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												  Hs 8Rflsiei One Vard GainTHE DAILY NEBRASKAN PAGE 3 Husliers . (Continued from Page 1.) Smjckwakm&JL sion dropped back to his own 40 and slid a beautiful pass into the That old money grabber, the parlay, seems to still be waiting arms of Strobel who was scoop:' ng off the suckers' money come Friday and Saturday standing near the ten. It was Nar-cissi- on again ashe cracked through around the Nebraska campus. the Husker forward wall to the Even though every one from Deans to prominent foot- four. Narcission carried again but ball players have come out against parlays and even though mubled the ball. He managed to are a to lose many a Husker fan will shell recover and was tackled by Ralph they sure thing Damkroger. Colorado gained two out a buck or two and hope his team wins by a certain team wins all that has to more yards around end with Nar- T Q 1 number of points. Then if his cission again carrying the ball. rJ yv happen is have four other teams do the same thing. Of With fourth down and less than course this is only likely to happen in one out of every two two yards for a touchdown Nar- cission again tried to crack the or three thousand cases. line but a stubborn Husker for- Football is still a collegiate sport, at least on our ward wall held. campus. In every other sport in the United States the The first quarter was mostly bookies and "sure thing boys" get their take without put- Colorado as the Buffs kept Ne- even braska deep in their own territory.
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												  Semester at Sea Course SyllabusSEMESTER AT SEA COURSE SYLLABUS Voyage: Summer 2013 Discipline: Media Studies MDST 2502: Mediterranean Cinemas after 1945 Division: Lower division Faculty Name: Ernesto R. Acevedo-Muñoz, Ph.D. COURSE DESCRIPTION: This course presents students with a history and overview of the major European film movements, the most influential films and directors, and the relationship between European cinemas, history, and culture from 1945 to the 2000s. Focusing largely –though not exclusively- on the principal film industries of France, Italy, Spain, Greece, Turkey and Northern Africa, the course draws direct comparisons and relationships between the practices of cinema, and developments in history and society. COURSE OBJECTIVES: Students will explore the styles and significance of such influential movements as Italian Neorealism (1944-1952), the French the New Wave (1958-1964), the “Golden Age” of Greek cinema (1950s-1960s) and Spanish cinema before and after democratization. The course will consider specific relationships of national cinemas in general, and exemplary films in particular, to representations of landscape, the city, and key historical junctures. Rome, Open City (Roberto Rossellini, Italy 1945). REQUIRED TEXTBOOK: Elizabeth Ezra (ed.) European Cinema. Oxford U. Press, 2004. Other reading materials will be available electronically. Our most important texts, of course, are the movies assigned for each class meeting. Course Schedule C1- June 19: Introductions and rules of the game. Opening lecture/discussion: “Understanding cultures through film.” Reading: Ezra, Introduction: “A brief history of cinema in Europe.” C2- June 20: The Hollywood Standard. Casablanca and Classical Cinema. Film: Casablanca (Michael Curtiz, US 1942). C3- June 21: War as a starting point. Film: Rome, Open City (Roberto Rossellini, Italy 1945).
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												  Twelve Masters: Film As Art Jak Şalom & (Guest Lecturer: Hakkı Başgüney) 2017-2018/2 Week 1 – 2018-02-06 Introduction Week 2 – 2018-02-13 Sergei MTwelve Masters: Film as art Jak Şalom & (Guest lecturer: Hakkı Başgüney) 2017-2018/2 Week 1 – 2018-02-06 Introduction Week 2 – 2018-02-13 Sergei M. Eisenstein Week 3 – 2018-02-20 John Ford Week 4 – 2018-02-27 Akira Kurosawa Week 5 – 2018-03-06 Satyajit Ray Week 6 – 2018-03-13 Luchino Visconti Week 7 – 2018-03-20 Ken Loach Week 8 – 2018-03-27 Luis Buñuel Week 9 – 2018-04-03 Jean-Luc Godard Week 10 – 2018-04-10 Rainer Werner Fassbinder Week 11 – 2018-04-24 Theo Angelopoulos Week 12 – 2018-05-01 Ingmar Bergman Week 13 – 2018-05-08 Nuri Bilge Ceylan 1 Twelve masters: Film as art Week 1 Introduction Course description: In this course, we aim to recover twelve master directors from twelve different countries and cultures. These directors are significant in the history of cinema because of the themes they developed in their movies as well as the novelties they brought to the form. Angelopulos, Eisenstein, Bergman, Bunuel, Ceylan, Fassbinder, Ford, Godard, Kurosawa, Loach, Ray and Visconti: all of them produced masterpieces of the film history and their production may be defined as turning points in the evolution of cinema as an artistic realm. We think that their works can be analyzed and identified from many perspectives as they are most relevant to define the main purposes of film as art. Native place-making and universal, developed and underdeveloped, East and West, conventional and avant-garde, national and international, all of these dualities profoundly elaborated in human and social sciences will also be important for us to think about and discuss leading work of arts of these authors.
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												  500 Years Later SubtitlesMovie Description: 500 Years Later Program: LACAS Languages Location: Subtitles: No Subtitles Languages: Movie Description: A Royal Affair Program: World Languages Languages Location: Subtitles: No Subtitles Languages: Movie Description: A Royal Affair Program: World Languages Languages Location: HO G03 Subtitles: No Subtitles Languages: Movie Description: A Son of Africa Program: African Studies Languages Location: Turner 210 Subtitles: No Subtitles Languages: Movie Description: A Sunday in Kigali Spring 1994, Kigali, Rwanda's capital city, deep in the heart of Africa. Bernard Valcourt is a man divided between hope and disillusionment. In Africa to shoot a documentary on the devastation wreaked by AIDS, Valcourt watches on as tensions rapidly escalate between Tutsis and Hutus. At the Hotel Des Mille Program: World Languages Collines, home to expatriates, Valcourt falls madly in love with Gentille, a beautiful Rwandan waitress. Though she feels the same way, their romance grows in fits and starts; she is so young and he - he is so Languages French Location: HO 311 white.. In spite of their differences, Gentille and Valcourt throw caution to the wind and marry. And then war breaks out. Amidst the ensuing chaos the lovers are brutally separated. Valcourt searchesdesperately for his wife, but because of his staus as a foreigner, is forced to leave the country. Months later, Rwanda is stained with the blood of close to a million Tutsis but order has been restored. Valcourt returns to Kigali in search of his wife. But with many survivors displaced from their homes and some living in refugee camps across borders, his task is a difficult one.
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												  OBAMATHON Barack Raises Bucks on Hill’S ‘Turf’ by Dana Rubinstein About Kennedy,” Said AlexanderOUR FIVE GUYS GO TO FIVE GUYS! P.8 Brooklyn’s Real Newspaper BrooklynPaper.com • (718) 834–9350 • Brooklyn, NY • ©2007 BROOKLYN HEIGHTS–DOWNTOWN EDITION AWP/16, 18 pages • Vol. 30, No. 33 • Saturday, Aug. 25, 2007 • FREE INCLUDING DUMBO OBAMATHON Barack raises bucks on Hill’s ‘turf’ By Dana Rubinstein about Kennedy,” said Alexander. “I The Brooklyn Paper DECISION ’08 think he will bring change to the world.” Barack Obama was John F. Gillian Charles, a Prospect Heights Kennedy, Malcolm X and Martin crowd in a call-and-response chant, resident, chose different historical Luther King Jr. all rolled into one for “Are you fired up?” he yelled. predecessors: Martin Luther King Jr. an overflow crowd of supporters at “Fired up!” yelled back the support- and Malcolm X. the junior senator from Illinois’ first ers, each of whom paid $25 to get in. “He has charisma, he’s engaging,” official campaign stop in Brooklyn “Are you ready to go?” he yelled. said Charles. “He has a voice, it’s on Wednesday night. “Ready to go!” screamed the compelling, and people listen.” Standing before the emotional and crowd. Other supporters pointed to Oba- heterogeneous crowd at the Brooklyn Many in the audience were down- ma’s background as one of the primary Marriott in Downtown, Obama gave a right starry-eyed, fanning themselves reasons for their support of him over charismatic stump speech, pacing the with folded paper and rushing the other Democratic contenders. Callan / Tom stage and throwing red meat lines to a stage to get his autograph. Frank Alert, a black resident of hungry audience while touching on Elvia Alexander, of East Flatbush, Bedford-Stuyvesant, said, “Obama is the issues of the day: education (he compared Obama’s charisma to that of someone who looks like me, who is supports it), health care (he wants to John F.
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												  MIDTERM Chantal Akerman. from the Other SideMIDTERM Chantal Akerman. From the Other Side (De l‘autre côté, 2002) Fatih Akın. Short Sharp Shock (kurz undschmerzlos, 1998) —— In July (Im Juli, 2000) —— Solino (2002) —— Head‐On (Gegen die Wand, 2004) Robert Aldrich. Kiss Me Deadly (1955) R’anan Alexandrowicz. James’ Journey to Jerusalem (Massa’ot James Be’eretz Hakodesh, 2003) Thomas Arslan. Brothers and Sisters (Kardesler – Geschwister, 1997) E. Kutlugˆ Ataman. Lola and Billy the Kid (Lola + Bilidikid, 1999) Alain Berliner. Ma vie en rose (1997) Ursula Biemann. Performing the Border (1999) —— Remote Sensing (2001) Stephanie Black. Life and Debt (2001) Craig Brewer. Hustle & Flow (2005) Peter Brooks. Moderato Cantabile (1960) Sue Brooks. Japanese Story (2003) Linda Goode Bryant and Laura Poitras. Flag Wars (2003) Lois Bunuel. Los Olvidados (1950) Charles Burnett. Killer of Sheep (1977) Tim Burton. Batman (1989) Marcel Camus. Black Orpheus (1959) Marc Caro and Jean‐Pierre Jeunet. Delicatessen (1991) —— The City of Lost Children (Le cité des enfants perdus, 1995) Claude Chabrol. The Cousins (Les cousins, 1959) —— The Good Girls (Les bonnes femmes, 1960) —— Handsome Serge (Le beau Serge, 1958) Gurinder Chadha. Bend It Like Beckham (2002) Fruit Chan. Made in Hong Kong (Xianggang zhizao, 1998) Jackie Chan. Project A (‘A’ gai waak, 1983) Madhi Charel. Tea in the Harem (1985) René Clément. Is Paris Burning? (Paris brûle‐t‐il?, 1966) Robert Clouse. Enter The Dragon (1973) Larry Cohen. Black Caesar (1973) Sofia Coppola. Lost in Translation (2003) Robert Culp. Hickey & Boggs (1972) Michael Curtiz. Casablanca (1942) Jules Dassin. Thieves’ Highway (1949) Tom Dey. Shanghai Noon (2000) Stanley Donen and Gene Kelly. Singing in the Rain (1952) Richard Donner.
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											Filmekimi 2015 Istanbul.Indd3--11 Ekim 2015 filmekimi.iksv.org filmekimi_ilan_mobil_edit.pdf 1 10/09/15 16:20 Vodafone Red'in katkılarıyla yenilenen ücretsiz İKSV Mobil 3--11 Ekim 2015 uygulamasıyla Filmekimi’ni ve filmekimi.iksv.org tüm İKSV etkinliklerini daha yakından ve kolayca takip edebilir, kendi takviminizi oluşturabilir ve anlık kampanyalardan haberdar olabilirsiniz. C M Y CM MY CY CMY K Bu etkinlik 5224 sayılı yasa gereğince Sanatsal Etkinlikler Komisyonu’ndan alınan izinle düzenlenmektedir. MANTIKSIZ ADAM İstanbul Kültür Sanat Vakfı, 14. Filmekimi’nin IRRATIONAL MAN gerçekleştirilmesine büyük destek sağlayan Yönetmen Director: woody allen TC Kültür ve Turizm Bakanlığı, Sinema Genel Müdürlüğü, Oyuncular Cast: emma stone, joaquın Telif Hakları Genel Müdürlüğü, TC İstanbul Valiliği, phoenıx, parker posey, jamıe blackley ABD USA / 2015 / DCP / Renkli Colour / 95’ TC İstanbul İl Kültür ve Turizm Müdürlüğü, İngilizce; Türkçe altyazılı English; Turkish s.t. İstanbul Büyükşehir Belediyesi, TC Beyoğlu Kaymakamlığı, Beyoğlu Belediyesi’ne teşekkür eder. The Istanbul Foundation for Culture and Arts would like to thank the ▪ Mantıksız Adam, Woody Allen’ın benzersiz dünya görüşünün katıksız bir temsili: “Varoluşun Ministry of Culture and Tourism,General Directorate of Cinema, tamamen anlamsız bir sıradanlık olduğuna inancım sonsuz” diyor büyük yönetmen. “Zihni kaşıyan gerilim dolu bir film” sözleriyle övülen Mantıksız Adam’ın merkezinde yaşama arzusunu General Directorate of Copyright, Governorship of Istanbul, yeniden kazanmak isteyen felsefe profesörü Abe Lucas var. Hayatta ne zevk ne de bir anlam Istanbul Provincial Directorate of Culture and Tourism, bulamayan Abe, duygusal açıdan dibe vurmuştur. Ders vermeye başladığı küçük bir kasabadaki üniversitede iki kadınla yakınlaşır: Mutsuz evliliğinde debelenen öğretim üyesi Rita ile en iyi Metropolitan Municipality of Istanbul, Beyoğlu District Office, öğrencisi Jill.
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												  2012 Notre Dame Football Notes 11SJNBSZ$POUBDU#SJBO)BSEJO r 8PSL r $FMM r &NBJMCIBSEJO!OEFEV 4FDPOEBSZ$POUBDU.JDIBFM#FSUTDI r 8PSL r $FMM r &NBJMNCFSUTD!OEFEV 2012 NOTRE DAME FOOTBALL NOTES 1 Countdown Game-8 What's To Kicko" #5/5 Notre Dame (7-0) vs. #8/7 Oklahoma (5-1) Inside 10 Senior TE Tyler Eifert recorded his 10th career touch- DATE Countdown to Kickoff ..................................... 1 down reception last week vs. BYU. Eifert is only the second Saturday, October 27, 2012 Night Games ................................................... 2 Notre Dame tight end to reach double-digits in TD recep- Top-10 Battles................................................. 3 tions, only trailing Ken MacAfee’s school record of 15 career TIME AP/Coaches Polls ............................................ 4 TD catches. (Page 31) 7:00 p.m. CT Remember 2002 ............................................. 4 9 It has been nine years since Notre Dame has rushed for BCS Standings/Harris Poll .............................. 5 more yards over a three-game span that it has collected in SITE (CAPACITY) With A Victory / With A Defeat ..................... 5 wins over Miami, Stanford and BYU. The 796 rushing yards Memorial Stadium (82,112); Norman, Okla. Notre Dame's Record When ........................... 6 are the most by the Irish in a three-game span since Notre Irish Probable Starting Lineup ....................... 7 Dame gained 804 yards on the ground in 2003 vs. Navy, BYU TELEVISION Irish Among National Leaders ........................ 8 and Stanford. (Page 26) ABC national telecast with Brent Musburger (play-by-play), Kirk Herbstreit (analysis), Heather Cox Team Notes ................................................. 4-9 8 Notre Dame has eight victories in nine games vs. (sideline), Bill Bonnell (producer) and Derek Mobley (director).
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												  Marché Du Film2019MARCHÉ DU FILM 2019 FOCUS WORLD FILM MARKET TRENDS TENDANCES DU MARCHÉ MONDIAL DU FILM Observatoire européen de l’audiovisuel European Audiovisual Observatory Europäische Audiovisuelle Informationsstelle MARCHÉ DU FILM LOVES FESTIVALS MARCHÉ DU FILM OPENING NIGHT - 15 May Shanghai International Film Festival DOC TALKS & DOC DAY - 17 to 21 May CPH:DOX, DOK Leipzig, IDFA, Visions du Réel, Doc Alliance FRONTIERES PLATFORM - 18 & 19 May Fantasia International Film Festival GOES TO CANNES - 18 to 20 May Annecy, HAF (Hong Kong), Los Cabos, Málaga, New Horizons’ (Poland), Thessaloniki FANTASTIC 7 - 19 May Bucheon, Cairo, Guadalajara, Macao, Sitges, SXSW, Toronto MIXER FESTIVALS - 22 May Film Freeway CINANDO AWARDS - 22 May Best Emerging Festival Programmer and more than 1300 registered programmers attending! www.marchedufi lm.com/en/global-events ©Alexandra Fleurantin / Marché du Film MDFlovesFESTIVALS_MDF2019-155x240_AUTOPUB.indd 1 26/04/2019 15:50 focus 2019 World Film Market Trends Tendances du marché mondial du film Pages Pub int Focus 2010:Pub Focus 29/04/10 10:54 Page 1 ISSN: 1962-4530 Lay-out: Acom*Europe | © 2011, Marché du Film | Printed: Global Rouge, Les Deux-Ponts Imprimé sur papier labélisé issu de forêts gérées durablement. Imprimé sur papier labelisé issu de forêts gérées durablement. Printed on paper from sustainably managed forests. Printed on paper from sustainably managed forests. 2 Editors Martin Kanzler ([email protected]) Patrizia Simone ([email protected]) Film Analysts, Department for Market Information, European
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												  Yol. Xxxm No. 10 SEPTEMBER, 1967 25C Per Vear Price I•. C1tTHOLIC WORKER 8ubecr1ption1 Yol. xxxm No. 10 SEPTEMBER, 1967 25c Per Vear Price I• I / THE CATHOLIC WORKER September~ 1967 VoL XXXIll Ne. 10 leptember, 1967 Men of the Fields on the .CmiOl.ICrttb.~ Pwbllshed Monthly September to June, Bl-monthly JuJy-Aur... Pavements of New York OltGAN ~I' THE CATHOLIC WORIEB MOVEMENT PETER MAURIN, t'ounder . By JACK COOK on these issues because agriculture proach makes fi tore -owners uncom . DOROTHY DAY, Editor and Publisher "I think when you come out of enjoys a special exemption from fortabJe, accustomed as they are MARTIN J. CORBIN, Managing Editor a house and step on the bare earth federal labor laws." to the hall-there-good-fellow smile. AHociate Editor•: among the fields you're the same On July 23 an all-day general the knowing wink. and the moist. CHAUES BUTTERWORTH , JACK COOK, RITA CORBIN !Artl, NICOLE man you were when you were in- meeting and picnic of Giumarra uncalloused band. tl'ENTREMONT, EDGAR FORAND, ROBERT GILLIAM, JUDITH GREGORY, side the house. But when you step workers wu held. Over 1,000 at PahJo AquiJar, the youngest of THOMAS S. HOEY, WILLIAM HORVATH, MARJORIE C. HUGHES, out on pavements, you're someone tended. They voted unanimously the group at 26, is m11rried and CHRISTOPHER S. KEARNS, WALTER KERELL, PHIL MALONEY, KARL MEYEk, else. You can feel your face to strike. No r esponse being forth has three children. He was a crew DEANE MOWRER, HELEN C. RILEY, PAT RUSK, ARTHUR SHEEHAN, ANNE change." coming from the company, the leader for Giumarra before the TAILLEFER, EDWARD TURNER, STANLEY VISHNEWSKI , JAMES E.
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												  Grants Catalogue 2016 Table of Contents Message from the CEOGrants Catalogue 2016 Table of Contents Message from the CEO Grants Programme Team Feature Narrative Feature Documentary / Feature Experimental or Essay Short Narrative / Short Experimental or Essay Film Funding Now in its sixth year, the Doha Film Institute Grants Programme is past the Two of our grantees from this year were selected for screening in the 2016 Doha Film Institute Grants big five-year mark, solidifying our core commitment to identify and support Cannes International Film Festival’s official selection, alongside four older Programme emerging talents from across the world, and nurture the next generation of grantee projects, which I think is testament to the strength of our Grants filmmakers. programme, the exciting new filmmakers emerging from our region and 2016 Our goal was to strengthen the foundations of a thriving film industry in beyond, and the high quality of the films we are pleased to be able to support. Qatar, and to extend our support to emerging filmmakers from across the Our Grants programme aims to seek out original voices in film, encourage Arab region and beyond. During this period alone, I am proud to say that creative interaction among the filmmakers, and develop a community of we have been able to support 315 diverse global projects from 56 countries, filmmakers around the Doha Film Institute alumni. Selected projects are with over 80 percent coming from the Arab world. These are stories that not also offered creative development support by the Institute’s professionals only represent our voices, but ones that embrace diversity to highlight key throughout the life-cycle of the films.
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												  Cities in Film: Architecture, Urban Space and the Moving ImageCities in Film: Architecture, Urban Space and the Moving Image An International Interdisciplinary Conference University of Liverpool, 26-28th March 2008 Conference Proceedings. This conference is organised by the School of Architecture and School of Politics and Communication Studies. The AHRC-funded research project, entitled City in Film: Liverpool's Urban Landscape and the Moving Image, is conducted by Dr Julia Hallam (principle investigator), Professor Robert Kronenburg (co-investigator), Dr Richard Koeck and Dr Les Roberts. This conference is supported by the Arts and Humanities Research Council (AHRC) and the University of Liverpool. Cover design: Richard Koeck and Les Roberts. Copyright cover image: Angus Tilston. Edited by Julia Hallam, Robert Kronenburg, Richard Koeck and Les Roberts. Please note that authors are responsible for copyright clearance of images reproduced in the proceedings. Cities in Film: Architecture, Urban Space and the Moving Image An International Interdisciplinary Conference University of Liverpool, 26-28th March 2008 Cities in Film explores the relationship between film, architecture and the urban landscape drawing on interests in film, architecture, urban studies and civic design, cultural geography, cultural studies and related fields. The conference is part of University of Liverpool's contribution to the European Capital of Culture 2008, and aims to foster interdisciplinary dialogues around architectural and film history and theory, film and urban space, and to point towards new intellectual frameworks for discussion. It seeks to draw on the work of theorists and practitioners engaged in ideas in these areas, examining film in the context of urban design and development and exploring in particular the contested social, cultural and political terrain that underpins these practices.