Fordham Intellectual Property, Media and Entertainment Law Journal Volume 29 XXIX Number 4 Article 7 2019 Bringing Swirly Music to Life: Why Copyright Law Should Adopt Patent Law Standards for Joint Authorship of Sound Engineers Andrew Nietes
[email protected] Follow this and additional works at: https://ir.lawnet.fordham.edu/iplj Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Andrew Nietes, Bringing Swirly Music to Life: Why Copyright Law Should Adopt Patent Law Standards for Joint Authorship of Sound Engineers, 29 Fordham Intell. Prop. Media & Ent. L.J. 1321 (2019). Available at: https://ir.lawnet.fordham.edu/iplj/vol29/iss4/7 This Note is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Intellectual Property, Media and Entertainment Law Journal by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact
[email protected]. Bringing Swirly Music to Life: Why Copyright Law Should Adopt Patent Law Standards for Joint Authorship of Sound Engineers Cover Page Footnote J.D. Candidate, Fordham University School of Law, 2020; B.M., Instrumental Performance & Sociology, New York University, 2016. Thank you to Professor Ron Lazebnik for all of his help, patience, and guidance during this note-writing process. I would also like to thank the IPLJ Editorial Board and staff for their hard work and advice, particularly Senior Research & Writing Editor Sean Corrado. Finally, thank you to my parents and friends for supporting me and allowing me to bore them with conversations about music and law.