A Bibliography of TS
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'A Grave for New York' and 'New York
A Grave for New York and New York 80: Formulating an Arab Identity through the Lens of New York Michelle Hartman From the skyscrapers of mid-town Manhattan to the Brooklyn Bridge, from the Statue of Liberty to the prostitutes of Time Square, from Harlem to Wall Street, images of New York City are some of the most potent representations of the United States around the world. This paper explores how two Arab authors use New York City as a lens through which they for- mulate an Arab identity in and for their literary texts and I am concerned in particular with the way in which gender and race are used in these formulations. The two works I discuss are Adonis’s Qabr min ajl new york (A Grave for New York)1 and Yusuf Idris’s New York 802, published in Arabic in 1971 and 1980 respectively, and both written in Arabic, for an Arab audience. There is no doubt that either work is anything but a scathing critique of New York, used as a metonym for the United States, and in particular its claim to technology and ‘advancement.’ Both pieces clearly advocate resistance to American hegemony in the world and harshly condemn the capitalist greed with which the United States has become syn- onymous throughout the world thus manifesting the political commitment of their authors and conveying a message of Third World solidarity. Michelle Hartman, Assistant Professor Institute of Islamic Studies McGill University, Montreal, Canada 223 Works that deal with relationships between Arabs and Europeans or Arabs and Americans (assumed of course to be distinct categories) are discussed by scholars of Arabic litera- ture as part of the large body of literature dealing with what is usually referred to as the ‘east-west encounter.’ A Grave for New York and New York 80 both certainly fall into this cate- gory and both can also be read more specifically as works that deal with the United States. -
The Collected Works of Eric Voegelin, Volume 16: Order and History, Volume III, Plato and Aristotle
The Collected Works of Eric Voegelin, Volume 16: Order and History, Volume III, Plato and Aristotle Dante Germino, Editor University of Missouri Press the collected works of ERIC VOEGELIN VOLUME 16 ORDER AND HISTORY VOLUME III PLATO AND ARISTOTLE projected volumes in the collected works 1. On the Form of the American Mind 2. Race and State 3. The History of the Race Idea: From Ray to Carus 4. The Authoritarian State: An Essay on the Problem of the Austrian State 5. Modernity without Restraint: The Political Religions; The New Science of Poli- tics; and Science, Politics, and Gnosticism 6. Anamnesis 7. Published Essays, 1922– 8. Published Essays 9. Published Essays 10. Published Essays 11. Published Essays, 1953–1965 12. Published Essays, 1966–1985 13. Selected Book Reviews 14. Order and History, Volume I, Israel and Revelation 15. Order and History, Volume II, The World of the Polis 16. Order and History, Volume III, Plato and Aristotle 17. Order and History, Volume IV, The Ecumenic Age 18. Order and History, Volume V, In Search of Order 19. History of Political Ideas, Volume I, Hellenism, Rome, and Early Christianity 20. History of Political Ideas, Volume II, The Middle Ages to Aquinas 21. History of Political Ideas, Volume III, The Later Middle Ages 22. History of Political Ideas, Volume IV, Renaissance and Reformation 23. History of Political Ideas, Volume V, Religion and the Rise of Modernity 24. History of Political Ideas, Volume VI, Revolution and the New Science 25. History of Political Ideas, Volume VII, The New Order and Last Orientation 26. -
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Time Present the Newsletter of the T.S
Time Present The Newsletter of the T.S. Eliot Society number 73 spring 2011 contents ESSAYS Un Présent Parfait: T.S. “Un Présent Parfait”: T. S. Eliot in Paris, 1910-1911 Eliot in Paris 1 s Eliot acknowledged in his essay in French “What France Means to You,” he had Alain-Fournier and the Athe “exceptional good fortune” to live in Paris during the academic year 1910-1911. Tutoring of Tom Eliot 2 While he went there with the goals of finding his poetic voice, attending the courses of Henri Bergson at the Collège de France, improving his skills in French and his knowledge of contemporary French literature, and becoming a cosmopolitan young man of the world, Public Sightings 3 he found himself in the French capital during an amazing period of intellectual and artistic developments. Book Reviews 4 It was literally seething with a diversity of ideas that were innovative, exciting, and often conflicting from a host of literary and intellectual figures such as Claudel, Gide, Eliot News 7 Perse, Bergson, Maurras, Durkheim, and Curie. Its cultural riches were never more tan- talizing with extraordinary happenings occurring at an amazing pace: the first exhibition Paris Conference 8 of the Cubists (whose techniques and themes influenced “The Love Song” andThe Waste Land); the daring ballets of the Ballets Russes (whose character Petrouchka was a model for Prufrock); the presentation of Wagner’s Der Ring des Nibelungen for the first time ever Abstracts from the Modern at the Paris Opéra (whose refrain of the Rhine-Daughters is echoed in The Waste Land) , Language Association 10 and the scandalous multimedia extravaganza Le Martyre de Saint Sébastien (which was one inspiration for “The Love Song of Saint Sebastian”). -
By Gwyn Conger Steinbeck the Story
For Immediate Release Lawson Publishing LTD. Discovered--GWYN CONGER STEINBECK. New book relates love and adventures of the "forgotten wife," muse to the Nobel Prizewinning author of American classics MY LIFE WITH JOHN STEINBECK: by Gwyn Conger Steinbeck The Story of John Steinbeck's Forgotten Wife Who was Gwyn Conger Steinbeck? Unlike Steinbeck's first and third wives, she's unmentioned in standard editions of classics, such as The Grapes of Wrath and Of Mice and Men. But that's about to change with the publication of MY LIFE WITH JOHN STEINBECK: by Gwyn Conger Steinbeck, The story of John Steibeck's Forgotten Wife. (Lawson Publishing Ltd. Sept. 6th.). The ms, lost since 1972, was recently discovered in Wales. The book includes her introduction, that of journalist Douglas G. Brown and the acclaimed John Steinbeck biographer, Jay Parini. The book reveals the missing voice of Gwyn, "the forgotten wife," mother of his two sons, during a 6-year marriage that included the tumult of World War 2.. When she met Steinbeck in 1939, Gwyn was a professional singer, working for RKO radio and CBS in L.A. She was an independent young woman, lively and radiant in her love for the great man wooing her--14 years her senior. He was impressed by her beauty and magnetic presence. For women of her era, many of whom had to leave jobs after the war, marriage was considered a woman's true career-- love was life. This journal is her story of that adventure, often "on the road" with a restless Steinbeck, criss-crossing continents and making homes. -
Dijkstra Agency Hot List
DIJKSTRA AGENCY HOT LIST Fall 2017 – Spring 2018 Sandra Dijkstra Elise Capron * Jill Marr * Thao Le Andrea Cavallaro * Roz Foster Jessica Watterson * Suzy Evans Jennifer Kim www.dijkstraagency.com NEW MEMOIR FROM BESTSELLING AUTHOR AMY TAN WHERE THE PAST BEGINS: A Writer’s Memoir Amy Tan (Ecco, October 2017) An exploration of memory, emotion, and the workings of the imagination in the mind of the writer, from the inimitable Amy Tan. Where the Past Begins: A Writer’s Memoir presents Amy Tan, a master of storytelling, offering unparalleled access into her writing process, her fascination with the neurology of creativity, and her exploration of the family histories that led to the creation of indelible characters in beloved works such as The Joy Luck Club and The Valley of Amazement. In these pages, we find hints of trauma in Tan’s past, relationships she has never discussed publicly, and a family mystery that was only solved accidentally, by stumbling on a box of old documents. In evocative descriptions and characteristic humor, this memoir offers us a vivid picture of the author’s childhood in Northern California, the world of her mother and grandmother in China, and her recent forays into plein air sketching. Amy explores how memories, the inspiration of music, and the beauty of the natural world mingle with enigmatic characteristics of the writer’s brain and imaginative capacities to create the magic of a story. Other non-fiction by Amy Tan: THE OPPOSITE OF FATE: Memories of a Writing Life (Putnam, 2003) New York Times bestseller, New York Times notable book “Sharp and invigorating…fertile reading.”— The New York Times Book Review “Wickedly funny and honest.”— O Magazine “A melodramatic, tragic and comedic tale…Tan is refreshingly candid.”— Baltimore Sun Amy Tan is the internationally bestselling author of The Joy Luck Club, The Kitchen God’s Wife, The Hundred Secret Senses, The Bonesetter’s Daughter, The Valley of Amazement, The Opposite of Fate: Memories of a Writing Life, and two children’s books. -
Editorial. Transitory Parerga : Access and Inclusion in Contemporary
Editorial. Transitory Parerga: Access and Inclusion in Contemporary Art Vlad Strukov University of Leeds, United Kingdom This item has been published in Issue 01 ‘Transitory Parerga: Access and Inclusion in Contemporary Art,’ edited by Vlad Strukov. To cite this item: Strukov V (2020) Editorial. Transitory parerga: Access and inclusion in contemporary art. The Garage Journal: Studies in Art, Museums & Culture, 01: v-xvii. DOI: 10.35074/GJ.2020.1.1.001 To link to this item: DOI: https://doi.org/10.35074/GJ.2020.1.1.001 Published: 30 November 2020 ISSN-2633-4534 thegaragejournal.org 18+ Full terms and conditions of access and use can be found at: https://thegaragejournal.org/en/about/faq#content Editorial Editorial. Transitory Parerga: Access and Inclusion in Contemporary Art Vlad Strukov Introduction The issue of access and inclusion is both topical and integral to Garage Museum of Contemporary Art, one of the backers of The Garage Journal: Studies in Art, Museums & Culture (hereafter, The Garage Journal). Institutions (museums, art colleges), ideologies (value systems, the canon), architecture (buildings, urban planning), curatorial paraphernalia (interpretation, frames, plinths) frame contemporary art. They include and exclude, give and withhold access by centralizing contemporary art in Eurocentric urban areas, by creating precarious employment opportunities, and by catering, mostly, to non-diverse audiences. By looking at these structures that frame contemporary art—point to its significance, signal its value, and movein and out of the transitory focus of art itself—we have a framework that allows us to discuss art and its boundaries, without limiting our investigation of access and inclusion to art’s ‘intrinsic’ qualities. -
EDINBURGH UNIVERSITY LIBRARY. Special Collections
EDINBURGH UNIVERSITY LIBRARY. Special Collections Handlist of Manuscripts, H 29 JOHN WAIN ARCHIVE MSS 2851-2875; MSS 3124-3137 E97.67 Literary manuscripts of John Barrington Wain (1925-1994) were deposited in Edinburgh University Library in 1974, and subsequently added to by the author until 1986, when the whole deposit was purchased by the Library with the help of the Local Museums Purchase Fund. These manuscripts constitute MSS 2851-2874. Some items were deposited after 1985 and these, along with the manuscripts in the possession of the author at his death were purchased in 1996, with the aid of the National Fund for Acquisitions. These manuscripts constitute MSS 3124-3137. Further manuscripts were found by his family subsequently and were gifted in December 1997: these manuscripts constitute E97.67. This group is not sorted or listed and needs to integrated with MSS 3124-3137 as the material is closely linked with the material in this group, e.g. further mss and tss of his Oxford trilogy. Wain’s incoming correspondence and outgoing letters to Philip Larkin were purchased with the help of the National Fund for Acquisitions in 1999 (E99.01). These are included in MS 2875. The manuscript of his first novel, Hurry on Down (1953), has not survived, but notebooks, mss and typescripts of most of his later novels, short stories, poetry, plays and criticism are present. The list below was compiled at different times, and conventions regarding italicization, etc. are not consistent. (Note: See the 1985 Edinburgh University Library exhibition catalogue 'Hurry Back Down: John Wain at Sixty' for further information. -
TV/Series, 9 | 2016, « Guerres En Séries (I) » [En Ligne], Mis En Ligne Le 01 Mars 2016, Consulté Le 18 Mai 2021
TV/Series 9 | 2016 Guerres en séries (I) Séries et guerre contre la terreur TV series and war on terror Marjolaine Boutet (dir.) Édition électronique URL : https://journals.openedition.org/tvseries/617 DOI : 10.4000/tvseries.617 ISSN : 2266-0909 Éditeur GRIC - Groupe de recherche Identités et Cultures Référence électronique Marjolaine Boutet (dir.), TV/Series, 9 | 2016, « Guerres en séries (I) » [En ligne], mis en ligne le 01 mars 2016, consulté le 18 mai 2021. URL : https://journals.openedition.org/tvseries/617 ; DOI : https:// doi.org/10.4000/tvseries.617 Ce document a été généré automatiquement le 18 mai 2021. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. 1 Ce numéro explore de façon transdisciplinaire comment les séries américaines ont représenté les multiples aspects de la lutte contre le terrorisme et ses conséquences militaires, politiques, morales et sociales depuis le 11 septembre 2001. TV/Series, 9 | 2016 2 SOMMAIRE Préface. Les séries télévisées américaines et la guerre contre la terreur Marjolaine Boutet Détours visuels et narratifs Conflits, filtres et stratégies d’évitement : la représentation du 11 septembre et de ses conséquences dans deux séries d’Aaron Sorkin, The West Wing (NBC, 1999-2006) et The Newsroom (HBO, 2012-2014) Vanessa Loubet-Poëtte « Tu n’as rien vu [en Irak] » : Logistique de l’aperception dans Generation Kill Sébastien Lefait Between Unsanitized Depiction and ‘Sensory Overload’: The Deliberate Ambiguities of Generation Kill (HBO, 2008) Monica Michlin Les maux de la guerre à travers les mots du pilote Alex dans la série In Treatment (HBO, 2008-2010) Sarah Hatchuel 24 heures chrono et Homeland : séries emblématiques et ambigües 24 heures chrono : enfermement spatio-temporel, nœud d’intrigues, piège idéologique ? Monica Michlin Contre le split-screen. -
Westminsterresearch
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Sudanese literature in English translation: an analytical study of the translation with a historical introduction to the literature. Thorraya Soghayroon School of Social Sciences, Humanities and Languages This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2010. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] Sudanese Literature in English Translation: An Analytical Study of the Translation with a Historical Introduction to the Literature Thorraya Soghayroon A Thesis Submitted in Partial Fulfilment of the Requirements of the University of Westminster for the Degree of Doctor of Philosophy July 2010 Abstract This thesis sets out to record, analyze, and assess modern Sudanese literature within its historical, cultural, and political context. It highlights the diversity and distinctiveness of that literature, the wide range of its themes, and the resilience and complex background of its major practitioners. -
RAYMOND HILL: Good Morning
Tape A Side 1 SARAH CANBY JACKSON: This is Sarah Canby Jackson with the Harris County Archives Oral History Program, January 24, 2008. I am interviewing Raymond Hill in Houston, Texas, concerning his knowledge of the Juvenile Probation Department, Judge Robert Lowry, Harris County politics and government and anything else he would like to add. Good morning, Raymond. RAYMOND HILL: Good morning. SARAH CANBY JACKSON: First of all, tell me about your parents.1 RAYMOND HILL: It’s hard for me to do that because it’s hard for anybody to believe a person could have parents as good as mine. I’ve been in a number of groups where the groups had to make disclosures about, you know, their parents and their childhood. I tell mine and they say, “What you really need is a reality check,” and “You couldn’t have had it so good.” I’ll just have to ask you to forgive me, they were wonderful. That would be the overarching generalism that I would make. My father and mother, I truly believe, were absolutely honest. I believe they were extraordinarily generous. I believe they were deeply motivated to do the right thing and to extend the blessings of their lives to as many people as they possibly could during their lifetimes. They were not interested in money, as such, or making money and people would ask, “Well, why did your Dad do this or your Mother do that?” always looking for some sort of an advantage. The fact is that 1 George A. Hill, Jr. -
The Prism of Laughter: Antebellum Humorists in Regional Perspective
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1997 The rP ism of Laughter: Antebellum Humorists in Regional Perspective. Henry O. Robertson Jr Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Robertson, Henry O. Jr, "The rP ism of Laughter: Antebellum Humorists in Regional Perspective." (1997). LSU Historical Dissertations and Theses. 6443. https://digitalcommons.lsu.edu/gradschool_disstheses/6443 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter free, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.