DOCSLIB.ORG

Grease Program

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Grease Program NCCT Presents its 27th Annual Teen Production February 28, 29 & March 1, 2020 Support provided by The Byrne Foundation and The Brundage Foundation Director: Lanni Luce West Music Director: Jane Woods Choreographer: Susan Lamontagne Cast: Over 50 talented Upper Valley teens! Book, Music, and Lyrics by Jim Jacobs and Warren Casey “Grease” is presented by special arrangement with Samuel French, Inc., a Concord Theatricals Company. Director's Message When the teens announced they were doing Grease, I was instantly pulled into turmoil. For one, I grew up on this musical. Its music causes full family sing-alongs with choreographed dance moves. Memories of my time on stage as Rizzo still bring a smile to my face. But a lot has changed in the world these past few years, and I was quite aware of looking at Grease through the lens of the #MeToo movement so I decided to do some research. What I found was fascinating and helped me approach this show with a different mindset. Jim Jacobs wrote this story about his own high school experiences in the late 1950s. He and Warren Casey wanted to show the complexities and stereotypes of working-class teenagers and how the world was changing going in to the 60s. The characters in this show were ahead of their time; pushing the envelope and testing the boundaries that had been set by the adults in their world. If you put this show in that context, you will hopefully see what I see: The style of music is rock and roll; in 1959 this type of music was frowned upon by many parents. There are only 2 songs that intentionally don’t fit that genre: The Alma Mater and It’s Raining on Prom Night. Sandy doesn’t change for Danny, she simply becomes more herself. Throughout the show you will see moments of true strength of character for Sandy. She is more than just a “good girl,” so in the end she says “goodbye to Sandra Dee” in order to become more of who she truly is. Danny liked Sandy before she ever “changes.” In fact, he changes first, joining the track team. These two liked each other before the expectations of others messed it up. In the end, yes, he thinks she looks good, but more importantly he is thankful that she is giving him another shot. It is important to point out the five incredibly unique female characters in this show who all have their own insecurities, strengths, and personalities. The Pink Ladies are flawed, but they accept that in each other and have a bond that has nothing to do with boys. There are very few shows that have such strong female characters. Researching Grease, I found myself more and more excited to dive into these characters and to work closely with the teens. This is not the Grease you remember from the movie. The musical is darker, a little raunchier, and more edgy. We could just as easily be looking back on the teenagers of 2020, and thinking they too were on the cusp of a revolution. This is their statement to the world - never be apologetic for who you are. – Lanni Luce West About Jim Jacobs and Warren Casey JIM JACOBS (Book, Music and Lyrics). Jacobs, who created Grease (in 1970) with Warren Casey, was born and raised on the mean streets of Chicago’s far northwest side. During the golden era of rock ‘n’ roll (1956- 1960) he was a guitar-playing “greaser” student at Taft High School. In 1963, Jacobs met Warren Casey when they were both cast in a local theatre production of A Shot in the Dark. Seven years later they wrote what was to become one of the greatest musicals of all time. Grease opened in 1971 in a former trolley barn called the Kingston Mines Theatre in Chicago. A year later, Grease made it to Broadway and “Greasemania” took off, resulting in one of the longest running shows in Broadway history. The 1978 movie became and remains the highest grossing movie musical of all time. Originally an actor, Jacobs has been seen on television, in motion pictures, regional theatre, national tours, and on Broadway. He is the co-author of several other plays and musicals including Island of Lost Coeds, a musical spoof of the low budget sci-fi/horror/jungle movies of the 1950s, which he wrote with Warren Casey. In May 2014, Mr. Jacobs was presented with an honorary doctorate degree from Columbia College in Chicago. He currently resides in Southern California and remains active in the theatre, especially with the American Theatre Company of Chicago. WARREN CASEY (Author, Composer and Lyricist) was born in Yonkers, New York, and attended Syracuse University. During the late ‘50s, he learned all about “greasers” while working as an art teacher in upstate New York. He moved to Chicago in 1962, where he hoped to pursue an acting career. He appeared in dozens of productions, including creating the role of Bernie Litko in David Mamet’s Sexual Perversity in Chicago. He supported himself with jobs in retail, including working as an assistant manager of a chain of apparel stores, and as a record salesman. In the meantime, he taught himself how to play the guitar and began writing songs. Mr. Casey acted with the Chicago Stage Guild (where he met Jim Jacobs), the Old Town Players, and the Kinston Mines Theatre. The latter company staged the original production of GREASE which he wrote with Jim Jacobs. After the incredible success of both the musical and the movie, the two collaborated on Island of Lost Coeds, a musical satire of the B-movies of the 1950s. Mr. Casey died in 1988. Special Thanks Underwriters The Byrne Foundation The Brundage Foundation Show Supporters Thank you for providing us with a place to rehearse! Lebanon Ballet School Saint Paul’s Episcopal Church Show Friends Hartford High School Many Roads Counseling Northern Stage Mia Sentman Unifirst Stave Puzzles Veracka’s Auto Wilson Tire Thank you for donating supplies, helpers, and space for our production! to our Teen Angels for supporting Grease Sponsors ($250 - 499) The Nadeau Family The Rushton Family Patrons ($100 - 249) John & Jennifer Randolph in honor of performer Kaia Randolph George and Michele Caccavaro Jennifer Carter Jolene Carter-King Matthew Fulton The Gallagher Family Gretchen Holm and Jim Atkinson The Oxenham Family The Pidgeon Family The White Family Friends ($50 - 99) Judith and James Bernat The Cassell Family Kim and Scott Genzer Tom & Paula Gray Margaret Hunton The Langhus Family Leah Romano Supporters ($25 - 49) Grammie and Gramma Clark The Mello Family Production Staff Director …………………………………………... Lanni Luce West Choreographer………………....................... Susan Lamontagne Music Director…………………………………..…..... Jane Woods Production Manager…………………………….….. Amye Mason Costumer…………………………………..…… Lori Daigle Mather Graphic Designer/Ad Sales…………………………... Amy Fortier Lighting Designer……………....………….……….. Craig Mowery Make-Up and Hair Designer………………….... Meredith Alvarez Props Master………………………………………. Emma Hadden Set Designer………………………………………… Craig Mowery Set Construction ……………………………... Simple Scenic LLC Sound Designer.……………………………….….. Seth Stoddard Stage Manager………………………………………… Alecia Roy Technical Director ………………………………….. Craig Mowery Tech Crew: Aiden Bettwieser, Alexa Bonenfant, Theresa Calandrella, Andrew Landry, Kenzie Leuthauser, Zoe Martin, Anna Mazur, Sadie Mielcarz, Hannah Read, Ethan Sullivan-Dupuis Teen Advisors: Andrew Carmichael, Amy Fortier, Emma Hadden, Amy Roy, Peggy Stone Other Staff & Volunteers* Assistant to the Choreographer………………….......Chris Lamontagne Audition Pianist…………………….………………................ Da-Shih Hu Between Shows Meal Coordinator..…......................... Jaqueline Carter Cabaret Chair………………………................................... Peggy Stone Cabaret Helpers: Kim Genzer, Jen Langhus, Jeff Meyer-Lorentson, Tina Nadeau, Jessica Rushton, Ziggy Wood, Michael Zerphy Cast Photo Display Photographer ……………….....Isabelle Ackerman Cast Photo Display Creator……………………..………….... Ann Kynor Dance Captain……………….... Julie Sentman and Madison Giberson Greased Lightening “Mechanic”…..………….... Ethan Sullivan-Dupuis Guys with Pies Donations: Aurora Bakery, Brownsville Butcher and Pantry, Dazzle Cupcakes, Hartland Diner, Lou’s, Claire Palmer, Umpleby’s, Windsor Station Costume Support….……………………Judi Daigle and Mariah Mather Candygram Coordinator………………………………………. Erin Clark Flower Coordinator…………………………………….………. Sara Tally Make-Up/Hair Helpers: Darcy Bagley, Carole Lang, Valerie Major, Laura Santana, Mia Sentman Pancake Breakfast Coordinator……………………………….. Amy Roy Pancake Breakfast Helpers: Karen Carter, Joe Cheevers, Erin Clark, Colleen Deschamp, Lisa Elder, Adam Fisk, Cindy Gallagher, John & Tammy Hanchett, Paula & Mark Roux, Robert Zimnick and everyone who donated supplies! Photography…………………….………………...............Evan Oxenham Raffle Basket Coordinator…………………………..……..…Paula Roux Load In/Set Building: George Caccavaro, Julie Davis, Marianne & Lee Densmore, Matthew Fungi, Emma Hadden, Chris & Noah Lamontagne, Jeff Meyer-Lorentson, Ken Munsey, Tina & Nils Nadeau, Amy Roy, James Rushton, Tiger Stanley, Miles Sturges, Robert Zimnick Senior Center Invitations.……………………………………... Lisa Elder *known at the time of this printing Thank you to all the parents & others who lent a hand whenever a hand was needed - chauffeuring teens/working backstage/helping with fundraisers/donating time, talent, and treasure. Production Staff Bios Lanni Luce West (Director) started with the NCCT Teen Program as the assistant director for On the Town. She has since directed all of the teen shows, including Once on This Island, Footloose, and Crazy for You. Lanni started acting at the age of 6 and directing at the age of 18. She is honored and privileged to be the director of Lake George YOUTHEATRE, a four week summer theatre workshop for students ages 11-18, where she has directed over 60 musicals. She has also been lucky enough to direct for Trumbull Hall Troupe for the past three years, including the most recent production of Newsies, and this was her first year as the director for the Hartford High School musical, Addams Family. While directing teenagers is her favorite thing in the world, you might have also seen her on stage at Pentangle for the Arts or Shaker Bridge Theatre. When not in a theater, you can find her teaching fourth grade at the amazing Dothan Brook School in Hartford School District.
Load more

Recommended publications
  • For Immediate Release
    FOR IMMEDIATE RELEASE MEDIA CONTACT: Cynthia Carter West C: 757-274-7370 • T: 757-282-2804 [email protected] VIRGINIA ARTS FESTIVAL PRESENTS BOYZ II MEN with Virginia Symphony Orchestra Norfolk, VA - The Virginia Arts Festival adds an R&B component to its eclectic 20th anniversary season with a performance by Boyz II Men on May 22. Tickets go on public sale Jan. 27. Now celebrating 25 years in the music industry, Boyz II Men continues to engage audiences with its multi-octave, smooth sound that brings new life to both timeless pop classics and contemporary ballads. For this soulful evening in Norfolk's Chrysler Hall, Boyz II Men will be accompanied by the Virginia Symphony Orchestra. The trio can claim the distinction of being the best-selling R&B group of all time with more than 60 million albums sold. During that time, they earned an impressive four Grammy Awards, nine American Music Awards, nine Soul Train Awards, and three Billboard Awards. Their appearances in the United States and around the globe have earned high marks. The Dallas Morning News called the trio's Motown revue a “righteous throw-down with vibrant singing.” The Guardian in London praised their wholesome delivery and “glorious a cappella harmonies.” Collide,” a collection of ballads released in 2014, was their 11th studio album. Other recent releases include Motown: A Journey Through Hitsville USA (2007), Love (2009) and Twenty (2011), marking their two decades in the music business. All three performers - baritone Nathan Morris and tenors Shawn Stockman and Wanya Morris – are original members of a singing group that has its roots in Philadelphia's High School for the Creative and Performing Arts.
    [Show full text]
  • Theatrical CV
    Represented by Miles Polaski ​ ​ ​ ​ SOUND DESIGNER & COMPOSER Michael Griffo ​ ​ ​ ​ ​ ​ ​ ​ ​ ​​ ​​ ​ ​ ​ [email protected] 773.905.4529 [email protected] www.milespolaski.com ​ ​​ ​ 212-556-6714 SOUND DESIGN — PLAYS (selected credits) ​ ​ ​ ​ ​ ​ ​ ​​ ​ ​ PRODUCTION PLAYWRIGHT PRODUCING COMPANY DIRECTOR WHERE STORMS ARE BORN Harrison David Rivers Williamstown T​ h​ eatre Festival Saheem Ali ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ TWO CLASS ACTS A.R. Gurney The Flea Theatre Stafford Arima ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ FULFILLMENT Thomas Bradshaw The Flea Theatre Ethan McSweeny ​ ​ ​ ​ ​ ​ ​ ​ BOOK OF JOSEPH Karen Hartman Chicago Shakespeare Theatre Barbara Gaines ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ BYHALIA MISSISSIPPI Evan Linder Contemporary American Thtr. Fest. Marc Masterson ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ WASHER DRYER Nandita Shenoy Ma-Yi Theatre Benjamin Kamine ​ ​ ​ ​ ​ ​ ​ ​ SAGITTARIUS PONDEROSA MJ Kaufman Nat. Asian American Theatre Co. Ken Rus Schmoll ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ A CHRISTMAS CAROL add. James Palmer Trinity Repertory James D. Palmer ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ THE HAIRY APE Eugene O’Neill Goodman / The Hypocrites Sean Graney ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ MEN ON BOATS Jaclyn Backhaus American Theatre Company William Davis ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ PICNIC and ...LITTLE SHEBA William Inge Transport Group Jack Cummings III ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ WANT Zayd Dohrn Steppenwolf Theatre Kimberly Senior ​ ​ ​ ​ ​ ​ MAN IN LOVE Christina Anderson Steppenwolf Theatre Robert O’Hara ​ ​ ​ ​ ​ ​​ ​ ​ ​ ​ THE KID THING Sarah Gubbins Chicago Dramatists
    [Show full text]
  • Allegories of Native America in the Fiction of James Purdy
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SHAREOK repository UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE MIXEDBLOOD METAPHORS: ALLEGORIES OF NATIVE AMERICA IN THE FICTION OF JAMES PURDY A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By MICHAEL E. SNYDER Norman, Oklahoma 2009 MIXEDBLOOD METAPHORS: ALLEGORIES OF NATIVE AMERICA IN THE FICTION OF JAMES PURDY A DISSERTATION APPROVED FOR THE DEPARTMENT OF ENGLISH BY Dr. Timothy Murphy, Chair Dr. Ronald Schleifer Dr. Craig Womack Dr. Rita Keresztesi Dr. Julia Ehrhardt © Copyright by MICHAEL E. SNYDER 2009 All Rights Reserved. ACKNOWLEDGEMENTS I want to express my gratitude to the following people, without whom I could not have completed this project at all, or in the same way: Profound thanks go to my wife and family for support, inspiration, suggestions, and proofreading help: Lori Anderson Snyder, Mary Lou Anderson, Ivy K. Snyder, Marianna Brown Snyder, E. Eugene Snyder, Christine Hadley Snyder, Timothy D. Snyder, Marci Shore, Philip B. Snyder, and Mary Moore Snyder, in Ohio, Oklahoma, San Diego, and New Haven. Deep thanks for thoughtful conversation, improvisation, edification, guidance, and ideas go to my Chair and mentor, Timothy S. Murphy. A very special debt of gratitude goes to John Uecker of New York City. Special thanks to Dr. Jorma Sjoblom of Ashtabula, Ohio. Special thanks to Parker Sams, of Findlay, Ohio, and the Sams family; and Dorothy Purdy, David Purdy, and Christine Purdy, of Berea, Ohio. Many thanks for much inspiration and education go to Craig S.
    [Show full text]
  • Grease" Is Presented Through Special Arrangement with and All Authorised Performance Material Are Supplied by Theatrical Rights Worldwide (TRW)
    The Geneva Amateur Operatic Society Really Youthful Group presents: Book, Music, and Lyrics by Jim Jacobs and Warren Casey "Grease" is presented through special arrangement with and all authorised performance material are supplied by Theatrical Rights Worldwide (TRW). 122-124 Regents Street, 3rd floor, London, W1B 5SA www.theatricalrights.co.uk The videotaping or audio recording of this performance is strictly prohibited Know it all Chairman's welcome Dear Friends of GAOS, on behalf of the Society I would like to welcome you to the Marens theatre here for the 2019 Really Youthful Group production of Grease. I’m sure Grease needs no introduction – as both young and old will have seen clips of Olivia Newton John and John Travolta singing the well known melodies. So instead I thought it would be more useful - for the benefit of those that have never seen a GAOS musical production until now – to explain that GAOS has been active in Geneva since 1971 – and has welcomed thousands of people to its shows over the soon to be 50 years. We depend on ticket sales to finance future production and we receive no sponsorship or subsidies. Over the years we have enjoyed a growing and diverse membership of people who work and have fun together on-and- off stage to produce shows of a high standard. The Really Useful Group was established by the Society over ten years ago as a means to introduce teenagers to musical theatre, and most importantly, to encourage those returning to Geneva after their studies to enrich the Society with their newly acquired skills either as actors, musicians, set designers, costume designers, lighting or sound engineers, or any of the other myriad of jobs that together make our productions so enjoyable for audiences and participants alike.
    [Show full text]
  • Film Guide September 2018
    FILM GUIDE SEPTEMBER 2018 www.loftcinema.org THE FILMS OF EDGAR WRIGHT, ALL THROUGH SEPTEMBER! THE ALL-NITE SCREAM-O-RAMA, SATURDAY, SEPTEMBER 29TH! ENJOY BEER & WINE AT THE LOFT CINEMA! We also offer Fresco Pizza*, Tucson Tamale Factory Tamales, Burritos from Tumerico, Ethiopian Wraps from Cafe Desta and Sandwiches from the 4th Ave. Deli, along with organic popcorn, craft chocolate bars, vegan cookies and more! *Pizza served after 5pm daily. SEPTEMBER 2018 SPECIAL ENGAGEMENTS 4-32 SOLAR CINEMA 4, 16, 20 BEER OF THE MONTH: LOFT MEMBERSHIPS 5-6 ALL DAY IPA NT LIVE 7 FOUNDERS BREWING COMPANY LOFT JR. 9 ONLY $3.50 ALL THROUGH SEPTEMBER! LOFT STAFF SELECTS 14 ESSENTIAL CINEMA 15 NEW AT THE LOFT CINEMA! SCIENCE ON SCREEN 25 The Loft Cinema now offers Closed Captions and Audio SCREAM-O-RAMA 27-28 Descriptions for films whenever they are available. Check our COMMUNITY RENTALS 32-33 website to see which films offer this technology. NEW FILMS 35-44 REEL READS SELECTION 40 FILM GUIDES ARE AVAILABLE AT: MONDO MONDAYS 45 • aLoft Hotel • First American Title • Rogue Theatre • Antigone Books • Fresco Pizza • Santa Barbara Ice Cream CULT CLASSICS 46 • Aqua Vita • Fronimos • Shot in the Dark Café • AZ Title Security • Heroes & Villains • Southern AZ AIDS THE LOFT CINEMA • Bentley’s • Hotel Congress Foundation • SW U of Visual Arts 3233 E. Speedway Blvd. • Black Crown Coffee • How Sweet It Was • Ted’s Country Store Tucson, AZ 85716 • Bookmans • Humanities Seminars • Bookstop • Imagine Barber Shop • Time Market SHOWTIMES: 520-795-7777 • Brooklyn Pizza
    [Show full text]
  • The Ultimate Guide to Beauty School Salon Success Academy Congratulations!
    The Ultimate Guide to Beauty School Salon Success Academy Congratulations! You’ve decided to take your future into your own hands and go back to school. Maybe you’ve been praised for your own makeup skills and want to help others look their best. Whatever your reason to think about going to beauty school, we’re glad you’re here! Beauty schools could offer up to four or more programs: Barbering Esthetician Cosmetology Manicuring/Nail Care 1 Don’t worry. We’re here to help you not become a “Beauty School Dropout” like the one in the movie “Grease”. This guide will help you learn about enrolling in beauty school, including financial aid; a typical day in the classroom and on the salon floor; and reasons to go to beauty school. Beauty School Programs: Barbering Cosmetology Esthetician Manicuring/Nail Care 2 Why Should You Go to Beauty School? Here are some reasons others have given for choosing to go to beauty school. • You have a flair for makeup, hair or nails — or all three! • You have a passion for cutting, grooming and styling men’s hair. • Your current job isn’t paying the bills. • You want to help others feel good about themselves, and what better way than helping them look their very best. • You want to be in-the-know about the latest trends in the world of beauty or barbering. • You need a flexible course schedule. • You want to learn more about your own hair, skin and nails. • You want to be able to show off your artistic side.
    [Show full text]
  • Wytkidz Wadhurst Youth Theatre Grease Wadhurst Memorial Hall
    WytKidz Wadhurst Youth Theatre Grease Wadhurst Memorial Hall Friday 15th April 2016 Producer/Director: Amanda Dann Choreographer: Kirsty Cooper and Anneka Bones Musical Director: Steve Frampton The schools version of the 1971 musical by Jim Jacobs and Warren Casey set in the Elvis Presley, Buddy Holly and Little Richard era, set in US after a summer vacation and the students returning to Rydell High School. The musical opens with the RHS reunion, headed by teacher Miss Lynch, introducing Eugene making a rousing speech with Patty ex- cheerleader. Danny Zuko, cool leader of the Greasers has had a secret summer romance with demure Sandy Dumbrawski. She unexpectedly arrives at the school and bumps into Danny, but he needs to retain his tough-guy reputation. She is rejected and mad, joins up with a group of popular girls the ‘Pink Ladies’ who are friendly with Danny. However, she finds her prim ways do not fit in and she has to try and change her ‘Sandra Dee’ image. So the story navigates through peer pressures, politics, rebellion, love and rock & roll. Then comes graduation and Sandy is about to change in a way no one expected! Sandy strides through the auditorium - poodle skirt has turned into tight pants and bomber jacket. Whow! A bustling hall, packed with a most supportive audience with both bar and sweet counter active. F of H dressed in their blue club waistcoats, led by Jan directed us to seats, not labelled as per normal for unfortunately all chairs needed to be cleared for the indoor market next day! The A5 programme - an electrifying pink was designed and produced once again by Nick Dann of Compass Design.
    [Show full text]
  • Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By
    Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By Elizabeth Sallinger M.M., Duquesne University, 2010 B.A., Pennsylvania State University, 2008 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Paul R. Laird Roberta Freund Schwartz Bryan Kip Haaheim Colin Roust Leslie Bennett Date Defended: 5 December 2016 ii The dissertation committee for Elizabeth Sallinger certifies that this is the approved version of the following dissertation: Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 Chair: Paul R. Laird Date Approved: 5 December 2016 iii Abstract In 1968, the sound of the Broadway pit was forever changed with the rock ensemble that accompanied Hair. The musical backdrop for the show was appropriate for the countercultural subject matter, taking into account the popular genres of the time that were connected with such figures, and marrying them to other musical styles to help support the individual characters. Though popular styles had long been part of Broadway scores, it took more than a decade for rock to become a major influence in the commercial theater. The associations an audience had with rock music outside of a theater affected perception of the plot and characters in new ways and allowed for shows to be marketed toward younger demographics, expanding the audience base. Other shows contemporary to Hair began to include rock music and approaches as well; composers and orchestrators incorporated instruments such as electric guitar, bass, and synthesizer, amplification in the pit, and backup singers as components of their scores.
    [Show full text]
  • GREASE • Production Overview • Lesson Guides • Student Activities • At-Home Projects • Reproducibles Copyright 2007, Camp Broadway, LLC All Rights Reserved
    A tool for using the theater across the curriculum to meet National Standards for Education GREASE • Production Overview • Lesson Guides • Student Activities • At-Home Projects • Reproducibles Copyright 2007, Camp Broadway, LLC All rights reserved This publication is based on Grease with book, music and lyrics by Jim Jacobs and Warren Casey and directed and choreographed by Kathleen Marshall. The content of the Grease edition of StageNOTES™: A Field Guide for Teachers is fully protected under the copyright laws of the United states of America and all other countries with which the United States has reciprocal copyright relations. All rights regarding publishing, reprint permissions, public readings, and mechanical or electronic reproduction, including but not limited to, CD-ROM, information storage and retrieval systems and photocopying, and the rights of translation into foreign languages are strictly prohibited. Printed in the United States of America First Digital Edition: January 2008 For more information on StageNOTES™ and other theatre arts related programs, contact: Camp Broadway, LLC 336 West 37th Street, Suite 460 New York, New York 10018 Telephone: (212) 575-2929 Facsimile: (212) 575-3125 Email: [email protected] www.campbroadway.com Table of contents Using the Field Guide and Lessons...................................................................................................4 Synopsis and Character Breakdown..................................................................................................5 Overture
    [Show full text]
  • Western LEAD 2002 Agenda
    DELTA SIGMA PI Northeastern LEAD Provincial Conference & Council Meeting February 9-11, 2007 Providence, RI See hotel layout on page 2 for meeting room locations. Friday, February 9 6:00 P.M. – 10:00 P.M. Check-in/Registration with Delta Sigma Pi Grand Ballroom Foyer 7:30 P.M. – 8:30 P.M. Honorary Initiation of Alayne White, Founder of Alayne White Spa Sessions/College (Initiation is for members only) 9:00 P.M. – Late Social Event Downtown Providence – all attendees can mix and mingle! Saturday, February 10 7:30 A.M. Check-in/Registration (If you check-in Friday, no need to do it again) Grand Ballroom Foyer 7:30 A.M. - 5:30 P.M. Visit Leadership Foundation, Centennial and other exhibits Grand Ballroom Foyer 8:30 A.M. - 9:00 A.M. Welcome & Opening Session Grand Ballroom 9:00 A.M. - 10:00 A.M. Keynote: How Hard Are You Knocking with Tim Augustine Grand Ballroom 10:10 A.M. - 10: 40 A.M. Regional Meetings- open forum meetings with your Regional Vice President Capital – Washington East Central – Republic Eastern – Reprisal New England – Smithfield Niagara – Lincoln Steel Valley – Grand Ballroom * Breakout Sessions may be of particular interest to alumni members as well as collegians. See session descriptions attached for more details. 10:50 A.M. - 11:50 A.M. Breakout Sessions I *Marketing and Branding Yourself and Your Business Reprisal/Britannia *History of Delta Sigma Pi with Jim Jacobs (son of Founder Harold Valentine Jacobs) Washington *So, How am I Doing? Giving and Receiving Feedback Republic/Defiance Ongoing Member Education Smithfield *Leadership Discussion Panel with Grand President Mitch Simmons, Lincoln Past Grand President Bill Tatum, Executive Director Bill Schilling, VP-Finance Joelle Berlat, and VP-Organizational Development Mark Chiacchiari – moderated by Claire Moomjian 12:00 Noon Lunch and program: Grand Ballroom Featured Speaker, Alayne White “Dreaming Outrageous and Creating the Path You Want” 1:30 P.M.
    [Show full text]
  • University of Hawai'i at Hilo Theatre
    UH Hilo Performing Arts Department Master Production List 1979- 2020 Musicals GIVE MY REGARDS TO BROADWAY - A Musical Revue AMAHL AND THE NIGHT VISITORS by Gian Carlo Menotti CAROUSEL by Rodgers and Hammerstein OLIVER by Lionel Bart SOUTH PACIFIC by Rodgers and Hammerstein MY FAIR LADY by Lerner and Loewe FLOWER DRUM SONG by Rodgers and Hammerstein FIDDLER ON THE ROOF by Stein and Bock THE SOUND OF MUSIC by Rodgers and Hammerstein CABARET by Kander and Ebb I DO! I DO! by Jones and Schmidt YOU’RE A GOOD MAN CHARLIE BROWN by Clark Gesner archy and mehitabel by Joe Darion and Mel Brooks AN EVENING OF OPERA SCENES, Conceived by Margaret Harshbarger JESUS CHRIST SUPERSTAR by Tim Rice and Andrew Lloyd Weber** THE MIKADO by Gilbert and Sullivan WEST SIDE STORY by Bernstein and Sondheim (1988) I’M GETTING MY ACT TOGETHER AND TAKING IT ON THE ROAD, by Joan Micklin Silver & Julianne Boyd ANNIE by Thomas Meehan A.....MY NAME IS ALICE by Joan Micklin Silver, Julianne Boyd LITTLE SHOP OF HORRORS by Ashman & Menken NUNSENSE by Dan Goggin MUSIC MINUS ONE by George Furth, starring Leslie Uggams* * World Premiere EASY STREET: AN AMERICAN DREAM, by Wendell Ing * * World Premiere CAMELOT by Lerner and Lowe WORKING, THE MUSICAL A CHRISTMAS CAROL, by Bedloe, Wood, & Shapcott AMAHL AND THE NIGHT VISTORS, by Gian-Carolo Menotti SWEENEY TODD, by Stephen Sondheim INTO THE WOODS, by Stephen Sondheim GUYS AND DOLLS, by Frank Loesser A LITTLE NIGHT MUSIC, by Stephen Sondheim COMPANY, by Stephen Sondheim 100 YEARS OF BROADWAY, A Musical Revue OKLAHOMA, by Rodgers
    [Show full text]
  • Beauty School Dropout from Grease Arr John Leavitt Sheet Music
    Beauty School Dropout From Grease Arr John Leavitt Sheet Music Download beauty school dropout from grease arr john leavitt sheet music pdf now available in our library. We give you 6 pages partial preview of beauty school dropout from grease arr john leavitt sheet music that you can try for free. This music notes has been read 4346 times and last read at 2021-10-01 00:52:00. In order to continue read the entire sheet music of beauty school dropout from grease arr john leavitt you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Choir Ensemble: 3 Part, Ssa Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Somewhere Its Snowing Arr John Leavitt Somewhere Its Snowing Arr John Leavitt sheet music has been read 4522 times. Somewhere its snowing arr john leavitt arrangement is for Intermediate level. The music notes has 9 preview and last read at 2021-10-01 04:54:56. [ Read More ] What Child Is This Arr John Leavitt What Child Is This Arr John Leavitt sheet music has been read 2509 times. What child is this arr john leavitt arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-27 19:02:37. [ Read More ] Away In A Manger Arr John Leavitt Away In A Manger Arr John Leavitt sheet music has been read 2762 times. Away in a manger arr john leavitt arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-10-01 08:31:01.
    [Show full text]