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'“War News” Is Published Today Because a Momentous Thing Has
‘The Irish Republic was proclaimed by poster’: the politics of commemorating the Easter Rising Roisín Higgins In a city beset by rumours, the leaders of the Easter Rising quickly began to consolidate their message. On the second day of the insurrection they issued War News, a four page news sheet priced at a penny: ‘“War News” is published today because a momentous thing has happened. … The Irish Republic was proclaimed by poster, which was prominently displayed in Dublin’. War News also carried a report of the statement made by Patrick Pearse that morning which said: The Irish Republic was proclaimed in Dublin on Easter Monday, 24th April, at 12 noon. Simultaneously with the issue of the proclamation of the Provisional Government the Dublin Division of the Army of the Republic, including the Irish Volunteers, Citizen Army, Hibernian Rifles, and other bodies, occupied dominating points in the city. The G.P.O was seized at 12 noon, the Castle was attacked at the same moment, and shortly afterwards the Four Courts were occupied. 1 Two things are striking about this account of the events of Easter Monday. Firstly, there is a very clear attempt to specify the exact moment of origin - to convey a sense of absolute alignment - and, secondly, there is no reference to the Proclamation having been read aloud. The Irish Republic was proclaimed not by Pearse but by poster. Therefore, even though a considerable amount of attention was being paid to how the Easter Rising should be recorded and remembered, the most powerful feature of its subsequent commemorative ritual was overlooked. -
Remembering Larry Reynolds, Fiddler: US Rep
November 2012 Boston’s hometown VOL. 23 #11 journal of Irish culture. $1.50 Worldwide at All contents copyright © 2012 Boston Neighborhood News, Inc. bostonirish.com BIR cites Rep. Neal, Muses, and Feeneys The Boston Irish Reporter hosted its third annual Boston Irish Honors on Fri., Oct. 19, at the Seaport Hotel on the South Boston waterfront. The event, which marked the 22nd anni- versary of the BIR, drew more than 350 persons to the mid-day luncheon. In his prepared remarks, publisher Ed Forry said, “In hon- oring these exemplary families and individu- als who em- body the fin- est qualities of our people, we seek to h o n o r t h e memories of our ancestors who came here in bygone days when it was far from clear that we could make this place our home. How proud those early immigrants would be of their descendants, who have made Boston a welcoming place— Larry Reynolds leading a session at the Green Briar Irish Pub in Brighton. not only for new waves of Irish Photo courtesy of Bill Brett, from “Boston: An Extended Family” © 2007 entrepreneurs and workers, but for people from around the globe. “Today’s honorees — the Muse family, the Feeney brothers and Remembering Larry Reynolds, fiddler: US Rep. Richard Neal—are agents of idealism and ingenu- ity who represent the best of the ‘He never, ever got tired of the music’ Boston Irish experience. They no room for all of them to come simply passed along by word of are devoted to a level of profes- By Sean Smith Ui Cheide, a sean-nos singer sionalism in their chosen fields and say goodbye to him. -
Sponsorship Opportunity: I Am Ireland Film For
the Irish Fellowship Club of Chicago presents A concert being presented at Old Saint Pat’s in Chicago for broadcast on PBS “There will be all manner of celebrations during next year’s centennial but it’s hard – almost impossible – to imagine any will be as moving, entertaining, enlightening or soaring as I AM IRELAND.” – rick kogan, the chicago tribune I AM IRELAND The History of Ireland’s Road to Freedom 1798 ~ 1916 “As told through songs of her people” TELLING THE STORY OF IRISH INDEPENDENCE AND CREATING A LEGACY THAT WILL LIVE FOR GENERATIONS TO COME he goal of the I AM IRELAND show is to record the story of Ireland’s road to freedom filmed before a live audience at Old St. TPatrick’s Church in Chicago over a three-day period in the Fall of 2019, for distribution through the PBS Television Network. We are seek- ing to raise $500,000 to cover the cost of this production while simulta- neously raising scholarship funds for the Irish Fellowship Educational and Cultural Foundation. This filming and recording will be carried out by the acclaimed HMS Media Group, who recently filmed for broadcast the highly rated Chicago Voices Concert, (2017) featuring Renée Fleming and more recently, Jesus Christ Superstar for PBS. The I AM IRELAND show will feature traditional Irish Tenor Paddy Homan, together with 35 musicians from The City Lights Orchestra, under the direction of Rich Daniels. Additionally, there will be three traditional Irish musicians, along with an All-Ireland traditional Irish step dancer. The ninety-minute show takes audiences on a journey through the songs and speeches of Ireland’s road to freedom between 1798 and 1916. -
Irish Responses to Fascist Italy, 1919–1932 by Mark Phelan
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title Irish responses to Fascist Italy, 1919-1932 Author(s) Phelan, Mark Publication Date 2013-01-07 Item record http://hdl.handle.net/10379/3401 Downloaded 2021-09-27T09:47:44Z Some rights reserved. For more information, please see the item record link above. Irish responses to Fascist Italy, 1919–1932 by Mark Phelan A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Supervisor: Prof. Gearóid Ó Tuathaigh Department of History School of Humanities National University of Ireland, Galway December 2012 ABSTRACT This project assesses the impact of the first fascist power, its ethos and propaganda, on key constituencies of opinion in the Irish Free State. Accordingly, it explores the attitudes, views and concerns expressed by members of religious organisations; prominent journalists and academics; government officials/supporters and other members of the political class in Ireland, including republican and labour activists. By contextualising the Irish response to Fascist Italy within the wider patterns of cultural, political and ecclesiastical life in the Free State, the project provides original insights into the configuration of ideology and social forces in post-independence Ireland. Structurally, the thesis begins with a two-chapter account of conflicting confessional responses to Italian Fascism, followed by an analysis of diplomatic intercourse between Ireland and Italy. Next, the thesis examines some controversial policies pursued by Cumann na nGaedheal, and assesses their links to similar Fascist initiatives. The penultimate chapter focuses upon the remarkably ambiguous attitude to Mussolini’s Italy demonstrated by early Fianna Fáil, whilst the final section recounts the intensely hostile response of the Irish labour movement, both to the Italian regime, and indeed to Mussolini’s Irish apologists. -
Volunteer Women: Militarized Femininity in the 1916 Easter Rising
Chapman University Chapman University Digital Commons War and Society (MA) Theses Dissertations and Theses Spring 5-20-2019 Volunteer Women: Militarized Femininity in the 1916 Easter Rising Sasha Conaway Chapman University, [email protected] Follow this and additional works at: https://digitalcommons.chapman.edu/war_and_society_theses Part of the Women's History Commons, and the Women's Studies Commons Recommended Citation Conaway, Sasha. Volunteer Women: Militarized Femininity in the 1916 Easter Rising. 2019. Chapman University, MA Thesis. Chapman University Digital Commons, https://doi.org/10.36837/chapman.000079 This Thesis is brought to you for free and open access by the Dissertations and Theses at Chapman University Digital Commons. It has been accepted for inclusion in War and Society (MA) Theses by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Volunteer Women: Militarized Femininity in the 1916 Easter Rising A Thesis by Sasha Conaway Chapman University Orange, CA Wilkinson College of Arts, Humanities, and Social Sciences Submitted in partial fulfillment of the requirements for the degree of Master of Arts in War and Society May 2019 Committee in Charge Jennifer Keene, Ph.D., Chair Charissa Threat, Ph.D. John Emery, Ph. D. May 2019 Volunteer Women: Militarized Femininity in the 1916 Easter Rising Copyright © 2019 by Sasha Conaway iii ACKNOWLEDGEMENTS I would like to thank my parents, Elda and Adam Conaway, for supporting me in pursuit of my master’s degree. They provided useful advice when tackling such a large project and I am forever grateful. I would also like to thank my advisor, Dr. -
Cumann Na Mban: During the Easter Rising
Cumann na mBan: During the Easter Rising Dylan Savoie Junior Division Individual Documentary Process Paper: 500 words Once I learned about National History Day, I immediately wanted to do something related to my Irish heritage seeing as my mother was born in Ireland. In my research, I found the Easter Rising. Now that I had narrowed my selection down, I began to dig deeper, and I came across an Irish women's group, Cumann na mBan, that helped greatly in the Rising but has gone largely unnoticed in history. I tried to have a wide range of research. First, I began by searching for a video about Cumann na mBan. I had found an RTE documentary on the Easter Rising of 1916. It was in that documentary that I came across Fr. Oliver Rafferty, a professor at Boston College. I was able to obtain his email address, contact him, and we had a phone interview. I searched websites and books at my local and Boston Public Library, taking notes and citing them in Noodletools as I went. The Burns Library at Boston College has the most extensive Irish History collection outside of Ireland, so in January, I went there too and was able to obtain many primary sources. In February, I went to Boston College and interviewed Fr. Rafferty in person. I was able to talk with him and combine what I had learned in my research to understand my topic in more depth than I had before. After I collected my research, I decided that my project would be best represented in the form of a documentary. -
Field D a Y Review
FIELD DAY FIELD REVIEW DAY 8. 2012 Cover: Roger Casement commemoration, Murlough Bay, Co. antrim, 1953. Photo: private collection. Inside Front: a view showing Banna Strand, tralee Bay, where Roger Casement landed from a German submarine on Good Friday 1916. (Photo by william vandivert/time life Pictures/Getty Images) Inside Back: Murlough Bay and Fair Head, Co. antrim, c. 1890. (Photo by Robert welch/Sean Sexton/Getty Images) 8. 2012 Cultural History/Irish Studies FIELD DAY PUBLICATIONS – UNIVERSITY OF NOTRE DAME Editors Seamus Deane Ciarán Deane Design Red Dog Design Consultants www.reddog.ie Fonts Headlines — Gill Sans 24/28 Body Copy Essays/Reviews — Sabon 9/12 Paper Stock McNaughton’s Challenger Offset Copyright © 2012 by the contributors and Field Day Publications Field Day Review is published annually by Field Day Publications in association with the Keough-Naughton Institute for Irish Studies at the University of Notre Dame. ISSN 1649-6507 ISBN 978-0-946755-54-7 Field Day Review Keough-Naughton Institute for Irish Studies 58 Merrion Square Dublin 2 Ireland [email protected] www.fielddaybooks.com FIELD DAY REVIEW 2012 Angus Mitchell 5 ‘A Strange Chapter of Irish History’: Sir Roger Casement, Germany and the 1916 Rising Roger Casement 23 Diary of Roger Casement, 1914–16 Part I: My Journey to the German Headquarters at Charleville, annotated by Angus Mitchell Roger Casement 47 A Last Page of my Diary, with an Introduction by Angus Mitchell Angus Mitchell 85 ‘Phases of a Dishonourable Phantasy’ Amy E. Martin 127 Representing the ‘Indian Revolution’ of 1857: Towards a Genealogy of Irish Internationalist Anticolonialism Willie Smyth 149 Atlas of the Irish Rural Landscape (2nd Ed) and Historical Geography Joseph A. -
Junior Cycle Reform: Motion
Junior Cycle Reform: Motion Senator Marie-Louise O'Donnell: I move: That Seanad Éireann----- notes the proposals developed by the National Council for Curriculum and Assessment in "Towards a Framework for Junior Cycle - Innovation and Identity", and "A Framework for Junior Cycle" subsequently published by the Department of Education and Skills, and calls on the Minister for Education and Skills to give his assurance that history will be reinstated as a core subject for the Junior Certificate. I will not call for a quorum on this very important subject, although I have that right. What do we need to know? That is the real question. Does it matter that we do not have a quorum? Acting Chairman (Senator Imelda Henry): The sitting can continue without a quorum but if the Senator wishes to call one she may do so. Senator Marie-Louise O'Donnell: I think I will call a quorum, yes. Notice taken that 12 members were not present; House counted and 12 Members being present, Senator Marie-Louise O'Donnell: The real question surrounding this Private Members' motion is what do we or, in particular, what young people need to know in order to understand how the world became what we perceive it to be today. They will not learn this through technology or the "X Factor". One of the most radical and extraordinary thinkers in education was Neil Postman. He believed that for education to be meaningful, young people, their parents and teachers must have a common narrative. The question I put to those Senators who have turned up for this debate is "Do we have a common narrative?" If we do, how could the Department of Education and Skills, when the History Teachers Association disagrees so vehemently, change history from a core subject to a discrete subject in the junior cycle? There are many false gods of modern education lurking around and trying to get attention. -
TUNE BOOK Kingston Irish Slow Session
Kingston Irish Slow Session TUNE BOOK Sponsored by The Harp of Tara Branch of the Association of Irish Musicians, Comhaltas Ceoltóirí Éireann (CCE) 2 CCE Harp of Tara Kingston Irish Slow Session Tunebook CCE KINGSTON, HARP OF TARA KINGSTON IRISH SLOW SESSION TUNE BOOK Permissions Permission was sought for the use of all tunes from Tune books. Special thanks for kind support and permission to use their tunes, to: Andre Kuntz (Fiddler’s Companion), Anthony (Sully) Sullivan, Bonnie Dawson, Brendan Taaffe. Brid Cranitch, Comhaltas Ceoltóirí Éireann, Dave Mallinson (Mally’s Traditional Music), Fiddler Magazine, Geraldine Cotter, L. E. McCullough, Lesl Harker, Matt Cranitch, Randy Miller and Jack Perron, Patrick Ourceau, Peter Cooper, Marcel Picard and Aralt Mac Giolla Chainnigh, Ramblinghouse.org, Walton’s Music. Credits: Robert MacDiarmid (tunes & typing; responsible for mistakes) David Vrooman (layout & design, tune proofing; PDF expert and all-around trouble-shooter and fixer) This tune book has been a collaborative effort, with many contributors: Brent Schneider, Brian Flynn, Karen Kimmet (Harp Circle), Judi Longstreet, Mary Kennedy, and Paul McAllister (proofing tunes, modes and chords) Eithne Dunbar (Brockville Irish Society), Michael Murphy, proofing Irish Language names) Denise Bowes (cover artwork), Alan MacDiarmid (Cover Design) Chris Matheson, Danny Doyle, Meghan Balow, Paul Gillespie, Sheila Menard, Ted Chew, and all of the past and present musicians of the Kingston Irish Slow Session. Publishing History Tunebook Revision 1.0, October 2013. Despite much proofing, possible typos and errors in melody lines, modes etc. Chords are suggested only, and cannot be taken as good until tried and tested. Revision 0.1 Proofing Rough Draft, June, 2010 / Revision 0.2, February 2012 / Revision 0.3 Final Draft, December 2012 Please report errors of any type to [email protected]. -
Special Offer! for a Limited Time, Get an Extra Discount When You Place an Order on Waltons Products
Waltons has been at the forefront of Irish music since the company was founded by Martin Walton in 1922. Their music publications, bodhráns and tin whistles are of quality design and will give many years of pleasure and satisfaction. Hal Leonard is proud to be the new distributor of Waltons products in North America. Browse through this brochure for more details on these quality songbooks, CDs, DVDs and instruments, then contact your Hal Leonard sales rep to place your order today! Special Offer! For a limited time, get an extra discount when you place an order on Waltons products. Call Today! 1-800-554-0626 SongbookS MELODY INSTRUMENT COLLECTIONS 110 Ireland’s 110 Ireland’s 110 TUNES SERIES BEST SESSION BEST SLOW AIRS Tunes – Volume 3 110 of Ireland’s most beautiful with Guitar Chords Volume 3 includes: After the and haunting melodies, compiled by John Canning Sun Goes Down • The Bag including laments, airs from The cream of Irish traditional music is presented in of Potatoes • The Bashful old Gaelic songs and Carolan three core collections of essential session tunes. Each Bachelor • Comely Jane tunes. Suitable for all melody book includes 110 of the most popular and enduring Downing • The Flannel Jacket instruments, but does not session tunes in Ireland and around the world. Join • Flax in Bloom • The Girl Who include guitar chords. Songs in wherever you go with these collections of jigs, Broke My Heart • Johnny Allen include: Carrickfergus • Death reels, hornpipes, polkas, slides, airs and more. All the • The Kerryman’s Daughter • Lady Townsend’s Delight and the Sinner • Eleanor Plunkett • Brian Boru’s March books feature accurate transcriptions in an easy-to-read • Molly on the Shore • The Pigeon on the Gate • The • Blind Mary • Black-Eyed Susan • Easter Snow • Do format, and include guitar chords. -
Seanad Éireann
Vol. 240 Tuesday, No. 10 16 June 2015 DÍOSPÓIREACHTAÍ PARLAIMINTE PARLIAMENTARY DEBATES SEANAD ÉIREANN TUAIRISC OIFIGIÚIL—Neamhcheartaithe (OFFICIAL REPORT—Unrevised) Insert Date Here 16/06/2015A00100Business of Seanad 621 16/06/2015B00150Commencement Matters 622 16/06/2015B00200Community Policing 622 16/06/2015D00250Nursing Staff Recruitment 624 16/06/2015E00400Appointments to State Boards ������������������������������������������������������������������������������������������������������������������������������626 16/06/2015G00250Private Rented Accommodation Provision 628 16/06/2015O00100Deaths of Irish Students in California: Expressions of Sympathy 632 16/06/2015O00350Order of Business 632 16/06/2015EE00400Health (General Practitioner Service) Bill 2015: Committee and Remaining Stages ������������������������������������������649 SEANAD ÉIREANN Dé Máirt, 16 Meitheamh 2015 Tuesday, 16 June 2015 Chuaigh an Cathaoirleach i gceannas ar 230 pm Machnamh agus Paidir. Reflection and Prayer. 16/06/2015A00100Business of Seanad 16/06/2015A00200An Cathaoirleach: I have received notice from Senator Catherine Noone that, on the mo- tion for the Commencement of the House today, she -
Area Irish Music Events
MOHAWK VALLEY IRISH CULTURAL Volume 13, Issue 4 EVENTS NEWSLETTER Apr 2016 “Hel-l-o-o-o-o Central New York!” Elders Headline “An Irish Night at the Stanley” The boys – and lady -- are back! Area favorites and Great American Irish Festival perennials, the Elders, make a rare return to the area this weekend, bringing their high-energy Celtic roots show to the magnificent Stanley Theater, on Friday, April 8th; headlining “An Irish Night at the Stanley.” Kicking off the 7:30 concert will be Hair of the Dog from the Capitol District, and local favorites, the Blarney Rebel Band. Also appearing during the show will be dancers from the Butler-Sheehan Academy of Traditional Irish Dance and the Johnston School of Irish Dance. The Elders – guitarist Steve Phillips, multi-instrumentalist Brent Hoad, bassist Norm Dahlor, fiddler Diana Ladio, drummer/mandolinist Kian Byrne and indefatigable front man, Ian Byrne – captured the hearts and ears of Central New York in their first GAIF appearance in 2007, and while their lineup has seen some changes since then, their infectious energy has, if anything, gotten stronger. Since forming in 1998, The Elders have set the American music scene on its ear, thanks to a skillful mix of amped-up roots rock, augmented with powerful vocals, blazing instrumentals and top-notch song writing. Their songs are mystical, comical, political and cultural and cover a variety of topics like poverty, civil war, family bonds, spirituality, love and friendship; recounting stories of people, places and events, real and imagined. The Elders have produced seven full-length studio CDs and three live CD/DVDs, and their latest album “Story Road” cements their position as a great band at the top of their game.