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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Script Variation in Japanese Comics
Language in Society 49, 357–378. doi:10.1017/S0047404519000794 Script variation as audience design: Imagining readership and community in Japanese yuri comics HANNAH E. DAHLBERG-DODD The Ohio State University, USA ABSTRACT Building on recent work supporting a sociolinguistic approach to orthograph- ic choice, this study engages with paratextual language use in yuri, a subgenre of Japanese shōjo manga ‘girls’ comics’ that centers on same-sex romantic and/or erotic relationships between female characters. The comic magazine Comic Yuri Hime has been the dominant, if not only, yuri-oriented published magazine in Japan since its inception in 2005. Though both written and consumed by a primarily female audience, the magazine has undergone nu- merous attempts to rebrand and refocus the target audience as a means to broaden the magazine’s readership. This change in target demographic is reflected in the stylistic representation of paratextual occurrences of the second-person pronoun anata, indicating the role of the textual landscape in reflecting, and reifying, an imagined target audience. (Script variation, manga, popular media, Japan, yuri manga) INTRODUCTION Building on recent work supporting a sociolinguistic approach to orthographic choice (e.g. Miyake 2007; Bender 2008; Sebba 2009, 2012; Jaffe 2012; Robertson 2017), this study analyzes the indexical potentialities of script variation in Japanese mass media discourse. The stylistic and visual resources that construct the speaking ‘voice’ are many, ranging from aural features such as voice quality (e.g. Teshigawara 2007; Redmond 2016) and structural ones like syntax and semantics (e.g. Sadanobu 2011) to more content-oriented ones like lexical variation (e.g. -
Template EUROVISION 2021
Write the names of the players in the boxes 1 to 4 (if there are more, print several times) - Cross out the countries that have not reached the final - Vote with values from 1 to 12, or any others that you agree - Make the sum of votes in the "TOTAL" column - The player who has given the highest score to the winning country will win, and in case of a tie, to the following - Check if summing your votes you’ve given the highest score to the winning country. GOOD LUCK! 1 2 3 4 TOTAL Anxhela Peristeri “Karma” Albania Montaigne “ Technicolour” Australia Vincent Bueno “Amen” Austria Efendi “Mata Hari” Azerbaijan Hooverphonic “ The Wrong Place” Belgium Victoria “Growing Up is Getting Old” Bulgaria Albina “Tick Tock” Croatia Elena Tsagkrinou “El diablo” Cyprus Benny Christo “ Omaga “ Czech Fyr & Flamme “Øve os på hinanden” Denmark Uku Suviste “The lucky one” Estonia Blind Channel “Dark Side” Finland Barbara Pravi “Voilà” France Tornike Kipiani “You” Georgia Jendrick “I Don’t Feel Hate” Germany Stefania “Last Dance” Greece Daði og Gagnamagnið “10 Years” Island Leslie Roy “ Maps ” Irland Eden Alene “Set Me Free” Israel 1 2 3 4 TOTAL Maneskin “Zitti e buoni” Italy Samantha Tina “The Moon Is Rising” Latvia The Roop “Discoteque” Lithuania Destiny “Je me casse” Malta Natalia Gordienko “ Sugar ” Moldova Vasil “Here I Stand” Macedonia Tix “Fallen Angel” Norwey RAFAL “The Ride” Poland The Black Mamba “Love is on my side” Portugal Roxen “ Amnesia “ Romania Manizha “Russian Woman” Russia Senhit “ Adrenalina “ San Marino Hurricane “LOCO LOCO” Serbia Ana Soklic “Amen” Slovenia Blas Cantó “Voy a quedarme” Spain Tusse “ Voices “ Sweden Gjon’s Tears “Tout L’Univers” Switzerland Jeangu Macrooy “ Birth of a new age” The Netherlands Go_A ‘Shum’ Ukraine James Newman “ Embers “ United Kingdom. -
The Tragic Muse, by Henry James 1
The Tragic Muse, by Henry James 1 The Tragic Muse, by Henry James The Project Gutenberg eBook, The Tragic Muse, by Henry James This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Tragic Muse Author: Henry James Release Date: December 10, 2006 [eBook #20085] Language: English Character set encoding: ISO-8859-1 The Tragic Muse, by Henry James 2 ***START OF THE PROJECT GUTENBERG EBOOK THE TRAGIC MUSE*** E-text prepared by Chuck Greif, R. Cedron, and the Project Gutenberg Online Distributed Proofreading Team Europe (http://dp.rastko.net/) THE TRAGIC MUSE by HENRY JAMES MacMillan and Co., Limited St. Martin's Street, London 1921 PREFACE I profess a certain vagueness of remembrance in respect to the origin and growth of The Tragic Muse, which appeared in the Atlantic Monthly again, beginning January 1889 and running on, inordinately, several months beyond its proper twelve. If it be ever of interest and profit to put one's finger on the productive germ of a work of art, and if in fact a lucid account of any such work involves that prime identification, I can but look on the present fiction as a poor fatherless and motherless, a sort of unregistered and unacknowledged birth. I fail to recover my precious first moment of consciousness of the idea to which it was to give form; to recognise in it--as I like to do in general--the effect of some particular sharp impression or concussion. -
The Japanese Writing Systems, Script Reforms and the Eradication of the Kanji Writing System: Native Speakers’ Views Lovisa Österman
The Japanese writing systems, script reforms and the eradication of the Kanji writing system: native speakers’ views Lovisa Österman Lund University, Centre for Languages and Literature Bachelor’s Thesis Japanese B.A. Course (JAPK11 Spring term 2018) Supervisor: Shinichiro Ishihara Abstract This study aims to deduce what Japanese native speakers think of the Japanese writing systems, and in particular what native speakers’ opinions are concerning Kanji, the logographic writing system which consists of Chinese characters. The Japanese written language has something that most languages do not; namely a total of three writing systems. First, there is the Kana writing system, which consists of the two syllabaries: Hiragana and Katakana. The two syllabaries essentially figure the same way, but are used for different purposes. Secondly, there is the Rōmaji writing system, which is Japanese written using latin letters. And finally, there is the Kanji writing system. Learning this is often at first an exhausting task, because not only must one learn the two phonematic writing systems (Hiragana and Katakana), but to be able to properly read and write in Japanese, one should also learn how to read and write a great amount of logographic signs; namely the Kanji. For example, to be able to read and understand books or newspaper without using any aiding tools such as dictionaries, one would need to have learned the 2136 Jōyō Kanji (regular-use Chinese characters). With the twentieth century’s progress in technology, comparing with twenty years ago, in this day and age one could probably theoretically get by alright without knowing how to write Kanji by hand, seeing as we are writing less and less by hand and more by technological devices. -
Sermon Notes
The Resurrection Of Christ (With A Message To Seekers) Mark 15:40-16:8 Right now, our four-year old grandson, Calvin, likes to play hide and go seek, as does his 2 ½ year-old sister Margo. Each game seems to take longer than expected. Their hearts are in the right place, they are eager to play the game, but they don’t look in right places (and they can get a bit sidetracked) so it takes a while. Sometimes I have to make noises to redirect them to where I’m at. We are going to see something similar in the passage today; those whose hearts that are in the right place, but as they seek Jesus, He isn’t where they are looking. The passage this morning is the account of Jesus’ resurrection from the dead. And when the women who have come to anoint His body with spices get to His tomb, He isn’t there. And if we were reading Luke, the angel at His tomb will ask these devoted followers, “Why are you seeking the living, among the dead?” “You’re looking in the wrong place.” The word seek is used throughout the Scriptures to describe a pursuit of something we desire, whether it’s good for us or not. For instance, the bride in the Song of Solomon says this in 3:2. “I must arise now and go about the city; in the streets and in the plazas. I must seek him whom my soul loves. I sought him but did not find him.” I don’t she gave up. -
Home Fire : a Novel / Kamila Shamsie
Also by Kamila Shamsie In the City by the Sea Salt and Saffron Kartography Broken Verses Burnt Shadows A God in Every Stone RIVERHEAD BOOKS An imprint of Penguin Random House LLC 375 Hudson Street New York, New York 10014 Copyright © 2017 by Kamila Shamsie Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader. Library of Congress Cataloging-in-Publication Data Names: Shamsie, Kamila [date], author. Title: Home fire : a novel / Kamila Shamsie. Description: New York : Riverhead Books, 2017. Identifiers: LCCN 2017003238 | ISBN 9780735217683 (hardcover) Subjects: LCSH: Families—Fiction. | Domestic fiction. | Political fiction. | BISAC: FICTION / Family Life. | FICTION / Political. | FICTION / Cultural Heritage. | GSAFD: Love stories. Classification: LCC PR9540.9.S485 H66 2017 | DDC 823/.914—dc23 LC record available at https://lccn.loc.gov/2017003238 p. cm. Ebook ISBN: 9780735217706 This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental. Version_1 For Gillian Slovo Contents Also by Kamila Shamsie Title Page Copyright Dedication Epigraph Isma Chapter 1 Chapter 2 Eamonn Chapter 3 Chapter 4 Parvaiz Chapter 5 Chapter 6 Aneeka Chapter 7 Karamat Chapter 8 Chapter 9 Acknowledgments About the Author The ones we love . -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
3770004972579.Pdf
ANTONÍN DVOŘÁK (1841-1904) LEGENDY, OP. 59, B. 117 • Legends • Légendes • Legenden ZE ŠUMAVY, OP. 68, B. 133 • From the Bohemian Forest De la forêt de Bohême • Aus dem Böhmerwalde 1. Na přástkách, Op. 68, B. 133, No. 1 04:06 In the Spinning Room • Dans la chambre des fileuses • In den Spinnstuben Allegro molto 2. Legendy, Op. 59, B. 117, No. 2 04:30 Molto moderato 3. Legendy, Op. 59, B. 117, No. 3 03:55 Allegro giusto 4. U černého jezera, Op. 68, B. 133, No. 2 05:26 By the Black Lake • Près du lac noir • Am Schwarzen See Lento 5. Legendy, Op. 59, B. 117, No. 6 04:50 Allegro con moto 6. Legendy, Op. 59, B. 117, No. 4 05:30 Molto maestoso 7. Noc filipojakubská, Op. 68, B. 133, No. 3 04:10 Walpurgis Night • Nuit de Walpurgis • Walpurgisnacht Molto vivace 8. Legendy, Op. 59, B. 117, No. 1 02:51 Allegretto non troppo, quasi Andantino 9. Legendy, Op. 59, B. 117, No. 7 02:22 Allegretto grazioso, Andante con moto 10. Na čekání, Op. 68, B. 133, No. 4 03:51 In Wait • À l’affût • Auf dem Anstand Allegro comodo 11. Legendy, Op. 59, B. 117, No. 10 03:32 Andante 12. Legendy, Op. 59, B. 117, No. 9 02:18 Andante 13. Klid, Op. 68, B. 133, No. 5 04:48 Silent Woods • Calme de la forêt • Waldesruhe Lento e molto cantabile 14. Legendy, Op. 59, B. 117, No. 8 03:58 Un poco Allegretto e grazioso, quasi Andantino 15. Legendy, Op. -
The Functions and Evolution of Topic and Focus Markers
The Functions and Evolution of Topic and Focus Markers by Paula Kadose Radetzky B.A. (Columbia University) 1991 M.A. (University of California, Berkeley) 1996 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Linguistics in the GRADUATE DIVISION of the UNIVERSITY OF CALIFORNIA, BERKELEY Committee in charge: Professor Richard A. Rhodes, Co-chair Professor Eve E. Sweetser, Co-chair Professor H. Mack Horton Spring 2002 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Abstract The Functions and Evolution of Topic and Focus Markers by Paula Kadose Radetzky Doctor of Philosophy in Linguistics University of California, Berkeley Professors Richard A. Rhodes and Eve E. Sweetser, Co-chairs This dissertation examines the notions of topic and focus from both synchronic and diachronic points of view. Previous works have almost exclusively treated these concepts synchronically, and the historical studies which do exist have not successfully traced and motivated the individual stages of development. The sections on topic first propose and give cross-linguistic evidence for the following path of grammaticalization: locative/ contrastive topic marker > marker > marker This overview is followed by two text-based studies, one of the Japanese topic marker wa and the other of the Greek particle de. Because of their long written traditions, these two languages allow us to contextually view and motivate the intermediate stages of grammaticalization. The last part of the dissertation is a discussion of focus. It begins by developing a synchronic theory involving different levels of highlighting, and then it presents case studies of data primarily from Japanese and Korean, examining in detail the mechanisms by which demonstratives and copulas become focus markers in these languages. -
Daughters May Spark Jump Start's Legacy
THURSDAY, MAY 23, 2019 DAUGHTERS MAY SPARK PET AND MRI: A BRAVE NEW DIAGNOSTIC WORLD by Dan Ross JUMP START'S LEGACY Earlier this month, The Stronach Group announced the arrival later this year at Santa Anita of the Longmile Positron Emission Tomography (MILE-PET) Scan machine--a technology currently under development at California's UC Davis, that could revolutionize the diagnosis of emerging lower limb injuries that could deteriorate into something catastrophic. But Santa Anita's new PET scan machine might not be the only important development at the track. According to CHRB equine medical director Rick Arthur, efforts are afoot to possibly bring a standing MRI to Santa Anita. The MRI machine's possible arrival raises some interesting tensions between the two diagnostic modalities. Indeed, proponents of both technologies argue passionately about their individual merits in early injury detection. But what isn't up for debate is how they both present a win for the horse. Cont. p5 Jump Start | Northview Stallion Station by Chris McGrath IN TDN EUROPE TODAY Here's a hunch, even a wager if you care to stick around long enough. Because I wouldn't be at all surprised should we SHAMARDAL A SIRE OF THE HIGHEST CLASS someday notice the damsire of a new champion and remember, John Boyce examines the stud career of Shamardal, who has made a strong start to 2019. with a smile, the splendid Jump Start. Click or tap here to go straight to TDN Europe. Pennsylvanian breeders won't need telling what a dynamo among stallions they lost on Sunday. -
Off the Record Band
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