Penderecki Utwory Kameralne Vol

Total Page:16

File Type:pdf, Size:1020Kb

Penderecki Utwory Kameralne Vol PENDERECKI UTWORY KAMERALNE VOL. II CHAMBER MUSIC VOL. II VIOLONCELLO TOTALE Jakob Spahn CHAMBER MUSIC VOL. II wiolonczela / cello cover1244 1244.inddbook skladki.indd 2-3 2-3 27.09.20162016-08-03 14:58:34 12:55:54 • Hotel, apartamenty, lokale usługowo-handlowe • Projekt realizowany w ramach partnerstwa publiczno-prywatnego • Cztery etapy inwestycji rozłożone na lata 2015-2023 • 60 000 m2 powierzchni użytkowej © DUX, DUX 1244, 2016 Nagranie zrealizowano w Europejskim Centrum Muzyki Krzysztofa Pendereckiego w Lusławicach, 2015-2016 r. Recorded at The Krzysztof Penderecki European Centre for Music in Lusławice, 2015-2016. Schott Music GmbH @ Co. KG Wydawca nut | Music published by MAŁGORZATA POLAŃSKA Reżyser nagrania | Recording supervision & sound engineering ANNA NOWAK Sprzedaż mieszkań i lokali: Konsultacja | Consultation MARCIN DOMŻAŁ, MARCIN GUZ, MICHAŁ SZOSTAKOWSKI Tel. 500 433 944 Montaż cyfrowy | Digital editing MICHAŁ SZOSTAKOWSKI Mastering www.granaria.pl BARTOSZ SIKORSKI Studium portretu Prof. Krzysztofa Pendereckiego w technice “LED Painting” | Krzysztof Penderecki’s Portrait Study made in LED Painting technique AGNIESZKA ZAKRZEWSKA Projekt graficzny | Graphic design ŻANETA PNIEWSKA Tłumaczenia | Translations MARCIN ZAKRZEWSKI Skład | Page layout DUX Recording Producers, Morskie Oko 2, 02-511 Warsaw, Poland | www.dux.pl, e-mail: [email protected] 1244 book skladki.indd 4-5 27.09.2016 14:58:35 Krzysztof PENDERECKI UTWORY KAMERALNE | CHAMBER MUSIC VOL. II • VIOLONCELLO TOTALE Capriccio per Siegfried Palm na wiolonczelę solo | for cello solo (1968) Cadenza na wiolonczelę solo | for cello solo (1983-84) Transkrypcja – Jakob Spahn | Transcribed by Jakob Spahn Per Slava na wiolonczelę solo | for cello solo (1985-86) Suite na wiolonczelę solo | for cello solo (1994-2013) Historia budowana na nowo Serenata na 3 wiolonczele | for 3 cellos (2008) Violoncello totale na wiolonczelę solo | for cello solo (2011) Założeniem inwestycji GRanaRia jest stwoRZenie Agnus Dei na 8 wiolonczel | for 8 cellos (2008) RepReZentacyjnej Zabudowy, wiZytówki miasta Gdańska Ciaccona in memoriam Giovanni Paolo II na 6 wiolonczel | for 6 cellos (2015) uZupełniającej ofeRtę usłuGowo-handlową oRaZ miesZkaniową GłówneGo i staReGo miasta. Jakob Spahn wiolonczela | cello Miło naM zaprezentować 1 etap inwestycji Izabela Buchowska wiolonczela | cello Tomasz Daroch wiolonczela | cello zaplanowany na lata 2016-2018. Jan Kalinowski wiolonczela | cello Marta Kordykiewicz wiolonczela | cello Sprzedaż mieszkań i lokali użytkowych: Rafał Kwiatkowski wiolonczela | cello M: 571 296 504 Mikołaj Pałosz wiolonczela | cello T: 22 351 01 90 Beata Urbanek-Kalinowska wiolonczela | cello E: [email protected] WWW.GRANARIA.PL 1244 book skladki.indd 6-7 27.09.2016 14:58:35 In the Penderecki Special Edition series we recommend also: DUX 1186 DUX 0822 Agata Cholewińska © Krzysztof PENDERECKI Krzysztof PENDERECKI Urodził się 23 listopada 1933 roku w Dębicy. Born in Dębica on 23 November 1933, Studiował kompozycję u F. Skołyszewskiego, he studied composition with Artur Malawski a następnie w PWSM w Krakowie u A. and Stanisław Wiechowicz at the State Higher Malawskiego i S. Wiechowicza. Jest laure- School of Music in Kraków (1954-58). Earlier atem wielu nagród artystycznych krajowych he took lessons from Franciszek Skołyszewski. i zagranicznych, w tym m.in.: I, II, i III nagrody In 1959 three of his works (Strophes, Emana- DUX 1185 na II Konkursie Młodych Kompozytorów tions and Psalms of David) won him the top ZKP (1959), Nagrody Państwowej I st. (1968, prizes at the Young Composers’ Competition 1983), Nagrody Związku Kompozytorów Pol- of the Polish Composers’ Union. A year later, skich (1970), Nagrody im. Herdera (1977), im. he captured the attention of Western critics Honeggera (1978), im. Sibeliusa (1983), Premio with Anaklasis, performed at the Donaueschin- DUX 1274 Lorenzo Magnifico (1985), fundacji im. Karla gen Festival. Penderecki’s international position Wolfa (1987), Grammy Award (1998, 1999, was consolidated in the 1960s thanks to such 2001), Grawemeyer Music Award (1992), pieces as Threnody for the Victims of Hiroshima Międzynarodowej Rady Muzycznej UNESCO (UNESCO Award, 1961), the St Luke Passion (1993), nagrody Best Living World Composer (the Grand Arts Award of the Land of North DUX 1275 (2000), Nagrody Księcia Asturii (2001). Rhine-Westphalia, 1966, and the Prix Italia, 4 1244 book skladki.indd 8-9 27.09.2016 14:58:37 W serii Penderecki Special Edition polecamy także: Krzysztof Penderecki jest doktorem hono- 1967) and Dies irae (Prix Italia, 1968). His first ris causa kilkudziesięciu uniwersytetów, m.in. opera, The Devils of Loudun (after Aldous w Rochester, Bordeaux, Leuven, Waszyngtonie, Huxley), was premiered at the Hamburg Staats- Belgradzie, Madrycie, Poznaniu, Warszawie, oper in 1969 and in later years successfully Buenos Aires, Glasgow, Münster, Seulu, Krako- performed at theatres throughout the world, as wie i członkiem honorowym Royal Academy were the composer’s three successive operas: of Music w Londynie, Accademia Nazionale Paradise Lost (premiered in Chicago, 1978), Die di Santa Cecilia w Rzymie, Kungliga MMusikausika-- Schwarze Maske (Salzburg, 1986) and Ubu Rex liska Akademien w Sztokholmie, Akademie der (Munich, 1991). His other major pieces include Künste w Berlinie, Academia National de Bellas Sinfonietta, Benedicamus Domino, Sym- Artes w Buenos Aires, Académie Internationale phony No. 5, the Flute Concerto, Seven Gates de Philosophie et de l’Art w Bernie, Académie of Jerusalem (written for the 3000th anniversary Nationale des Sciences, Belles-Lettres et Arts of the city of Jerusalem), Hymne an den heili- DUX 0898 w Bordeaux, Royal Irish Academy of Music gen Daniel (for the 850th anniversary of Mos- w Dublinie, American Academy of Arts and Let- cow), Hymn to St Adalbert (for the millennium ters. Posiada wysokie odznaczenia państwowe of Gdańsk), Credo, Sonata for violin and piano, i zagraniczne. Concerto Grosso (premiered in Tokyo in 2001 W latach 1973-78 wykładał w Yale Univer- under Charles Dutoit), Piano Concerto ’Resur- DUX 0897 sity w New Haven, w latach 1972-87 był rekto- rection’ (premiered at Carnegie Hall in 2002), rem Akademii Muzycznej w Krakowie, w latach Largo for cello and orchestra, Symphony No. DUX 0899 1987-90 dyrektorem artystycznym Filharmonii 8 ‘Lieder der Vergänglichkeit’ and Chaconne Krakowskiej. Jest pierwszym gościnnym dyry- in memory of Pope John Paul II. gentem Norddeutscher Rundfunk Orchester Krzysztof Penderecki served as Rector La Clef w Hamburgu i Mitteldeutscher Rundfunk Sin- of the Music Academy in Kraków (1972-87) RESMUSICA fonie Orchester w Lipsku. Od 1992 roku pełni and lectured at Yale University in New funkcję dyrektora artystycznego Festiwalu Haven (1973-78). He has also developed Casalsa w San Juan (Puerto Rico). W 1997 a successful career as a conductor, serving roku został dyrektorem artystycznym orkiestry as Principal Guest Conductor of the Nord - Sinfonia Varsovia. Od 1998 roku jest doradcą deutscher Rundfunk Orchester in Hamburg, Beijing Music Festival w Pekinie, a od 2000 the Mitteldeutscher Rundfunk Sinfonie – gościnnym dyrygentem China Philharmonic Orchester in Leipzig and as Artistic Direc - DUX 0900 Orchestra. Prowadzi koncerty z czołowymi tor of the Kraków Philharmonic Orchestra orkiestrami symfonicznymi w Stanach Zjedno- (1987-90). In 1997 he became Music Direc- DUX 0901 czonych i Europie. Obok własnych utworów tor of Sinfonia Varsovia and a year later dyryguje dziełami symfonicznymi twórców a music adviser to the Beijing Music Festi - z różnych epok. val. In 2000 he became Guest Conductor 5 1244 book skladki.indd 10-11 27.09.2016 14:58:40 Pierwszy występ kompozytora na arenie of the newly-formed China Philharmonic. duetowy Kennedy’ego wykonywała z nim As the lead cellist of the Orchestra of Life she międzynarodowej miał miejsce w 1959 roku He appears regularly with leading symphony Inwencje Dwugłosowe J. S. Bacha w opraco- performed also in the Royal Albert Hall, Royal na Festiwalu „Warszawska Jesień”, podczas któ- orchestras in Europe and the United States. waniu na skrzypce i wiolonczelę podczas tras Festival Hall, Barbican, Birmingham Sym - rego wykonał Strofy, jeden z trzech utworów, Penderecki’s long list of honours, dis - koncertowych w Niemczech, Francji, Szwaj- phony Hall, the Bridgewater Hall in Manches- za które otrzymał pierwsze nagrody na II Ogól- tinctions, medals and honorary doctorates carii oraz w Anglii. Występowała m.in. w Fil- ter and many more. nopolskim Konkursie dla Młodych Kompo - received in Europe, the two Americas and Asia harmonii Berlińskiej, Gewandhaus w Lipsku, In 2011 she was invited to record with zytorów. Pozostałymi były Psalmy Dawida testifies to his position as one of the greatest salach koncertowych filharmonii w Mona- Nigel Kennedy his masterpiece The Four i Emanacje. W tym samym roku powstał Tren living composers. It includes the Polish State chium, Kolonii, w Royal Albert Hall, Royal Elements for SONY Classical and the new ofiarom Hiroszimy uhonorowany nagrodą Prize (1968, 1983), the Award of the Polish Festival Hall, w Barbican w Londynie, Palais edition of Antonio Vivaldi’s The New Four UNESCO. Utwór ten zapoczątkował pasmo Composers’ Union (1970), the Commander’s de Congres w Paryżu i wielu innych. Seasons which has been released in Octo - sukcesów takich dzieł, jak: Anaklasis, Poly- Cross with Star of the Order of Polonia Resti- Została zaproszona do współpracy przy ber 2015. Beata Urbanek-Kalinowska took morphia, Fonogramy, Psalm czy Pasja wg św. tuta
Recommended publications
  • RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers A-G KHAIRULLO ABDULAYEV (b. 1930, TAJIKISTAN) Born in Kulyab, Tajikistan. He studied composition at the Moscow Conservatory under Anatol Alexandrov. He has composed orchestral, choral, vocal and instrumental works. Sinfonietta in E minor (1964) Veronica Dudarova/Moscow State Symphony Orchestra ( + Poem to Lenin and Khamdamov: Day on a Collective Farm) MELODIYA S10-16331-2 (LP) (1981) LEV ABELIOVICH (1912-1985, BELARUS) Born in Vilnius, Lithuania. He studied at the Warsaw Conservatory and then at the Minsk Conservatory where he studied under Vasily Zolataryov. After graduation from the latter institution, he took further composition courses with Nikolai Miaskovsky at the Moscow Conservatory. He composed orchestral, vocal and chamber works. His other Symphonies are Nos. 1 (1962), 3 in B flat minor (1967) and 4 (1969). Symphony No. 2 in E minor (1964) Valentin Katayev/Byelorussian State Symphony Orchestra ( + Vagner: Suite for Symphony Orchestra) MELODIYA D 024909-10 (LP) (1969) VASIF ADIGEZALOV (1935-2006, AZERBAIJAN) Born in Baku, Azerbaijan. He studied under Kara Karayev at the Azerbaijan Conservatory and then joined the staff of that school. His compositional catalgue covers the entire range of genres from opera to film music and works for folk instruments. Among his orchestral works are 4 Symphonies of which the unrecorded ones are Nos. 1 (1958) and 4 "Segah" (1998). Symphony No. 2 (1968) Boris Khaikin/Moscow Radio Symphony Orchestra (rec. 1968) ( + Piano Concertos Nos. 2 and 3, Poem Exaltation for 2 Pianos and Orchestra, Africa Amidst MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies A-G Struggles, Garabagh Shikastasi Oratorio and Land of Fire Oratorio) AZERBAIJAN INTERNATIONAL (3 CDs) (2007) Symphony No.
    [Show full text]
  • © I. Huseynov, 2020 CULTURAL and POLITICAL ASPECT AS A
    Вісник Львівського університету. Серія філос.-політолог. студії. 2020. Випуск 31, c. 105–111 Visnuk of the Lviv University. Series Philos.-Political Studies. Issue 31, p. 105–111 UDC 327 DOI https://doi.org/10.30970/PPS.2020.31.14 CULTURAL AND POLITICAL ASPECT AS A FOUNDATION AND A KEY LINK IN THE EXPANDING RELATIONS BETWEEN AZERBAIJAN AND GREECE Ilyas Huseynov Baku Slavic University, Department of International Relations S. Rustam str., 33, AZ1072, Baku, Azerbaijan After Azerbaijan gained independence, relations with Greece began to develop successfully. Greece is one of the first countries to recognize the independence of Azerbaijan. This article exam- ines the dynamics of humanitarian ties between Azerbaijan and Greece. Cultural relations always play a crucial role in the development of bilateral relations. The expansion of cultural ties between Greece and Azerbaijan has a positive impact on other areas as well. Humanitarian relations play an important role in bilateral relations. The paper also outlines the main directions of humanitarian relations between Azerbaijan and Greece. Special attention is paid to the events held in Greece with the aim of promoting the culture and rich heritage of Azerbaijan. It is noted that various concerts, cultural days, book exhi- bitions, and country presentations help bring peoples and cultures closer together. The article provides a possible classification of the ways of cooperation in the cultural and political context between Azerbai- jan and Greece. The influence of the signed agreements and adopted programs between the Government of the Republic of Azerbaijan and the Government of the Hellenic Republic, which formed the main legal basis of bilateral humanitarian relations, is studied.
    [Show full text]
  • 3 0 J Une 2 0
    BAKU - AZERBAIJAN GUIDE to CULTURAL ENTERTAINMENTS since 2007 BAKU - AZERBAIJAN GUIDE to CULTURAL ENTERTAINMENTS since 2007 What & Where 1 - 3 0 J u n e 2 0 1 3 BAKU - AZERBAIJAN GUIDE to CULTURAL ENTERTAINMENTS since 2007 Uzeyir Hajibeyli Home-Museum Museum of Modern Art 69/69, Shamil Azizbeyov str., Baku 5, Yusif Safarov str., Baku Tel: (99412) 595 25 58 Tel: (99412) 490 84 84 (99412) 595 25 34 Opening hours: Opening hours: Tuesday-Sunday 10:00 – 18:00 11:00-21:00 Monday www.mim.az Jalil Mammadguluzade Home-Museum “Gallery 1969” 56, S. Taghiade str., Baku 27, Uz.Hajibeyli str., Baku Tel: (99412) 492 24 09 Tel: (994 12) 493 28 36 Opening hours: (994 12) 493 28 41 10:00 – 18:00 Opening hours: Tuesday-Sunday 10:00-18:00 Monday-Friday Nariman Narimanov Memorial Museum 35, Istiglaliyyat str., Baku Vajiha Samadova Exhibition Centre Tel: (99412) 492 05 15 19, Khagani str., Baku Opening hours: Tel: (99412) 493 62 30 09:00-18:00 (99412) 493 65 01 Monday-Sunday (99412) 493 17 44 (99412) 498 69 26 Mammad Said Ordubadi Memorial Museum Opening hours: 19/19, Khagani str., Baku 11:00-17:00 Tel: (99412) 493 50 85 Monday-Sunday Opening hours: 13:00-18:00 Boyuk Gala 19 Art Gallery Monday-Friday 19, Boyuk Gala str., Icherisheher, Baku Tel: (99412) 492 05 78 Hasan bey Zardabi Natural History Museum (99412) 493 05 01 3, Lermontov str., Baku Opening hours: Tel: (99412) 492 06 67 10:00 – 18:00 Opening hours: Tuesday-Sunday 10:00-17:00 Tuesday-Saturday Center of Azerbaijan Miniature Art 15, Gasr str., Icherisheher, Baku Jafar Jabbarli Home-Museum Tel: (99412) 492 59 06 44, S.
    [Show full text]
  • 26-27-28 JANUARY 2018 on the Frozen Lake of St
    FOTO: KATHRIN GRALLA, DER ROTE DRACHE ROTE DER GRALLA, KATHRIN FOTO: 26-27-28 JANUARY 2018 on the frozen lake of St. Moritz #snowpolo snowpolo-stmoritz.com snowpolostmoritz MagazinCover_160x235mm+3mm.indd 1 30.11.17 18:01 Arnd Küchel, Member of the Board of Evviva Polo St. Moritz AG, Dr Piero Dillier, President of the Board, Reto Gaudenzi, VP of the Board and CEO. WELCOME TO THE SNOW POLO ST. MORITZ TOUCH Allegra and welcome back to the unique natural arena that is the frozen Lake St. Moritz! Here, the majestically beautiful nature of the Engadine has shown us that regardless of where we come from, we all share the basic human instinct and desire to bond with others. For all the exciting changes that technology has brought us, what remains unchanged is that we are all wired to connect. Bringing people together from all four corners of the world is what we have been doing year after year, since 1985! Beyond being a celebration of the sport of polo at its best, the Snow Polo World Cup St. Moritz is indeed a celebration of friendship and cross-cultural exchange. A passion for hospitality and a strong desire to connect with our guests is ingrained in our team of over 100 professionals and volunteers that make this event happen. We very much hope that the moments we share together in this fantastic natural paradise – indulging in watching the superb polo as much as the social events off the field – will remind us in the best possible way that we all are not scripted, not programmed, but simply human.
    [Show full text]
  • No.2 Rather Than World Première: That Was Given Three Years
    46 No.2 rather than world première: that was given two from the United Arab Emirates, three from three years previously in Germany, where Clarke Germany, two from France, one Chinese, one has been especially well-received). It would be Italian and one British (BBC World). This listing good to hear more works from this highly origi- speaks for itself. On the other hand, Azerbaijan nal composer performed within these shores, still has very strong ties with Russia, and also very as he attempts to reconcile his freshly cleansed important connexions with the Arabic world, palette from the Untitled pieces with more intri- particularly Iran. All Iranian poets, including the cate, fiery material as encountered in his recent Sufi, Jalal ad-Din Rumi, are listed as ‘national’ Second String Quartet: the incorporation and ones with their portraits displayed in the central working-out of these two extremes within future square in Baku. Indeed it is hard to draw a distinct single compositions should make for some excit- cultural or even geographic ‘border’ between the ing, unpredictable results. two countries. Religiously and culturally (despite Paul Conway the difference in languages), they are much clos- er than Azerbaijan is to Turkey, and hundreds of thousands of Azeri people traditionally live in North Iran. Baku: Qara Qarayev Festival At present Baku is home to several important festivals (including the International piano festi- When you arrive in Baku today, many things val/competition and the Rostropovich Festival). impress you immediately. Even five years ago A new, beautifully designed concert hall is being the city was still very much a ‘Soviet’ one, with built for the next Eurovision Song Contest, which numerous buildings half-destroyed or not very is to happen in Baku.
    [Show full text]
  • Land of Music Festivals
    Following tradition Azerbaijan – land of music festivals Lala HUSEYNOVA PhD in Arts THE LAND OF FIRE… AZERBAIJAN HAS BEEN KNOWN AS SUCH FROM TIME IMMEMORIAL, AND THERE ARE MANY REASONS FOR THAT. BUT WE WILL TALK ABOUT A COMPLETELY DIFFERENT FAME THAT THIS DEVELOPING AND FASCINATING LAND IS GRADUALLY EARNING ITSELF. THE LAND OF MUSIC FESTIVALS – tHIS IS HOW AZERBAIJAn’S CURRENT MUSICAL AND CUL- TURAL REALITIES CAN BE DESCRIBED IF WE WERE TO PARAPHRASE THE WELL-KNOWN PHRASE. least one traditional mu- sic festival is conducted in AtAzerbaijan every season. The participants and guests of the second “Space of Mugham” interna- tional festival, held over the spring holidays of Novruz (the first was held in 2009), are convinced that it was one of the most successful international projects on the traditional music of the East. This has largely been pos- sible thanks to the initiator and main sponsor of the festival, the Heydar Aliyev Foundation led by its President, the Goodwill Ambassador of UNESCO and ISESCO, Mehriban Aliyeva. As was the case during the first festival, the 34 www.irs-az.com Azerbaijan – land of music festivals capital Baku became a venue for a re- The festival was joined by vocalists the energy of life, but also the blos- cord number of music events for the and instrumentalists from Azerbaijan som of art and creative inspiration. eight days (14-21 March) of the festi- and foreign countries, including the The upcoming summer season is val. Art enthusiasts had the opportu- USA, Canada, France, Peru, Ecuador, promising to be no less interesting in nity to see the world’s first Mugham Turkey, Uzbekistan, Iran, Iraq, Egypt, terms of music events.
    [Show full text]
  • NEWSLETTER > 2019
    www.telmondis.fr NEWSLETTER > 2019 Opera Dance Concert Documentary Circus Cabaret & magic OPERA OPÉRA NATIONAL DE PARIS > Boris Godunov 4 > Don Pasquale 4 > Les Huguenots 6 SUMMARY > Simon Boccanegra 6 OPÉRA DE LYON DANCE > Don Giovanni 7 OPÉRA NATIONAL DE PARIS TEATRO LA FENICE, VENICE > Thierrée / Shechter / Pérez / Pite 12 > Tribute to Jerome Robbins 12 > Tannhäuser 8 > Cinderella 14 > Orlando Furioso 8 > Norma 9 MALANDAIN BALLET CONCERT > Semiramide 9 > Noah 15 OPÉRA NATIONAL DE PARIS DUTCH NATIONAL OPERA MARIINSKY THEATRE, ST. PETERSBURG > Tchaikovsky Cycle (March 27th and May 15th) 18 > Le Nozze de Figaro 10 > Petipa Gala – 200th Birth Anniversary 16 > The 350th Anniversary Inaugural Gala 18 > Der Ring des Nibelungen 11 > Raymonda 16 BASILIQUE CATHÉDRALE DE SAINT-DENIS > Processions 19 MÜNCHNER PHILHARMONIKER > Concerts at Münchner Philharmoniker 19 ZARYADYE CONCERT HALL, MOSCOW > Grand Opening Gala 20 ST. PETERSBURG PHILHARMONIC > 100th Anniversary of Gara Garayev 20 > Gala Concert - 80th Anniversary of Yuri Temirkanov 21 ALHAMBRA DE GRANADA > Les Siècles, conducted by Pablo Heras-Casado 22 > Les Siècles, conducted by François-Xavier Roth 22 > Pierre-Laurent Aimard’s Recital 23 OPÉRA ROYAL DE VERSAILLES > La Damnation de Faust 23 DOCUMENTARY > Clara Haskil, her mystery as a performer 24 > Kreativ, a study in creativity by A. Ekman 24 > Hide and Seek. Elīna Garanča 25 > Alvis Hermanis, the last romantic of Europe 25 > Carmen, Violetta et Mimi, romantiques et fatales 25 CIRCUS > 42nd international circus festival of Monte-Carlo 26
    [Show full text]
  • Baku, the Philharmonic and Shostakovich
    D O C U M E N T A R Y I I I Baku, The Philharmonic and Shostakovich Aida Huseynova On January 27, 2004 a quite special event took place in Baku, A z e r b a i j a n ’s capital: the Azerbaijan State Philharmonic Hall opened after seven years of complete renovation. A splendid ceremony was held in the presence of Ilham A l i y e v, President of the Azerbaijan Republic and other dignitaries. A z e r b a i j a n ’s State Symphonic Orchestra conducted by Rauf Abdullayev also performed works by local composers - big names of the twentieth century in fact - namely which Azerbaijan passed during the common words heard at school at the Uzeyir Hajibeyov, Kara Karaev and past century: N i k o l a y e v s k a y a ( i n end of each day. Baku Philharmonic Fikrat A m i r o v. honour of the last Russian Ts a r, Nicolas had a reputation as one of the best II), Kommunisticheskaya (each city or concert halls in the Soviet Union. The Then came a solo performance by even a small village in the Soviet Union beauty of its architectural design and Mstislav (‘Slava’) Rostropovich of had a street named corresponding to the i n t e r i o r, the perfect acoustics, the B a c h ’s S a r a b a n d e from the Suite No. ruling party) and now I s t i g l a l i y y a t intellect and Eastern warmth of the 3 followed by the premiere of a piece (‘Independence’, in Azerbaijani).
    [Show full text]
  • Lmi Əsərlər. Humanitar Elmlər Seriyası 2016, № 78
    2 NAXÇIVAN DÖVLƏT UNİVERSİTETİ. ELMİ ƏSƏRLƏR, 2016, № 4(78) NAKHCHIVAN STATE UNIVERSITY. SCIENTIFIC WORKS, 2016, № 4 (78) НАХЧЫВАНСКИЙ ГОСУДАРСТВЕННЫЙ УНИВЕРСИТЕТ. НАУЧНЫЕ ТРУДЫ, 2016, № 4 (78) ƏDƏBİYYATŞÜNASLIQ HÜSEYN HƏŞİMLİ Naxçıvan Dövlət Universiteti E-mail: [email protected] UOT: 82: 316. 3 İZZƏDDİN HƏSƏNOĞLUNUN BİR QƏZƏLİ HAQQINDA Açar sözlər: Azərbaycan ədəbiyyatı, poeziya, İzzəddin Həsənoğlu Key words: Azerbaijan literature, poetry, Izzeddin Hasanoglu Ключевые слова: Азербайджанская литература, поэзия, Иззеддин Гасаноглы On üçüncü yüzillikdə yazıb-yaratmış Şeyx İzzəddin Həsənoğlu doğma dilimizdə lirik şeirləri dövrümüzə çatmış ilk Azərbaycan şairi kimi ədəbiyyat tariximizdə mühüm mövqe tutur. Hazırda elm aləminə şairin üçü Azərbaycan, biri fars dilində olmaqla cəmi dörd qəzəli məlumdur.Bu məqalədə biz İzzəddin Həsənoğlunun Azərbaycan elmi-ədəbi ictimaiyyətinə təqdimedilmə tarixi baxımından doğma dildə ikinci şeiri - “Necəsən, gəl ey yüzü ağum bənüm” misrası ilə başlanan qəzəli barədə bəzi məsələləri araşdırmaya cəlb edəcəyik. Həmin şeiri alman şərqşünası, Hamburq Universitetinin professoru Barbara Flemminq aşkara çıxarmış, 27-29 sentyabr 1972-ci il tarixlərdə Türkiyədə keçirilmiş I Türk Dili Bilimsəl Qurultayında etdiyi “Sultan Qavri divanında naməlum şeirlər” adlı məruzəsində bu barədə elmi ictimaiyyətə məlumat vermişdir. Dinlənilmiş məruzələrin materialları Türkiyədə 1975-ci ildə çap olunmuşdur və B.Flemminqin təqdim etdiyi mətn daxilində Həsənoğlunun qəzəli də verilmişdir (bax: 3, s.332). Həmin elmi tədbirdə iştirak edən Azərbaycan alimi Fərhad Zeynalov alman şərqşü- nası B.Flemminqin aşkarladığı qəzəl barədə Bakıda çıxan “Ədəbiyyat və incəsənət” qəzetinin 25 noyabr 1972-ci il tarixli sayında dərc olunmuş “Həsənoğlunun azərbaycanca yeni şeiri” adlı yığcam məqaləsində məlumat vermiş, şeirin mətnini də oxuculara çatdırmışdır (7). Fərhad Zeynalov yazırdı: “B.Flemminqin məlumatından aydınlaşdı ki, o, yeni bir Misir türk əlyazmasında Həsənoğluya aid ola bilən ikinci bir şeirə də rast gəlmişdir.
    [Show full text]
  • Research News
    MAY 2011 Research News DEPARTMENT OF MUSIC CENTRE FOR CONTEMPORARY MUSIC CULTURE CENTRE FOR RUSSIAN MUSIC ELECTRONIC MUSIC STUDIOS AFGHAN MUSIC UNIT UNIT FOR SOUND PRACTICE RESEARCH POPULAR MUSIC RESEARCH UNIT image: Cardew ‘Treatise’ © Hinrichsen/Peters London FROM THE DIRECTOR OF RESEARCH In past issues of Research News I have referred Evaluation will be conducted through a to the Research Excellence Framework (REF) panel structure, and for the first REF the used to audit and evaluate university research previous RAE panel structure has been outputs, grading departments and dis- rationalized. Music will be submitted to a ciplinary areas according to a scale that will panel, and then within this to a sub-panel. determine the allocation of research funding The main panel will oversee the operations of (which will be concentrated in ‘research- the sub-panels, ensuring that criteria are being intensive institutions’). In the Research applied fairly and consistently across different Assessment Exercise 2008 the College was sub-panels. The main panel will then co- ranked at 34. The College’s aim is to be placed ordinate and become involved in the within the top 30 in the REF. Hence, the REF production of the final report. The main panel has an economic significance, in terms of for the Music Department is Panel D, chaired College and Depart-mental income, and a by Professor Bruce Brown, Professor of symbolic value, in terms of prestige and Design at the University of Brighton. The full ranking against other departments and constitution of the panel can be found at institutions. Since the last edition of Research www.hefce.ac.uk/research/ref/panels.
    [Show full text]
  • Zulfiyya Sadigova CV Tel: (+994 55) 703-3911 2 Sabit Orujov Str
    Zulfiyya Sadigova CV Tel: (+994 55) 703-3911 2 Sabit Orujov Str. Apt. 25 Cell: (+99450) 315-2569 Baku AZ 1025; Azerbaijan E-mail: [email protected] PROFESSIONAL EXPERIENCE: April 1, 2009 – present Coordinator, Music and Arts Department, Khazar University, Baku Azerbaijan. September 2006 – May 31, 2009 Chairperson, Chair of Descriptive Art; Khazar University, Baku Azerbaijan. October 2004 – June 2007 Music Teacher; Khazar University’s affiliate “Dunya” School, Baku, Azerbaijan. September 1998 – October 2004 Music Teacher, Music Academy, Baku, Azerbaijan September 1993 – September 1998 Teacher at R. Behbudov Children’s Music School, Baku, Azerbaijan EDUCATION: September 1995 – June 1998 Musical Academy, Baku, Azerbaijan PhD Post Graduate Study September 1990 - June 1995 Uzeyir Hajibekov Music Conservatory, Baku, Azerbaijan Five-year Diploma Faculty of Piano Graduation with Distinction (Red Diploma) September 1979 – June 1990 Bul-Bul Music School, Baku, Azerbaijan Graduation with Distinction (Elementary/Secondary/High School), Piano Class (Silver Medal) CONCERTS & PERFORMANCES: 2014 March 7, solo concerts in London, UK. 2013 May 9, solo concerts in Paris and Legl, France. 2012 April, Participated in Azerbaijan cultural days in the cities of Rome, Venice, Milan, and Turino, Italy 2011-2012 May, Staged a student performance of the full opera “Sevil” by genius Fikret Amirov at Khazar University 2011 May, Solo program in Academia Nazionale di Sonto Ceciliya concert hall, Rome, Italy 2011, November, Solo concerts in Rome and Cherveteri, Italy 2009, Solo concert at Murad Kojlayev International Festival, Daghestan 2008, 80th anniversary of Heydar Aliyev and Mir Jalal Pashayev’s 100th anniversary jubilee evening, Bishkek, Kyrgyzstan 2008 December 26, Presentation of First Album/CD.
    [Show full text]
  • RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES Composers
    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Composers H-R ALEXEI HAIEFF (1914-1994) Born in Blagoveshchensk, Siberia and then moved to China in 1920. After emigration to America in 1931, he studied at the Juilliard School with Frederick Jacobi and Rubin Goldmark and later with Nadia Boulanger in Cambridge, Massachusetts and Paris. He held various teaching positions around the United States and eventually settled in Rome. He composed ballets, orchestral, chamber and solo instrumental works. His Symphony No. 1 was written in 1941. Symphony No. 2 (1958) Charles Munch/Boston Symphony Orchestra ( + Blackwood: Symphony No. 1) RCA VICTOR LSC-2352 (LP) (1959) Symphony No. 3 (1961) Frank Brieff/New Haven Symphony Orchestra ( + Beethoven: Piano Concerto No. 1) CARILLON RECORDS M80P 7385-6 (private New Haven Symphony LP) (1961) AIRAT ICHMOURATOV (b. 1973) Born in Kazan, Tatarstan. He studied Clarinet at the Kazan Music School N3, Kazan Music College and Kazan Conservatory, graduating in 1996. In 1993, when he was appointed as Associate clarinetist of the Tatarstan's Opera and Ballet Theatre, and of the Kazan State Symphony Orchestra. He went Canada to to participate as a student at Orford Art's Centre Festival, where he met Yuli Turovsky, Soviet-born Canadian cellist and conductor, who later became his mentor. In 1998, he permanently moved to Montreal. He follows the triple career of clarinetist, conductor and composer. He has composed orchestral, chamber, instrumental and vocal works. Symphony No. 1 in A minor, Op. 55 “On the Ruins of an Ancient Fort” (2015-17) Jean-Philippe Tremblay/Olivier Charetter (violin) /Patrick Namur (cello)/Daniel Venflar (trumpet)/ Orchestre de la Francophonie ( + Youth' Overture and Maslenitsa' Overture) CHANDOS CHAN 20172 (2020) MIKHAIL IPPOLITOV-IVANOV (1859-1935) MusicWeb International Last updated: August 2020 Russian, Soviet & Post-Soviet Symphonies H-R Born in Gatchina, near St.
    [Show full text]