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The Unforgettable, Heartbreaking Story of the Unlikely Friendship Between A
Advanced Placement English Literature and Composition: Summer Reading In keeping with the philosophy that each individual should be trained to the fullest realization of his/her capacities, the Advanced Placement English program enables interested students to realize their potential. AP Literature and Composition is designed to give the student experience in reading closely, thinking precisely, and writing analytically. Not only will we analyze craft and develop an appreciation of the beauty of language (celebrating how authors use words to create art), we will also use literature as a tool to analyze human nature and gain a deeper understanding of the world. We may not always have the opportunity to travel and discover exciting new places, and there are times in life when we struggle to find a reflection of ourselves in another, but literature allows us to connect, to discover, and to grow. To begin this exciting quest, I would like you to read The Kite Runner and a book of choice. I believe in the importance of creating both shared literary experiences and also providing choice, in seeking a curriculum that is meaningful, challenging, and relevant. It is my hope that we will push each other to reach our potential while being supportive and compassionate. I look forward to reading the many stories you will share and write in our course. I look forward to hearing your voice. Thank you for joining our AP Literature learning community. The Kite Runner – Khaled Hosseini “The unforgettable, heartbreaking story of the unlikely friendship between a wealthy boy and the son of his father’s servant, caught in the tragic sweep of history, The Kite Runner transports readers to Afghanistan at a tense and crucial moment of change and destruction. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
© Copyrighted by Charles Ernest Davis
SELECTED WORKS OF LITERATURE AND READABILITY Item Type text; Dissertation-Reproduction (electronic) Authors Davis, Charles Ernest, 1933- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 00:54:12 Link to Item http://hdl.handle.net/10150/288393 This dissertation has been microfilmed exactly as received 70-5237 DAVIS, Charles Ernest, 1933- SELECTED WORKS OF LITERATURE AND READABILITY. University of Arizona, Ph.D., 1969 Education, theory and practice University Microfilms, Inc., Ann Arbor, Michigan © COPYRIGHTED BY CHARLES ERNEST DAVIS 1970 iii SELECTED WORKS OF LITERATURE AND READABILITY by Charles Ernest Davis A Dissertation Submitted to the Faculty of the DEPARTMENT OF SECONDARY EDUCATION In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY .In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 9 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE I hereby recommend that this dissertation prepared under my direction by Charles Ernest Davis entitled Selected Works of Literature and Readability be accepted as fulfilling the dissertation requirement of the degree of Doctor of Philosophy PqulA 1- So- 6G Dissertation Director Date After inspection of the final copy of the dissertation, the following members of the Final Examination Committee concur in its approval and recommend its acceptance:" *7-Mtf - 6 7-So IdL 7/3a This approval and acceptance is contingent on the candidate's adequate performance and defense of this dissertation at the final oral examination; The inclusion of this sheet bound into the library copy of the dissertation is evidence of satisfactory performance at the final examination. -
A Too-Brief, Incomplete, Unalphabetized List of Must-Read
A Too-Brief, Incomplete, Unalphabetized List of Must-Read that You Might Not Have Been Taught or Otherwise Made to Read Novels and Short Story Collections Written in the 20th and 21st Centuries Saul Bellow: Henderson the Rain King, Humboldt’s Gift, The Adventures of Augie March, Herzog Grace Paley: Collected Stories Flannery O’Conner: Collected Stories (especially the story from A Good Man is Hard to Find) Evan Connell: Mrs. Bridge, Mr. Bridge Vladimir Nabokov: Lolita, Pale Fire Ralph Ellison: Invisible Man Mary McCarthy: The Group, The Company She Keeps Nathanael West: Miss Lonelyhearts, The Day of the Locust Eudora Welty: Collected Stories Tess Slesinger: The Unpossessed Dagoberto Gilb: The Last Known Residence of Mickey Acuna Don DeLillo: End Zone, White Noise, Underworld Cormac McCarthy: Suttree, All the Pretty Horses, The Road, Blood Meridian Muriel Spark: The Prime of Miss Jean Brodie, Memento Mori, The Comforters, Aiding and Abetting Kazuo Ishiguro: Never Let Me Go, The Unconsoled Zora Neale Hurston: Their Eyes Were Watching God Donald Barthelme: Sixty Stories, Forty Stories Thomas Pynchon: V, Crying of Lot 49, Gravity’s Rainbow Padgett Powell: Edisto, Edisto Revisited, Aliens of Affection Barry Hannah: Airships Steven Millhauser: Edwin Mullhouse, Martin Dressler Colson Whitehead, The Intuitionist Heidi Julavits: The Effects of Looking Backwards John Cheever: The Stories of John Cheever, The Wapshot Chronicle Judy Budnitz: Nice Big American Baby, Flying Leap Lee K. Abbott: Love is the Crooked Thing Angela Carter: The Company of -
The Pulitzer Prize for Fiction Honors a Distinguished Work of Fiction by an American Author, Preferably Dealing with American Life
Pulitzer Prize Winners Named after Hungarian newspaper publisher Joseph Pulitzer, the Pulitzer Prize for fiction honors a distinguished work of fiction by an American author, preferably dealing with American life. Chosen from a selection of 800 titles by five letter juries since 1918, the award has become one of the most prestigious awards in America for fiction. Holdings found in the library are featured in red. 2017 The Underground Railroad by Colson Whitehead 2016 The Sympathizer by Viet Thanh Nguyen 2015 All the Light we Cannot See by Anthony Doerr 2014 The Goldfinch by Donna Tartt 2013: The Orphan Master’s Son by Adam Johnson 2012: No prize (no majority vote reached) 2011: A visit from the Goon Squad by Jennifer Egan 2010:Tinkers by Paul Harding 2009:Olive Kitteridge by Elizabeth Strout 2008:The Brief and Wondrous Life of Oscar Wao by Junot Diaz 2007:The Road by Cormac McCarthy 2006:March by Geraldine Brooks 2005 Gilead: A Novel, by Marilynne Robinson 2004 The Known World by Edward Jones 2003 Middlesex by Jeffrey Eugenides 2002 Empire Falls by Richard Russo 2001 The Amazing Adventures of Kavalier & Clay by Michael Chabon 2000 Interpreter of Maladies by Jhumpa Lahiri 1999 The Hours by Michael Cunningham 1998 American Pastoral by Philip Roth 1997 Martin Dressler: The Tale of an American Dreamer by Stephan Milhauser 1996 Independence Day by Richard Ford 1995 The Stone Diaries by Carol Shields 1994 The Shipping News by E. Anne Proulx 1993 A Good Scent from a Strange Mountain by Robert Olen Butler 1992 A Thousand Acres by Jane Smiley -
Award Winners
Award Winners Agatha Awards 1992 Boot Legger’s Daughter 2005 Dread in the Beast Best Contemporary Novel by Margaret Maron by Charlee Jacob (Formerly Best Novel) 1991 I.O.U. by Nancy Pickard 2005 Creepers by David Morrell 1990 Bum Steer by Nancy Pickard 2004 In the Night Room by Peter 2019 The Long Call by Ann 1989 Naked Once More Straub Cleeves by Elizabeth Peters 2003 Lost Boy Lost Girl by Peter 2018 Mardi Gras Murder by Ellen 1988 Something Wicked Straub Byron by Carolyn G. Hart 2002 The Night Class by Tom 2017 Glass Houses by Louise Piccirilli Penny Best Historical Mystery 2001 American Gods by Neil 2016 A Great Reckoning by Louise Gaiman Penny 2019 Charity’s Burden by Edith 2000 The Traveling Vampire Show 2015 Long Upon the Land Maxwell by Richard Laymon by Margaret Maron 2018 The Widows of Malabar Hill 1999 Mr. X by Peter Straub 2014 Truth be Told by Hank by Sujata Massey 1998 Bag of Bones by Stephen Philippi Ryan 2017 In Farleigh Field by Rhys King 2013 The Wrong Girl by Hank Bowen 1997 Children of the Dusk Philippi Ryan 2016 The Reek of Red Herrings by Janet Berliner 2012 The Beautiful Mystery by by Catriona McPherson 1996 The Green Mile by Stephen Louise Penny 2015 Dreaming Spies by Laurie R. King 2011 Three-Day Town by Margaret King 1995 Zombie by Joyce Carol Oates Maron 2014 Queen of Hearts by Rhys 1994 Dead in the Water by Nancy 2010 Bury Your Dead by Louise Bowen Holder Penny 2013 A Question of Honor 1993 The Throat by Peter Straub 2009 The Brutal Telling by Louise by Charles Todd 1992 Blood of the Lamb by Penny 2012 Dandy Gilver and an Thomas F. -
Pulitzer Prize
1946: no award given 1945: A Bell for Adano by John Hersey 1944: Journey in the Dark by Martin Flavin 1943: Dragon's Teeth by Upton Sinclair Pulitzer 1942: In This Our Life by Ellen Glasgow 1941: no award given 1940: The Grapes of Wrath by John Steinbeck 1939: The Yearling by Marjorie Kinnan Rawlings Prize-Winning 1938: The Late George Apley by John Phillips Marquand 1937: Gone with the Wind by Margaret Mitchell 1936: Honey in the Horn by Harold L. Davis Fiction 1935: Now in November by Josephine Winslow Johnson 1934: Lamb in His Bosom by Caroline Miller 1933: The Store by Thomas Sigismund Stribling 1932: The Good Earth by Pearl S. Buck 1931 : Years of Grace by Margaret Ayer Barnes 1930: Laughing Boy by Oliver La Farge 1929: Scarlet Sister Mary by Julia Peterkin 1928: The Bridge of San Luis Rey by Thornton Wilder 1927: Early Autumn by Louis Bromfield 1926: Arrowsmith by Sinclair Lewis (declined prize) 1925: So Big! by Edna Ferber 1924: The Able McLaughlins by Margaret Wilson 1923: One of Ours by Willa Cather 1922: Alice Adams by Booth Tarkington 1921: The Age of Innocence by Edith Wharton 1920: no award given 1919: The Magnificent Ambersons by Booth Tarkington 1918: His Family by Ernest Poole Deer Park Public Library 44 Lake Avenue Deer Park, NY 11729 (631) 586-3000 2012: no award given 1980: The Executioner's Song by Norman Mailer 2011: Visit from the Goon Squad by Jennifer Egan 1979: The Stories of John Cheever by John Cheever 2010: Tinkers by Paul Harding 1978: Elbow Room by James Alan McPherson 2009: Olive Kitteridge by Elizabeth Strout 1977: No award given 2008: The Brief Wondrous Life of Oscar Wao by Junot Diaz 1976: Humboldt's Gift by Saul Bellow 2007: The Road by Cormac McCarthy 1975: The Killer Angels by Michael Shaara 2006: March by Geraldine Brooks 1974: No award given 2005: Gilead by Marilynne Robinson 1973: The Optimist's Daughter by Eudora Welty 2004: The Known World by Edward P. -
11Th Grade Recommended Readings
11th Grade Recommended Readings A Bell for Adano - John Hersey Sister Carrie - Theodore Dreiser A Lesson Before Dying - Ernest J. Gaines Slaughterhouse Five - Kurt Vonnegut A Raisin in the Sun - Lorraine Hansberry Sophie's Choice - William Styron A Yellow Raft in Blue Water - Michael Dorris Stranger in a Strange Land - Robert Heinlein An American Tragedy - Theodore Dreiser Streetcar Named Desire - Tennessee Williams And the Earth Did Not Devour Him - Tomas Rivera Studs Lonigan - James Farrell Babbitt - Sinclair Lewis The Andromeda Strain - Michael Crichton Black Boy - Richard Wright The Assistant - Bernard Malamud Catch 22 - Joseph Heller The Bell Jar - Sylvia Plath Daisy Miller - Henry James The Bridge of San Luis Rey - Thornton Wilder Death of a Salesman - Arthur Miller The Crucible - Arthur Miller East of Eden - John Steinbeck The Grapes of Wrath - John Steinbeck Ethan Frome - Edith Wharton The Great Gatsby - F. Scott Fitzgerald Fallen Angels - William Dean Myers The Great Santini - Pat Conroy Family - J. California Cooper The Invisible Man - Ralph Ellison First Confession - Montserrat Fontes The Jungle - Upton Sinclair For Whom the Bell Tolls - Ernest Hemingway The Kitchen God's Wife - Amy Tan Friendly Persuasion - Jessamyn West The Last Picture Show - Larry McMurtry Hotel New Hampshire - John Irving The Magician of Lublin - Isaac Singer Hunger of Memory - Richard Rodriguez The Maltese Falcon - Dashiell Hammett In Cold Blood - Truman Capote The Massacre at Fall Creek - Jessamyn West J.B. - Archibald McLeish The Mysterious Stranger -
2 Abstract in the Essay —William Kennedy's Ironweed: Francis Phelan's Purgatorial Journey Back Home“ I Intend to Show Th
Abstract In the essay “William Kennedy’s Ironweed: Francis Phelan’s Purgatorial Journey Back Home” I intend to show that William Kennedy has borrowed his narrative structure and symbolic language in the novel Ironweed from The Divine Comedy. I will also try to show how William Kennedy has used these allusions to enhance the imagery of Ironweed and the protagonist Francis Phelan’s wandering through the novel, and his return home. To accomplish this I will present a detailed comparative analysis of William Kennedy’s Ironweed and Dante Alighieri’s The Divine Comedy. I will begin by showing that Kennedy establishes the protagonist Francis Phelan as a Dante-like figure and a sinner who needs to go through purgatory to redeem himself. Moreover, Kennedy uses Dante Alighieri’s Divine Comedy’s landscape to enhance the imagery of a journey back home, and by showing that each chapter represents a different level on Mount Purgatory Kennedy makes Albany a symbol of the mountain itself. Details such as the mentioning of the seven deadly sins are also there to make the reader think of Dante and thereby reinforcing the image of The Divine Comedy’s landscape in Francis Phelan’s New York, Albany. I also demonstrate that Kennedy borrows his symbolic structure from Dante Alighieri’s Divine Comedy. For example, the intricate ending of Ironweed where several parallels can be drawn to Purgatory and Paradise reinforces the impression of Francis Phelan’s happiness, that is, a reader who is familiar with The Divine Comedy will appreciate and understand Francis Phelan’s happiness and the journey he has accomplished even more. -
Connections, April 2016 University Library Roger Williams University
Roger Williams University DOCS@RWU Connections University Libraries 4-2016 Connections, April 2016 University Library Roger Williams University Follow this and additional works at: https://docs.rwu.edu/libnews Part of the Education Commons, and the Library and Information Science Commons Recommended Citation University Library, "Connections, April 2016" (2016). Connections. 30. https://docs.rwu.edu/libnews/30 This News Article is brought to you for free and open access by the University Libraries at DOCS@RWU. It has been accepted for inclusion in Connections by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. 4/10/2018 » 2016 » April RWU Learning Commons Home Announcements The Learning Commons Outreach & Discovery Programs & Exhibits Tech News Culture of the Book HOME » 2016 » APRIL April 2016 From the Nightstand: Professor Edward J. Delaney APRIL 29, 2016 2:22 PM Interview conducted by Brittany Parziale, Connections Intern Edward J. Delaney, Professor of Creative Writing and Editor of Mount Hope magazine, has taught at RWU since 1990. Current Reads Currently reading Literary Publishing in the 21st century edited by Wayne Miller, Kevin Prufer, and Travis Kurowski. This collection of narratives describes the transformation in the world of publishing brought about by technological developments, market pressures, and changing reading habits through a wide range of perspectives. http://rwulibraryconnect.org/2016/04/ 1/17 4/10/2018 » 2016 » April RWU Learning Commons “I am reading it to help with the literary publishing course I teach. But I also find it very interesting and insightful on a personal level.” As the editor of Mount Hope, the student run magazine operating out of Roger Williams University, Delaney finds himself gravitating to works about publishing and about the history of the modern publishing era. -
DECODING AMERICAN CULTURES in the Global Context R IA S
T x Studies special issue special Revi ew conte AL b RIAS Vol. 6, Spring-Fall № 1–2/2013 RIAS Vol. glo E h T IN of International American International of DECODING AMERICAN CULTURES DECODING ISSN 1991–2773 RIAS Vol. 6, Spring-Fall № 1–2/2013 DECODING AMERICAN CULTURES IN ThE GLObAL CONTExT From Sicily 1943, to iraq 2003 FEATURES Resisting the Enlisting of John Hersey’s A Bell for Adano as Propaganda for the American Empire his essay began some years ago when, at a friend’s house, Giorgio Mariani IASA President TI absent-mindedly picked up from a large stack of newspapers University of Rome and magazines an old, 2003 copy of The Atlantic, a publication “Sapienza” I normally never read. The issue featured an essay by Robert Italy Kaplan lamenting the fact that—notwithstanding all the debates concerning the ‘American Empire’—the ‘practical ways of man- aging it’ had never been adequately discussed. Trying to fill up this troublesome gap in imperial management, Kaplan listed ten rules that represented ‘a distillation of my own experience and conversations with diplomats and military officers I have met in recent travels on four continents, and on military bases around the United States’ (Kaplan, 2003). Rule number one was quizzically entitled ‘Produce more Joppolos.’ The Italian name intrigued me, though I could hardly guess what the author was referring to, given that the only Joppolo I knew at the time was a small seaside town in Calabria. Now, since Joppolo is quite a pleasant vacation site with a splendid view of the Mediterranean and a nice beach, I thought maybe Kaplan was suggesting that American soldiers—today’s ‘imperial grunts,’ as he calls them in the title of one of his most recent books—should be provided with better R & R facilities, though I could hardly believe Joppolo had suddenly risen to international fame as a much-coveted holiday resort. -
A Companion to American Literature]
Journal of Transnational American Studies 10.2 (Winter/Spring 2019–20) Reprise Connecting a Different Reading Public: Compiling [A Companion to American Literature] Yu Jianhua Shanghai International Studies University At the end of 2015, ten years after the project was initiated, A Companion to American Literature was finally published by Commercial Press in Beijing. This was the first attempt in Chinese academia at compiling a large-scale handbook covering foreign literature published in China and in Chinese. The Companion provides readers in China with easy access to sources in order for them to gain a better understanding of three hundred years of American literature. It includes well-known authors and their major works, literary historians and critics, literary journals, awards, organizations and movements, as well as terminologies such as “tall tale” and “minstrel show” that are unique to American literature. We started in a small way in 2003 after a suggestion from Fudan University Press that we provide a handy companion on American literature for Chinese undergraduates and graduate students. After American Literature: Authors and Their Works was published in 2005, a more ambitious plan emerged for a new handbook that was to be more comprehensive, and one that was to be written in Chinese for Chinese readers. The proposition received financial support from the Shanghai International Studies University Research Fund, and later, The National Social Science Fund of China, with more than thirty professors and young scholars participating in the project. After decisions were made in regard to the general layout and entries, we set to work, each responsible for an area that he or she specialized in, and together we contributed to the project that came to fruition ten years later.