Charlie Walk Files Lawsuit Against Attorney, Claims “Botched”

Total Page:16

File Type:pdf, Size:1020Kb

Charlie Walk Files Lawsuit Against Attorney, Claims “Botched” Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MARCH 25, 2021 Page 1 of 35 INSIDE Charlie Walk Files Lawsuit • Triller Strikes Music Against Attorney, Claims “Botched” Licensing Deal With Publishers Handling of #MeToo Allegations • Is It Time to Retire BY TATIANA SIEGEL Gendered Categories for Music Awards? On Jan. 30, 2018, Universal Music Group’s head of glob- look into his behavior. A media feeding frenzy ensued. • 6 Rules to al compliance Saheli Datta shot off a staff-wide email Though the findings of the investigation were never Navigating regarding the company’s high-flying executive Charlie made public, the impression left was strong: Walk was Music Influencer . “You may be aware of yesterday’s media reports guilty of #MeToo misconduct, according to an explo- Partnerships & Why Walk They’re a Big Deal concerning allegations of conduct by Charlie Walk sive lawsuit filed by the famed hit-maker against his (Guest Column) while he was an executive at Sony. We take allegations former attorney, high-profile Trump pitbull Marc Ka- of this nature very seriously,” Datta wrote. “If you have sowitz. The legal malpractice suit, filed Thursday in • Connie Bradley, something to say, we want to hear it.” New York state court, says Kasowitz “botched” Walk’s Longtime ASCAP Nashville Head The email came one day after a woman representation and undermined his ability to clear his and Music Row named Tristan Coopersmith posted an open letter name, setting in motion his subsequent ousters from Trailblazer, Dies at 75 on her now-defunct health and wellness blog claiming Republic and The Four. that the Republic Group president had sexually ha- “Perceiving Mr. Walk as too big to control, too • Taylor Swift & Evermore Theme rassed her 15 years earlier when they both worked at expensive to keep, and not wanting to lose him to a Park End Legal Columbia Records. UMG’s apparent efforts to solicit rival such as Warner, UMG kneecapped him, so that Battle, Drop Lawsuits additional information was highly unorthodox, given it could both fire him, and make him unhireable by that the alleged incident didn’t involve its workplace. anyone else,” the suit says. MARKET WATCH The move also violated written company policy, which Three years after his career was derailed, Walk PAGE 32 was created to protect the privacy and confidentiality is seeking $60 million in damages. Though UMG SONGWRITERS of all parties involved in harassment allegations. is not a defendant, the suit — portions of which are & PRODUCERS Within 24 hours, UMG informed news outlets that redacted — says the music giant “willfully engaged in CHARTS Walk had been placed on leave and that it had hired [Walk’s] public character assassination” and Kasowitz PAGES 33 - 35 boutique New York firm Collazo Florentino & Keil to (continued) TOTAL IMMERSION ESSENTIAL ANALYSIS of the latest business topics and trends formulated to give industry players the competitive advantage in a rapidly changing market. EXCLUSIVE QUARTERLY REPORTS that deliver in-depth, holistic reporting; case studies; and custom data designed to serve the industry. A DEEP DIVE LIBRARY stocked with intelligence on fan data, SUBSCRIBE TO BILLBOARD PRO FOR song catalog sales, TV synchs, Africa’s burgeoning music ACCESS TO NEW REPORTS business and the gaming industry’s embrace of artists. AND THE ARCHIVE CONGRATULATIONS GRAMMY®Album of the Year Taylor Swift folklore Aaron Dessner Jack Antonoff Page 3 of 35 IN BRIEF “passively cooperated with UMG, leaving the site is defunct, two additional women tober 2018, Walk was approached by self-de- Mr. Walk defenseless” and pressured the ex- — Pam Kaye and Kate Harold — went on scribed Time’s Up ambassador Wade Davis, ecutive into signing a one-sided settlement the record in Rolling Stone to say they were who presented the unemployed executive agreement with UMG. sexually harassed by Walk in the late ’90s with a proposed contract for “transitional “Charlie Walk was the target of a carefully and early aughts at Columbia. Kaye leveled coaching” services and developing a “re- orchestrated campaign,” said his attor- the most damaging claim, that Walk had entry strategy” for $12,500 a month. ney Bryan Freedman in a statement to The put his hand down the front of her pants In November of that year, former Time’s Hollywood Reporter. “This led to a reckless and under her underwear in 2004. Harold Up president and CEO Lisa Borders emailed and damaging rush to judgment without due said Walk rubbed his erect penis against a rep for Walk and detailed the steps that process, which should have been remedied her at a restaurant in 2006. And Cooper- would need to be taken to “rehabilitate” by this former lawyer. The evidence in Char- smith, the original accuser, said Walk put his him. “There are many of these same men lie’s favor is overwhelming and he deserved hand on her thigh under a restaurant table who now see the light and wish to stand in the right to clear his name. This lawsuit will and repeatedly made vulgar comments in solidarity with women, seeking a path back do just that.” front of her. Walk denied all of the claims into the fold. To reiterate, we applaud this Kasowitz is no stranger to the spotlight at the time. Coopersmith has claimed she effort, in full support of redemption,” she and headline-grabbing battles, having received a settlement. Lawyers for Walk wrote. “We would welcome a conversation defended President Trump for decades on a say he “never participated in or was aware about contributions to The Time’s Up Foun- number of matters including the investiga- of any kind of settlement. This lawsuit will dation.” In another email, Borders referred tion into Russian interference during the unequivocally prove that.” to Davis as the head of Time’s Up’s men’s 2016 election. Kasowitz did not respond to a What remained hidden from public view division. (THR viewed the contract and the request for comment. in early 2018 was just how high the stakes emails last year). But the seeming conflicts The filing also underscores questions were at the time of the accusations. Behind of interest didn’t end there. Time’s Up Legal around the case of Walk, who spearheaded the scenes, the music industry veteran had Defense Fund was supporting Coopersmith, Republic Records’ ascent to the industry’s been in final negotiations with UMG on a Kaye and Harold and was paying a PR firm top label in terms of market share by assem- 5-year contract extension worth $20 mil- to assist them. According to the suit, that bling a roster of artists that also included lion, according to the suit. UMG declined same firm also represented Coopersmith’s Ariana Grande, The Weeknd, Nicki Minaj, comment. business interests and UMG. Hailee Steinfeld, DNCE and Lorde. He Independent of the lawsuit, THR began A source close to Davis says the relation- remains the most prominent music industry looking into Walk’s industry exile back in ship with Walk was never finalized. Sources executive felled by sexual harassment al- spring 2020 while reporting out a Time’s say Walk turned down the overtures. Cur- legations in the post-#MeToo era. (L.A. Reid Up article that uncovered instances of the rent Time’s Up reps say the outreach was is the other notable example.) influential anti-sexual harassment organiza- not authorized, and Davis is not affiliated Less than a month after Coopersmith’s tion offering to work with accused men in with the organization. blog post, which is no longer live because exchange for high fees and donations. In Oc- Before his fall, Walk had a strained AUTHORITATIVE INTELLIGENCE. DELIVERED DIGITALLY. CLICK HERE FOR FREE DELIVERY DIGITAL NEWSLETTERS CONGRATULATIONS 2021 GRAMMY® AWARD WINNER BEST POP VOCAL ALBUM FUTURE NOSTALGIA WITH LOVE, YOUR WARNER RECORDS FAMILY PHOTO CREDIT: LAUREN LEEKLEY BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE Page 4 5 OF of 1935 ON THE CHARTS JIM ASKER [email protected] IN BRIEF SamHunt’s Southside Rules Top Country relationshipAlbu withms; his UMG Brett boss, Republic Y oungtions were ‘Catc made public,h is’-es working withFifth filing Airplay notes: “Mr. Walk is aware of prior in- co-founder Monte Lipman, who was be- artists like Jennifer Lopez at his new Hitco stances in which other UMG employees had ing frequentlyLea upstagedder; by his presidentTravis EntertainmentDenning label. Makes Historybeen accused of and fired for sexual harass- and was known to have the label’s PR team There’s no question Walk’s earnings took ment, but the allegations and disciplinary call Page Six to rework a printed gossip item a major hit. He went from pulling down a actions taken against such employees were Samif Walk Hunt appeared’s second in studio a more full-length, prominent and posi first- in overmulti-million five years, Southside dollar a yearsales base (up 21%)salary in tothe trackingkept week. quiet.” On Country Airplay, it hops 18-15 (11.9 mil- (MCAtion than Nashville/Universal him. Music Group Nashville), debutsearning at No. 1just on Billboard $19,000’s in 2019,lion audience according impressions, to upWrites 16%). Freedman and co-counsel Jeffrey Top Country Albums chart dated April 18. In its first week (ending April 9), it UMG’s January 2018 email to staff the suit. In February, his fledgling distri- Eilender, Erik Groothuis and Michael earned 46,000 equivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingresembles to Nielsen what happenedMusic/MRC to Data. Universal Pic- bution and A&R companyand Music total Country Mastery Airplay No.Brodlieb 1 as “Catch” in the (Big suit: Machine “UMG Label ‘cancelled’ Group) ascends Mr.
Recommended publications
  • Nombre Abalos Rico Juan Yahir Abrajan Cervantes
    CENTRO DE BACHILLERATO TECNOLÓGICO INDUSTRIAL Y DE SERVICIOS NÚM. 114 NOMBRE ABALOS RICO JUAN YAHIR ABRAJAN CERVANTES IVAN ABREGO SOLIS ANA PAOLA ACEVEDO ESCOBAR LORENZO EDUARDO ACOSTA ANAYA SOFIA FERNANDA ACOSTA CAMARGO CRISTIAN ADAN ACOSTA CASILLAS JALIL OMAR ACOSTA CORTEZ ANGEL OMAR ACOSTA GARCIA ROBERTO URIEL ACOSTA HERNANDEZ DULCE MARIA ACOSTA MARTINEZ IVONNE ELIZABETH ACOSTA PARRILLA EMILIANO ACOSTA RAMIREZ FANNY ACOSTA RUIZ LEONEL ALEJANDRO ACOSTA SAAVEDRA DENISSE ADAME CHAVIRA GLORIA AILIN ADAME HERNANDEZ JOSELYN GUADALUPE ADAME VENEGAS JUDITH GUADALUPE AGUAYO CAZARES LUIS JULIO AGUAYO ENCERRADO OSCAR ALEXANDER AGUAYO ORTIZ VALERIA RUBY AGUERO CARLOS ADRIAN AGUILAR AMAYA JOSE ALFREDO AGUILAR ESPARZA LLUVIA YAJAIRA AGUILAR LUGO ARIADNA JACQUELINE AGUILAR MARQUEZ JUAN ANTONIO AGUILERA MEDRANO CLAUDIA PAOLA AGUILERA MENDOZA MONICA NAOMI AGUILERA OLIVAS DILAN ALEJANDRO AGUILERA ORTIZ ITATI AGUILERA RUIZ DANIEL ALEJANDRO AGUILERA VEJAR LUIS ALONSO AGUIRRE CABRERA ALONDRA SARAHI AGUIRRE CARREON STEPHANY` AGUIRRE HERNANDEZ JESUS ABRAHAM AGUIRRE JARAMILLO KARLA ITZEL AGUIRRE LOPEZ ANGEL GABRIEL AGUIRRE LUNA AVRIL ANDREA AGUIRRE MINOR NOHELIA ABIGAIL AGUIRRE PALACIOS CARLOS ARTURO AGUIRRE PARRA LEOBARDO AGUIRRE RAMOS ROSELY AGUIRRE RODRIGUEZ ANGEL GABRIEL AGUIRRE SOTELO CARLOS ABRAHAM AGUIRRE TORRES ESTEFANÍA CENTRO DE BACHILLERATO TECNOLÓGICO INDUSTRIAL Y DE SERVICIOS NÚM. 114 NOMBRE AGUIRRE VALDEZ ANDREA MARIANA ALANIS SAENZ KAREN LILIANA ALANIZ LARA MONSERRAT ALARCON OLIVARES BRIDGET NAOMI ALARCON OLIVARES PAULINA ALARCÓN SOTELO GISELA
    [Show full text]
  • Catalogue Produced on 22/03/2011 Si Buscas Música
    Catalogue produced on 22/03/2011 Si buscas música flamenca, video o DVD, por favor visita: flamencoSound.com Flamenco music ................................................................................................................................................................... 2 Absolute Flamenco ............................................................................................................................................................ 2 Anthologies ..................................................................................................................................................................... 75 Camaron de la Isla ........................................................................................................................................................ 126 CD's with DVD ............................................................................................................................................................... 180 Collections ..................................................................................................................................................................... 217 Flamenco Guitar ............................................................................................................................................................ 256 Historicals ..................................................................................................................................................................... 318 Live Concerts ...............................................................................................................................................................
    [Show full text]
  • Cecyt 12 Jmm Padrón De Alumnos De Beca Benito
    CECYT 12 JMM PADRÓN DE ALUMNOS DE BECA BENITO JUÁREZ APELLIDO PATERNO APELLIDO MATERNO NOMBRE CURP 1 ABAD VERA ALLYSON NAOMI AAVA040118MDFBRLA6 2 ABITIA GARCIA HECTOR ALEJANDRO AIGH041213HDFBRCA0 3 ABRAHAM CARRENO JUAN CARLOS AACJ030411HMCBRNA3 4 ABURTO PEREZ CARLOS IVAN AUPC040129HDFBRRA5 5 ACOSTA LARA CARMEN NASHELLY AOLC040708MDFCRRA5 6 ACOSTA LOPEZ RAQUEL AOLR020925MMCCPQA2 7 ACOSTA QUINTANAR CARLA YADHIRA AOQC040921MDFCNRA0 8 ADAME DIAZ BRANDON ARTURO AADB000715HPLDZRA8 9 ADJUNTAS GUERRERO EDUARDO GAEL AUGE031105HDFDRDA7 10 AGUAS MARTINEZ MERAB NOELI AUMM020102MDFGRRA3 11 AGUAYO MENDOZA JENNIFER ITZEL AUMJ010809MDFGNNA6 12 AGUAYO MENDOZA PAULINA JANNET AUMP040514MDFGNLA6 13 AGUILAR ALCALA IRAIS AUAI021030MDFGLRA0 14 AGUILAR ALMANZA SANDRA VERONICA AUAS021109MDFGLNA8 15 AGUILAR ALTAMIRANO AMERICA AUAA010227MDFGLMA8 16 AGUILAR CANO PAULA CAMILA AUCP040514MDFGNLA6 17 AGUILAR CONTRERAS HUGO ALBERTO AUCH020622HMCGNGA4 18 AGUILAR CRUZ JULIO CESAR AUCJ030410HDFGRLA1 19 AGUILAR GARCIA ALEXIS AUGA020821HDFGRLA2 20 AGUILAR GARCIA ANGEL FRANCISCO AUGA040514HMCGRNA1 21 AGUILAR GARCIA MARLEN SARAHI AUGM030722MMCGRRA5 22 AGUILAR GARCIA SOPHIA ZOE AUGS041216MDFGRPA5 23 AGUILAR GONZALEZ GLORIA ESTEFANI AUGG031203MMCGNLA0 24 AGUILAR GUTIERREZ ARLET STEFANI AUGA020702MMCGTRA0 25 AGUILAR MAURICIO ADRIAN AUMA020916HMCGRDA9 26 AGUILAR PEREZ ADRIAN ARATH AUPA021129HMCGRDA4 27 AGUILAR PEREZ ZURIELA AUPZ040509MMCGRRA1 28 AGUILAR ROMERO ARUNI ZAIR AURA020828HMCGMRA5 29 AGUILAR ROMERO LAURA ANGELINA AURL040915MDFGMRA5 30 AGUILAR ROSAS ARANZAZU AURA990330MDFGSR02
    [Show full text]
  • ARTIST INDEX(Continued)
    ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) JAN CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 16 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 12, 17 JUSTIN BIEBER A40 2, 18, 19, 31; AC 8, 13; OLIVIA COLMAN CL 7 FLEETWOOD MAC B200 36, 109; BL 6; INT 17; I PREVAIL RKA 20 LIL DURK B200 2, 116; RBA 1; RLP 1; A40 37; 21 SAVAGE B200 40; RBA 20; RLP 20; H100 55; DA 33, 39; H100 4, 6, 18, 36; HA 4, 11, 50; HD JOHN COLTRANE JZ 14 PCA 2, 39; HD 47 THE IRISH CHAMBER ORCHESTRA CL 9 DA 26; H100 8, 59, 74, 84,
    [Show full text]
  • Parchís Regresa Con Temas De Coldplay
    16/12/2011 20:28 Cuerpo E Pagina 4 Cyan Magenta Amarillo Negro 4 SÁBADO 17 DE DICIEMBRE DE 2011 TÍMPANO TRADICIÓN Y VERDAD EN LA ESCALA Selena Gomez Nortec culmina Camila estará viene a México un gran año en el Foro Sol La cantante estadouniden- Después de tener una exi- Después de ofrecer más de se Selena Gomez ofrecerá tosa aparición en la inau- 200 shows con su exitosa por primera vez un con- guración de los Juegos gira ‘Dejarte de amar’, el cierto en este país, el 26 de Panamericanos, el colecti- grupo de pop Camila, ce- enero próximo en el Pala- vo de música formado por rrará su tour el 10 de mar- cio de los Deportes de la Fussible y Bostich, Nortec zo próximo en el Foro Sol capital. La estrella juvenil Collective, ofreció la víspe- de la Ciudad de México. El interpretará un repertorio ra un concierto con el cual trío mexicano se presenta- que incluirá temas como dio por concluido el año y rá por primera vez en este ‘Falling down’, ‘Who says’, su gira ‘Boulevard 2000’. escenario de la capital me- ‘Round and pound’, ‘Ayear El grupo tijuanense se pre- xicana, en donde ofrecerá without rain’, ‘Love you li- sentó y pidió disculpas por un recital ante más de 50 ke a love song’, entre otros. la demora. mil personas. TOP TOP BILLBOARD Parchís regresa con LATIN ALBUM temas de Coldplay NO. 1 Losnombresdelos NO. 1 ‘We found cinco integrantes se ‘Promise’ darán a conocer en love’ Romeo Santos Rihanna enero próximo. NO.
    [Show full text]
  • NMS15 Marketing Opportunities
    SPONSOR AND PARTNER OPPORTUNITIES Transforming the Music Business JUNE 21-23, 2015 | NEW YORK CITY THE NEW ERA OF MUSIC BUSINESS "The New Music Seminar is the single best gathering of cung edge music industry visionaries on the scene today. It's a must-do for anyone aspiring to be part of this business of music." - Steve Greenberg – Founder/CEO, S-Curve > NMS is the legendary NYC industry event focused on new opportunities and growth of the overall music business > Unparalleled speakers and discussions - The next generation of music business executives and stars > Elevated networking platform to take your business and career to the next level NMS connects the creave professional with the people wHo determine the future of the music business 2 THE 1,500 • Limited to 1,500 attendees to ensure the highest quality personal experience > More decision-makers devoted to the cause of building the next generation of the music business - Less time bandits. • Influential audience filled with creatives, decision-makers, and engaged trendsetters > Artists, producers, and songwriters > Tastemakers that break new music > Explorers searching for the “next big thing” > Experienced industry leaders discussing the real issues behind the music business, the backroom deals, the untold stories > Investors of the music business > Industry Insiders revealing the secrets behind success in the industry Cross-pollinaon : Every part of the music business...together! Adversing/ Brands; 2% ArJst Services; 2% Students; 6% A&R; 5% Radio; 5% ArJsts/ PublisHers; 8% Performers;
    [Show full text]
  • Manual Del CDL De Wisconsin
    Manual del Conductor Comercial del Estado de Wisconsi Motorists’ Handbook Wisconsin Department of Transportation The originalw coveri sto ctheo Wisconsinnsin Motorists’dm Handbookv.go isv not included here in order to reduce the file size and allow you to download the handbook faster. julio 2021 Manual del Conductor Departamento de Transportes del Estado de Wisconsin No se incluyen aquí la portada y contraportada originales del Manual del Conductor del Estado de Wisconsin a fin de reducir el tamaño del expediente y permitirle a usted obtener acceso y recuperar (download) más rápidamente la información del manual. Contenido INFORMACIÓN PRELIMINAR . 3 2.2.2 Al dirigir el volante . 2:8 Información del Estado de Wisconsin . 3 2 .2 .3 Al detenerse . 2:8 Información Federal . 3 2.2.4 Para ir en reversa con seguridad . 2:8 ¿Qué debo de estudiar en este manual? . 4 2 .3 Para Cambiar de Velocidad . 2:9 ¿Cuál licencia de conductor comercial necesito? . 5 2.3.1 Transmisión manual . 2:9 ¿Cuáles son las clasificaciones de vehículo comercial (CMV por sus 2.3.2 Ejes posteriores de velocidades múltiples y transmisiones auxiliares 2:9 siglas en inglés)? . 5 2.3.3 Transmisión automática . 2:9 Diagrama de Flujo para Determinar la Clase de CDL Requerida . 6 2.3.4 Retardadores . 2:10 Ejemplos de Vehículos . 7 2 .4 Observar . 2:10 ¿Quién está exento en Wisconsin de obtener su CDL? . 8 2.4.1 Mirar hacia adelante . 2:10 ¿Qué son las certificaciones? . 9 2.4.2 Revisar hacia los lados y hacia atrás . 2:10 ¿Cuáles son las restricciones de CDL? .
    [Show full text]
  • Changing Nature of Music Creation
    MIDiA Consulting | The Changing Nature of Music Creation MIDiA Research February 2020 MIDiA Consulting – The Changing Nature of Music Creation Introduction: Independent Artists Continue to Reshape the Music Industry The rise of a new generation of empowered, independent artists is driving transformational change throughout the music industry. If streaming drove change in the distribution of music, then today’s independent artists are driving change throughout the entirety of the music business, from music creation to how artists can make a viable living from their creations. The base of 3.7 million independent artists is highly diverse, encompassing: 1. Rising artists who will build bigger audiences and progress to label deals 2. Former label artists who are maintaining independent latter-stage careers 3. Enthusiasts with small audiences 4. Established independent artists who have found their global niches All four groups are important, but the lattermost is in many ways the most important and contributes to the artists direct segment being a viable commercial sector in its own right. All four groups are forging a different path through the industry, yet all of them make the same creative product: songs. In this research, we examine some of the trends that are influencing the way songs are created, produced, marketed and distributed, whether at the top of the charts or deep in streaming niches. How should new industry services adapt their propositions to help serve artists better as they create songs for this new, empowered industry? About This Research Amuse commissioned MIDiA Research to explore how the music industry is changing, from three key perspectives: 1.
    [Show full text]
  • The Nationalnational a Bitter, Angry Record in a Lot of Spots
    ISSUE #28 MMUSICMAG.COM ISSUE #28 MMUSICMAG.COM Q&A songs and make records together, definitely and closer and repeatedly, the different “Our voices will be mixed together in a weird in the shadows. dimensions of our songs reveal themselves. I way.” I wanted it to sound like what would get why people label us dark or brooding or be on the radio in the afterlife, and she got Why was it easier to write this time? depressing. It’s the most obvious thing when into that. Our voices are kind of distorted Alligator was the first record we released you first hear us because of the sound of my and mutated into some weird hybrid that was signed to a real label. We were voice or the instrumentation we’re using. And creation in that section. But it’s not like, desperate for people to notice us, and they when I’m writing I definitely like to wallow “Here’s Annie Clark in her starring cameo!” did. But we had a lot of anxiety about how in the dark stuff, but often it’s also very silly People prefer that way because they know to follow that up without painting ourselves observations about my own neuroses or they’re not just being used for their name; into a corner. We knew we wanted to make obsessions. A lot of our songs are about it’s because we respect their musicality, something that wasn’t like Alligator, but we death and the idea of existence, but in kind and they’re friends.
    [Show full text]
  • 2015 ANNUAL REPORT Pictured (Top to Bottom, L-R)
    OUR 2015 ANNUAL REPORT Pictured (top to bottom, l-r): Shawn Patterson and vocalist Sammy Allen at the 2015 ASCAP Film & TV Music Awards Latin Heritage Award honorees La Original Banda el Limón at the 2015 ASCAP Latin Music Awards ASCAP Golden Note Award honoree Lauryn Hill at the 2015 R&S Awards Lady Antebellum at the 2015 ASCAP Country Music Awards Dave Grohl congrat- ulates Gene Simmons and Paul Stanley on their ASCAP Found- ers Award at the 2015 ASCAP Pop Awards Cast members from Invisible Thread with Richard Rodgers New Horizons Award winners Matt Gould (at piano) & Griffin Matthews (far right) at the 2015 ASCAP Foundation Awards The American Con- temporary Music En- semble (ACME) at the 2015 ASCAP Concert Music Awards Annual Report design by Mike Vella 2015 Annual Report Contents 4 16 OUR MISSION Our ASCAP Our Success We are the world leader in performance 6 18 royalties, advocacy and service for Our Growth Our Celebration songwriters, composers and music publishers. Our mission is to ensure that 8 20 Our Board Our Licensing our music creator members can thrive Partners alongside the businesses who use our 10 music, so that together, we can touch Our Advocacy 22 Our Commitment the lives of billions. 12 Our Innovation 24 Our Communication 14 Our Membership 25 Financial Overview 3 OUR ASCAP USIC IS AN ART. AND MUSIC IS A BUSINESS. The beauty of ASCAP, as conceived by our visionary founders over 100 years ago, is that it serves to foster both music and commerce so that each partner in this relationship can flourish.
    [Show full text]
  • Lista De Inscripciones Lista De Inscrições Entry List
    LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos,
    [Show full text]
  • Kiiara Drops New Track & Music Video “Open My Mouth
    KIIARA DROPS NEW TRACK & MUSIC VIDEO “OPEN MY MOUTH” – OUT NOW ​ ​ FEATURING DESIGNER CHRISTIAN COWAN AND HIS FALL FW19 RUNWAY LOOKS DEBUT ALBUM SET FOR RELEASE FALL 2019 “OPEN MY MOUTH” SINGLE ART HERE ​ ​ (PHOTO CREDIT: TRENT BARBOZA) NEW YORK, NY (June 7, 2019) – Today, 24-year-old multiplatinum singer-songwriter and “Princess of ​ Chop-Pop” KIIARA debuts a brand new song, “Open My Mouth,” which marks the lead single from her ​ ​ ​ ​ highly anticipated debut album set for release this fall via Atlantic Records. The track, and its accompanying video, gives fans a taste of what’s to come off the forthcoming record – listen HERE. ​ ​ ​ “Open My Mouth,” co-written by Kiiara, Amy Allen (Halsey’s “Without Me”, Selena Gomez’s “Back To You”), Scott Harris (Shawn Mendes’ “Treat You Better” and “There’s Nothin’ Holding Me Back”), Ian Kirkpatrick (Dua Lipa’s “New Rules”, Julia Michaels’ EP), and Joe London (Pitbull, Jason Derulo, Fifth Harmony) showcases Kiiara’s unique ability to blur the lines between genres with her signature vocals and honest lyrics. “Art is open for interpretation, so while some will listen to this song and relate to it based on relationships they’ve had in their lives, for me this song is about the relationship I have with myself,” Kiiara says of the new track. “I’ve struggled with mental health issues for my entire life. I’ve felt silenced, I’ve felt alone, and I’ve felt afraid. To me, this song is about facing these realities and putting it all out there. It feels empowering to open up and finally speak my truth, and I hope in doing so I can encourage others to let their guard down and do the same, so they don’t feel so alone and helpless.” The accompanying music video, directed by Juliana Carpino, features designer Christian Cowan and fashion from his FW19 line along with a special cameo appearance from Austin Mahone – watch HERE.
    [Show full text]