DOCSLIB.ORG

Full Issue University of New Mexico Press

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Full Issue University of New Mexico Press New Mexico Quarterly Volume 23 | Issue 3 Article 1 1953 Full Issue University of New Mexico Press Follow this and additional works at: https://digitalrepository.unm.edu/nmq Recommended Citation University of New Mexico Press. "Full Issue." New Mexico Quarterly 23, 3 (1953). https://digitalrepository.unm.edu/nmq/vol23/iss3/ 1 This Full Issue is brought to you for free and open access by the University of New Mexico Press at UNM Digital Repository. It has been accepted for inclusion in New Mexico Quarterly by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. : Full Issue ART FEATURE, CLI'FFORD WRIGHT Benjamin De Mott The U.e. of the Rotherman. (.tory) Ray B. We.tl Jr. Per.onal Hi.tory and the Four Quartet. We.ley Ford Dayi. A Piney Wood. Idyll (.tory) Groyer Smith On Poets and Poetry POET SIGNATURE XVI I BOBB DAVIS 7S cent. AUTUMN 1953 S3 a year Published by UNM Digital Repository, 1953 1 New Mexico Quarterly, Vol. 23 [1953], Iss. 3, Art. 1 New Mexico Quarterly Volume XXIII. Autumn. 1953. Number 3 PUBLISHED BY THE UNIVERSITY OF NEW MEXICO ISSUED quarterly in Spring, Summer, Au­ EDITOR tumn and Winter, and printed at the KENNETH LASH University of New Mexico Printing Plant. I'OETRY EDITOR Entered as second-class matter February 6, JOHN DILLON HUSBAND 19~P, at the post office at Albuquerque, New Mexico. under the act of March 8, 1879. FOlfOlllAL ASSISTANT ROBERT WARRFN DASH Opinions expressed or implied by contribu­ tors do not necessarily reflect the views of ADVISORY COMMITTEE the editors or of the University of New GEORGE ARMS Mexico. LEZ HAAS Manuscripts not accompanied by self-ad­ LINCOLN LAPAZ WILLIAM J. PARISH dressed and stamped envelope cannot be re­ RAM6N J. SENDER turned. Articles and stories of moderate PAUL WALTER, JR. length preferred, not to exceed 4.000-5,000 words. A report on manuscripts will usually TYI'OGRAPHY be made within thirty days after receipt. Pay· HELEN GENTRY ment on publication. CONSULTANTS Editorial and business address: New Mexico CHARLES ALLEN Quarterly, The University of New Mexico, ERNEST 1.. BLUMENSCHEIN Albuquerque, N. M. WITTER BYNNER ROSS CALVIN Subscriptions are $3.00 a year; $5.50 for two FRAY ANGELICO CHAVEZ years; $7.50 for three years; single copies, 75 ROBERT EMMET CLARK THOMAS C. DONNELLY cents. Back issues, $1.00 each. Foreign sub­ ERNA FERGUSSON scriptions for a year: 20 shillings or its PAL'L HORGAN equivalent in local currency, postpaid. W. A. KELEHER JANE KLUCKHOHN Listed in the Annual Magazin~ Index and JOAQVIN ORTEGA T. M. PEARCE the Inter·American Periodicals Index. TOM 1.. POPEJOY Copyright, 1953, by The Univer\it)' of New VERSON 'G. SORRELL PAUL A. F. WALTER i\fexico. Albuquerque, N. M. OI'DLEY WYNN https://digitalrepository.unm.edu/nmq/vol23/iss3/1 2 : Full Issue The most outstanding book bargains available today! BOOKS FOR FALL AVAILABLE NOW August 27 THE IDEA OF A THEATER THE WANDERER by Francis Fergullon 75c by Henri Alain·Fournier 7Sc STUDIES IN ClASSIC AMERICAN LITERATURE THE LIBERAL IMAGINATION by O. H. Lawrence 65c by Lianel Trilling 7Sc THE SECRET AGENT SeEtember '0 by Joseph Conrad 75c LOVING LAFCADIO'S ADVENTURES by Andr' Gide 75c by Henry Green 7Se SOCRATES MAN ON HIS NATURE by A. E. Taylor 65c by Sir Charles Sherringtan SSe SHAKESPEARE THREE PHILOSOPHICAL POETS by Mark Van Doren sSe by George Santayana 6Se AN ESSAY ON MAN by Ernst Cassir.r 75c October 8 TO THE FINLAND STATION THE LONELY CROWD by Edmund Wilson $1.25 by David Riesman (abridged) 9Se MODERN SCIENCE AND THREE GREEK ROMANCES MODERN MAN Translated by Moses Hadas 6Sc by James B. Conant 65c AMERICAN HUMOR THE AENEID OF VIRGIL by Constance Rourke 75c Verse translation by C. Day Lewis SSe THE cHARTERHOUSE THE SEVENTEENTH CENTURY OF PARMA BACKGROUND by Stendhal 95c by Basil Willey SSc THE ROMANCE OF November J9 TRISTAN AND ISEULT by Joseph Bedier 65c HISTORY OF ENGLAND Three volumes at alf booleselfers by G. M. Trevelyan each SSe DOUBLEDAY Published by UNM Digital Repository, 1953 3 New Mexico Quarterly, Vol. 23 [1953], Iss. 3, Art. 1 last month in England, has been ac· THE claimed there in lengthy notices by EDITOR'S CORNER distinguished reviewers. He is at pres­ If{~ ent thoroughly revising for republi­ cation in the United Stales his [phi. genia in Tauris, originally written ~ U. S. W R ITE R S are forever forty years ago for Isadora Duncan. growling that there is no place here BOBB DAVIS has published a good where serious creative writing can get deal of poetry. His last appearance in published, let alone .paid for. I used NMQ was Spring, 1952. to believe it myself. As far as publish­ WESLEY FORD DAVIS, whose second ing books goes, it is largely true and published story appears in this issue, getting worse. But where magazines has recently had acceptances from are concerned. it is not true. There is Colliers and from Discovery. Mr. more space for good writing than Davis, who teaches English and The there is good writing to fill it. For Humanities at the University of Ar· verification, look closely at any liter­ kansas, has been awarded a Stanford ary magazine, including this one. Writing FellOWship for 1953-54. Where are all the good new voices? BENJAMIN DEMoTT's story, "The Yes, where are they? We receive at Sunflower Seeds," appeared in NMQ immense quantities of ma­ Spring 1953 NMQ. He has published terial, but thimblesfull of quality. It in Partisan Review, Western Review, is necessary to hoard good MSS. like New Directions Thirteen, et al. gold to get each issue together. Nor ROSE GRAUBART did the cover sym­ do we see a great deal of quality else­ bol. Her poem, "Sea Rocks," ap­ where, except for an occasional old peared in Winter 1952 NMQ. giant pacing off another step. SHERMAN PAUL is in the English Maybe after all these years the Department of the University of Illi­ myth needs reversing. Perhaps the nois. His book Emerson's Angle of great amount of available magazine Vision was published by Harvard space has answered the old question University Press in 1952. "\Vhat are the names of the fine un­ GROVER SMITH, now teaching at known voices among us?" The an­ Duke University, has published criti­ swer seems to be: Rumpelstiltskin. cism widely. His review, "An Interest in the Classics," appeared in Winter ~ CONTRIBUTORS 1952 NMQ. DAVID R. BUNCH has published sto­ GERALD WULES has had criticism ries in Perspective, Idiom and fantas­ published in The Hudson Review, tic worlds, verse in various publica­ The Quarterly of Film, Films in Re­ tions. He lives in St. Louis. view, et al. He is doing a book on \\'nTER BYNNER'S latest volume, modern religious drama in England. Journey with Genius, a prose account RAy B. WEST, JR. continues to edit of the D. H. Lawrences, published Western Review. 243 https://digitalrepository.unm.edu/nmq/vol23/iss3/1 4 : Full Issue IN COMING ISSUES OF NMQ STANLEY EDGAR HYMAN - Melville the Scrivener MILTON MILLER - Barren (story) NIALL MONTGOMERY - The PenJigilium Phoenicis (a memo on the method of James Joyce) GILBERT NEIMAN - The Double Cross: A Requiem for Simone de Beauvoir N M Q POETRY SELECTIONS - Constance Carrier, August Kadow, Gladys Seidelhuber, and others NMQ ART FEATURE - Josef Albers WANTED: BACK ISSUES OF NMQ VOL. II, NO. 1 (February, 1932) VOL. III, NO. I (February. 1933) For which NMQ will pay you in anyone of the following ways you prefer: 1) $2 per copy. 2) a one-year subscription for each copy. 3) an even trade for any other back issue. When and if ten copies of each of the issues is received by us. all bets are off. Address New Mexico Quarterly, University of New Mexico. Albuquerque. N.M. Published by UNM Digital Repository, 1953 5 New Mexico Quarterly, Vol. 23 [1953], Iss. 3, Art. 1 Contents ----------- ---~ -~----- STORIES The Uses of the Rothennans 247 nenjamin De !\IOlt The :\fan Who Licked the Condition 283 David R. Bunch A Piney Woods Idyll 297 We~ley Ford Da\'is ARTICLES Personal History and the Four Quartets 269 Ray n. \\'e~t. Jr. GU EST .-\ R TIS T, XVII 296 Clifford Wright POE TSIGN .\ TUR E, XVI 288 nobb Davis nOOKS AND CO!\lMEr-;T On Poets and Poetry ~p i GrO\er Smith A Willa Cather Triptych 330 Witter Bynner Hawthorne's Ambiguities 339 Shemlan Paul Old Letters, Same Shaw, (- r-;ew Impetus 343 Gerald Weales nrief Reviews 34 8 A Guide to the Literature of the Southwest, XLVI 354 Genevic\e Porterfield The Editor's Corner 243 https://digitalrepository.unm.edu/nmq/vol23/iss3/1 6 : Full Issue ~ BOLLINGEN SERIES 1953 xx THE COLLECI'ED WORKS OF C. G. JUNG Vol. 12: PSYCHOLOGY AND ALCHEMY Thia, the first volume to appear in the Collected Works. bu never previously been published in English. The work presenta a seemingly forgotten relic of medieval superstition that provides an important clue to our understanding of contemporary psychology, and seta forth the author's views on the relations of ps)'Chology and religion. 6" x 9-. 270 illustrations. 550 paces. '5.00 Vol. 7: TWO ESSAYS ON ANALYTICAL PSYCHOLOGY The core of Jung's psychologica1lystem ill set forth in these two essay.. "The Relations Between the Ego and the Unconscious" and "On the Psychology of the Unconscious." 6" x 9". 344 pages. '3.75 XXXIV WINDS By St.·John Pene. The French text with a translation by Hugh Chisholm. Leon-Pau) Fargue regarded thill epic poem u the opening of a new poetic country.
Load more

Recommended publications
  • TV/Series, 9 | 2016, « Guerres En Séries (I) » [En Ligne], Mis En Ligne Le 01 Mars 2016, Consulté Le 18 Mai 2021
    TV/Series 9 | 2016 Guerres en séries (I) Séries et guerre contre la terreur TV series and war on terror Marjolaine Boutet (dir.) Édition électronique URL : https://journals.openedition.org/tvseries/617 DOI : 10.4000/tvseries.617 ISSN : 2266-0909 Éditeur GRIC - Groupe de recherche Identités et Cultures Référence électronique Marjolaine Boutet (dir.), TV/Series, 9 | 2016, « Guerres en séries (I) » [En ligne], mis en ligne le 01 mars 2016, consulté le 18 mai 2021. URL : https://journals.openedition.org/tvseries/617 ; DOI : https:// doi.org/10.4000/tvseries.617 Ce document a été généré automatiquement le 18 mai 2021. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. 1 Ce numéro explore de façon transdisciplinaire comment les séries américaines ont représenté les multiples aspects de la lutte contre le terrorisme et ses conséquences militaires, politiques, morales et sociales depuis le 11 septembre 2001. TV/Series, 9 | 2016 2 SOMMAIRE Préface. Les séries télévisées américaines et la guerre contre la terreur Marjolaine Boutet Détours visuels et narratifs Conflits, filtres et stratégies d’évitement : la représentation du 11 septembre et de ses conséquences dans deux séries d’Aaron Sorkin, The West Wing (NBC, 1999-2006) et The Newsroom (HBO, 2012-2014) Vanessa Loubet-Poëtte « Tu n’as rien vu [en Irak] » : Logistique de l’aperception dans Generation Kill Sébastien Lefait Between Unsanitized Depiction and ‘Sensory Overload’: The Deliberate Ambiguities of Generation Kill (HBO, 2008) Monica Michlin Les maux de la guerre à travers les mots du pilote Alex dans la série In Treatment (HBO, 2008-2010) Sarah Hatchuel 24 heures chrono et Homeland : séries emblématiques et ambigües 24 heures chrono : enfermement spatio-temporel, nœud d’intrigues, piège idéologique ? Monica Michlin Contre le split-screen.
    [Show full text]
  • Simply Eliot
    Simply Eliot Simply Eliot JOSEPH MADDREY SIMPLY CHARLY NEW YORK Copyright © 2018 by Joseph Maddrey Cover Illustration by José Ramos Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-25-4 Brought to you by http://simplycharly.com Extracts taken from The Poems of T. S. Eliot Volume 1, The Complete Poems and Plays, The Complete Prose of T. S. Eliot: The Critical Edition, The Letters of T. S. Eliot, Christianity and Culture, On Poetry and Poets, and To Criticize the Critic, Copyright T. S. Eliot / Set Copyrights Limited and Reproduced by permission of Faber & Faber Ltd. Extracts taken from Ash Wednesday, East Coker and Little Gidding, Copyright T. S. Eliot / Set Copyrights Ltd., first appeared in The Poems of T. S. Eliot Volume 1. Reproduced by permission of Faber & Faber Ltd. Excerpts from Ash Wednesday, East Coker and Little Gidding, from Collected Poems 1909-1962 by T. S. Eliot. Copyright 1936 by Houghton Mifflin Harcourt Publishing Company. Copyright renewed 1964 by Thomas Stearns Eliot. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved. Extracts taken from Murder in the Cathedral, The Cocktail Party, The Confidential Clerk, and The Elder Statesman, Copyright T.
    [Show full text]
  • University of Southampton Research Repository
    University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] UNIVERSITY OF SOUTHAMPTON LANGUAGE AND REIFICATION IN IMAGIST POETICS 1909-1930 A THESIS SUBMITTED TO THE FACULTY OF ARTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH BY ANDREW JOHN THACKER OCTOBER 1990 TO MY MOTHER AND FATHER One has to be downright obstinate not to see the complicity of artistic and social reification, and to ignore the untruth of reification, which is that it fetishizes what is a processual relation between moments. The work of art is both a process and an instant. Its objectification, while a necessary condition of aesthetic autonomy, is also a petrifying tendency. The more the social labour embodied in an art work becomes objectified and organized, the more it sounds empty and alien to the work.
    [Show full text]
  • Keep It Down
    COVER STORY..............................................................2 The Sentinel FEATURE STORY...........................................................3 SPORTS.....................................................................4 MOVIES............................................................8 - 22 WORD SEARCH/ CABLE GUIDE.......................................10 COOKING HIGHLIGHTS..................................................12 SUDOKU..................................................................13 tvweek STARS ON SCREEN/Q&A..............................................23 December 25 - 31, 2016 Keep it down Noah Wyle as seen in “The Librarians” Ewing Brothers 2 x 3 ad www.Since1853.com While the rest of the team sets out to recover the Eye of Ra and solve the mystery of the Bermuda Triangle, Flynn (Noah Wyle, “ER”) learns a great deal about himself in a new episode of “The Librarians,” airing Sunday, 630 South Hanover Street Dec. 25, on TNT. The series follows a group of Librarians tasked with retrieving powerful artifacts, solving Carlisle•7 17-2 4 3-2421 mysteries and battling supernatural threats to mankind. Rebecca Romijn (“X-Men,” 2000) and Christian Kane Steven A. Ewing, FD, Supervisor, Owner (“Leverage”) also star. 2 DECEMBER 24 CARLISLE SENTINEL cover story the other Librarians on their The other members of the many harrowing adventures. team each possess unique skills Stacks of thrills However, now that she and that help them on their many Carsen are romantically in- quests. Kane is Oklahoma-born Season 3 of ‘The Librarians’ in full swing on TNT volved, she struggles to keep cowboy Jacob Stone, the per- her feelings for him from get- fect combination of brains and By Kyla Brewer The big news this season is ting in the way of her duty to brawn, thanks to his knowledge TV Media the return of Noah Wyle, who protect the others. of art, architecture and history.
    [Show full text]
  • The Annotated Waste Land with Eliot's Contemporary Prose
    the annotated waste land with eliot’s contemporary prose edited, with annotations and introduction, by lawrence rainey The Annotated Waste Land with Eliot’s Contemporary Prose Second Edition yale university press new haven & london First published 2005 by Yale University Press. Second Edition published 2006 by Yale University Press. Copyright © 2005, 2006 by Lawrence Rainey. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Set in Scala by Duke & Company, Devon, Pennsylvania Printed in the United States of America. Library of Congress Control Number: 2006926386 A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Commit- tee on Production Guidelines for Book Longevity of the Council on Library Resources. ISBN-13: 978-0-300-11994-7 (pbk. : alk. paper) ISBN-10: 0-300-11994-1 (pbk. : alk. paper) 10987654321 contents introduction 1 A Note on the Text 45 the waste land 57 Editor’s Annotations to The Waste Land 75 Historical Collation 127 eliot’s contemporary prose London Letter, March 1921 135 The Romantic Englishman, the Comic Spirit, and the Function of Criticism 141 The Lesson of Baudelaire 144 Andrew Marvell 146 Prose and Verse 158 vi contents London Letter, May 1921 166 John Dryden 172 London Letter, July 1921 183 London Letter, September 1921 188 The Metaphysical Poets 192 Notes to Eliot’s Contemporary Prose 202 selected bibliography 251 general index 261 index to eliot’s contemporary prose 267 Illustrations follow page 74 the annotated waste land with eliot’s contemporary prose Introduction Lawrence Rainey when donald hall arrived in London in September 1951, bear- ing an invitation to meet the most celebrated poet of his age, T.
    [Show full text]
  • The F-Word. Pound, Eliot, Lewis, and the Far Right
    Katrin Frisch THE WORD F Pound, Eliot, Lewis, and the Far Right λογος Katrin Frisch The F-Word Pound, Eliot, Lewis, and the Far Right Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet uber¨ http://dnb.d-nb.de abrufbar. Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschutzt.¨ Das Werk steht unter der Creative-Commons-Lizenz Namensnennung-Share Alike 4.0 International (CC BY-SA 4.0, https://creativecommons.org/licenses/by-sa/4.0/legalcode.de). Ausgenommen von der oben genannten Lizenz sind Teile, Abbildungen und sonstiges Drittmaterial, wenn anders gekennzeichnet. Dieses Buch entstand aus einer Dissertation (eingereicht mit dem Titel: The F-Word: Interdependencies of Right-Wing Ideology and Modernist Writing: Pound, Eliot, and Lewis) am Institut fur¨ Anglistik/Amerikanistik der Humboldt-Universit¨at zu Berlin in Kooperation mit dem King’s College London. Erm¨oglicht wurde die Promotion durch ein Promotionsstipendium der Studienstiftung des deutschen Volkes. Die Ver¨offentlichung wurde aus Mitteln des Open-Access-Publikationsfonds der Humboldt-Universit¨at zu Berlin gef¨ordert. https://orcid.org/0000-0002-6669-5015 Covergestaltung: Mike Moses Wunder Gedruckt und Ver¨offentlicht durch den Logos Verlag Berlin GmbH 2019 ISBN 978-3-8325-4972-5 Logos Verlag Berlin GmbH Comeniushof, Gubener Str. 47, 10243 Berlin Tel.: +49 (0)30 42 85 10 90 Fax: +49 (0)30 42 85 10 92 INTERNET: https://www.logos-verlag.de TABLE OF CONTENTS ACKNOWLEDGMENTS i 1. INTRODUCTION 1 2. LOOKING AT THE F-WORD AND BEYOND 11 Right-wing ideology 13 Fascism and Nazism 18 The matter of anti-Semitism 22 The matter of racism 26 A very short history of right-wing ideology 28 Right-wing ideology in literature 36 3.
    [Show full text]
  • Imagery and Its Symbolic, Expressionistic and Mythological Aspects in the Works of T.S.E.Liot,Badre Shaker Al‐Sayab and Abdul –Wahab Al‐Bayati
    St Clements University Matric. No. 15652 Alshareqa International Establishment for Academic Consultations Imagery and its Symbolic, Expressionistic and Mythological Aspects in the Works of T.S.E.liot,Badre Shaker Al‐Sayab and Abdul –Wahab Al‐Bayati BY Safa'a Emran Supervised by Prof.Dr.M.T.Al‐Bujairami Submitted in partial fulfillment of the requirements for the degree of Ph.D. April, 2009 Dedication To my parents, who are my eternal support that makes me always overcome insurmountable obstacles. They remain my torch in the labyrinth of life. To my brother,Aktham, who always encouraged me to carry on study and research. To my sisters :Huda,Hana'a, Haifa'a and Razan, who have never hesitated to lend me a hand to overcome the difficulties that hindered me through the various laburios stages of this treatise. Acknowledgements My great acknowledgement is due to prof.Dr.M.T.Al‐Bujairami, the godfather of all students ,without whose assistance and precious comments and encouragements this research would not have been completed. He is an encyclopedia, due to his great scholarship. I recollect this line by Abu Al‐Tayeb Al‐ Mutanabbi: I am he who the blind looked at my literature And my words made the deaf hear أﻧﺎ اﻟﺬي ﻧﻈﺮ اﻷﻋﻤﻰ إﻟﻰ أدﺑﻲ وأﺳﻤﻌﺖ آﻠﻤﺎﺗﻲ ﻣﻦ ﺑﻪ ﺻﻤﻢ Yet, Al‐Mutanabbi was arrogant, whereas Dr. Bujairami is not. Rather, he is quite modest . He is really magnanimous with his students with no exception. This reminds me also of this line by Abu‐Tayeb Al‐Mutanabbi: He is the sea, however you approach him: Grace lies in the depth, and generosity is the coast.
    [Show full text]
  • An Abstract of the Thesis Of
    AN ABSTRACT OF THE THESIS OF Stephen James Summers for the degrees of Honors Baccalaureate of Arts in English and Honors Baccalaureate of Arts in Philosophy presented on May 22, 2008. Title: Under the Shadow of this Red Rock: Reading T. S. Eliot’s The Waste Land for its Places, Persons, and Poetics. Abstract approved: __________________________________________________ Kerry D. Ahearn Thomas Stearns Eliot’s 1922 modernist poem The Waste Land presents itself as an alternative to the decaying society Eliot found himself inhabiting. It begins as a personal means of pulling together one’s fragmented consciousness, but in doing so Eliot manages to present a solution to a world of selfishness—looking beyond ourselves. Through a careful study of the landscapes and urban scenes Eliot presents we can see the progress of his characters’ fates over the course of five seasons. A close look at these individuals populating The Waste Land will further enlighten our search for answers to the drought. Finally, Eliot’s rich language will be its own ambiguous key to enlightenment, demanding that we critically consider the scenarios he presents. Along the way, Eliot will invoke an enormous number of literary and cultural sources to create the tale’s framework, from Dante and Chaucer to Whitman and F. H. Bradley. The poet will also draw from religious traditions of the world, with a particular influence on Buddhism and Christianity to help navigate his wilderness. All the while, the tarot deck and Arthurian myth cycle will be our dubious guides. But at last, the journey will be worth it.
    [Show full text]
  • The Development of Personality
    Published by the General Extemion Division, University of Minnesota EDUCATION A UFELONG PROCESS VoL. XI SEPTEMBER, 1936 No. I The Development of Personality NE of the prime aims of the educational By Richard R. Price ture and in human society. There is no per­ . process is the development and enrich­ manent good to be gotten out of unbridled en­ Director of University E:rtension, University of O ment of human personality. ergy. The great things of earth are accom­ Mim1esota What is personality? To define it simply, it plished by a balance of forces,-forces of ex­ .. pulsion and eruption and forces of restraint . is the sum total of the human attributes or men­ craves. It may be consciously cultivated. The distant planets in their lonely orbits illus­ tal and spiritual factors which affect or influ­ \Vhat are the elements or human attributes to trate this. There is centrifugal force that ence other men. Why is personality important? be cultivated by the man who would build up tends to hurl them blazing out through the in­ Because all success in life, all achievement, all a desirable personality? finite reaches of boundless space and there is accomplishment is in its essence nothing more I. The first and most pre-eminent quality or centripetal force that tends to draw them in to nor less than influencing other men. No man characteristic of great and impressive person­ can succeed alone. No man can be a success ality is enthusiasm. This word has a very in­ the center. The resultant of these two forces on a desert island.
    [Show full text]
  • Penguin Classics
    PENGUIN CLASSICS A Complete Annotated Listing www.penguinclassics.com PUBLISHER’S NOTE For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world, providing readers with a library of the best works from around the world, throughout history, and across genres and disciplines. We focus on bringing together the best of the past and the future, using cutting-edge design and production as well as embracing the digital age to create unforgettable editions of treasured literature. Penguin Classics is timeless and trend-setting. Whether you love our signature black- spine series, our Penguin Classics Deluxe Editions, or our eBooks, we bring the writer to the reader in every format available. With this catalog—which provides complete, annotated descriptions of all books currently in our Classics series, as well as those in the Pelican Shakespeare series—we celebrate our entire list and the illustrious history behind it and continue to uphold our established standards of excellence with exciting new releases. From acclaimed new translations of Herodotus and the I Ching to the existential horrors of contemporary master Thomas Ligotti, from a trove of rediscovered fairytales translated for the first time in The Turnip Princess to the ethically ambiguous military exploits of Jean Lartéguy’s The Centurions, there are classics here to educate, provoke, entertain, and enlighten readers of all interests and inclinations. We hope this catalog will inspire you to pick up that book you’ve always been meaning to read, or one you may not have heard of before. To receive more information about Penguin Classics or to sign up for a newsletter, please visit our Classics Web site at www.penguinclassics.com.
    [Show full text]
  • The Oxford Dictionary of Modern Quotations.TXT
    The Oxford Dictionary of Modern Quotations PREFACE Preface =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- This is a completely new dictionary, containing about 5,000 quotations. What is a "quotation"? It is a saying or piece of writing that strikes people as so true or memorable that they quote it (or allude to it) in speech or writing. Often they will quote it directly, introducing it with a phrase like "As ---- says" but equally often they will assume that the reader or listener already knows the quotation, and they will simply allude to it without mentioning its source (as in the headline "A ros‚ is a ros‚ is a ros‚," referring obliquely to a line by Gertrude Stein). This dictionary has been compiled from extensive evidence of the quotations that are actually used in this way. The dictionary includes the commonest quotations which were found in a collection of more than 200,000 citations assembled by combing books, magazines, and newspapers. For example, our collections contained more than thirty examples each for Edward Heath's "unacceptable face of capitalism" and Marshal McLuhan's "The medium is the message," so both these quotations had to be included. As a result, this book is not--like many quotations dictionaries--a subjective anthology of the editor's favourite quotations, but an objective selection of the quotations which are most widely known and used. Popularity and familiarity are the main criteria for inclusion, although no reader is likely to be familiar with all the quotations in this dictionary. The book can be used for reference or for browsing: to trace the source of a particular quotation or to find an appropriate saying for a special need.
    [Show full text]
  • 00001. Rugby Pass Live 1 00002. Rugby Pass Live 2 00003
    00001. RUGBY PASS LIVE 1 00002. RUGBY PASS LIVE 2 00003. RUGBY PASS LIVE 3 00004. RUGBY PASS LIVE 4 00005. RUGBY PASS LIVE 5 00006. RUGBY PASS LIVE 6 00007. RUGBY PASS LIVE 7 00008. RUGBY PASS LIVE 8 00009. RUGBY PASS LIVE 9 00010. RUGBY PASS LIVE 10 00011. NFL GAMEPASS 1 00012. NFL GAMEPASS 2 00013. NFL GAMEPASS 3 00014. NFL GAMEPASS 4 00015. NFL GAMEPASS 5 00016. NFL GAMEPASS 6 00017. NFL GAMEPASS 7 00018. NFL GAMEPASS 8 00019. NFL GAMEPASS 9 00020. NFL GAMEPASS 10 00021. NFL GAMEPASS 11 00022. NFL GAMEPASS 12 00023. NFL GAMEPASS 13 00024. NFL GAMEPASS 14 00025. NFL GAMEPASS 15 00026. NFL GAMEPASS 16 00027. 24 KITCHEN (PT) 00028. AFRO MUSIC (PT) 00029. AMC HD (PT) 00030. AXN HD (PT) 00031. AXN WHITE HD (PT) 00032. BBC ENTERTAINMENT (PT) 00033. BBC WORLD NEWS (PT) 00034. BLOOMBERG (PT) 00035. BTV 1 FHD (PT) 00036. BTV 1 HD (PT) 00037. CACA E PESCA (PT) 00038. CBS REALITY (PT) 00039. CINEMUNDO (PT) 00040. CM TV FHD (PT) 00041. DISCOVERY CHANNEL (PT) 00042. DISNEY JUNIOR (PT) 00043. E! ENTERTAINMENT(PT) 00044. EURONEWS (PT) 00045. EUROSPORT 1 (PT) 00046. EUROSPORT 2 (PT) 00047. FOX (PT) 00048. FOX COMEDY (PT) 00049. FOX CRIME (PT) 00050. FOX MOVIES (PT) 00051. GLOBO PORTUGAL (PT) 00052. GLOBO PREMIUM (PT) 00053. HISTORIA (PT) 00054. HOLLYWOOD (PT) 00055. MCM POP (PT) 00056. NATGEO WILD (PT) 00057. NATIONAL GEOGRAPHIC HD (PT) 00058. NICKJR (PT) 00059. ODISSEIA (PT) 00060. PFC (PT) 00061. PORTO CANAL (PT) 00062. PT-TPAINTERNACIONAL (PT) 00063. RECORD NEWS (PT) 00064.
    [Show full text]