Volume 206 Winter 2010 ARTICLES Major John S
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Principles of Counterinsurgency Garner the Support of Enough of the Population the Principles and Imperatives of Modern Coun to Create Stability
Eliot Cohen; Lieutenant Colonel Conrad Crane, U.S. Army, Retired; Lieutenant Colonel Jan Horvath, U.S. Army; and Lieutenant Colonel John Nagl, U.S. Army MERICA began the 20th century with helps illuminate the extraordinary challenges inher Amilitary forces engaged in counterinsurgency ent in defeating an insurgency. (COIN) operations in the Philippines. Today, it is Legitimacy as the main objective. A legitimate conducting similar operations in Afghanistan, Iraq, government derives its just powers from the gov and a number of other countries around the globe. erned and competently manages collective security During the past century, Soldiers and Marines and political, economic, and social development. gained considerable experience fighting insurgents Legitimate governments are inherently stable. They in Southeast Asia, Latin America, Africa, and now engender the popular support required to manage in Southwest Asia and the Middle East. internal problems, change, and conflict. Illegitimate Conducting a successful counterinsurgency governments are inherently unstable. Misguided, requires an adaptive force led by agile leaders. corrupt, and incompetent governance inevitably While every insurgency is different because of fosters instability. Thus, illegitimate governance is distinct environments, root causes, and cultures, all the root cause of and the central strategic problem successful COIN campaigns are based on common in today’s unstable globalsecurity environment. principles. All insurgencies use variations of stand Five actions that are indicators of legitimacy and ard frameworks and doctrine and generally adhere that any political actor facing threats to stability to elements of a definable revolutionary campaign should implement are— plan. In the Information Age, insurgencies have ● Free, fair, and frequent selection of leaders. -
Eugene Barilo Von Reisberg, M
Eugene Barilo von Reisberg, Garters and Petticoats: Franz Xaver Winterhalter’s 1843 Portraits of Queen Victoria and Prince Albert EUGENE BARILO VON REISBERG Garters and Petticoats: Franz Xaver Winterhalter’s 1843 Portraits of Queen Victoria and Prince Albert ABSTRACT What does official royal iconography tell us? What messages does it communicate about the sitters – and from the sitters? This paper deconstructs two official portraits of Queen Victoria and Prince Albert painted by Franz Xaver Winterhalter (1805-1873) in 1843. It outlines the complex semantic layering within this pair of British royal portraits, and explores in particular the emphasis on Prince Albert‘s newly-acquired ‗Englishness‘ and the notion of an iconographic ‗gender reversal‘ within the context of traditional marital pendants. The Honourable Eleanor Stanley wrote in a letter that a ‗regular dull evening‘ at Windsor Castle on 24 March 1845 was enlivened by the youthful Queen Victoria‘s impassioned speech about the state of British portraiture, ‗a terrible broadside at English artists, both as regards their works and … their prices, and their charging her particularly outrageously high.‘1 The twenty-six-year-old queen spoke from experience. As the heir apparent to the British throne, she had been painted from infancy by a succession of artists, vying for the patronage of the future sovereign. From her accession in 1837, the queen sat to numerous painters who failed to satisfy the requirements of official portraiture in the eyes of the monarch, her courtiers, and the critics. David Wilkie‘s (1785-1841) portrait of the queen was condemned by the critics as being ‗execrable‘.2 The queen considered her portrait by Martin Archer Shee (1769- 1850) as ‗monstrous‘;3 while the Figaro compared her countenance in the portrait by George Hayter (1792-1871) as that of an ‗ill-tempered and obstinate little miss.‘4 Portraits of Prince Albert, whom the queen married in February 1840, did not fair much better. -
Institutional Memory and the US Air Force Lt Col Daniel J
Institutional Memory and the US Air Force Lt Col Daniel J. Brown, USAF Disclaimer: The views and opinions expressed or implied in theJournal are those of the authors and should not be construed as carrying the official sanction of the Department of Defense, Air Force, Air Education and Training Command, Air University, or other agencies or departments of the US government. This article may be reproduced in whole or in part without permission. If it is reproduced, theAir and Space Power Journal requests a courtesy line. No modern war has been won without air superiority. —Gen T. Michael Moseley, 2007 lthough the vague term modern war leaves some question about the wars General Moseley was referring to, his 2007 white paper raises questions re- garding airpower’s impact and historical record, especially in light of the two Aconflicts that consumed the US military at the end of that year.1 The question of whether or not air superiority is vital to successful military operations is nothing new; indeed, arguments concerning the utility of American airpower have raged in earnest for over 100 years. No technological milestone such as the atomic bomb, super- sonic flight, precision-guided weapons, or even stealth has settled the debate about where Airmen and airpower fit in the dialogue of national defense. After each ad- vance is tested in combat, a new round of intellectual sparring commences regarding 38 | Air & Space Power Journal Institutional Memory and the US Air Force the effect of airpower. Though hugely useful in the development of military think- ing, these differing schools of thought have always returned to fundamental ques- tions, the answers to which vary widely depending on the strategic context of the day. -
Copyright by Sean R. Tiffee 2013
Copyright by Sean R. Tiffee 2013 The Dissertation Committee for Sean R. Tiffee Certifies that this is the approved version of the following dissertation: Trauma and the Rhetoric of Horror Films: The Rise of Torture Porn in a Post Nine-Eleven World Committee: ____________________________________ Joshua Gunn, Supervisor ____________________________________ Katherine Arens ____________________________________ Barry Brummett ____________________________________ Richard Cherwitz ____________________________________ Dana Cloud Trauma and the Rhetoric of Horror Films: The Rise of Torture Porn in a Post Nine-Eleven World by Sean R. Tiffee, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August, 2013 Dedication To my family, for always being there. Acknowledgements If I were to list every person who helped me on my journey towards the completion of my Ph.D., this section would be longer than the dissertation itself. Although I want to thank everyone, these limitations require me to note only those whose support was instrumental, endless, and tireless. First and foremost, I want to thank my advisor, Joshua Gunn. Josh’s patience, diligence, and guidance are unmatched and I am truly blessed to be one of his advisees. Mere words are not capable of expressing how much I appreciate his efforts and his meticulous attention to detail pushed me to produce the very best work that I could. He is someone that I am proud to call a mentor and humbled to call a friend. I would also like to thank the other members of my dissertation committee. -
Trump's Generals
STRATEGIC STUDIES QUARTERLY - PERSPECTIVE Trump’s Generals: A Natural Experiment in Civil-Military Relations JAMES JOYNER Abstract President Donald Trump’s filling of numerous top policy positions with active and retired officers he called “my generals” generated fears of mili- tarization of foreign policy, loss of civilian control of the military, and politicization of the military—yet also hope that they might restrain his worst impulses. Because the generals were all gone by the halfway mark of his administration, we have a natural experiment that allows us to com- pare a Trump presidency with and without retired generals serving as “adults in the room.” None of the dire predictions turned out to be quite true. While Trump repeatedly flirted with civil- military crises, they were not significantly amplified or deterred by the presence of retired generals in key roles. Further, the pattern continued in the second half of the ad- ministration when “true” civilians filled these billets. Whether longer-term damage was done, however, remains unresolved. ***** he presidency of Donald Trump served as a natural experiment, testing many of the long- debated precepts of the civil-military relations (CMR) literature. His postelection interviewing of Tmore than a half dozen recently retired four- star officers for senior posts in his administration unleashed a torrent of columns pointing to the dangers of further militarization of US foreign policy and damage to the military as a nonpartisan institution. At the same time, many argued that these men were uniquely qualified to rein in Trump’s worst pro- clivities. With Trump’s tenure over, we can begin to evaluate these claims. -
A Rhetorical Analysis of the Abu Ghraib Prisoner Abuse Scandal Elizabeth Jane Durham Smith Wayne State University
Wayne State University DigitalCommons@WayneState Wayne State University Dissertations 1-1-2010 The nI tersection Of Image, Rhetoric, And Witnessing: A Rhetorical Analysis Of The Abu Ghraib Prisoner Abuse Scandal Elizabeth Jane Durham Smith Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Recommended Citation Durham Smith, Elizabeth Jane, "The nI tersection Of Image, Rhetoric, And Witnessing: A Rhetorical Analysis Of The Abu Ghraib Prisoner Abuse Scandal" (2010). Wayne State University Dissertations. Paper 85. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. THE INTERSECTION OF IMAGE, RHETORIC AND WITNESSING: A RHETORICAL ANALYSIS OF THE ABU GHRAIB PRISONER ABUSE SCANDAL by ELIZABETH J. DURHAM SMITH DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPY 2010 MAJOR: COMMUNICATION Approved by: ________________________________________ Advisor Date ________________________________________ ________________________________________ ________________________________________ ________________________________________ © COPYRIGHT BY ELIZABETH J. DURHAM SMITH 2010 All Rights Reserved DEDICATION Had it not been for these individuals, this journey would never have been undertaken or seen through -
ABU GHRAIB and the COMMEMORATIVE VIOLENCE of WAR TROPHY PHOTOGRAPHY by Joey Brooke Jakob Master of Arts, University of Manitob
ABU GHRAIB AND THE COMMEMORATIVE VIOLENCE OF WAR TROPHY PHOTOGRAPHY by Joey Brooke Jakob Master of Arts, University of Manitoba, Manitoba, Canada, 2008 Bachelor of Arts, University of Winnipeg, Winnipeg, Canada, 2004 A Dissertation presented to Ryerson University and York University in partial fulfilment of the requirements for the degree of Doctor of Philosophy in the joint program in Communication and Culture Toronto, Ontario, Canada, 2017 ©Joey Brooke Jakob 2017 AUTHOR’S DECLARATION AUTHOR'S DECLARATION FOR ELECTRONIC SUBMISSION OF A DISSERTATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my dissertation may be made electronically available to the public. ii ABSTRACT ABU GHRAIB AND THE COMMEMORATIVE VIOLENCE OF WAR TROPHY PHOTOGRAPHY Joey Brooke Jakob Doctor of Philosophy Communication and Culture Ryerson University and York University, 2017 The photographs from the Abu Ghraib scandal are horrific, but they are also understandable. Simply put, the Abu Ghraib photos are purposeful compositions that highlight victory over the enemy Other in war. The photos illustrate sexual and racial violence, founded upon postcolonial narratives, but this is only a starting point for their significance. I address how meaning is made for the U.S. -
Our Lives Marked by War: Reflections on J. Glenn Gray's the Warriors
Our Lives Marked By War: Reflections on J. Glenn Gray’s The Warriors John Nagl September 5, 2013 John Nagl, a retired Lieutenant Colonel in the U.S. Army, is Headmaster at The Haverford School in Haverford, Pennsylvania. He is the author of Knife Fights: A Memoir of Modern War and a member of the Juniata College Board of Trustees. am going to talk to you tonight a little bit about this book, The Warriors: Reflections on Men in I Battle.1 It was written by a philosophy professor who studied Martin Heidegger, and I’m guessing none of you have studied Heidegger yet. There are philosophy professors in the room, so I won’t get in trouble by telling you to continue in that tradition. Heidegger is tough going. What I’m going to try do for you tonight is put in context some of what J. Glenn Gray talked about in ways that will make sense to you and connect with your life a little bit. And I’m going to do a lot of that by telling some of my stories. First, let’s talk about this very interesting man, Jesse Glenn Gray. It’s the centenary of his birth. He is no longer here, but he was an interesting guy. He graduated from this fine institution you have just become a part of and he did pretty well, magna cum laude, which means “with great honors.” That is pretty good. I am sure all of you — because you came to watch this on a Sunday night — don’t have much by way of a social life, so you, too, are likely to be magna cum laude. -
The Long War: Four Views by Joseph J
The Long War: Four Views By Joseph J. Collins Journal Article | Jan 5 2015 - 6:29pm The Long War: Four Views Joseph J. Collins While the Long War continues to march, four new books have presented challenging and sometimes contradictory conclusions about the war and its lessons for the future. This review essay looks at: the memoir of a Secretary of Defense, a recent RAND study, the cri de coeur of a retired general, and the memoir of a combat veteran and leading coindinista. What follows is not just a review essay, but also an exploration of lessons encountered, but not yet learned. It ends with a call for help from the Small Wars Journal readership. Robert Gates’s memoir, Duty: the Memoirs of a Secretary at War made tremendous splash[1] for its hard- but-fair critique of two Presidents, the firing of a few generals, its blow-by-blow description of the battle inside the Pentagon to improve support to war-fighters, and, surprise to many, the emotional bond that this tough secretary forged with the troops in Afghanistan and Iraq. Lost in the many great vignettes and secretarial sea stories is the fact that the last chapter of this book, “Reflections,” is a mini-war college, full of the kind of wisdom that can only come from years of strategic analysis, and a world class resume: Deputy National Security Advisor, head of the Central Intelligence Agency, President of Texas A&M, and Secretary of War for two Presidents with vastly different styles and priorities. Gates’s take-aways are a short-course in strategy for future leaders. -
Revitalizing America's Military Officer Corps
FEBRUARY Keeping The Edge: 2010 Revitalizing America’s Military Officer Corps Edited by Dr. John A. Nagl and Brian M. Burton Contributing Authors: Brian M. Burton; Dr. John A. Nagl; Dr. Don M. Snider; Frank G. Hoffman; Captain Mark R. Hagerott, USN; Colonel Roderick C. Zastrow, USAF Acknowledgments We would like to thank our colleagues at the Center for a New American Security for all of their assistance and support during this process. Dr. Kristin Lord and Garrett Mitchell provided excellent organizational and editing recommendations during the writing process. Liz Fontaine was invaluable in translating the draft text into a high-quality final product. We benefited tremendously from the research support provided at all stages of the project by Joseph S. Nye, Jr. Research Intern, National Security Interns Nick Masellis, Seth Rosen, Maile Yeats and Iranga Kahangama. This report is the outcome of consultation and cooperation with numerous military officers and other students of the military profession. We are very grateful for the generous support of the Smith Richardson Foundation, which made this project possible. We especially thank the contributors to this monograph, Captain Mark Hagerott, USN; Frank Hoffman; Dr. Don M. Snider; and Col. Rod Zastrow, USAF. We also greatly appreciate the participation of numerous others in our working groups, whose thoughtful discussion informed our recommendations. Finally, we acknowledge the helpful insights and comments on draft versions of this report provided by Col. Ross Brown, USA; Col. Joe Buche, USA; Commander Herb Carmen, USN; Lt. Col. Jeffery Goodes, USMC; Vice Admiral (ret.) Kevin Green, USN; Lt. Col. Kelly Martin, USAF; Tom Ricks; Rear Admiral James “Phil” Wisecup, USN; Dr. -
An Actor-Centric Theory Of
he United States, the most power- Soldiers and Afghan National Police coordinate ful nation in the world, is reas- security for Afghan national election, September 2010 sessing its approach to war. With TAmerica entering the 10th year of what was originally called the global war on terror, the Nation finds itself engaged in con- flicts in Central Asia and the Middle East that challenge decades of planning, training, and doctrine. Although collectively this series of campaigns recently crossed the marker-point for America’s longest combat engagement ever, arguments persist—even in the pages of this publication—as to whether we have the correct approach.1 This debate is, for the most part, limited in scope.2 In general, it can be summarized as revolving around one contentious point: whether one agrees with the idea that the United States must redefine its fighting capacity based upon irregular threats—such as insurgency—or not. On the one hand, we have the proponents of a counterinsurgency, or COIN, approach often associated with U.S. Army (Chris G. Neeley) one of Washington’s newest think tanks, the Center for a New American Security, and its energetic president, retired U.S. Army Lieutenant Colonel John Nagl.3 In brief, the An Actor-centric argument on this side of the current debate is that the U.S. Army (note, not the U.S. Marine Corps) deliberately shunned irregular warfare, and counterinsurgency in particular, Theory of War after it was “not allowed” (politically) to win the Vietnam war.4 Only when faced 30 years later in Iraq with an insurgency that seemed Understanding the Difference to be winning did the uniformed establish- ment return to the library of irregular warfare Between COIN and Counterinsurgency and, under the leadership of General David Petraeus, rewrite and embrace this form of war in the shape of revised Field Manual 3–24, Counterinsurgency.5 This doctrinal By SEBASTIAN L.v . -
Royal Portraits and Sporting Pictures
ROYAL PORTRAITS AND SPORTING PICTURES FROM THE COLLECTIONS OF THEIR EXCELLENCIES THE GOVERNOR GENERAL AND LADY NORRIE AUCKLAND C TY ART GAL :RY ROYAL PORTRAITS AND SPORTING PICTURES FROM THE COLLECTIONS OF THEIR EXCELLENCIES THE GOVERNOR GENERAL AND LADY NORRIE AUCKLAND CITY ART GALLERY during the FESTIVAL OF THE ARTS 1955 HIS is ONE OF THE RARE OCCASIONS when the general public > is given the opportunity or seeing a well chosen and well > balanced private collection or valuable pictures, which in the ' ordinary course of things would not be seen outside an English country house. So what a great pleasure, as well as a privilege, it is for us in Auckland to be allowed to see this selection of royal portraits and sporting pictures from the collections of Their Excellencies the Governor- General and Lady Norrie. A private collection should reflect its owner; and that is exactly what the collection now being exhibited does. Even if we knew nothing previously of the special interests of Their Excellencies, we would be aware immediately from these works, of Their Excellencies' deep love of British history and those activities of country life which have played such an important part in forming the character of rural England. The paintings which form part of these collections demonstrate also the artistic judgment and taste of Their Excellencies, for all of them have been chosen not only for the personages and events represented, but for their qualities as works of art as well. Their Excellencies' pictures have not been exhibited previously in New Zealand, and Auckland feels proud that the exhibition should form part of its 1955 Festival of the Arts, which has already become a dominant feature in the life of our City.