperson Dr. Judith Hendry , Chairperson Dr. Richard Schaefer i COMMON AMONG WIZARDS, POPSTARS, AND COWBOYS: PERFORMANCE AND PARTICIPATION IN MEDIA FANDOM BY SEBASTIAAN GORISSEN BACHELOR OF ARTS | MEDIA & CULTURE UNIVERSITY OF AMSTERDAM 2013 MASTER OF ARTS | FILM STUDIES UNIVERSITY OF AMSTERDAM 2014 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS COMMUNICATION The University of New Mexico Albuquerque, New Mexico July, 2017 ii ACKNOWLEDGEMENTS I would like to acknowledge Dr. Judith Hendry and Dr. David Weiss, my advisors and committee chairs, for their invaluable support. Their insights, comments, questions, and critiques have been instrumental in crafting this thesis, and helped me strive for improvement with every draft of every chapter. -
Harry Potter
THE BLADE, TOLEDO, OHIO O SUNDAY, JULY 15, 2007 SECTION B, PAGE 6 Keeping INup HONOR OF with JULY 4TH Harry Here’s a guide to the fi rst six books in the Harry Potter series WARNING: If you haven’t read the books, it may spoil the endings for you Harry Potter and the In the fi rst book of the series we are fi rst-year-students, Ron Weasley and former follower of Voldemort, of trying introduced to Harry, a bespectacled Hermione Granger, friends who help to steal the stone, it is discovered after Sorcerer’s Stone orphan with a thunderbolt scar on his Harry in his adventures. several dangerous adventures that forehead, who has been living with his Once at the school, Harry fi nds that it is Voldemort — working through aunt and uncle since he was a baby. he is a celebrity in the wizarding world the Defense Against the Dark Harry’s adoptive family, the Dursleys, and the truth about his parents’ deaths Arts teacher, Professor Quirrel treats him with scorn and loathing, — that his parents were killed battling — who is trying to take the while spoiling their obese son, Harry’s Lord Voldemort and when Voldemort stone and revive his power. self-centered cousin Dudley. tried to kill Harry using a killing curse it Voldemort is so weak he is On his 11th birthday, Harry learns rebounded, destroying the evil wizard. forced to live in Quirrel’s body he is a wizard and has been accepted Over the course of the school year, to survive. -
James Potter and the Train Ride to Hogwarts By: Maggie Mcgill Current Grade: 5Th School: St
James Potter and the Train Ride to Hogwarts By: Maggie McGill Current Grade: 5th School: St. Robert Bellarmine Catholic School “Have you got everything?” asked Mr. Potter. “Yes.” answered James. “Are you sure?” he inquired. “Yes, Father, now can I go?” asked James impatiently. “Be good; watch out for the moving stairs, and DON’T GO INTO THE FORBIDDEN FOREST. Did you hear that last part, James?” asked Mr. Potter. “Yes.” said James with a shrug of his shoulders. “Well, then, I suppose there’s nothing else for us to tell you. We love you and we will see you at Christmas.” said Mrs. Potter tearfully. “Alright, then, bye Mother, bye Father, I love you both, see you at Christmas!” As he got on to the train, James thought about the friends he would make and the adventures they would go on together. He had been waiting for this moment all his life. ‘I wonder what House I’ll be in,’ James thought, ‘and if my new friends will be in the same House as me.’ He walked around to find an empty compartment. About five minutes after he got settled, a boy with shoulder-length hair walked in. “Hello, I’m Sirius Black, nice to meet you. What’s your name?” “James Potter, pleasure to meet you.” “Would it be okay if I rode in here for the journey to Hogwarts?” asked Sirius. “Oh, yes, I don’t mind.” James said. As they talked, laughed, and got to know each other better, James could tell that he and Sirius would be good friends. -
Diagon Alley: Being a Stranger
Harry Potter and the Sacred Text 1.05- Diagon Alley: Being a Stranger Casper: Hi, this is Casper. We recorded this episode before the attacks in Orlando, and wanted to offer our thoughts and love in response to the tragedy. A lot of people will turn to prayer or to their religious communities in such times of despair. We know that, for a whole ton of our listeners, that’s not really an option. What we wanted to suggest was, if there are times of sadness and loss of hope and courage, that this can be a kind of prayer, that turning to this text, and delving into it with attention and love, is a kind of prayer. So we found this one little passage that, for us, really speaks volumes in this time of mourning and of anger, that we hope will speak to you also. Vanessa: This offering is from The Goblet of Fire. It is the speech that Dumbledore makes when Cedric Diggory dies at the hands of Lord Voldemort. And every time I say the name ‘Cedric Diggory,’ I will be thinking of the forty-nine victims in Orlando, and of their families. “It is my belief, and never have I so hoped that I am mistaken, that we are all facing dark and difficult times. Some of you in this hall have already suffered directly. Many of your families have already been torn asunder. A week ago a student, Cedric Diggory, was taken from our midst. Remember Cedric. Remember if the time comes when you have to make a choice between what is right and what is easy, remember what happened to a boy who was good and who was kind and brave, because he strayed across the path of violence. -
A Fiction-Based Religion Within the Harry Potter Fandom
Religions 2014, 5, 219–267; doi:10.3390/rel5010219 OPEN ACCESS religions ISSN 2077-1444 www.mdpi.com/journal/religions Article ‘Snapewives’ and ‘Snapeism’: A Fiction-Based Religion within the Harry Potter Fandom Zoe Alderton Independent scholar; E-Mail: [email protected] Received: 18 December 2013; in revised form: 6 February 2014 / Accepted: 11 February 2014 / Published: 3 March 2014 Abstract: The book and film franchise of Harry Potter has inspired a monumental fandom community with a veracious output of fanfiction and general musings on the text and the vivid universe contained therein. A significant portion of these texts deal with Professor Severus Snape, the stern Potions Master with ambiguous ethics and loyalties. This paper explores a small community of Snape fans who have gone beyond a narrative retelling of the character as constrained by the work of Joanne Katherine Rowling. The ‘Snapewives’ or ‘Snapists’ are women who channel Snape, are engaged in romantic relationships with him, and see him as a vital guide for their daily lives. In this context, Snape is viewed as more than a mere fictional creation. He is seen as a being that extends beyond the Harry Potter texts with Rowling perceived as a flawed interpreter of his supra-textual essence. While a Snape religion may be seen as the extreme end of the Harry Potter fandom, I argue that religions of this nature are not uncommon, unreasonable, or unprecedented. Popular films are a mechanism for communal bonding, individual identity building, and often contain their own metaphysical discourses. Here, I plan to outline the manner in which these elements resolve within extreme Snape fandom so as to propose a nuanced model for the analysis of fandom-inspired religion without the use of unwarranted veracity claims. -
Harry Potter Chamber of Secrets
HARRY POTTER AND THE CHAMBER OF SECRETS screenplay by STEVEN KLOVES based on the novel by J.K. ROWLING FADE IN: 1 EXT. PRIVET DRIVE - DAY 1 WIDE HELICOPTER SHOT. Privet Drive. CAMERA CRANES DOWN, DOWN, OVER the rooftops, FINDS the SECOND FLOOR WINDOW of NUMBER 4. HARRY POTTER sits in the window. 2 OMITTED 2 3 INT. HARRY'S BEDROOM - DAY 3 Harry pages through a SCRAPBOOK, stops on a MOVING PHOTO of Ron and Hermione. SQUAWK! Harry jumps. HEDWIG pecks at the LOCK slung through her cage door, then glowers at Harry. HARRY I can't, Hedwig. I'm not allowed to use magic outside of school. Besides, if Uncle Vernon -- At the sound of the name, HEDWIG SQUAWKS again, LOUDER. UNCLE VERNON (O.S.) Har-ry Pot-ter! HARRY Now you've done it. 4 INT. KITCHEN - DAY 4 While AUNT PETUNIA puts the finishing touches to a PUDDING of WHIPPED CREAM and SUGARED VIOLETS, UNCLE VERNON struggles with DUDLEY'S BOW TIE, all the while glowering at Harry. UNCLE VERNON I warned you. If you can't control that bloody bird, it'll have to go. HARRY She's bored. If I could just let her out for an hour or two -- UNCLE VERNON And have you sending secret messages to your freaky little friends? No, sir. (CONTINUED) THE CHAMBER OF SECRETS - Rev. 1/28/02 2. 4 CONTINUED: 4 HARRY But I haven't gotten any messages. From any of my friends. Not one. All summer. DUDLEY Who'd want to be friends with you? UNCLE VERNON I should think you'd be more grateful. -
Representing Evil Benedicte Thon from Page to Screen Abstract
Benedicte Thon Representing Evil Harry Potter from Page to Screen Master’s thesis in English Trondheim, May 2018 Master’s thesis Master’s NTNU Faculty of Humanities Faculty Department of Language and Literature Norwegian University of Science and Technology of Science University Norwegian Abstract This thesis conducts a comparative adaptation studies approach, in which narrative techniques and film techniques used to create evil characters in the Harry Potter series is the main issue. In order to discover which narrative techniques J. K. Rowling applies, literary theory about genre conventions, the social context, the point of view and narrative strategies were discussed. Certain film techniques used for character portrayal, as for instance camera angles, flashback, diegetic voice-over and some aspects of color theory were central to the analysis. How Hand’s strategies of adaptation affect the characterization of the characters is also prominent in the analysis. Although there exist many evil characters within the Harry Potter universe, this thesis conducts character analyses of Lord Voldemort, Professor Severus Snape and the fake Mad- Eye Moody respectively. Acknowledgements In contempt of not receiving my Hogwarts letter, I decided to make my everyday life a bit more magical. One quote especially comes to mind if I were to describe my experience of writing this thesis: “We are as strong as we are united, as weak as we are divided.” I feel so fortunate to be surrounded by people who do not even slightly resemble the evil characters discussed in this thesis, but who nonetheless remind me of other characters in the Harry Potter books.