Spring-Summerissue2017.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
CATALOGUE WELCOME to NAXOS JAZZ LEGENDS and NAXOS NOSTALGIA, Twin Compendiums Presenting the Best in Vintage Popular Music
NAXOS JAZZ LEGENDS/NOSTALGIA CATALOGUE WELCOME TO NAXOS JAZZ LEGENDS AND NAXOS NOSTALGIA, twin compendiums presenting the best in vintage popular music. Following in the footsteps of Naxos Historical, with its wealth of classical recordings from the golden age of the gramophone, these two upbeat labels put the stars of yesteryear back into the spotlight through glorious new restorations that capture their true essence as never before. NAXOS JAZZ LEGENDS documents the most vibrant period in the history of jazz, from the swinging ’20s to the innovative ’40s. Boasting a formidable roster of artists who forever changed the face of jazz, Naxos Jazz Legends focuses on the true giants of jazz, from the fathers of the early styles, to the queens of jazz vocalists and the great innovators of the 1940s and 1950s. NAXOS NOSTALGIA presents a similarly stunning line-up of all-time greats from the golden age of popular entertainment. Featuring the biggest stars of stage and screen performing some of the best- loved hits from the first half of the 20th century, this is a real treasure trove for fans to explore. RESTORING THE STARS OF THE PAST TO THEIR FORMER GLORY, by transforming old 78 rpm recordings into bright-sounding CDs, is an intricate task performed for Naxos by leading specialist producer-engineers using state-of-the-art-equipment. With vast personal collections at their disposal, as well as access to private and institutional libraries, they ensure that only the best available resources are used. The records are first cleaned using special equipment, carefully centred on a heavy-duty turntable, checked for the correct playing speed (often not 78 rpm), then played with the appropriate size of precision stylus. -
Impulse Songlist
west coast music Impulse SPECIAL/PROTOCOL DANCES: Please note that we will need to have your special dance requests (i.e. First Dance, Father/Daughter Dance, etc) FOUR WEEKS prior to your event so that we can confirm the band will be able to perform the song(s) and so that we have enough time to locate sheet music and an audio sample of the song. In cases where sheet music is not available or an arrangement for the full band is needed, this gives us time to properly prepare the music. General song requests are not required, as many of our clients simply ask that the band read & react based on their guest's dance response. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs or artists they like and want played or avoided. If you wish to maintain the highest degree of control (allowing the band to only play within the margin of songs requested) we would ask for a minimum of 80 requests from the band’s songlist. 'LOW ROTATION' REQUESTS: General requests chosen from the 'Low Rotation' section of this songlist (pages 7-12) must be submitted at least FOUR WEEKS prior to your event. The songs from the 'Low Rotation' section are not in the current ‘IMPULSE’ song rotation, so the band would need extra preparation time. Please call us should you have any questions - West Coast Music 2010’s: SONG: ARTIST: 24K Magic Bruno Mars A Thousand Years Christina Perry All About That Bass Meghan Trainor All Of Me John Legend Attention Charlie Puth Bad Guy Billie Eilish Bad Romance Lady Gaga Beautiful Day Michael BuBle Blinding Lights The Weeknd Blurred Lines RoBin Thicke Booty Swing Parov Stelar Born This Way Lady Gaga Break My Heart Dua Lipa Cake By the Ocean DNCE California Gurlz Katy Perry Call Me MayBe Carly Rae Jepsen Can't Hold Us Macklemore Can’t Stop the Feeling Justin Timberlake Chained to the Rhythm Katy Perry Circles Post Malone Classic MKTO Closer The Chainsmokers CluB Can't Handle Me Flo Rida / David Guetta Counting Stars OneRepuBlic Dancing On My Own RoByn Despacito Luis Fonsi feat. -
Goldies WW1 Project Is a Winner in the National Lottery Awards 2018
Goldies WW1 project wins the Education Category in the 2018 National Lottery Awards Welsh singing sensation Katherine Jenkins OBE surprised Cardiff-based project, Armistice Cantata, on September 12th, with the news that they had won Best Education Project in the National Lottery Awards 2018. The mezzo soprano broke the news of the win to pupils at Thornhill Primary School in Cardiff, who piloted the intergenerational education project with Goldies charity founder Grenville Jones which commemorates the Centenary of the end of WW1 (November 11 2018)! The National Lottery Awards are the annual search for the UK’s favourite Lottery-funded projects and celebrate the inspirational people and projects who do extraordinary things with National Lottery funding. Marking 100 years since the end of the Great War (November 11 2018), Armistice Cantata is part of a two- year intergenerational education project led by Grenville and his Goldies charity that encourages primary schools to open their doors to older people. As part of the programme, from Goldies Cymru – which helps older people get involved in music through daytime FUN Songs and Smiles – teamed up with youngsters from Thornhill Primary school in Cardiff who have written a musical to celebrate the end of World War One. The children from Thornhill Primary appear on stage together in a 30-minute production, named Armistice Cantata. The musical – which includes popular songs from World War One – is now being rolled out to a number of schools across England and Wales. More than 7,000 children and 800 older people from the Goldies charity are taking part. -
Join Niaf Today!
Ambassador National Italian American Foundation Vol . 28, No.2 n Winter 2016 n www.niaf.org A Merry Mario Christmas Wine Tasting: Barolo Old and New Yeah Baby! Iconic Dick Vitale Mystery of the Shroud Acqui Terme Hot Ambassador 37505_Magazine.indd 2 11/25/16 3:53 PM Ambassador The Publication of the National Italian American Foundation n Vol . 28, No.2 www.niaf.org CONTENTS 32 Features 20 An Italian Moment 36 Shrouded in Mystery The 2016 NIAF Faith, Facts and Fascination Photo Contest Winners at Torino’s Museum of 52 the Holy Shroud By Don Oldenburg 26 Merry Mario Christmas On the Cover: Chef Mario Batali on Grilling pizza for Christmas morning Food, Traditions and 40 Hidden Parma Lowlands Joseph V. Del Raso, Esq. Holiday Entertaining Off the Tourist Path in Emilia brunch? Just one Chairman of many unusual By Don Oldenburg By Francesca Cuoghi John M. Viola family traditions President & Chief for some of us. Operating Officer Renowned Chef Don Oldenburg 32 Acqui Terme 44 Dickie V Director of Publications Hot, Hot, Hot — and Not How a High School Mario Batali has & Editor Just the Thermal Springs Basketball Coach Became other ideas. He talks Danielle DeSimone about his family, Social Media Manager By Michelle Fabio a National Sports Icon & Assistant Editor his culinary empire, By Dick Rosano AMBASSADOR Magazine food and holiday is published by the National traditions — and Italian American Foundation (NIAF) 48 The Tasting Life offers a few untra- 1860 19th Street NW Orietta Gianjorio ditional recipes for Washington DC 20009 Sections POSTMASTER: Tastes Food for a Living holiday entertaining. -
Dear President
Dear Preident: President Arthur K. Nishimoto Japan Fukuoka Mission 1973 - 1976 Dedicated to: Missionaries of the Japan Fukuoka Mission 1973 - 1976 President Arthur K. Nishimoto Japan Fukuoka Mission 1973-1976 Preface Senkyoshi-tachi: Recently I had the urge to clean some of my personal things and I found a box filled with my mission experiences and photo's and came across excerpts of notes taken from the missionaries weekly reports to the Mission President, (these notes were reminders during my interviews with you missionaries) and as I re-read some of them I thought it would be interesting to put them together with some of the pictures I had during the mission. The end result is this copy of the notes and photo's put together in some sort of fashion. This is by no means a finish book. I would be happy to include portions of your letters and pictures and add to this book and finalize it and distribute to our missionaries. I Hope this will bring back memories of your mission. Pass the word to other missionaries of this project. Nishimoto Bucho President Arthur K. Nishimoto 3817 Avondale Breeze Avenue North Las Vegas, NV 89081 (702)228-6498 Table of Contents Introduction! i The First Six Months! 1 One Year! 23 The last 6 Months! 70 Mission President's Notes! 112 Introduction "Dear President" is a compilation of excerpts from the missionaries weekly letters to the Mission President As disciples of the Lord Jesus Christ, missionaries responsibilities and obligations are paramount as they fulfill their daily labors. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
New Tribal America
SENTIREASCODIGITALLTA MAGAZINE FEBBRRAIOE N. 40 WHITE HINTERLAND MAGNETIC FIELDS ATLAS SOUND FIRE ON FIRE SETOLA DI MAIALE MICHAEL roTHER GLENN GOULD THE FRENCH COWBOYS NO KIDS THAO NEW TRIBAL AMERICA DIRETTORE Edoardo Bridda 4 NEWS COOR D IN A MENTO Teresa Greco CON S ULENTI A LL A RE da ZIONE 6 TURN ON Daniele Follero WHITE INTERLAND, THE CALORIFER IS VERY HOT, THAO NGUYEN... Stefano Solventi ST A FF Gaspare Caliri Nicolas Campagnari Antonello Comunale Antonio Puglia 16 TUNE IN DEAD MEADOW HA NNO C OLL A BOR A TO Gianni Avella, Davide Brace, Marco Braggion, Gaspare Caliri, Marco Canepari, Manfredi Lamartina, Paolo Grava, Massimo Padalino, Giulio Pasquali, 20 DroP OUT Stefano Pifferi, Andrea Provinciali, Italo Rizzo, Costanza Salvi, Vincenzo Santarcangelo, Giancarlo MAGNETIC FIELDS, SETOLA DI MAIALE, NEW TRIBAL AMERICA Turra, Fabrizio Zampighi, Giuseppe Zucco GUI da S PIRITU A LE 46 RECENSIONI Adriano Trauber (1966-2004) BLACK LIPS, CASS MCCOMBS, VAMPIRE WEEKEND, BEACH HOUSE... GR A FI ca Edoardo Bridda 90 WE ARE DEMO IN C OPERTIN A Aa (Daniel Arnold) 92 REARVIEW MIrror SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 MICHAEL ROTHER, DISCO NOT DISCO, CARL CRAIG, COMMON... Editore Edoardo Bridda Direttore responsabile Antonello Comunale Provider NGI S.p.A. Copyright © 2008 Edoardo Bridda. Tutti i diritti riservati.La ripro- 108 LA SERA DELLA PRIMA duzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi mezzo, è proibita senza autorizzazione scritta di AMERICAN GANGSTER, COUS -
JOAN CRAWFORD Early Life and Inspiration Joan Crawford Was Born Lucille Fay Lesueur on March 23, 1908, in San Antonio, Texas
JOAN CRAWFORD Early Life and Inspiration Joan Crawford was born Lucille Fay LeSueur on March 23, 1908, in San Antonio, Texas. Her biological father, Thomas E. LeSueur, left the family shortly after Lucille’s birth, leaving Anna Bell Johnson, her mother, behind to take care of the family. page 1 Lucille’s mother later married Henry J. Cassin, an opera house owner from Lawton, Oklahoma, which is where the family settled. Throughout her childhood there, Lucille frequently watched performances in her stepfather’s theater. Lucille, having grown up watching the many vaudeville acts perform at the theater, grew up wanting to pursue a dancing career. page 2 In 1917, Lucille’s family moved to Kansas City after her stepfather was accused of embezzlement. Cassin, a Catholic, sent Lucille to a Catholic girls’ school by the name of St. Agnes Academy. When her mother and stepfather divorced, she remained at the academy as a work student. It was there that she began dating and met a man named Ray Sterling, who inspired her to start working hard in school. page 3 In 1922, Lucille registered at Stephens College in Columbia, Missouri. However, she only attended the college for a few months before dropping out when she realized that she was not prepared enough for college. page 4 Early Career After her stint at Stephens, Lucille began dancing in various traveling choruses under the name Lucille LeSueur. While performing in Detroit, her talent was noticed by a producer named Jacob Shubert. Shubert gave her a spot in his 1924 Broadway show Innocent Eyes, in which she performed in the chorus line. -
Crossing Over: from Black Rhythm Blues to White Rock 'N' Roll
PART2 RHYTHM& BUSINESS:THE POLITICAL ECONOMY OF BLACKMUSIC Crossing Over: From Black Rhythm Blues . Publishers (ASCAP), a “performance rights” organization that recovers royalty pay- to WhiteRock ‘n’ Roll ments for the performance of copyrighted music. Until 1939,ASCAP was a closed BY REEBEEGAROFALO society with a virtual monopoly on all copyrighted music. As proprietor of the com- positions of its members, ASCAP could regulate the use of any selection in its cata- logue. The organization exercised considerable power in the shaping of public taste. Membership in the society was generally skewed toward writers of show tunes and The history of popular music in this country-at least, in the twentieth century-can semi-serious works such as Richard Rodgers and Lorenz Hart, Cole Porter, George be described in terms of a pattern of black innovation and white popularization, Gershwin, Irving Berlin, and George M. Cohan. Of the society’s 170 charter mem- which 1 have referred to elsewhere as “black roots, white fruits.’” The pattern is built bers, six were black: Harry Burleigh, Will Marion Cook, J. Rosamond and James not only on the wellspring of creativity that black artists bring to popular music but Weldon Johnson, Cecil Mack, and Will Tyers.’ While other “literate” black writers also on the systematic exclusion of black personnel from positions of power within and composers (W. C. Handy, Duke Ellington) would be able to gain entrance to the industry and on the artificial separation of black and white audiences. Because of ASCAP, the vast majority of “untutored” black artists were routinely excluded from industry and audience racism, black music has been relegated to a separate and the society and thereby systematically denied the full benefits of copyright protection. -
Popular Music, Stars and Stardom
POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona . -
Christmas Angel
Christmas Angel Leslea Wahl CHRISTMAS ANGEL Copyright © 2020 Leslea Wahl ALL RIGHTS RESERVED No portion of this book may be reproduced in any form without permission from the author and/or publisher, except for short quotes used in reviews, and as permitted by U.S. copyright law. Christmas Angel THE SANCTUARY SPARKLES BRILLIANTLY. Twinkling purple lights peek from boughs of greenery. The tastefully festive adornment inspires a joyous atmosphere within the church. A single tall Advent candle flickers, casting a warm glow on the wooden creche next to it. The first Sunday of Advent means we have arrived at my favorite time of year. The Christmas season is upon us. At last. I’m giddy with expectation as I try to focus on the celebration of the Mass. For weeks now, I’ve looked forward to hearing festive carols fill the airways and watching sappy, romantic holiday movies. The youth group will hold its secret Santa party, and my family will take its annual outing to see The Nutcracker performed. Mom and I will soon spend hours baking and decorating dozens of scrumptious cookies. My mouth waters just thinking about the frosted treats. Ah, truly the most wonderful time of year. “I want to leave you with one final thought.” Father Brady’s baritone voice shatters my Sugar Plum Fairy reverie. I straighten in my pew. Had I missed everything he’d said? Come on, Meg, focus. His slow scan of the congregation fills the priest’s dramatic pause. His roaming gaze seems to stop when he focuses on mine.