Sale 410 Thursday, August 20, 2009 1:00 PM

Art, Illustrated & Photography Books - Fine Printing - Fine Books in All Fields

Auction Preview Tuesday, August 18 - 9:00 AM to 5:00 PM Wednesday, August 19- 9:00 AM to 5:00 PM Thursday, August 20 - 9:00 AM to 1:00 PM Or by appointment

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NOTE: MOST LOTS OFFERED IN THIS SALE HAVE A MINIMUM RESERVE OF ONE HALF OF THE PRESALE LOW ESTIMATE. SOME LOTS HAVE HIGHER RESERVES, BUT ALWAYS BELOW THE LOW ESTIMATE. Administration Roger Wagner, Chairman Scott Evans, President Shannon Kennedy, Vice President, Client Services Ross Brendle, Shipping Supervisor

Consignments, Appraisals & Cataloguing Bruce E. MacMakin, Senior Vice President George K. Fox, Vice President, Market Development & Senior Auctioneer Gregory Jung, Senior Specialist Erin Garland, Specialist

Marketing Maureen Gross, Vice President of Marketing

Photography & Design Chad Mueller, Photographer

Summer and Fall Auctions, 2009

August 20, 2009 – Art, Illustrated & Photography Books - Fine Printing - Fine Books in All Fields

September 3, 2009 – Fine Americana including Travel & Exploration: The Library of Henry W. Coil, Jr.

September 17, 2009 – Fine Books and Manuscripts

October 1, 2009 – Literature of the 19th & 20th Centuries

Schedule is subject to change. Please contact PBA or pbagalleries.com for further information. Consignments are being accepted for the 2009 Auction season. Please contact Bruce MacMakin at [email protected].

Front Cover: 211 Lot Back Cover: Clockwise from upper left, Lots Bond # 14425383

Section I: Art, Illustrated & Photography Books, Children’s Literature, Lots 1-229

Section II: Fine Printing, Lots 230-335

Section III: Fine Books in All Fields, Lots 336-456

Section I: Art, Illustrated & Photography Books, Children’s Literature

1. Adams, Ansel. : Images 1923-1974 - First and Second Printing. Both in cloth with dust jackets. The first printing in slipcase. Together two volumes, First and Second Printings. Boston: New York Graphic Society, [1974] and [1981] Second printing includes an Ansel Adams photograph reproduction, titled “Winter sunrise, Sierra Nevada, from Lone Pine, California.” The reproduction is signed “AA”, and laid into volume. First printing’s slipcase with shelf wear, edges starting to crack; else fine. Second printing with short closed tear to jacket, and few scattered spots of foxing; cloth spotted w/ foxing; else near fine. (200/300)

2. Adams, Ansel. My Camera in Yosemite Valley. 70 pp. 24 full page photographs. (Folio) 14¾x12¼, spiral bound boards. First Edition. Yosemite National Park and Boston: Virginia Adams and Houghton Mifflin, 1949 Inscribed by Ansel Adams on first blank leaf. Edge wear to wrappers, front wrapper detached but , a few pieces of tape repair; plates fine. (200/300)

3. Adams, Ansel. My Camera in the National Parks. Unpaginated. 30 photographs in black and white, printed on versos only, with interpretive text and informational material at front and rear. 14½x12. Printed cardboard covers, plastic comb binding, dust jacket. First Edition. Boston: Virginia Adams, Yosemite National Park and Houghton Mifflin, 1950 Signed by Ansel Adams on front flyleaf. A superb collection of beautiful glossy prints of protected American wilderness areas, including Glacier Bay National Monument, Yellowstone, Zion National Park, Carlsbad Caverns, the Grand Canyon, and other spots, including of course Adams’ beloved Yosemite. Dust jacket moderately chipped at edges with some loss to spine, dampstain on lower edge of front panel, many closed tears; small and faint dampstain on bottom edge of front cover and first few leaves; photograph plates are fine; else very good. (200/300)

4. Adams, Ansel. Photographs of the Southwest...And An Essay on the Land by Lawrence Clark Powell. 9¼x11¾, cloth, dust jacket. First Edition, First Printing. Boston: New York Graphic Society, [1976] Selected photographs made from 1928 to 1968 in Arizona, California, Colorado, New Mexico, Texas and Utah with a statement by the photographer. Fine. (100/150)

Page 1 5. Adams, Ansel. The Portfolios of Ansel Adams - 2 signed editions. Introduction by John Szarkowski. Includes two editions: One, signed in the year of publication by Ansel Adams with a gift inscription on the half title. First Edition. First Printing with laser-scanned separations and new design. [1981]. * One, signed by Ansel Adams on half title. Third Printing. [1977]. Together two signed volumes. Boston: New York Graphic Society, Various dates Some slightly creased edges of dust jackets, and some yellowing; else fine. (100/150)

6. Adams, Ansel. Yosemite and the Range of Light. Introduction by Paul Brooks. Illustrated throughout from black and white photographs by Ansel Adams. (Oblong folio) 12x15, linen-backed cloth, pictorial jacket. Fourth printing. Boston: New York Graphic Society, 1981 Signed by Ansel Adams on Time-Life certificate on front free end-paper. Fine. (200/300)

7. Adams, Virginia and Ansel. Michael and Anne in the Yosemite Valley. 64 pp. Illustrated throughout from photographs by Ansel Adams. Oblong, 7¾x10½, tan cloth lettered in red. First Edition. New York: Studio Publications, [1941] A scarce and unusual book by the great photographer, in which his small children survey the sights of Yosemite and gambol in the meadows, etc. Scattered spots of soiling to covers; foxed endpapers; else very good. (100/150)

ONE OF 950 COPIES SIGNED BY ANSEL ADAMS 8. (Adams, Ansel) Austin, Mary and Ansel Easton Adams. Taos Pueblo. 12 full-page photogravures by Ansel Adams. Woodcut decorations by Valenti Angelo. 17x12¼, leather-backed cloth, slipcase. Facsimile of the 1930 edition. One of 950 copies. Boston: New York Graphic Society, 1977 No. 642 of 950 copies, and signed by Ansel Adams. Fine copy of the lavishly produced facsimile edition. The photogravures were reproduced by George Waters. A few faint smudges or marks to slipcase; a very small knot on cloth binding; otherwise fine. (2000/3000)

Lot 8

Page 2 9. (Adams, Ansel) Joesting, Edward. The Islands of Hawaii. Text by Edward Joesting. Illustrated from over 100 photographs taken by Ansel Adams. (Oblong folio) 11x14, original wrappers with attached hand-made Japanese rice paper jacket. First Edition. [Honolulu]: [Bishop National Bank of Hawaii], [1958] A few short closed tears to rice paper jacket, lacking about 2½” from heel of spine; else near fine. (100/150)

10. (Adams, Ansel) Two volumes illustrated with Ansel Adams photography. Includes: Mauk, Charlotte E., editor. Yosemite and the Sierra Nevada. With selections from works of John Muir. First Edition. [1948]. * Austin, Mary. The Land of Little Rain. Introduction by Carl Van Doren. Name in ink on front free endpaper. First Edition. 1950. Together two 10x8 volumes in cloth with dust jackets. Boston / Cambridge: Houghton Mifflin / Riverside Press, Various dates Some edge wear to each jacket, and each volume; very good. (100/150)

11. Adams, Ansel. 3 Sierra Club publications on Ansel Adams. Includes: Ansel Adams. Volume I: The Eloquent Light. [1963]. * This is the American Earth. Fifth Printing. [1971]. * These We Inherit: The Parklands of America. [1962]. Together three volumes, 13½x10, cloth-bound in dust jackets. San Francisco: Sierra Club, Various dates Light edge wear to each jacket, some light chipping; very good. (100/150)

12. Adams, Ansel. Five signed volumes of Ansel Adams photography. Includes: Corle, Edwin. Death Valley and the Creek Called Furnace. Signed on half title. Ward Ritchie Press, [1941]. * Newhall, Nancy, editor. Yosemite Valley. Signed on half title page by Adams, signed on title page by Newhall. Dust jacket with a few holes, edge wear to one corner of volume. Second Printing. Associates Publications, 1963. * Polaroid Land Photography. Signed on half title. First Revised Edition. New York Graphic Society, [1978]. * Two copies of: Camera and Lens: The Creative Approach Studio, Laboratory and Operation. Basic Photo One. 1 of 1st Revised Edition, signed on front free endpaper; and 1 of 1st Revised Edition, 2nd Printing, signed on half title. Various places: Various dates Together five volumes, each in cloth with dust jackets. Each signed by Ansel Adams. Some edge wear to each jacket, ranging from very mild to moderate; generally very good or better. (200/300)

13. Adams, Ansel. “How to do it” Series, No. 8. Making a Photograph: An Introduction to Photography. 9¾x7, cloth-backed pictorial boards, dust jacket. First Edition, First Printing. London / New York: The Studio, 1935 Jacket lightly chipped at edges with a few very short closed tears; edge wear to boards; very good overall. (100/150)

14. Adams, Ansel. 12 first editions on or by Ansel Adams. Includes: Stillman, Andrea G., editor. Ansel Adams: The American Wilderness. Dj. Little, Brown, [1990]. * The Mural Project. Dj. Reverie Press, 1989. * Ansel Adams: Classic Images. Dj. New York Graphic Society / Little, Brown, [1985]. * De Cock, Liliane, editor. Ansel Adams. Dj (price-clipped). Morgan & Morgan, [1972]. * De Cock, Liliane, editor. Ansel Adams. Dj (price-clipped). New York Graphic Society, [1972]. * Newhall, Nancy. Fiat Lux: The University of California. Dj. McGraw-Hill Book Company, [1967]. * Polaroid Land Photography Manual: A Technical Handbook. Dj. Morgan & Morgan, [1963]. * The Portfolios of Ansel Adams. Dampstain to bottom edge of page block. New York Graphic Society, [1977]. * Examples: The Making of 40 Photographs. Dj. New York Graphic Society / Little, Brown, [1983]. * Taylor, Katherine Ames. Yosemite: Tales and Trails. Cloth sunned a bit. H.S. Crocker Co., 1934. * Spaulding, Jonathan. Ansel Adams and the American Landscape: A Biography. Dj. University

Page 3 of California Press, [1995]. * The Pageant of History and the Panorama of Today in Northern California. Spiral-bound wrappers, in decorative cardboard packaging. [American Trust Company, 1954]. All together 12 first editions, all but one in cloth. Various places: Various dates Some edge wear to a few jackets; but mostly very good to fine. (250/350)

15. Adams, Ansel. 12 volumes and one envelope of photograph prints by Ansel Adams. Includes: Adams, Virginia and Ansel. Illustrated Guide to Yosemite. 9¼x5¾, cloth, dj. Inscribed by Virginia Adams on front free endpaper. [1963]. * Sierra Club Handbook. 11x8½, wrappers. 1971. * Brower, David R., editor. Sierra Club Handbook. 9¼x6, wrappers. Dampstain. Fourth Printing. 1957. * Brower, David R., editor. Sierra Club Handbook. 9¼x6, wrappers. Fifth Printing. 1960. * Sierra Club Bulletin. February 1931. Photogravure frontispiece. 9½x6, wrappers. 1931. * The Meaning of Wilderness to Science. 9¼x6, cloth, dj. [1960]. * Tomorrow’s Wilderness. 9¼x6, cloth-backed boards, dj. [1959]. * Wilderness: America’s Living . 9¼x6, cloth-backed boards, dj. [1961]. * Wildlands in Our Civilization. 9¼x6, cloth-backed boards, dj. [1964]. * Corle, Edwin. Death Valley and the Creek Called Furnace. 10½x7¼, cloth. Ward Ritchie Press, [1962]. * Pritzker, Barry. Ansel Adams. 14x10½, cloth, dj. Later edition. Crescent Books, [1991]. * Wrigley, Richard. Ansel Adams: Images of the American West. 12x9, boards, dj. Second Edition. Smithmark, [1992]. * Newhall, Nancy. Ansel Adams: The Eloquent Light. 13½x10¼, cloth, dj. Aperture, [1980]. * Purple Mountains Majesty: A Pictorial Portfolio by Ansel Adams. Yosemite National Park. Four photographs, each 14x10¾. Housed in an envelope. American Savings and Loan Association, [c.1980]. Together 13 volumes, and one envelope of photographs. Various places: Various dates A collection of books illustrated with Ansel Adams photography, including many published by the Sierra Club. Sierra Club handbooks are illustrated with plates of Adams photography. Mild to moderate edge wear to some dust jackets; mild edge wear to many volumes; overall very good or better. (100/150)

16. Adams, Ansel. 14 volumes including several printings of The New Ansel Adams Photography Series. Includes: From The New Ansel Adams Photography Series: Four copies of: The Camera. Book One. 2 of 1st Printing, 1 of 2nd Printing, and 1 of 3rd Printing. * Four copies of: The Negative. Book Two. 2 of 1st Printing, 1 of 3rd Printing, and 1 of 7th Printing. * Two copies of: The Print. Book Three. 1 of 1st Printing, and 1 of 4th Printing. Boston: New York Graphic Society, Various dates Also includes four copies of the book: Polaroid Land Photography. First Revised Edition. [1978]. All together 14 volumes, each 9½x7½ in cloth with dust jackets. Some jackets price- clipped or sunned; else very good to near fine. Condition varies a bit. (100/150)

17. Adams, Ansel. 16 volumes of various printings of the Ansel Adams Basic Photo Series of instructional volumes. Comprises: Four copies of: Camera and Lens: The Creative Approach Studio, Laboratory and Operation. Basic Photo One. 2 copies of Revised Edition, 1 of 2nd Printing, and 1 of 3rd Printing. * The Negative: Exposure and Development. Basic Photo Two. 5th Printing. * Five copies of: The Print: Contact Printing and Enlarging. Basic Photo Three. 1 of 1st UK edition (no jacket), 1 of 1st Printing, 1 of 2nd Printing, 1 of 4th Printing, and 1 of 5th Printing. * Three copies of: Natural-Light Photography. Basic Photo Four. 1 of 2nd Printing, 1 of 4th Printing, and 1 of 6th Printing. * Three copies of: Artificial-Light Photography. Basic Photo Five. 1 of 3rd Printing, 1 of 4th Printing, and 1 of 5th Printing. Together 16 octavo cloth-bound volumes, all but one in a dust jacket. Boston: New York Graphic Society, Various dates The 3rd Printing of Basic Photo Five is signed by Ansel Adams on the half title. Most jackets with mild to moderate edge wear, a few with price-clipped corners, or taped to inside of covers; overall very good. (100/150) Page 4 18. Adams, Ansel. 34 volumes on or by Ansel Adams, in wrappers. Includes: Schaefer, John P. An Ansel Adams Guide: Basic Techniques of Photography. 11x8½. First Edition. Little, Brown and Co., [1992]. * Medvec, Emily, curator. Born Free and Equal. An Exhibition of Ansel Adams Photographs. 10x8½. First Printing, 1 of 3000 copies. Fresno Metropolitan Museum of Art, [1984]. * Three Editions of: Illustrated Guide to Yosemite Valley. First Edition (1940), 3rd Edition (1946) and 4th Edition (1949). Each 8x5¾, spiral-bound wrappers. * Illustrated Guide to Yosemite Valley. 9¼x6. Sierra Club, [1963]. * Joesting, Edward. Introduction to Hawaii. 12x9. 5 Associates, [1964]. *Newhall, Nancy. The Tetons and the Yellowstone. 12x9. 5 Associates, [1970]. * Newhall, Nancy. Death Valley. 12x9. Second Edition. 5 Associates, 1959. * Newhall, Nancy. Yosemite Valley. 12x9. Second Printing. 5 Associates, 1963. * Alinder, James G. Light Years. Untitled 43. 9¼x7¾. The , [1987]. * Ansel Adams: Letters and Images 1916-1984. 10x8¾. First Paperback Edition. Little, Brown, [1990]. * Ansel Adams: Yosemite and the Range of Light. 9x11¼. Special Edition prepared for the NY MOMA. New York Graphic Society, [1979]. * And 21 other wrapper-bound publications on Ansel Adams photography, many of which are published by The Friends of Photography. Various places: Various dates All together 34 wrapper bound volumes on Ansel Adams. Each with a degree of edge wear, mostly light; some with creased, rubbed or chipped spines; most are very good or better. Sold as is. (100/150)

C.W. ANDERSON MANUSCRIPT WITH ORIGINAL SKETCHES 19. Anderson, C.W. Blaze and Thunderbolt - Original Manuscript. 25 leaves. 24 original sketches with typescript text pasted to facing leaves, several holograph corrections and additions to text. 10x7¾, stiff blue wrappers. New York: Macmillan, [1955] Original typescript with original drawings accompanied by a copy of the first printings. Anderson is best known for his Billy and Blaze series of books, of which this is the fifth title. Some light wear; very good. (1500/2500)

20. Angelo, Valenti. A Battle in Washington Square. 19 pp. 9x5½, wrappers, dust jacket with paper cover label. One of 200 copies. New York: Golden Cross Press, [1942] Editorial annotations in pencil in a few places (“Delete”?), perhaps by George Ritchie, to whom this volume is inscribed on the limitation statement. Besides pencilling within, and a few light smudges from them, near fine. (100/150)

21. Arcangeli, Francesco. Il Bastianino. Illustrated from tipped-in color plates of Italian art, Lot 19 including frontispiece; many black and white plates. 11¼x8½, cloth, dust jacket. [Italy]: [Cassa di Risparmio di Ferrara], [1963] Lightly chipped jacket edges, slightly sunned at edges; volume spine slightly yellowed; else a near fine volume in very good plus jacket. (200/300)

22. (Bacon, Francis) Derriere le Miroir No. 162. One 3-panel color lithograph, plus 4 full page color lithographs of Francis Bacon artwork. Also color lithograph Bacon artwork and black and white,

Page 5 throughout text. Text by Michel Leiris. 15x11, loose in lithograph folder. : Maeght, 1966 Very light edge wear to wrappers; else near fine. (400/600)

23. Baer, Morley. Light Years: The Photographs of Morley Baer. Illustrated from 51 photograph plates by Baer. 12x12¼, cloth, slipcase. First Edition. One of 600 copies. Carmel, CA: Photography West Graphics, 1988 Signed by Baer at the limitation statement. Includes some order forms and brochures advertising the publication. Fine. (100/150)

ONE OF 25 COPIES WITH AN ORIGINAL WATERCOLOR BY BARBIER 24. Barbier, George. Vingt-Cinq Costumes pour le Théatre. 20 pp. Préface par Edmond Jaloux. With an original watercolor drawing by Barbier, signed “Aux amis Marty [Charles Martin?]/ bien cordial souvenir de/ George Barbier 1928.” Tipped-in etched frontispiece portrait of Barbier by Charles Martin, and 25 tipped-in plates reproducing costume designs by Barbier, colored through stencils and heightened with gold and silver; descriptive tissue-guards. (4to) 12½x9¼, bound in modern full gray crushed , covers decoratively paneled in gilt, spine lettered and stamped in gilt with two raised bands, gilt board edges and turn-ins, marbled endpapers, top edge gilt, others uncut; bound by Sangorski & Sutcliffe. First Edition. No. 20 of 25 numbered copies “hors-commerce,” out of a total edition of 300 copies. Paris: Chez Camille Bloch & Jules Meynial, 1927 The original watercolor drawing is of a ballerina in a theatrical costume. Only 25 copies were issued with original watercolors. The designs, dated from 1918 to 1922, are for various plays and ballets, including “La Dernière Nuit de Don Juan” and “Le Tapis Persan.” Colas 218; Hiler, p. 64. Very minor internal browning, fine. Lot 24 (7000/10000)

A FEW BY L. FRANK BAUM 25. Baum, L. Frank. The Enchanted Island of Yew. 242 pp. Illus. with 8 color plates; black and white drawings in the text by Fanny Y. Cory. 9x6½, pictorial gray cloth; pictorial orange endpapers. First Edition, Second State. Indianapolis: Bobbs-Merrill, [1903] Second state with no printer’s imprint present on the copyright page, and the on p. 238 printed correctly. The endpapers are those from The Magical Monarch of Mo which sometimes appear in this state, printed in light green. Bienvenue & Schmidt p. 205. A touch of wear to edges, previous owner’s name on front endpaper; else an exceptionally well preserved copy; fine. (400/600)

26. Baum, L. Frank. John Dough and the Cherub. 314, [2] + [4] ad pp. Illus. throughout with color and black & white drawings by John R. Neill. 9x6½, pictorial tan cloth stamped in red, olive & black; color pictorial endpapers. First Edition, First Printing. : Reilly & Britton, [1906]

Page 6 With the rare detachable contest blank for “The Great John Dough Mystery: Is the Cherub Girl or Boy?” on yellow paper facing p.8 present. First state, with misprint on p.275, line 10 (“cage” for “cave”); publisher’s imprint on spine reads to “The Reilly & Britton Co.” in large and small capital letters; the back cover has a picture of John Dough, Chick the Cherub, and a box on which is lettered “THE GREAT/ JOHN DOUGH/ MYSTERY.” Bienvenue & Schmidt p. 227. Light wear to spine ends, a few small nicks to front joint, front hinge a touch shaken; a few pages dog eared; very good. (800/1200)

27. Baum, L. Frank. The Surprising Adventures of The Magical Monarch of Mo and His People. Illustrated with 12 color plates and numerous black & white drawings in the text by Frank Verbeck. 9x6½, light blue cloth with lettering stamped in navy blue and white, pictorial cover label; blank endpapers. First Edition under this title, Third State. Indianapolis: The Bobbs-Merrill Company, [1903] Braunworth imprint on copyright page in unserifed upper case with the ‘H’ in BRAUNWORTH straddling the ‘ND’ in AND on the line below; and the hand-lettered caption on p.[121] in dam- aged type. This book is essentially a second edition of A New Wonderland, with some minor textual changes. Bienvenue & Schmidt p. 210. Light wear and soiling to cloth; very good (400/600)

28. Baum, L. Frank. . [8], 303 pp. Illus. with 16 plates & drawings in the text by Frederick Richardson. 9x6¾, green pictorial cloth stamped in dark green & orange. First Edition, First State. New York: Century, 1905 First state, with text on pp. 169-236 printed in terracotta & black. Bienvenue & Schmidt p. 215. Light wear to extremities, front hinge cracking; chip from lower corner of one leaf at rear (no loss of text); very good. (600/900)

RARE BAUM PSEUDONONYMOUS WORK 29. (Baum, L. Frank) Cooke, John Estes. Tamawaca Folks: A Summer Comedy. 185 pp. Blue-gray pictorial cloth. First Edition. [Macatawa, Michigan]: The Tamawaca Press, [1907] A rare Baum book. The title is an anagram for Macatawa, the resort on Lake Michigan where Baum wrote many of his books and which serves as the setting for this satire. Baum himself makes a brief appearance as Mr. Wright. The book may have been published by Baum himself, and it was certainly available only at Macatawa and among the small community there. Ownership signature of Henry P. Merrifield of Pierson, Michigan on front pastedown endpaper. Bienvenue & Schmidt p.295. Light wear and soiling to cloth; very good or better. (1000/1500)

30. (Baumann, Gustave) Krause, Martin F., Madeline Carol Yurtseven, & David Acton. Gustave Baumann: Nearer to Art. Illustrated in color from works by Baumann. 10¾x9, quarter morocco & linen, linen slipcase with pictorial label. No. 92 of 200 copies. Lot 29 Santa Fe: Museum of New Mexico, 1993 Fine condition. (200/300)

Page 7 31. (Beardsley, Aubrey) Symons, Arthur, ed. The Savoy. Nos. 1-8 (all published). Illustrations by Aubrey Beardsley and others (lacking the card). 10x7½, original boards (No. 1 and 2), and original wrappers (No. 3-8). London: Leonard Smithers, 1896 With many wonderful Beardsley illustrations as well as literary contributions by himself, Yeats, Verlaine, and others. Complete run of the “Illustrated Monthly” all in original binding. Spines deteriorating, wrapper covers detached or detaching, spots of soiling, chipped edges; condition varies; generally good to very good. (300/500)

32. (Beatles) The Beatles Yellow Submarine: 20 Pop-Out Art Decorations. 8 pages of pop-out art. Each page with perforated color figurines, to be popped out, and used as decoration. 15x9½, stiff color pictorial wrappers, stapled. King Features-Subafilms, Ltd., 1968 Rear cover is designed like an envelope, to enable the owner to send the entire book in the mail as a gift. Fine. Perforated figures are intact on pages, not removed. (100/150)

33. Bemelmans, Ludwig. Father, Dear Father. [viii], 247 pp. (8vo) 8¾x6, red cloth. One of 151 copies. New York: Viking Press, 1953 Signed and with an original drawing by Bemelmans on limitation page. Fine. (250/350)

34. (Benton, Thomas Hart) Fath, Creekmore, editor. The Lithographs of Thomas Hart Benton. Illustrated from black and white reproductions of Benton lithographs, tipped-in color photograph of the artist on half title. 9x12, linen, dust jacket. First Edition. Austin: University of Texas Press, [1969] Signed by the artist at frontispiece, and gift inscribed in the year of publication. Many chips to jacket edges, creasing, small dampstain to verso not affecting recto; very light edge wear to volume; ink writing on front free endpaper; very small and faint dampstains to fore and top edge of page block; pp. 13 with small tear to fore edge; very good book in good jacket. (300/500)

WITH 5 ORIGINAL ETCHINGS BY RAOUL DUFY 35. Berr de Turique, Marcelle. Raoul Dufy. 285, [3] pp. Five original etchings by Dufy, and profusely illustrated with plates from artwork in color and black and white. 10¼x8, color illustrated wrappers. One of 200 copies, printed on Japon paper. Paris: Librairie Floury, 1930 A book on the French artist Raoul Dufy, featuring five original etchings, and reproductions of many paintings within the text in addition to the plates. Within these pages you can see how various artists he encountered helped influence his work. He also worked with the women’s wear producer Paul Poiret. Edge wear to wrappers, spine very crease, chipping and starting to split; overall a bit toned with age, some marginal foxing within; very good. (2000/2500)

Lot 35

Page 8 36. Binghman, Clifton. The Animals’ Picnic. Illustrated by G.H. Thompson including 8 color lithograph plates. 9¾x12, chromolithographed boards backed with cloth. First Edition. London: Ernest Nister, [1901] Classic turn-of-the-century children’s book from Ernest Nister, with larger than life, vivid portrayals of anthropomorphized creatures (particularly hippos and elephants) setting about their picnic with immense gusto. Spine ends rubbed, corners showing; a few leaves towards rear darkened, very good or better. (500/800)

37. Bohn, Dave. Delta West: The Land and People of the Sacramento - San Joaquin Delta. Historical essay by Dave Bohn. Photographs by Roger Minick. 12¼x10. Cloth, dust jacket. First Edition. Limited to 3000 copies. Berkeley, CA: Scrimshaw Press, 1969 An outstanding collection of photographs, with transcripts of remarks by local residents, depicting the people and territory of the Sacramento and San Joaquin river region northeast of San Francisco. Jacket price clipped, light wear; near fine. (100/150)

38. (Borein, Edward) Davidson, Harold G. Edward Borein: The Update. The Watercolors, Etchings and Drawings. 219 pp. Illustrated from black and white plates of Edward Borein artwork. 11x8½, leatherette, dust jacket. One of 500 copies. First Edition. Santa Barbara: Harold G. Davidson, 1991 Signed by the author, with a gift inscription dated 1991, on the half title page. Jacket edges a touch worn at head and heel of spine mostly; else fine. (600/900)

39. Bourne, Eulalia “Sister”. Blue Colt. [iv], 103, [1] pp. Illustrations by Pam Fullerton. Blue cloth, dust jacket. Additional paper portfolio with 10 prints. One of 50 copies. First Edition. Flagstaff: Northland Press, [1979] Signed by the author on title page, each of the additional prints signed and numbered by the artist. Paper portfolio split along spine edge; volume and jacket fine. (200/300)

40. Brunhoff, Jean de. ABC of Babar. [62] pp. Mostly full-color illustrated pages. 8¼x6¼, blue cloth- backed color pictorial boards. First American Edition. New York: Random House, [1936] Rear pages contain a list of objects to be found by the reader within each illustrated page, lists the words in both English and French. Spine a touch darkened, lightly smudges boards, a few faint stains, edges rubbed; very good. (150/250)

41. (Carle, Roger) Baudelaire, Charles. Les Fleurs du Mal. 285 pp. 18 full-page color plates by Roger Carle. (4to) 12x9, unbound sheets in wrappers (as issued), chemise, slipcase. One of 900 copies. [Paris]: Jean Landru, [1946] Some light wear, soiling and fading to slipcase and chemise; near fine. (300/500)

42. Carroll, Lewis. Alice’s Adventures in Wonderland [and] Through the Looking Glass and What Alice Found There. 2 volumes. Portrait frontispieces. Illustrated by Peter Newell with 40 plates in each volume. Each text leaf with large green decorative border by Robert Mary Wright. 8½x5¾, original boards, gilt-lettered and with gilt-embossed vignettes on front covers, top edges gilt. First Newell Editions. New York: Harper & Brothers, 1901-02 With the captivating Peter Newell illustrations. Spines darkened, some light wear at edges, gift inscriptions on front free endpapers; very good. (400/600) Page 9 43. Carroll, Lewis. Sylvie and Bruno Concluded. xxxii, 423, +[6] ad pp. (8vo) 7¼x5, original gilt stamped red cloth, all edges gilt, dust jacket. First Edition. London: Macmillan, 1893 Very rare in the original jacket. Laid in is a leaf requesting the return of copies of the ‘Sixtieth Thousand’ printing of Through the Looking Glass due to the inferior printing of the illustrations, promising a copy of the next issue in exchange. Numerous chips and tears to jacket, price clipped from spine of jacket; small spot of fading to spine cloth matching clipped price, a touch of wear to cloth; near fine in a fair jacket. (300/500)

44. (Chagall, Marc) Sorlier, Charles. Chagall Lithographs, 1980-1985. (4to) 12½x9½, tan cloth, dust jacket, slipcase. First American Edition. New York: Crown, [1986] The sixth and final volume of Sorlier’s catalogue of Chagall’s lithographs. Fine (100/150)

45. (Chagall, Marc) Chagall Peintures 1942-1945: Poème de Paul Éluard. 8 (two unbound signatures) pp. 16 color plates tipped in on loose leaves all within portfolio. 15x11, portfolio. One of 195 copies. Paris: Les Éditions du Chêne, 1947 Beautiful color reproductions of Chagall’s works. Dampstains, yellowing, chipped portfolio; dampstaining to gutter edge of text signatures; illustrations are near fine; portfolio is good. (200/300)

TWO LOTS WITH ORIGINAL LITHOGRAPHS BY MARC CHAGALL 46. Chagall, Marc. Drawings for the . Text by Gaston Bachelard. Illustrated by Chagall, including 24 color lithographed plates and 96 reproductions in black and white. 14x10¼, color lithographed pictorial boards. New York: Harcourt, Brace, [1960] American issue of Dessins pour la Bible, printed in France by Draeger Fréres, the color lithographs produced by Mourlot Fréres. Issued as Verve double number 37/38, the illustrations by Chagall deal with biblical themes which he had in general not covered in his 1956 work Illustrations for the Bible, which comprised Verve 33/34. Front joint starting to crack, very light wear to extremities, tiny call number pasted to lower spine; endpapers replaced; illustrations fine; else very good. (5000/8000)

47. Chagall, Marc. Illustrations for the Bible. Text by Jean Wahl. Appreciation by Meyer Schapiro. Illustrated throughout by Chagall, including 16 original color lithographs and 12 in black. 14x10½, lithographed boards. First American Edition. Lot 46 New York: Harcourt, Brace, [1956] Chagall’s masterful interpretation of the Old Testament. The French edition of the book constituted a double number (33-34) of Verve; this American edition, published by Harcourt, Brace & Co., was produced in France as the French edition, with the heliogravures printed by Draeger Freres, and the lithographs, both color and black, printed by Mourlot Freres. Wear to extremities, spine reinforced at head and heel with tape; front hinge repaired; illustrations are fine; else very good. (4000/6000)

Page 10 48. (Children’s Literature) Collection of children’s publications. Including: Four volumes from Randolph Caldecott’s Picture Books series, titles include: Picture Book No. 1 (containing three stories). 5¼x4½, boards. Frederick Warne & Co., [c.1900]. * Picture Book No. 4 (containing four stories). 4¼x5¼, boards. * The Diverting History of John Gilpin: Showing how he went... 9x8¼, boards. Frederick Warne & Co., [c.1900]. * The Three Jovial Huntsmen. 9x8, wrappers. Dampstaining the wrapper spine. George Routledge & Sons, [c.1890]. * Fox, Frances Margaret. Little Bear at Work and at Play. 7½x6, boards. Pencilling at endpapers. Rand McNally, [1920]. * Fox, Frances Margaret. Little Bear and His Friends. 7½x6, boards. Pencilling at endpapers. Rand McNally, [1921]. * Morrow, Elizabeth. The Rabbit’s Nest. 5x3½, boards, dj. First Printing. Macmillan, 1940. * Kent, Rockwell. A Northern Christmas. 6½x4½, boards, slipcase. First Random House Edition, 1983. * Harris, Joel Chandler. The Story of Aaron (So Named) The Son of Ben Ali... 8¼x6, cloth. Front hinge cracked, few pages loose. Houghton, Mifflin, 1897. * Gruelle, Johnny. Raggedy Ann Stories. 9x6, boards. Spine lacking, lots of writing in pencil to numerous pages, hinges cracked, smudges within; good. Seventy-third Edition. P.F. Volland, [1918]. Together ten volumes, with illustrated covers and most with color illustrations within. Various places: Various dates Also includes two volumes which house audio recordings of children’s songs, including: The Merry Midget: The Ninth Bubble Book. 3 graphophone records inserted into pockets with the story printed on the pockets as well as pages within. 5½x6½, boards. Harper & Brothers, 1919. * The Gingerbread Boy. Narrated by David Allen. 2 phonograph records insert into two pockets, the story printed on the pockets. 10x10. Columbia Records, 1947. All together a unique little collection of children’s books and records. Some degree of edge wear to each from very mild to heavy; a few specific condition reports above; generally very good overall. Sold as is. (300/500)

49. (Chinese Art) Chinese art in two volumes. 2 volumes. Each with a few pages of text and title page followed by many plates. Black and white and color plate reproductions of Chinese paintings, each with a tissue paper page of text before it. 19x13, decorative paper over boards, bound with purple rope, spine covered with gold floral silk, top and bottom edges gilt. No place: No date Absolutely stunning color reproductions, some with gilt embellishments. Representing various Chinese painting genres such as landscapes, birds and flowers, Buddhist figures, scenes of home life, costume, and portraiture. Edge wear to paper over boards, a bit of wear, including small portions lacking from spine silk; a few pages of text are foxed; very good; plates are fine. (200/300)

50. (Christmas) 48 illustrated Christmas books. Some of the titles: Dr. Seuss. How the Grinch Stole Christmas. Glossy color pictorial boards. First Edition, First Printing. Random House, [1957]. * Rieu, E.V. St. Mark’s Gospel. Linen, leather spine label. One of 1250 copies. Curwen Press, [1951]. * Mencken, H.L. Christmas Story. Cloth, color pictorial dust jacket. First Edition. Knopf, 1946. * Meeker, Ezra. Uncle Ezra’s Pioneer Stories for Children: To Point a Moral or Teach A Lesson. Original color pictorial wrappers. [Privately Printed, c.1915]. Various places: Various dates Younger & Hirsch 33. Full list of titles available upon request. Edge wear to each; good to very good. (200/300)

51. Covarrubias, Miguel. Pageant of the Pacific. 6 color maps, each illustrating a different aspect of the Pacific. 4 are approximately 53.5x85 cm. (21x33½”), 2 are approximately 35x56 cm. (13¾x22”), plus margins. Loosely draped around wooden dowel in the original portfolio, text booklet present. First Edition. San Francisco: Pacific House, 1940 Striking color representations of the Pacific, the Americas, Australia and part of Asia, covering Peoples of the Pacific; Fauna and Flora of the Pacific; Art Forms of the Pacific Area; Economy

Page 11 of the Pacific, etc. These are reproductions of the six murals by Covarrubias in Pacific House, Theme Building of the Golden Gate International Exposition on Treasure Island. Fine condi- tion, rarely found thus. (400/600)

52. (Cox, Palmer) Metal plate embossed with pictures of Palmer Cox’s Brownies, with circular alphabet surround. 9” in diameter. No place: 1896 The Brownies are pictured climbing up onto a table and stirring some concoction in a bowl, with a verse “Up the Table See Them Climb/ Ready for a Jolly Time/ In the Dishes on a Run/ Brownies Flocking to the Fun.” Around the lip of the plate is an alphabet from A to Z, Brownies between each letter. Very good condition. (400/600)

53. (Cruikshank, George) Gore, Mrs. The Inundation; Or, Pardon and Peace. A Christmas Story. [iv], 222 pp. Four plates by George Cruikshank. (12mo) 6¼x4, later full blue straight-grain calf, gilt floral borders, spine gilt, morocco label, gilt dentelles, all edges gilt. Original cloth bound in at rear. First Edition. London: Fisher, Son, & Co., [c. 1847] A Christmas Carol imitation. Lacking one spine label, a touch of edge wear; very good. (200/300)

54. Dalí, Salvador. Le Mythe Tragique de L’Angélus de Millet. 105, [6] pp. Illustrated with a two-page frontispiece drawing, and many tipped in plates, a few in color, by various artists. 10½x8¼, tan linen over boards, typed label and small illustration on front cover, canvas strap wrapped around covers, with silver buckle on front cover. [Paris]: Jean-Jacques Pauvert, [1963] A book of Salvador Dalí’s interpretation of the Millet painting The Angelus, published in French. A few marks to the title label on front cover, canvas strap a bit frayed at end, and where it has been woven through silver buckle; very good plus. (600/900)

FROM THE RARE BIBLIOMANIAC EDITION OF DE KOCK’S WORKS 55. De Kock, Charles Paul. Sister Anne (Volume 1 only) from the Bibliomaniac Edition of the Works of Charles Paul De Kock. (8vo) 9½x6½, full red morocco with floral gilt and morocco onlay designs, tall raised bands on spines, full morocco doublures and endleaves top edges gilt, other edges untrimmed. Hand illuminated initial letters, head- and tail-pieces throughout. Original red morocco case. From the Bibliomaniac Edition, limited to only 10 sets printed on vellum. Boston: Frederick J. Quinby, [1902] Illustrated with an original etching by Jacques Reich, original watercolors by Albert de Ford Pitney (2), G.A. Williams, Walter Russell, 2 original pen and ink drawings by E. Boyd Smith, 2 original pen and ink drawings by W.M. Crocker. Some wear to case; volume fine. (4000/6000)

Lot 55 Page 12 56. De Kock, Charles Paul. Three volumes from the Romainville Edition of the Works of Charles Paul De Kock. 3 volumes including: The Child of My Wife * Andre - The Savoyard. Volume 1 only. * The Damsel of the Three Skirts. (8vo) 9½x6½, full green morocco with floral gilt and morocco onlay designs, tall raised bands on spines, full morocco doublures and endleaves top edges gilt, other edges untrimmed. Hand illuminated initial letters, head- and tail-pieces throughout. From the Romainville Edition, limited to 25 lettered sets. Boston: Frederick J. Quinby, [1903] The Child of My Life illustrated by W.J. Sinnott (2 original pen and ink drawings), C. White (2 original etchings), and Louis Meynelle (2 original pen and ink drawings). The Damsel illustrated in its entirety by Louis Meynelle with 4 pen and ink drawings, an original watercolor, an original etching (in two states), and 4 photogravures from drawings by Meynelle (in two states). Andre (Volume I) illustrated in its entirety by with 2 original etchings (each in two states, one state signed), an original etching in color (in two states, one state signed), four original pen and ink drawings in the text, and four photogravures (each in two states) 2 of which are signed. Some light wear and fading to bindings; plates fine. (6000/9000) Lot 56 FOUR LOTS OF DISNEY ART BOOKS 57. (Disney, Walt) Barks, Carl. The Fine Art of ’s Donald Duck. 311 pp. Illustrated throughout in color and black & white. (4to) 12x10½, red cloth, color pictorial label on front, slipcase. One of 1875 copies of the McDuck Edition. Scottsdale: Another Rainbow Publishing, [1981] Signed by Barks at the limitation. Some wear to slipcase, soiling along bottom edge (paint?); near fine. (1000/1500)

58. (Disney, Walt) Rebello, Stephen & Jane Healey. The Art of Hercules: The Chaos of Creation. 192 pp. Color illustrations throughout. (Oblong 4to) 11x12, red cloth pictorially stamped in blue, all edges gilt, slipcase. One of 1000 copies. New York: Hyperion, [1997] Signed by Disney President Peter Schneider, Producer Alice Dewey, and Directors Ron Clements and John Musker. With an original ‘sericel’ reproducing a scene from the original artwork of the film. Cloth coming unglued from one edge of slipcase; else fine. (150/250)

59. (Disney, Walt) Thomas, Bob. The Art of Animation: The Story of the Disney Studio Contribution to a New Art. 181, [7] credits + index pp. Illustrated from color lithographed art from Disney movies, and color photographs. 11x8, color pictorial boards, dust jacket. [New York]: [Golden Press], [1958] Spine heel and upper edge of front panel lightly chipped, head of spine lacking about ½” chip; light wear to volume extremities; price in ink on front free endpaper; else a near fine volume in a very good jacket. (200/300)

Page 13 60. (Disney, Walt) Thomas, Frank & . Disney Animation: The Illusion of Life. 575 pp. Profusely illustrated throughout, nearly 500 are in color. 4to. Gilt-decorated red cloth, color pictorial jacket, color pictorial slipcase. First Edition, deluxe issue. New York: Abbeville Press, [1981] Signed by both authors and containing a foot of original film “from a classic Disney feature” (this one showing two dwarves from Snow White). Light wear to slipcase; else fine. (300/500)

61. Doré, Gustave. The Legend of the Wandering Jew: A Series of Twelve Designs. [4] text pp. + 12 full-page engravings by Gustave Doré. (Folio) 13¾x11, original pictorial cloth stamped in black and gilt. Chicago & New York: Beldford, Clarke & Co., [c. 1885] Doré’s dark interpretations of the medieval legend of the wandering Jew. Cloth discolored, some browning to paper; good. (100/150)

62. [D’oyly, Sir Charles]. Tom Raw, The Griffin: A Burlesque Poem, in Twelve Cantos. x, 325 pp. 25 hand- colored plates. (8vo) 9¼x5¾, later red half morocco and cloth, spine gilt, top edge gilt. First Edition. London: R. Ackermann, 1828 Abbey, Travel: 450; Tooley 186. A touch of wear to extremities; one plate, and the opposing leaf of text, with stain from a drop of ink; some offsetting; very good. (500/800)

63. Dykes, Jeff. Fifty Great Western Illustrators: A Bibliographic Checklist. Illustrated with reproductions of paintings & drawings. 11½x9, two tone pictorial cloth, spine lettered in silver, slipcase. No. 117 of 200 copies of the Collector’s Edition. First Edition. [Flagstaff, AZ]: Northland Press, [1975] Signed by Dykes on limitation-page. Fine (300/500)

64. Erté. My Life / My Art. 240 pp. Illustrated throughout including many photographs. (Folio) 13½x10¼, full blue leather, illustrated label on front, spine lettered in silver, matching blue leather box. One of 1000 copies. New York: Dutton, [1989] Signed by Erté on limitation leaf. Light wear to box; near fine. (300/500)

65. Evans, Henry. Orchids - linoleum-block print. On sheet 19¾x13½, signed, titled and numbered in pencil below the image. 43/93. San Francisco: 1968 Three orchid blooms by Henry Evans (1918–1990), proprietor of the Porpoise Book Shop and Peregrine Press, began making botanical prints around 1958, depicting some 1400 subjects in 31 years. During those years he was accorded more than 250 one-man shows in many countries around the world and almost every state. Self-taught as a printer, botanist, and artist, he drew directly from living subjects. He used linoleum as a printing surface and an 1852 Washington Hand Press to make the prints. After printing, the blocks were destroyed. Fine. (300/500)

Lot 65 Page 14 66. Evans, Henry. Pinor Blanc - linoleum-block print. On sheet 19¾x13½, signed, titled and numbered in pencil below the image. 26/75. San Francisco: 1969 Grapes and leaves linoleum cut by Henry Evans (1918–1990), proprietor of the Porpoise Book Shop and Peregrine Press, began making botanical prints around 1958, depicting some 1400 subjects in 31 years. During those years he was accorded more than 250 one-man shows in many countries around the world and almost every state. Self-taught as a printer, botanist, and artist, he drew directly from living subjects. He used linoleum as a printing surface and an 1852 Washington Hand Press to make the prints. After printing, the blocks were destroyed. Slight discoloration at right edge, still fine. (300/500)

67. Evans, Henry. Sun in Space - linoleum-block print. On sheet 19¾x13, signed, titled and numbered in pencil below the image. 50/90. San Francisco: 1968 Unusual creation from the artist/printer best known for his botanical prints. He used linoleum as a printing surface and an 1852 Washington Hand Press to make the prints. After printing, the blocks were destroyed. Fine condition. (300/500)

INSCRIBED BY WALKER EVANS 68. Evans, Walker. Message From the Interior - inscribed copy. Afterward by John Szarkowski. 12 gravure plates of photos by Evans, each with glassine guard. (Folio) 14¼x14¼, original cloth, paper label on front. First Edition. New York: Eakins Press, [1966] Inscribed to an employee of the Stinehour Press, which is attributed on the copyright page for the letterpress. Front free endpaper reads, “C. Freeman Keith Gratefully Walker Evans.” Photographs of the heartland of America as seen by Evans from 1931 to 1962. A touch rubbed at spine tips and corners, spine a little tender; near fine. (1200/1800)

69. Fellowes, Daisy. Les Dimanches de la Comtesse de Narbonne. 192, [3] pp. Illustrated throughout from drawings by Vertès. 10x7¾, modern cloth. First Edition. Paris: Éditions de France, [1935] No. 339 out of 1000 copies. Title page with two tape repairs near gutter; else internally fine. (400/600)

70. Flack, Marjorie and Kurt Wiese. The Story About Ping. Color lithograph illustrations on every page by Kurt Wiese. 9x6¾, cloth-backed color pictorial boards, matching dust jacket. First Edition. Viking Press, 1933 The story of a duckling on the Yangtze River. No other editions stated, original $1.00 price present on dust jacket. One very short closed tear to jacket edge, very lightly chipped at head and heel of spine; edge wear to boards; very good overall. (300/500)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 15 LARGE COLLECTION OF BOOKS BY OR ILLUSTRATED BY WILLIAM RUSSELL FLINT 71. Flint, William Russell. Bagno Della Marchesa (Women in bath) - original etching. Etching on paper. 10½x7¾, matted and framed under plexiglass. Numbered XLV and signed by Flint in ink in lower margin. No place: No date Four women cavort in a Roman bath. Very slight toning to paper; near fine. (500/800)

72. Flint, William Russell. Breakfast in Périgord. Illustrated with woodblocks from drawings by William Russell Flint. 12½x8¼, quarter black levant morocco & white boards, top edge gilt, slipcase. No. 340 of 550 copies. London: Printed for the Author, 1968 Signed by Flint in the colophon. Fine condition. (200/300)

Lot 71

73. Flint, William Russell. Celinda’s Precaution - original etching. Etching on J. Watman paper. 7¼x4½ plus margins, matted & framed under plexiglass. Numbered LXXV (of 75) and signed by Flint in ink in lower margin. No place: No date Nude woman on a rocky shore. Fine. (400/600)

74. Flint, William Russell. Drawings. Illustrated throughout from drawings by William Russell Flint. 14x10, cloth, jacket. First Trade Edition. London: Collins, [1950] Accompanied by an autograph letter signed by Flint, on his Camden Hill letterhead, to a Mr. Sayers, referring to his (Flint’s) wife’s illness, asking Sayers to procure a book, and writing about this book: “That book of my Drawings gave me a lot of fun in arranging it - I quite took charge of every page - aiming at simplicity. I trust you don’t disapprove!” Jacket with some rubbing, price clipped; some foxing to endpapers, paper remnants to rear pastedown, very good. (200/300)

75. Flint, William Russell. In Pursuit: An Autobiography. Illustrated from drawings, paintings, etc., by William Russell Flint, some color. 14x9½, quarter red morocco & cloth, spine lettered in gilt, raised bands, top edge gilt, slipcase. No. 411 of 850 copies so bound, from a run of 1050 copies. London: The Medici Society, [1970] Signed at the colophon by Francis Russell Flint (son of W.R. Flint, who passed away in 1969). Fine in original cardboard carton (300/500)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 16 76. Flint, William Russell. Minxes Admonished or Beauty Reproved. An Album of Deplorable Caprices Faithfully Narrated & Modestly Embellished. With sepia illustrations by William Russell Flint reproduced in photogravure; color frontispiece & title-page illustration. 12x7¼, quarter niger & marbled boards, spine lettered in gilt, top edge gilt, slipcase. No. 361 of 500 copies so bound. [London]: Golden Cockerel Press, 1955 Slipcase with a few dings, volume spine sunned a touch; near fine. (250/350)

77. Flint, William Russell. Models of Propriety: Occasional Caprices for the Edification of Ladies and the Delight of Gentlemen. Illustrated with drawings in sepia by the author, reproduced in photogravure. 10¾x7¼, blue & yellow cloth gilt, top edge gilt. No. 442 of 500 copies. London: Michael Joseph, [1951] Signed by Flint on the limitation-page. Fine condition. (200/300)

ORIGINAL PASTEL BY WILLIAM RUSSELL FLINT 78. Flint, William Russell. “The Pretty Gypsy in the Stocks” - original pastel drawing. Pastel drawing in burnt sienna on paper, signed by Flint in lower left. 8x12, matted & framed under plexiglass. No place: No date Fine condition. (1000/1500)

Lot 78

79. Flint, William Russell. Shadows in Arcady. Decorations and initials designed by William Russell Flint. 10½x7¼, blue & black cloth gilt, slipcase. One of 500 copies. London: Charles Skilton, 1965 Signed by Flint on leaf facing colophon. Fine condition in slightly rubbed slipcase. (200/300)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 17 80. (Flint, William Russell) Herrick, Robert. One Hundred and Eleven Poems by Robert Herrick. Selected, Arranged and Illustrated by William Russell Flint. Numerous illustrations by Flint, most in sepia, frontispiece and title-page in color. 10¾x7½, ¼ cream parchment with blue cloth boards, front cover stamped in gilt, spine lettered in gilt, top edge gilt, other edges untrimmed, slipcase. No. 466 of 445 hand-numbered copies, out of 550 total copies. [London]: Golden Cockerel Press, 1955 Slipcase with a bit of rubbing and wear; very slight bump to volume spine head, else near fine. (200/300)

81. (Flint, William Russell) Homer. The Odyssey of Homer. Done Into English Prose by S.H. Butcher & Andrew Lang. With 20 tipped-in color plates from water colors by William Russell Flint; printed tissue guards. 11¼x8½, cream buckram, leather spine labels, top edge trimmed, others untrimmed, jacket, later slipcase. No. 237 of 530 copies. London: Medici Society, 1924 Jacket spine rubbed, chips and fraying at ends, a few short edge tears; volume fine. (400/600)

82. (Flint, William Russell) Kingsley, Charles. The Heroes; or, Greek Fairy Tales for My Children. xvii, [1], 113, [2] pp. With 12 mounted color plates from paintings by William Russell Flint; printed tissue guards. 10½x8, original full limp vellum lettered in gilt, top edge gilt, others untrimmed, ribbon ties, jacket, with later slipcase. No. 130 of 500 copies printed on hand-made Riccardi paper in the Riccardi Press fount by Charles T. Jacobi. London: Philip Lee Warner/Medici Society, 1912 Jacket with mild fading, ½” hole in spine, ends a bit chipped; volume fine. (500/800)

83. (Flint, William Russell) Malory, Thomas. Le Morte Darthur: The History of King Arthur and of his Noble Knights of the Round Table. 2 volumes. With 36 color plates by William Russell Flint. 8¾x5¾, original green cloth, jackets with color pictorial labels. London: Jonathan Cape and the Medici Society Ltd., [1923] First jacket lacking all of the spine strip, a few chips and tears to the panels, verso tape repairs; 2nd jacket spine darkened with chips, verso paper repair/reinforcement reattaching it to the panels; else volumes very good, jackets fair to good. (200/300)

84. (Flint, William Russell) Marcus Aurelius Antoninus. The Thoughts of the Emperor Marcus Aurelius Antoninus. Translated by George Long. With 12 tipped-in color plates by William Russell Flint; printed tissue guards. 10½x7¾, gilt-lettered limp vellum, ribbon ties, top edge gilt, others untrimmed. No. 153 of 500 copies printed on hand-made Riccardi Paper. London: Philip Lee Warner/Medici Society, 1909 Normal darkening/discoloration to vellum; a few scattered fox marks within, very good to near fine. (300/500)

85. (Flint, William Russell) Theocritus, Bion and Moschus. The Idylls of Theocritus [Bion & Moschus]. Rendered into English Prose by Andrew Lang. 2 volumes. With 20 mounted color plates by William Russell Flint; printed tissue guards. 10½x8, original full limp vellum lettered in gilt, ribbon ties, top edges gilt, others untrimmed, jackets, later slipcase. No. 177 of 500 copies printed by Charles T. Jacobi in the Riccardi Fount on handmade Riccardi paper. London: The Medici Society, 1922 Signed by William Russell Flint on the limitation-page of Vol. I. Jacket spines faded, small spot to front panel of Vol. II jacket; volumes fine. (500/800)

Page 18 86. (Flint, William Russell) Theocritus, Bion and Moschus. The Idylls of Theocritus [Bion & Moschus]. Rendered into English Prose by Andrew Lang. 2 volumes. With 20 mounted color plates by William Russell Flint; printed tissue guards. 10½x8, original linen-backed boards, paper spine & cover labels, top edges gilt, others untrimmed, jackets. No. 347 of 500 copies printed by Charles T. Jacobi in the Riccardi Fount on handmade Riccardi paper. London: The Medici Society, 1922 Fading to jackets with edge and extremity wear; some soiling and discoloration to boards, corners rubbed or lightly bumped, offset to endpapers, darkening to extreme pate edges, bookplates of Kenneth T. Gemmell, else very good. (300/500)

87. (Flint, William Russell) Judith. Reprinted from the Revised Version of the Apocrypha. Introduction by Dr. Montague R. James. With 4 tipped-in color plates by W. Russell Flint; plus an extra suite of the same 4 color plates, laid inside the original folder. 9¾x7½, limp vellum lettered in gilt, ribbon ties, top edge gilt, others untrimmed, slipcase. No. 52 of 100 copies. London: The Haymarket Press, 1928 Signed by the artist in the colophon. Slipcase with rubbing and darkening, ¾” piece of bottom panel missing; volume fine. (300/500)

88. (Flint, William Russell) The Book of Tobit and the History of Susanna. Reprinted from the Revised Version of the Apocrypha. xvi, 47 pp. Introduction by Montague R. James. Illustrated with 4 tipped-in color plates from paintings by W. Russell Flint. 10x7½, full limp vellum, lettered in gilt, ribbon ties, top edge gilt. No. 5 of 100 copies. London: The Haymarket Press, 1929 The extra suite of plates is not present with this copy, nor is the slipcase. Minor discoloration to the vellum, very good or better. (200/300)

89. (Flint, William Russell) Chaucer, Geoffrey. The Canterbury Tales of . 3 volumes. The Text of Walter W. Skeat. With 36 mounted color plates by William Russell Flint; printed tissue guards. 10½x7¾, half linen & boards, paper cover & spine labels, top edges gilt, others untrimmed. No. 416 of 500 copies printed by Charles T. Jacobi in the Riccardi Fount on handmade Riccardi paper. London: Philip Lee Warner/Medici Society, 1913 Some very minor discoloration to the boards; offset to endpapers, near fine. (700/1000)

90. (Flint, William Russell) The Song of Songs Which is Solomon’s. With 10 tipped-in color plates by William Russell Flint; tissue guards. 10½x7¾, quarter linen & boards, paper labels on spine and cover, additional labels tipped-in at rear, top edge gilt, others untrimmed. No. 94 of 500 copies printed on handmade Riccardi paper. Lot 89 London: Philip Lee Warner/Medici Society, 1909 Spine label a bit worn, minor discoloration to boards; offset to endpapers, very good or better. (200/300)

Page 19 91. (Flint, William Russell) Lot of two large-format volumes on the work of William Russell Flint. Includes: The Water-Colours of W. Russell Flint RWS RSW. Foreword by Malcolm C. Salaman. [4], 8 pp. With 8 tipped-in color plates; tissue guards. 14¼x16½, black boards lettered in silver, rebacked with paper, new endpapers repairing some edge wear to boards. London: The Studio, 1920. * The Art of the Illustrator: W Russell Flint and His Work. With a 16pp. booklet bound in, and six tipped-in color plates demonstrating the progression of a water-color drawing by Flint. No. 10 in the series. 16x10¾, wrappers. London: Press Art School, [c.1920]. Together, 2 volumes. London: 1920 Both about very good. (200/300)

92. (Flint, William Russell) Lot of 7 volumes illustrated by William Russell Flint. Includes: Thomas a Kempis. Of the Imitation of Christ. Full vellum gilt, t.e.g.(discolored, internal foxing). 1908. * Arnold, Matthew The Scholar Gipsy & Thyrsis. Full vellum gilt, t.e.g., jacket. 1910. * Judith. 2 copies. Parchment boards, t.e.g., jackets (the latter which are soiled & darkened). Each 1 of 875 copies. * Famous Water-Colour Painters: W. Russell Flint. 1928. * Gilber. The Mikado or the Town of Titipu. (Ex-library with markings.) 1928. * de Mairobert. Memoirs of Madame du Barry. 1956. Together, 7 volumes. Illustrated by Flint with color plates. Cloth or boards except as noted. Various places: Various dates Good to very good condition. (200/300)

93. (Flint, William Russell) Lot of 12 volumes of exhibition catalogues, biographies, tributes, etc., of William Russell Flint & his work. Includes: Famous Water-Colour Painters: W. Russell Flint. Jacket. 1928. * Modern Masters of Etching: W. Russell Flint. 1931. * Palmer. More Than Shadows: A Biography of Sir William Russell Flint. Jacket. [1948]. * Drawings. Jacket. 1950. * Sir William Russell Flint, R.A., R.W.S. A Precis of Appreciations During Half a Century. 2 copies, each 1/750 1963. * Works by Sir William Russell Flint, R.A. Royal Academy of Arts, Diploma Gallery. 3 copies, 2 in wrappers, 1 rebound in half calf & marbled boards. 1962. * Exhibition of Works by Sir William Russell Flint, RA PPRWS. Diploma Gallery, Royal Academy of Arts. Wrappers bound in half calf & marbled boards. 1962. * Frost & Reed Gallery. Exhibition: The Works of Sir William Russell Flint. c.1965. * A Jubilee Exhibition: Sir William Russell Flint. c.1965. Together, 12 volumes. Most with illustrations by William Russell Flint. Cloth or boards except as noted. Various places: Various dates Generally very good or better. (300/500)

94. Freleng, Friz with David Weber. Animation: The Art of Friz Freleng. Volume 1 [all published]. Two volumes, the first with text and illustrations, the second with audio cassette, video cassette, and certificate of authenticity housed in a book shaped box. Illustrations throughout in color and black & white. 3 sericel prints. 9x11, faux-leather backed cloth, pictorial labels on front covers, slipcase, original clear plastic case. One of 4000 copies. First Edition. [Newport Beach]: [Donovan], [1994] Signed by Freleng at the limitation statement. Apparently, due to printing expense, not all copies were issued with the sericel prints. Cover illustrations peeling; else fine. (500/800)

RARE WORK WITH ILLUSTRATIONS BY WANDA GAG 95. (Gag, Wanda) Kellogg, Spencer, Jr. The Oak by the Waters of Rowan: A Meditative Essay. 12 ff (unpaginated). Decorations by Wanda Gag. 8¾x6, cloth backed patterned boards. One of 295 copies printed at the Aries Press. Village of Eden, New York: [Aries Press], 1927

Page 20 Woodcut decorations by Wanda Gag, best know for her prize winning book ‘Millions of Cats’. Very scarce. A touch of wear at edges, fading to boards; near fine. (300/500)

96. Gélis-Didot, P. and H. Laffillée. La Peinture Décorative en France du XIe au XVIe Siécle. xix, many unnumbered pp. plus 57 (of 60) chromolithographed plates. Black and white illustrations within text. 17x12, loose pages and plates housed within publisher’s green cloth covers, printed in gilt. Paris: Ancienne Maison Morel, [c.1885] Collection of examples of early decorations and paintings in French ecclesiastical buildings. Small library sticker to spine, ribbons not present, rubbed spine and edges, touch of fraying to spine; dampstains along one edge of preliminary pages; foxing largely limited to printed pages, scattered and very light marginal foxing to some plates; good. (100/150)

97. Genthe, Arnold. Impressions of Old New Orleans: A Book of Pictures. 250 pp. Foreword by Grace King. 101 photograph plates by Arnold Genthe. 11x8½, cloth-backed boards, dust jacket. First Edition. New York: Doran, [1926] Scarce dust jacket and volume. Dampstains to jacket front panel, many tape repairs to jacket along almost all edges and flap folds, spine, etc., chipped and torn jacket flaps; light edge wear to volume; else a near fine volume in a fair jacket. (150/250)

98. (Gershwin, George) Marie Harriman Gallery. George Gershwin: Painter. 1898-1937. 6 pp. on 3-leaf conjugate fold. 2-page introduction by Frank Crowninshield. Listing of 39 paintings, drawings & watercolors by Gershwin. Tipped-in photograph of Gershwin painting. 9¾x7¾. New York: 1937 Rare brochure for an exhibit of paintings by the noted composer, who died in 1939 at age 39. He had taken up painting 8 years earlier. The exhibit was from December 18, 1937, to January 4, 1938, at the Marie Harriman Gallery. Ms. Harriman owned and operated the gallery from 1930 to 1942. Her first husband was Cornelius Vanderbilt Whitney, her second W. Averell Harriman. Soiling to the cover leaf, very good. (200/300)

99. (Gill, Eric) Dreyfus, John. A Typographical Masterpiece: An account by John Dreyfus of Eric Gill’s collaboration with Robert Gibbings in producing the Golden Cockerel Press Edition of ‘The Four Gospels’ in 1931. Folio, original cloth, glassine jacket. One of 450 copies. First Edition. San Francisco: Book Club of California, 1990 Inscribed by Dreyfus on front free endpaper. Light wear to jacket; volume fine. (200/300)

100. Groth, John. John Groth’s World of Sport. 152 pp. Illustrations throughout in color and black & white. (Oblong 4to) 8½x12, white cloth, dust jacket. First Edition. [New York]: Winchester Press, [1970] With an original sketch by Groth of a horse and rider on front free endpaper. Light wear to jacket edges; very good. (250/350)

101. (Guillon, E.) Les Animaux Sauvages et Domestiques: Album Pour les Enfants. 79 pp. 8 chromolithograph plates after artwork by E. Guillon, including frontispiece, and many engravings within text. 12½x9½, red gilt-decorated cloth, all edges gilt. First Edition. Paris: Garnier Frères, 1885 Introduction to wild and domestic animals, embellished with engravings after artists Marie Fir- min Bocourt, William-Henry Freeman, and Edouard-Yan Dargent. Edge wear, a few small spots of soiling to front cover; hinges cracked; plates near fine; else very good. (100/150) Page 21 102. Harman, Fred. The Great West in Paintings. 186 pp. Illustrations throughout in color and black & white. (Oblong 4to) 8x11½, two-tone cloth, dust jacket, cardboard slipcase. First Edition. Chicago: Sage Books, [1969] Original signed drawing by Fred Harman on front free endpaper. Cardboard slipcase split along one edge and with tape repairs; a touch of wear to jacket; near fine (200/300)

103. (Hawaii - Menus) Collection of 20 color menus and menu covers. Includes: 5 menus illustrated by Frank Mackintosh, for S.S. Lurline, Matson Line, February & March, 1940. 11¾x8¾. * 3 menu folders (blank inside) illustrated by Frank Mackintosh for the Matson Line, with same artwork as3 of the preceding. 11¾x8¾. * 6 flat, unfolded menu folders illustrated by Eugene Savage for the Matson Line. 13¾x20¾. (Glue residue in margins from earlier mounting.) c.1955. * 6 menus illustrated by John Kelly for the Royal Hawaiian Hotel. 14x10. 1950. Together, 20 menu or menu folders. No place: 1940s & 1950s Bright, captivating scenes from Hawaii and the Pacific Islands. Some mostly margins wear, a few stains, overall very good. (250/350)

104. Helland, Jon, compiler/artist. Sheba Land. 12 photographic plates mounted on 20x16 card backings, each with loose printed caption title card; 1 original black, white & gray painting of an Arab man in full garb, signed by Jon Helland, dated 1952, mounted inside matting; & 1 text/information leaf, providing title and publisher, history, etc. Folio plates laid loose inside publisher’s decorative portfolio box (cloth & boards) with folding flaps. [No place]: Directors of the American Foundation for the Study of Man, [c.1952] The photographic illustrations were executed by the foundation’s vice president, William Terry, and the art work and compilation by the foundation’s art director, Jon Helland. Signed on information / introduction leaf “To Sidney M. Ehrman” in blue ink at top and signed by the foundation president, Wendell Phillips, in brown ink at bottom. Rare tie-string broken off. Slight wear to portfolio box and edges card mounts, else fine. (150/250)

105. (Japanese Folk Art) Japanese Folk Art and Design, Volumes 1-4. 4 volumes. Profusely illustrated throughout from photographs. (4to), black cloth, dust jackets, slipcases. [Japan]: No date [1970s?] Pictorial history of the folk arts of Japan. Captioned in Japanese, a few leaves of descriptive text and indexes in English. Light wear to slipcases, dust jackets chipped; very good. (300/500)

106. (Japanese Shunga Pillow Book) Japanese Shunga or Pillow Book, with color woodblocks. 19 double leaves, 11 of them with color woodblocks on both sides, the remainder with line blocks. 7¼x4¾, wrappers, stitched. Japan: c.1860s-70s Charming and very graphic Japanese Shunga or pillow book, with much explanatory text, a boon to marital bliss. Modest soiling and wear, very good. (400/600)

107. (Johnson, Frank Tenney) McCracken, Harold. The Frank Tenney Johnson Book: A Master Painter of the Old West. 207 pp. Profusely illustrated from color and black and white plates reproducing artwork by Frank Tenney Johnson, including color frontispiece, and additional tipped in color plate on preliminary page before half-title. 13¼x10, leatherette with caste bronze medallion, all edges gilt, slipcase. One of 350 copies. Garden City, NY: Doubleday, 1974 Signed by the author on the limitation statement. The limited edition cast bronze medallion is of a portrait of the artist’s face. Slipcase with some shelf wear; else fine. (500/800) Page 22 108. (Kain, Earl E.) Thomas, Jerry. The Bon Vivant’s Companion...Or...How to Mix Drinks. liv, 169 pp. (8vo) 8½x5¾, original cloth. Seventh Printing. New York: Grosset & Dunlap, [1934] Additional illustrated throughout with over 40 watercolor drawings by Earl E. Kain. Some light wear to cloth; very good. (300/500)

109. Kelly, Ken. The Art of Ken Kelly. 95 pp. Color plates throughout. (4to) 12x9, full black padded leather stamped in gilt, slipcase. One of 500 copies with an original pen and ink drawing. Pittsburgh: Friedlander, [1990] Fine (300/500)

110. Kelly, John. Etchings and Drawings of Hawaiians. Profusely illustrated from artwork by John Kelly. 16x12, cloth-backed pictorial paper over boards. Second Printing. [Honolulu]: [Honolulu Star-Bulletin], 1943 Many artworks within reminiscent of ’s Tahitian girls. Three loose leaf drawings in pencil or charcoal, laid in. Each about 9x12. Two are signed D. Castro. Cover illustration chipping along edges, fairly light dampstain along bottom and right edge of front cover; internally near fine; externally good. (400/600)

111. (Kent, Rockwell) Voltair, Jean Francois Marie Arouet de. Candide. Illustrated by . 11x7½, cream linen decorated in gilt. One of 1470 copies. New York: Random House, 1928 Signed by Rockwell Kent at the colophon. Gilt decoration heavily rubbed, spine darkened, and frayed at head and heel; good; a few tiny marks or very small smudges within, else internally near fine. (100/150)

112. (King Albert’s Book) King Albert’s Book: A Tribute to the Belgian King and People from Representative Men and Women Throughout the World. 188 pp. Illustrated with 17 color plates by various artists (16 are tipped-in); 8 black-&-white or duotone plates; photogravure frontispiece portrait of the King; music notes; plus many other drawings and facsimile signatures in the text. 11x8½, original full black morocco stamped in gilt on front, spine lettered and decorated in gilt. First American Edition. New York: Hearst International Library Co., [1914] A tribute book sold to benefit the Belgian relief fund, with color plates by , , , , , and others; black and white illustrations by , , Joseph Pennell and others. The prose and poetry by Rudyard Kipling, Edmund Gosse, Eden Phillpotts, H. Rider Haggard, Sarah Bernhardt, (both the American novelist and the British statesman), and others. Scarce in this, the original leather bound variant. A touch of wear at edges; near fine. (200/300)

113. (King, Jessie M.) Wilde, Oscar. A House of Pomegranates. viii, 162 pp. Illustrated title page and 16 tipped in color plates by Jessie M. King. 10x7½, full blue morocco, spine gilt, top edge gilt. Sixth Edition overall; First Edition with these illustrations. London: Methuen, [1915] Original front cover cloth bound in at rear. Small scuff to front cover; previous owner’s gift inscription on half title; some foxing; very good. (300/500)

Page 23 114. (LaRue, Walt) Crowell, Valona Varnum. The Artist and the Bucking Horse. [v], 42 pp. Illustrated throughout. (8vo) 8½x5½, blue cloth. One of 100 copies. First Edition. [Taos]: [Art of the West], [1983] Signed by the author on title page. With an original signed sketch by Walt LaRue. Fine. (150/250)

115. Laboureur, J.E. Les Contes de Perrault. 199 pp., followed by lithographed plates, with accompanying pages of text. Within text are engraved plates by various artists. 11x9, wrappers, glassine dust jacket. Paris: René Hilsum, 1928 No. 339 out of 340 copies. Edge wear to jacket, lacking at head and heel of spine; volume with a few spots of soiling on front cover, rubbed, spine creased with a bit of chipping to head and heel; plates are near fine. (500/800)

116. Lager, James L. Leica: An Illustrated History. 3 volumes. 11x9, cloth, dust jackets. First Edition. [Closter, NJ]: [Lager Limited Editions], [1993-1998] Each volume with an 3¼x4¾ glossy color photograph laid in, replicating the unique photograph on their jacket front panel. Fine complete set. Fine. (100/150)

117. (Legrand, Edy) Voyages et Glorieuses Découvertes. des Grands Navigateurs et Explorateurs Français. [32] pp. Illustrated throughout in pochoir by Edy Legrand, including 2 folding maps; also, pictorial title and endpapers. (Folio) 14¾x10¾, pochoir colored paper over boards, cloth spine, glassine dust jacket. First Edition. Paris: Tolmer, [1921] Classic and artistic instructional French book to teach young readers about the lives and adventures of the great French explorers, including that of de la Salle, La Perouse and Cartier. Glassine jacket lacking largely on front panel, heavily chipped; boards rubbed, with a few spots of soiling; ink inscription on front free endpaper; title page yellowed; else internally a near fine volume. (200/300)

COLLABORATION BETWEEN GEORGES LEPAPE & PAUL POIRET 118. Lepape, Georges. Les Choses de Paul Poiret. 12 pochoir- colored plates, two folding. Sizes of the plates vary, all bound within a volume which measures 13x11½, boards, custom cloth box with gilt-lettered morocco label. One of 300 copies. [Paris]: 1911 Exquisite illustrations produced in collaboration with the women’s wear designer Paul Poiret, in a limited edition. Lepape studied at the Ecole des Beaux-Arts, and in addition to working with Paul Poiret, illustrated for fashion magazines such as Vogue and La Gazette du Bon Ton. Cloth box with light dampstain; very light edge wear to boards, a touch of smudging here and there; plates near fine. (5000/8000)

119. Lofting, Hugh. The Story of Doctor Dolittle. [10], 180 pp. Illustrated with drawings by Lofting throughout, color frontispiece with tissue-guard. Pictorial endpapers in silhouette. 8vo. Decorative orange cloth, color pictorial Lot 118 cover label. First Edition.

Page 24 New York: Frederick A. Stokes, 1920 The first book in the Doctor Dolittle series. Peter Parley to Penrod, 138. Spine a touch darkened, frayed a bit at head and heel, with a few very faint dampstains, light edge wear and a few smudges to covers; very good. (500/800)

ONE OF 10 COPIES ON VELLUM WITH AN ORIGINAL WATERCOLOR 120. (Lunois, Alexandre) Voragine J[acques] de. La Légende Dorée. Translated by H. Piazza. [vi], 152, [3] pp. Woodcut decorative borders and lithograph illustrations by Alexandre Lunois. All in 3 states (proof state on papier du Chine, finished state on vellum (colored in the case of the lithograph illustrations), another state on papier du Chine after plates destroyed). 80 colored lithographs in total. (Folio) 12½x9¾, later full red morocco, gilt ruled border on covers, spine extra gilt, raised bands, gilt rolled board edges, wide gilt dentelles, marbled endpapers. Original wrappers bound in. Bound by Pagnant. Housed in a morocco backed clamshell box. Copy Number 7 of 10 copies with an original watercolor by Lunois on the half title. Paris: Librairie Artistique, 1896 Initialed by the translator and the illustrator on the limitation leaf. Laid in is a 2 page Autograph Letter, signed, by Lunois to Claude Roger-Marx, in French, discussing the publication of the present work and the need for funds to finance the printing. A catalog from the Grunwald Center for the Graphic Arts centenary exhibition of the works of Alexandre Lunois (at which the present volume and letter were displayed, the letter is Lot 120 reproduced and translated within the catalog) is also included. One of the great fin-de-siecle illustrated books, and one of the first publications which can rightly be called a “livre d’artiste”. Ray 310. Light wear to extremities of box; a few very small spots of rubbing to volume; fine. (3000/5000)

121. [Lux, Joseph August]. Jung Wien. Ergebnisse aus der Wiener-Kunstgewerbe-Schule. 71+[1] ad pp. Illusrtrated throughout from photographs, drawings, architectural models, etc. 11½x8, cream cloth with reverse black lettering. Darmstadt: Verlags-Anstalt Alexander Koch, [1907] Very scarce monorgraph on the Seccession, with designated as Kochs Monographien XII with subtitle “Entwürfe zu Architekturen und Flächen-Dekorationen junger Wiener Künstler. Architekturen und Modelle, Gartenanlagen, Innen-Räume, Möbel, Plastiken, ferner Plakate, Malereien, Keramiken, Studien und dekorative Holzschnitte, ornamentale Schriften, Vorsatzpapiere und Tapeten, Webereien und Stickereien”. Presented are paintings, scuplture, fabrics, architectural renderings and other items by such artists as Carl Witzmann, Gustav Kalhammer, Ugo Zovett, Nora Exner, Moritz Jung and others. Lower corners slightly bumped; near fine. (800/1200)

122. Mallarmé, Stéphane. Madrigaux. Hand-colored illustrations by Raoul Dufy. 11x8¾, stiff plain wrappers, blue paper dust jacket printed in black. Paris: Éditions de la Siréne, 1920 No. 135 out of 1110 copies. Light edge wear to jacket, a few very short tears, a touch sunned, spine splitting in a few places; front stiff wrapper detached, but present; plates near fine. (600/900) Page 25 123. (Marchand, Phillipe) [Villier, Jacques]. The Paintings of Phillipe Marchand. 208 pp. Many color tipped-in lithograph plates, and black and white photographs. 14x11, linen, dust jacket. [Los Angeles]: Fine Arts Press, [1965] Four closed tears to jacket edges (each about 1-2”), one tear repaired with tape, a small hole in rear panel, and light edge wear overall; volume a touch rubbed at spine tips and corners; a bit of offsetting from the adhesive used for the tipped-in plates; very good plus. (300/500)

WITH LITHOGRAPHS BY MATISSE 124. (Matisse, Henri) Verve: Revue Artistique et Littéraire. Vol. IV No. 13. [62] pp. 2 plates with color pochoir over lithograph (“De la Couleurs” and “La Chute d’Icare”); 2 lithographic portraits of Angèle Lamotte. (4to) 13¾x10¼, original boards with pictorial wrapper. First Edition. Paris: Verve, [1945] One of the scarcer and more desirable issues of Verve. It includes work executed by Henri Matisse from a 1940-1945. Matisse designed the jacket cover artwork. Jacket chipped and worn at spine head and heel, and at corners; offsetting and mild residue from tape at endpapers; the first color lithograph foxed, both with offsetting on verso; very good. (2000/2500)

125. Maupassant, Guy de. Contes Choisis. Illustrations by Charles Hug. 8¾x6, pictorial boards. One out of 10,000 copies. Lot 124 Zürich: Büchergilde Gutenberg, [1947] Original drawing by Charles Hug of two dogs and a lamp post, on the first page, signed. Also signed by Hug at the limitation statement. The number that was written (out of 10,000 copies) on the limitation statement has been crossed out and is unreadable, also an additional inscription in French by Charles Hug(?) below that. The hand writing appears the same. Slight edge wear; very faint discoloration on the original drawing within; very good. (200/300)

126. Mautz, Carl. Biographies of Western Photographers: A Reference Guide to Photographers Working in American West. Preface by Richard Rudisill. 11x8½, cloth, dust jacket. First Edition. [Nevada City, CA]: Carl Mautz, 1997 Fine. (100/150)

127. (McLoughlin Brothers). The Ten Little Mulligan Guards. 12 pages with chromolithographed illustrations on top half, music and lyrics on bottom half of page. 9x10¾, illustrated wrappers. Rear wrapper with McLoughlin Brothers advertisement for “New Picture Books for Little Children.” New York: McLoughlin Brothers, [1874] Children’s song and game (instructions provided on the last illustrated page-also the verso of rear wrapper) about ten Little Mulligans who one by one disappear or suffer a violent death. Racist depiction and reference to a Black character that holds the Guard’s target sign throughout the song/story. Spine reinforced with tape, edge wear, creasing; some tiny spots of soiling and a bit of finger smudges to margins; very good. (150/250)

Page 26 128. Meigs, John. The Cowboy in American Prints. 184 pp. Illustrated throughout; original signed lithograph by Peter Hurd at front. (Oblong 4to) 9x12, half red leatherette and cloth, slipcase. One of 300 copies. Chicago: Sage Books, [1972] Signed at the limitation by Meigs. Some wear to slipcase; volume fine. (200/300)

129. (Miro, Joan) Leiris, Michel & Fernand Mourlot. Joan Miro Litografo I. 231, [4] pp. Illustrated throughout including 11 original lithographs (the dust jacket is also a (12th) lithograph). (4to) 12½x10, tan cloth, dust jacket. First Edition. Barcelona: Ediciones Poligrafa, [1972] The first of eventually 4 volumes on the lithographs of Miro. Fine. (400/600)

130. (Miró, Joan) Éluard, Paul. A Toute Épreuve. Illustrated throughout with wood engravings after Joan Miro. With accompanying text volume. 12¾x9½, in wrappers, housed together in board chemise and slipcase. First Edition Thus. New York: George Braziller, 1984 Stunning collaboration between the great surrealist poet and the great surrealist painter and illustrator. The 1984 reprint of the no. 75 Cramer imprint of 1958. Light wear to slipcase; else fine. (200/300)

131. Mortensen, William. The Command to Look: A Formula for Picture Success. 190 pp. 5¾x4¾, spiral bound leaves, in cloth-backed pictorial wrappers. First Edition, Third Printing. San Francisco: Camera Craft, [1943] Signed by William Mortensen, and inscribed to previous owner, Leslie Hoagland, on first blank leaf. Wrappers rubbed, with some very faint soiling; ownership rubber stamp on verso of rear wrapper; very good. (100/150)

132. Mortensen, William. Three volumes on photography instruction. Includes: Pictorial Lighting. First Edition. [1935]. * Flash in Modern Photography. Supplementary Notes by Don M. Paul. 2nd Edition. [1947]. * Outdoor Portraiture: Problems of Face and Figure in Natural Environment. First Edition. [1940]. Together three octavos bound in cloth, and in dust jacket. San Francisco: Camera Craft, Various dates Edge wear to each jacket, including very mild to moderately chipped edges, a few short closed tears; light edge wear to each volume. Condition varies a bit, generally very good. (100/150)

133. Mortensen, William. Three volumes on photography instruction, signed by William Mortensen. Includes: The New Projection Control. Third Edition, revised and enlarged. Second Printing. [1944]. * Flash in Modern Photography. Supplementary notes by Don M. Paul. First Edition. Second Printing. [1944]. * Print Finishing. First Edition. Third Printing. [1943]. Together three cloth octavos in dust jackets, each signed by William Mortensen. San Francisco: Camera Craft, Various dates Each inscribed in 1945 from William Mortensen to Leslie Hoagland, who owned a photography studio in Los Angeles, on the front free endpapers. Each dust jacket with some edge wear including short closed tears and chipping to edges; volumes with light edge wear; overall very good. (200/300)

Page 27 134. (Mother Goose) The Mother Goose Collection of Six Limited Edition Prints. 6 serigraph prints, each in the original glassine folder with printed label; single sheet of letterpress descriptive text. (Folio) 27x20¾, loose, as issued, in the original cloth backed box. Number 22 of 300 copies. New York: Serigrafia, Limited, [1990] A striking portfolio of prints by 6 leading illustrators: , , Barry Moser, Seymour Chwast, Daniel Palavin and . Each print signed by the artist in pencil at lower right. The most ambitious project from fine art publishers Serigrafia, 100 copies were retained for the use of the illustrators, 100 for Serigrafia, and 100 were donated to raise funds for The Children’s Health Fund at an initial offering price of $5000. Box bumped at corners and split along one inner corner, contents sheet detached from inside front cover; light wrinkle at corners (but well away from images); prints overall fine. (1500/2000)

RARE PRINTING OF THE MOTHER GOOSE MELODIES 135. (Mother Goose...) Mother Goose’s melodies. The only pure edition. Containing all that have ever come to light of her memorable writings, together with all those which have been discovered among the mss. of Herculaneum, likewise every one recently found in the same stone box which hold [sic] the golden plates of the Book of Mormon. The whole compared, revised, and sanctioned, by one of the annotators of the Goose family. With many new engravings. Entered, according to Act of Congress, in the year 1833, by Munroe & Francis, in the Clerk’s office, of the District Court of Massachusetts. 96 pp. Illustrated with wood engravings by Alexander Anderson, Abel Bowen, Nathaniel Dearborn, Alonzo Hartwell, and others. 5½x4½, original engraved pictorial wrappers. Boston: Printed and Published by Munroe and Francis, 1833-[1845?] Early and quite rare American edition of Mother Goose, with the provocative claim that the melodies had been found in the same stone box as the Golden Plates of the Book of Mormon, which had been published in 1830. Most of the melodies seem the standard ones, with some American usages. Among the more uncommon verses: “There was an old woman, and what do you think?/ She lived upon nothing, but victuals and drink:/ Victuals and drink were the chief of her diet,/ Yet this old lady scarce ever was quiet.” “See Saw Margery Daw,/ Sold her bed, and lay upon straw./ Was not she a dirty slut,/ To sell her bed and lay in the dirt?” and “What care how black I be?/ Twenty pounds will marry me./ If twenty won’t, forty shall,/ I’m my mother’s bouncing girl.” The illustrations, of which there are almost always one, and sometimes two, per page, are equally intriguing. The bibliography of this book is somewhat uncertain. There were a number of editions published by Monroe and Francis, and C.S. Francis, beginning around 1832, and some possibly as late as 1845. There are about a dozen copies Lot 135 of the various editions listed in the RLG Union Catalogue, with various differences. The present copy has an “alphabet rhyme” on pp. 93-4, which continued to page 95, with advertisement on page 96. Front wrapper creased and worn, corners torn off affecting imprint; lower corners of first three leaves torn off but affecting no text, about half of the remaining pages are dog-eared, top corner of second leaf torn off affecting a few letters and part of an illustration, top corner of rear wrapper missing; good to very good, a fragile and intriguing American imprint. (1500/2500)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder. Page 28 136. Mourlot, Fernand. Les Affiches Originales des Maîtres de L’École de Paris. 247 pp. Color plate reproductions of art by Marc Chagall, Pablo Picasso, Georges Braque, Henri Matisse, Joan Miró, Raoul Dufy, and Fernand Léger. 12¼x9½, yellow cloth lettered in blue, dust jacket. [Paris]: André Sauret, [1959] Color pictorial dust jacket of a Matisse artwork. Beautiful full page color plates enhance this reference text. Very slight edge wear to jacket; name in ink on front free endpaper; else near fine overall. (1000/1500)

137. Moynahan, J.M. The Western Art of Nancy McLaughlin. 86 pp. Brown faux-leather, dust jacket, slipcase. One of 100 copies. First Edition. Cheney, WA: Art of the Northwest, [1980] With an original watercolor by McLaughlin at front. Bookplate on front free endpaper. Fine. Lot 136 (200/300)

ONE OF 250 COPIES SIGNED BY MUNNINGS 138. Munnings, Alfred J. Pictures of Horses and English Life. Appreciation by Lionel Lindsay. Illustrated throughout with plates from works by Munnings, including 28 mounted color plates; printed tissue guards. 13½x10, gilt-lettered & stamped vellum, top edge gilt, others untrimmed. No. 170 of 250 copies. First Edition. London: Eyre & Spottiswode, 1927 Signed by Munnings on the limitation page. Munnings (1878-1959) was one of the best known British sporting painters of his time. Discoloration to upper front cover, stain to front free endpapers, still very good, internally clean - an important work in the field. (1000/1500)

139. (Nast, Thomas) Goss, Warren Lee. The Soldier’s Story of His Captivity at Andersonville, Belle Isle, and Other Rebel Prisons. 273 pp. With 4 wood-engraved plates from drawings by . 7½x4¾, original green cloth, spine decorated and lettered in gilt. Boston: Lee & Shepard, 1867 “Much useful data on the daily life and officials at such prisons as Charleston and Florence; very bitter against Confederates” - Nevins I, p.192. Thomas Nast’s graphic illustrations depict some of the cruelties inflicted by the rebels. Cloth a little rippled, joints, corners and spine ends rubbed; front hinge cracked, about very good, with bookplate of Philip A. Myers. (300/500)

140. Nesbit, E. The Railway Children. 309 pp. Frontispiece and plates throughout, drawn by C.E. Brock. 7½x5, blue cloth decorated in green, cream and red. First Edition. New York: Macmillan, [1906] Spine rubbed, and soiled a bit, some edge wear and a bit of rubbing else wear to covers; gift inscription in ink on front free endpaper; binding a touch shaken; else very good. (200/300)

141. Newhall, Beaumont. Three volumes. Includes: Focus: Memoirs of a Life in Photography. Remainder mark on bottom edge of page block, else fine. First Edition. Bullfinch Press, [1993]. * In Plain Sight: The Photographs of . Foreword by Ansel Adams. First Edition. Gibbs M. Smith, 1983. * The History of Photography: From 1839 to the Present Day. Revised and

Page 29 Enlarged Edition. Museum of Modern Art, New York, [1964]. Together three quarto cloth-bound volumes in dust jackets. Various places: Various dates One volume fine (see above); the other two with long closed tears to jackets, or chipping; very good. (100/150)

142. Orozco, José Clemente. José Clemente Orozco. Introduction by Alma Reed. Plates throughout reproducing frescoes, murals and other artwork by Orozco; frontispiece portrait from a photograph by . 11x8½, cloth, paper cover label. First Edition. New York: Delphic Studios, 1932 Signed by Orozco on the front flyleaf - the large, bold signature is a bit smeared in places. Accompanied by two pamphlets on the Mexican social realist painter, “The Orozco Frescoes at Dartmouth,” 1934, and “Orozco ‘Explains’: The Bulletin of the Museum of Modern Art,” 1940 (the latter with wrappers soiled, splitting along spine). Volume spine faded, lower corners bumped; ownership inscription on front endpaper, front hinge cracking; about very good. (300/500)

143. Papé, Frank C. Portrait of James Branch Cabell. Etching. Impression size 11¾x8¾ on 19¼x13 paper. One of 210 copies. U.S.A.: 1930 Portrait image of the celebrated early 20th century erotic fabulist, surrounded by fantastic figures from the stories of James Branch Cabell. Very slight crease and touch of yellowing at very top edge; else fine. (200/300)

144. Penn, Irving. Moments Preserved: Eight Essays in Photographs and Words. 13x9¼, cloth, spine lettered in black. First Edition. New York: Simon and Schuster, [1960] Inscribed on front free endpaper from Irving Penn to Howard D. Stevenson, and dated 1964. A touch of fraying to edges, and some soiling to covers; smudges on front free endpaper; very good. (300/500)

145. Penn, Irving. Passage. Profusely illustrated from photographs. 12½x10½, linen, dust jacket. First Edition. New York: Knopf, 1991 Still in original shrink-wrap, fine. (200/300)

146. Pennell, Elizabeth Robins. The Life and Letters of Joseph Pennell. 2 volumes. Illustrated with plates after Joseph Pennell and others. 9x6¼, calf-backed tan cloth, spines lettered in gilt, top edges gilt. Copy ‘L’ of Fifteen sets not for sale from a total edition of 265 copies. First Edition. Boston: Little, Brown, and Company, 1929 Signed by the author at limitation. Some light scuffing to calf; very good. (300/500)

147. Pennell, Joseph. Pen Drawing and Pen Draughtsmen. xxxvii, [1], 432pp. Illustrations throughout. (4to) 12x8¾, brown morocco-backed boards, top edge gilt. One of 150 copies from a total edition of 250 copies. New York: Macmillan, 1920 Signed by Pennell at limitation page. This is one of 150 copies containing an original drawing by Pennell. Head of spine chipped, joints rubbed, some soiling to boards; very good. (250/350)

Page 30 ORIGINAL PHOTOGRAPH BY MARGARET BOURKE-WHITE 148. (Photograph) Bourke-White, Margaret. Untitled (Caterpillar on a leaf). Gelatin silver photograph. 10¼x13¼ plus margins, matted No place: c.1938 With rubberstamp “Photo by Margaret Bourke-White” on verso. Some wear to corners, margins a little yellowed, ¼” tear in right margin; very good. (2500/3500)

Lot 148

149. (Photograph) Genthe, Arnold. Three portrait photographs. Three silver print photographs total (1 is a duplicate). Two identical bust portraits of Grace Chittenden Hudson, 7¾x5¾. The third is a portrait of Grace posing while seated, with her daughter Doris, 9x7¾. Each signed by Genthe and dated ‘07. [San Francisco]: 1907 Famed photographer of San Francisco’s Chinatown and post-earthquake scenes, Arnold Genthe was also an accomplished portrait photographer. One of the two duplicate photographs with crease through the middle; very slight edge wear; very good. (150/250)

150. (Photograph) Hanscom, Adelaide. Two photographic portraits. Two silver print portraits, each signed by Hanscom in ink at bottom. One mounted on card stock, photograph measures 5½x4 of a woman. The other portrait is 7x3¾ of another woman, with her daughter. [c.1906] Adelaide Hanscom (1876-1932) is best known for her work illustrating the 1905 translation of Rubaiyat of Omar Khayyam, and for her winning artwork for the competition to design the official emblem of the Alaska-Yukon-Pacific Exposition in 1909. Two very small dampstains to the individual portrait, glue residue on verso of the second portrait; very good. (200/300)

THIRTEEN LOTS OF PHOTOGRAPHS BY W. EUGENE SMITH 151. (Photograph) Smith, W. Eugene. Bruno Walter, 1951. Gelatin silver photograph. 10x13¼ plus margins, matted. No place: 1951-

Page 31 From Smith’s “Recording Artists” series. With Smith’s estate rubberstamp on the reverse, and exhibit label of Lowinsky Gallery, New York, on the back of the mat. Crease to upper left corner, very good or better. (700/1000)

152. (Photograph) Smith, W. Eugene. Daughter Shana in Inner Tube with Bottle. Gelatin silver photograph. 8¾x13¾, mounted on backing board. No place: No date Mount corners worn, a few slight scratches to image; very good. (500/800)

153. (Photograph) Smith, W. Eugene. Guido Cantelli listening to recording of Hindemith’s “Mathis der Maler”. Gelatin silver photograph. 10¼x13½, on mount 20x16. No place: No date Rubberstamp on mount verso noting “Photograph by W. Eugene Smith. This authenticated photograph was in the private collectikon of W. Eugene Smith at the time of his death - October 15, 1978.” Mount with minor extremity wear; image fine with just several miniscule nicks at edges. (1000/1500)

154. (Photograph) Smith, W. Eugene. Hitachi, Ltd. - Train Station. Gelatin silver photograph. 14x10 plus margins, matted. Japan: c.1961 Illustrated in “Japan...A Photographic Essay by W. Eugene Smith,” p.19. With Smith’s estate rubberstamp on the reverse, and exhibit label of Lowinsky Gallery, New York, on the back of the mat. Fine condition. (2500/3500)

Lot 154

155. (Photograph) Smith, W. Eugene. Hitachi, Ltd. - Two Men Reading the Newspaper. Gelatin silver photograph. 9¾x14½ plus margins, matted. Japan: c.1961 Illustrated in “Japan...A Photographic Essay by W. Eugene Smith,” p.16. With Smith’s estate rubberstamp on the reverse, and exhibit label of Lowinsky Gallery, New York, on the back of the mat. Fine condition. (1000/1500) Page 32 156. (Photograph) Smith, W. Eugene. Juanita with Potted Plant. Gelatin silver photograph. 10½x13¾ plus margins, matted. No place: c.1945- From Smiths “Friends and Family (My Daughter Juanita)” series. With Smith’s estate rubberstamp on the reverse, and exhibit label of Lowinsky Gallery, New York, on the back of the mat. Tiny rub mark in Juanita’s hair; very good or better. (2000/3000)

157. (Photograph) Smith, W. Eugene. Leper’s Village, Umbrella in Grond. Gelatin silver photograph. 13½x9½, mounted on backing board. No place: no date An umbrella in the ground dominates the image, with two Africans in background, heads not visible, are digging a grave. Smith’s estate stamp on verso, “This authenticated photograph by W. Eugene Smith was in his private collection at his death - October 15, 1978.” Mount corners worn, some wear to the edges of image; very good. (1200/1500)

158. (Photograph) Smith, W. Eugene. Piper Laurie. Gelatin silver photograph. 13x9 plus margins, matted. No place: No date From the “Recording Artists” series, according to the exhibit label of Lowinsky Gallery, New York, on the back of the mat, but with “Theater Girls Essay” penciled by it. With Smith’s estate rubberstamp on the reverse. Fine. (700/1000)

159. (Photograph) Smith, W. Eugene. P.M. Clement Attlee Watching the Returns, Electio Night, 1950. Gelatin silver photograph. 18¼x12½ plus margins, matted. No place: 1950- One of the better-known photographs by the master of the photographic essay, from his “Great Britain” series. With Smith’s estate rubberstamp on the reverse, and exhibit label of Lowinsky Gallery, New York, on the back of the mat. Near fine. (2500/3500)

Lot 156 Lot 159

Page 33 160. (Photograph) Smith, W. Eugene. Portrait of English composer/musician Benjamin Britten. Gelatin silver photograph. 13¼x10½ plus margins, matted. No place: c.1948- With Smith’s estate rubberstamp on the reverse, and exhibit label of Lowinsky Gallery, New York, on the back of the mat. Thin line in the negative descending through the subject’s forehead; very good. (300/500)

161. (Photograph) Smith, W. Eugene. Untitled [Boy with a ladder, from Migrant Workers series]. Vintage silver print, approximately 13½x7¾” on a 14x11” sheet. Matted. c. 1953 Striking image from the master of the photographic essay. Authentication stamp of the W. Eugene Smith Estate on verso. A touch of wear at edges; near fine. (2000/3000)

162. (Photograph) Smith, W. Eugene. Wanda Landowska at the Harpsichord. Gelatin silver photograph. 17½x12 plus margins, matted. No place: No date With Smith’s estate rubberstamp on the reverse, and exhibit label of Lowinsky Gallery, New York, on the back of the mat. One small flaw in the negative, a 1” crease, near fine. (1000/1500)

163. (Photograph) Smith, W. Eugene. Woman with Candles, New Mexico, 1947. Gelatin silver photograph. 10½x13¼ plus margins, matted. No place: 1947- From Smith’s New Mexico series. Reproduced in W. Eugene Smith: Master of the Photographic Essay (1981), plate 3:021. With Smith’s estate rubberstamp on the reverse, and exhibit label of Lowinsky Gallery, New York, on the back of the mat. Fine condition. (1500/2500)

164. (Photograph - Nudes) 11 silver photographs of nude women, & brochure for Alta Studios, Inc. 11 gelatin silver photographs, size varies from 10x8” to 5½x3½. * Small brochure, “Alta Art Studies,” [12] pp., being a prospectus of the two-volume collection of artistic nudes for art students published by Alta Studios, Inc., 111 Golden Gate Avenue, San Francisco. 3½x6¼, stapled self-wrappers. San Francisco: c.1925 The Alta Art Studies were collections of nude photographic poses intended to supplant living models as aids to sculptures, artists and designers. The 11 original photographs here were apparently used in production of the two-volume collection. Very good. (300/500)

165. (Photography) Five volumes on landscape photography. Includes: Watkins, T.H. American Landscape. Photographs by David Muench. [Graphic Arts Center, 1987]. * Szarkowski, John. American Landscapes: Photographs from the Collection... Museum of Modern Art, NY, [1981]. * Pioneers of Landscape Photography: Gustave le Gray, Carleton E. Watkins. J. Boards, no dj. Paul Getty Museum, [1993]. * Fielder, John. Photographing the Landscape: The Art of Seeing. Westcliffe Publishers, [1996]. * Patterson, Freeman. Portraits of Earth. Sierra Club Books, [1987]. Together five volumes, all but one in a dust jacket, and bound in cloth or cloth-backed boards. Various places: Various dates Near fine to fine. (100/150)

166. (Photography) Famous Photographers Course - complete 4 volume set. Four volumes. Profusely illustrated with color and black and white photographs. Each volume contains 4 lessons, separately paginated. 13½x10¾, cloth 3-ring binder.

Page 34 Westport, CT: Famous Photographers School, Inc., 1964 Generally faint and scattered soiling to cloth; Volume 2 with foxing to cloth, and a few faint spots of soiling; Volume 3 considerably soiled and stained to front cover, and first few pages; else very good or better. (100/150)

167. (Photography) Six volumes about American frontier photography. Includes: Jackson, Clarence S. Pageant of the Pioneers: The Veritable Art of William H. Jackson. One of 1000 copies, signed by the author on limitation statement. Harold Warp Pioneer Village, [1958]. * Newhall, Beaumont & Diana E. Edkins. William H. Jackson. Morgan & Morgan, [1974]. * Hurt, Wesley R. and William E. Lass. Frontier Photographer: Stanley J. Morrow’s Dakota Years. Univ. of South Dakota Press and Univ. of Nebraska Press, [1956]. * Hoobler, Dorothy and Thomas. Photographing the Frontier. G.P. Putnam’s Sons, [1980]. * Tilden, Freeman. Following the Frontier with F. Jay Haynes. Pioneer Photographer of the Old West. Knopf, 1964. * Jackson, Clarence S. Picture Maker of the Old West: William H. Jackson. Bonanza Books, [1947]. Various places: Various dates Together six volumes in cloth, or cloth-backed boards, with dust jackets. Each on frontier photography. Each dust jacket with a degree of edge wear, generally very mild, a few with some chipped edges; over all very good. (100/150)

168. (Photography) Three books with photography of New Mexico. Includes: Parson, Jack. Santa Fe and Northern New Mexico. 12x9. Rizzoli, [1991]. * Mather, Christine and Sharon Woods. Santa Fe Style. Photographs by Robert Reck, Jack Parsons, et. al. 9½x9¾. Still in shrink-wrap. Rizzoli, [1986]. * Romero, Orlando and David Larkin. Adobe: Building and Living With Earth. Photographs by Michael Freeman. 10x10. Houghton Mifflin, 1994. Together three cloth-bound first editions in dust jackets. Various places: Various dates Fine. (100/150)

169. (Photography) Three volumes on America’s National Parks. Includes: Cahn, Robert and Robert Glenn Ketchum. American Photographers and The National Parks. 12½x10¾, cloth, slipcase with color pictorial cover label. Viking Press, [1981]. * Frome, Michael. The National Parks. Photography by David Muench. 14½x11, cloth-backed boards, dust jacket. Short closed tears to dust jacket edges. First Printing. Rand McNally, [1977]. * Udall, Stewart L. The National Parks of America. 12x9, cloth, dust jacket (price-clipped). Revised Edition. Country Beautiful, [1972]. Together three volumes on American National Parks. Various places: Various dates Over all near fine; except some wear to dust jackets (see above). (100/150)

170. (Photography) Three volumes on photographing the nude. Includes: Bullock-Wilson, Barbara and Edna Bullock, editors. Wynn Bullock: Photographing the Nude. Signed by Edna Bullock on title page. 10x8, dj. Gibbs M. Smith, 1984. * Everard, John. Living Colour. 11x8½, dj. Dodge, [1938]. * Clergue, Lucien. Nude Work Shop. 11¼x11. Viking Press, [11982]. Together three volumes on the topic of nude photography. Various places: Various dates Living Colour is a particularly scarce book, with lovely color lithographed photograph plates. Living Colour dust jacket browned at spine, and chipped along head and heel; else all very good or better. (100/150)

171. (Photography) Two volumes on New England. Includes: Shachtman, Tom. The Most Beautiful Villages of New England. With 240 color photographs by Len Rubenstein. 12x9¾. Thames and

Page 35 Hudson, [1997]. * Newhall, Nancy, editor. Time in New England. Photographs by Paul Strand. 11¾x9½. Aperture, [1980]. Together two cloth-bound volumes in dust jackets. Various places: Various dates Fine. (100/150)

172. (Photography) 3 signed first editions - California photography. Includes: Quinn, Karen E. and Theodore E. Stebbins, Jr. Weston’s Westons: California and the West. Signed by both authors on title page. Bulfinch / Little, Brown, [1994]. * Fink, Augusta and Amelie Elkinton. Adobes in the Sun: Portraits of a Tranquil Era. Photographs by Morley Baer. Signed on 1st blank leaf by photographer and both authors. Chronicle Books, [1972]. * Wallace, David Rains. The Wilder Shore. Photographs by Morley Baer. Signed by Baer on title page. Dj price-clipped. Sierra Club Books / Yolla Bolly Press, [1984]. Together three cloth volumes in dust jackets. Various places: Various dates Near fine to fine. (150/250)

173. (Photography) 14 volumes on California photography. Includes: Pacific Coast: Rugged Harmony. Photographs by Tim Thompson. Later Ed. [Thomasson-Grant, 1988]. * Cohen, Jerry. California Coast. Photographs by David Muench. 1st Printing. Rand McNally, [1973]. * Jeffers, Robinson. Not a Man Apart: Photographs of the Coast. Later Ed. [Sierra Club, 1964]. * Hickman, Paul and Terence Pitts. George Fiske: Yosemite Photographer. 1st Ed. Northland Press, [1980]. * Pike, Don. Sierra Nevada. Photographs by David Muench. 1st Printing. [Graphic Arts Center, 1979]. * Muir, John. Gentle Wilderness: The Sierra Nevada. Photographs by Richard Kauffman. [Arrowood Press, 1995]. * Weston, Charis Wilson and Edward. California and the West. No dj. First Edition. Duell, Sloan and Pearce, [1940]. * Fielder, John. California: Images of the Landscape. Westcliffe, [1985]. * Atkeson, Ray and David Muench. California. Some writing on front free endpaper in white pencil. 1st Printing. [Graphic Arts Center, 1970]. * Pike, Don and David Muench. California II. 6th Printing. Graphic Arts Center, [1977]. * Laval, Jerome E. Images of an Age: San Francisco. Photographs of the 1906 Earthquake and Fire. Wrappers. Signed by the author on title page. Graphic Technology, 1977. * Cameron, Robert and Herb Caen. Above San Francisco. 3rd Printing. Cameron and Company, [1988]. * Cameron, Robert. Above San Francisco. 4th Printing. Cameron and Company, [1978]. * Rokeach, Barrie. California From the Air: Timescapes. Westcliffe Publishers, [1989]. All together 14 volumes, all but one cloth-bound and in a dust jacket. Various places: Various dates Some edge wear to many jackets; light edge wear to some volumes; condition varies, generally very good or better. (250/350)

FIVE LOTS WITH ILLUSTRATIONS BY PICASSO 174. Picasso, Pablo. Picasso: Le Goût du Bonheur. A suite of happy, playful, and erotic drawings. Suite contains: 29 pp. Introduction by Jean Marcenac. 54 (of 71) lithographs. 12¾x10, unbound signatures within cloth chemise, and drop-back box, orange silk cover on the box’s three edges, with leather strap closure, extending from rear panel to front. No. 553 out of an edition of 666 copies published by Harry N. Abrams. : Arthur N. Abrams, Inc., 1970 Comprised of the following: Three color lithograph album covers, each dated. Dates include: 25.4.64-20.5.64; 15.9.64-6.10.64; and 8.10.64-9.10.64. In addition to the album covers, the suite includes 51 lithographs after Picasso sketches, 4 in full color. All together 54 lithographs. Includes publisher’s original shipping cardboard box. Also includes a book: Picasso Érotique. Published by Beaux Arts Collection, [2001]. Condition of the suite: Fine. (1200/1800)

Page 36 175. (Picasso, Pablo) Aristophanes. Lysistrata: A New Version by Gilbert Seldes. 117, [1] pp. Illustrated by Pablo Picasso including 6 original etchings. 11½x9¼, decorated yellow boards. No. 202 of 1500 copies. New York: Limited Editions Club, 1934 Signed in pencil by Picasso at the colophon. One of three greatest books from the Limited Editions Club, illustrated by perhaps the most influential artist of the twentieth century. Portion of spine panel missing, moderate edge wear, chipped at spine and corners; internally near fine; else good. (5000/8000)

176. (Picasso, Pablo) Mourlot. Laughing Faun - poster of color lithograph designed by Picasso for the Los Angeles County Museum of Art. Color poster of the color lithograph designed by Pablo Picasso. 29x20. Poster reads, “Picasso: 60 Years of Graphic Works. Los Angeles County Museum of Art 14 October 25 Lot 175 Decembre, 1966.” France: Mourlot, 1966 A few things of note: Decembre is spelled as the French do, and the word “County” was corrected by Picasso after having misspelled it. The image is titled “Laughing Faun” commemorates Picasso’s 85th birthday. Produced by the great print maker Mourlot. Small and fairly faint dampstain on the lower left corner of poster; else fine. (400/600)

TWENTY POCHOIR PRINTS BY PICASSO 177. (Picasso, Pablo) Russoli, Franco. Picasso: Venti Pochoirs Originali. 12, [2] pp. 20 original pochoir prints with tissue guards. (Folio) 15½x11½, cloth-backed pictorial boards. No. 66 (of 200) copies. First Edition. Milan: “Silvana” Editoriale D’Arte, [1955] Introductory text, with some black & white illustrations, in Italian. Rarely seen complete with all 20 pochoir prints. Boards soiled, dampstain to rear endpaper and in margin of a few plates at rear, some irregular creasing to tissue guards; else very good. (4000/6000)

Lot 177

Page 37 178. (Picasso, Pablo) Tolstoy, Leon. La Guerre et la Paix. 3 volumes. Edited by André Sauret. (8vo) wrappers, printed in black and red, glassine dust jackets, slipcases. One of 300 copies on Arches wove paper. Paris: Imprimerie Nationale, [1956] Frontispiece illustration by Pablo Picasso in Volume I: A transfer lithograph portrait drawing of Leon Tolstoy, signed and dated by Picasso 15.9.56. Additional impression of the lithograph on china, loose and laid into Volume I. No. CLXI out of CCC. “The book’s title must have been rich in associations for Picasso, who had painted, in 1952, La guerre and La paix for the vault of the chapel at Vallauris.” -Cramer 76. Bloch 825, Cramer 76, Mourlot 287. Shelf wear to slipcases, including a bit of cracking to a few edges; the slightest wear to volume corners and just a touch of wear to glassine jacket edges (at spines); else fine. (2000/3000)

179. Platz, Arthur. Knabbermauschen. Color lithograph illustrations by Johanna Bemmann. 9½x11, cloth- backed color pictorial boards. Oldenburg, Germany: Gerhard Stalling, 1930 Poems about the lives of mice, illustrated with Lot 178 drawings, and beautifully colored lithograph plates. Wear to extremities, touch of fraying to spine tips, corners worn, marks and smudges, mostly light, to covers; else very good. (100/150)

180. Porter, Eliot. The Place No One Knew: Glen Canyon on the Colorado. Many glossy color photographs by Eliot Furness Porter. With a foreword by David Brower. 13½x10, cloth dust jacket. First Edition. San Francisco: Sierra Club, [1963] A few very faint dampstains to jacket, a few very short closed tears, and some creasing to jacket edges; light edge wear to volume; very good. (100/150)

POSTERS FOR PERFORMANCES AT THE VENETIAN ROOM 181. (Poster) Anna Maria Alberghetti...Venetian Room. Black and white poster, with photograph image of Anna Maria Alberghetti and title, showtimes, etc. printed in black. 44x28, on art board (1/16” thick). Pisano Printers, 1970s Used to publicize Anna Maria Alberghetti’s appearance in the Venetian Room of the famous Fairmont Hotel in San Francisco, this custom made print, from a total limitation of 3, was produced by Pisano Printers, who were in-laws of legendary Fairmont Hotel owner, Benjamin Swig. Fine. (1000/1500)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 38 182. (Poster) Joel Grey in the Venetian Room. Black and white poster, with photograph image of Joel Grey and title printed in black, showtimes printed in white. 44x28, on art board (1/16” thick). Pisano Printers, 1970s Used to publicize Joel Grey’s appearance in the Venetian Room of the famous Fairmont Hotel in San Francisco, this custom made print, from a total limitation of 3, was produced by Pisano Printers, who were in-laws of legendary Fairmont Hotel owner, Benjamin Swig. Evidence of tape removal on verso; else fine. (1500/2000)

183. (Poster) The Lettermen in the Venetian Room. Black and white poster, with photograph image of the Lettermen and title printed in black, showtimes printed in white. 44x28, on art board (1/16” thick). Pisano Printers, 1970s Used to publicize The Lettermen’s appearance in the Venetian Room of the famous Fairmont Hotel in San Francisco, this custom made print, from a total limitation of 3, was produced by Pisano Printers, who were in-laws of legendary Fairmont Hotel owner, Benjamin Swig. Fine. (1000/1500)

184. (Poster) Roger Miller in the Venetian Room. Black and white poster, with photograph image of Vic Damone Lot 182 in black, title and showtimes printed in white. 44x28, on art board (1/16” thick). Pisano Printers, 1970s Used to publicize Roger Miller’s appearance in the Venetian Room of the famous Fairmont Hotel in San Francisco, this custom made print, from a total limitation of 3, was produced by Pisano Printers, who were in-laws of legendary Fairmont Hotel owner, Benjamin Swig. Evidence of tape removal on verso; else fine. (1000/1500)

185. (Poster) Roger Williams in the Venetian Room. Black and white poster, with photograph image of Roger Williams and title, showtimes, etc. printed in black. 44x28, on art board (1/16” thick). Pisano Printers, 1970s Used to publicize Roger Williams’ appearance in the Venetian Room of the famous Fairmont Hotel in San Francisco, this custom made print, from a total limitation of 3, was produced by Pisano Printers, who were in-laws of legendary Fairmont Hotel owner, Benjamin Swig. A few very light spots of soiling on top edge; else fine. (1000/1500)

186. (Poster) Vic Damone in the Venetian Room. Black and white poster, with photograph image of Vic Damone and title printed in black, showtimes printed in white. 44x28, on art board (1/16” thick). Pisano Printers, 1970s Used to publicize Vic Damone’s appearance in the Venetian Room of the famous Fairmont Hotel in San Francisco, this custom made print, from a total limitation of 3, was produced by Pisano Printers, who were in-laws of legendary Fairmont Hotel owner, Benjamin Swig. Fine. (1000/1500) Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com Page 39 FIRST EDITIONS OF DR. SYNTAX’S TOURS 187. (Rowlandson, Thomas) [Combe, William]. The Tour of Doctor Syntax in Search of the Picturesque: A Poem (&) The Second Tour of Doctor Syntax in Search of Consolation: A Poem (&) The Third Tour of Doctor Syntax in Search of a Wife: A Poem. 3 volumes. [2], iii, [2], 275 pp., 30 colored plates; [6], 277 pp., 24 colored plates; [6], 279 pp., 24 colored plates. First and third volumes with engraved and colored title pages. (8vo) 9¼x5½, uniform full crushed green levant morocco by Riviere & Son, gilt spines and inner dentelles, slipcase. First Editions in book form. London: R. Ackermann, 1812, 1820, 1821 First issue of Vol. 1 with “Chapter I” instead of “Canto I” and girl in plate 5 with arm held straight; Vol. II, plate 15 in second state (as usual) with caption reading “Skimmington” instead of “Skimmerton.” 80 handcolored illustrations in all (including engraved title pages). A comic masterpiece and one of Rowlandson’s greatest successes as an illustrator. Bookplates of Mary Bryant Sprague. Tooley 427, 428, 429. Spines faded to brown, some fading to board edges, minor wear at extremities, front hinges cracking, some light foxing and offsetting as usual; very good. (1500/2500)

Lot 187

188. (Rowlandson, Thomas) Combe, William. The Tours of Doctor Syntax (Containing the First, Second and Third Tour). 3 volumes. 80 colored aquatints by Thomas Rowlandson including illustrated title pages in Tours 1 & 3. (8vo) 9¾x6¼, three-quarter tan calf and marbled boards, spines gilt, red morocco lettering pieces. London: Nattali and Bond, 1855 The complete tours of Dr. Syntax, a poetic spoof on the many travel narratives of the late 18th and early 19th centuries, and a marvelous forum for Thomas Rowlandson’s captivating illustrations. 81 plates called for on title pages however the plate lists call for only 79 with the illustrated title page in Vol. 3 not listed. Presumably there was an illustrated title page planned for the Second Tour but not included here. Some light wear to extremities, small chip to head of one spine; very good. (500/800)

189. Rowling, J.K. Harry Potter and the Chamber of Secrets. Illustrated by Mary Grandpré. 9x6, cloth- backed boards, spine lettered in silver, color pictorial jacket designed by Mary Grandpré and David Saylor. First American Edition. [New York]: Arthur A. Levine Books / Scholastic Press, [1999] The second book in the Harry Potter series. Winner of the National Book Award in Great Britain. First printing: “Year 2” does not appear on jacket or cloth spines; “$17.95” printed price on the jacket flap; and number line begins with “1” on the copyright page. Volume leaning just a touch, very slightly rubbed spine; near fine volume in a fine jacket. (300/500)

Page 40 190. Rowling, J.K. Harry Potter and the Deathly Hallows. Illustrated by Mary GrandPré, including a color frontispiece, and 39 illustrations at rear, the “illustration showcase.” 9x5¾, black cloth with embossed diamond pattern, color pictorial jacket with wraparound illustration of Potter and friends riding a dragon, and color pictorial slipcase by Mary GrandPré. Deluxe Edition. [New York]: Levine Books / Scholastic, [2007] Signed by Rowling in red ink, on the top panel of the Deluxe Edition slipcase. The seventh and final book in the popular Harry Potter series. Just a touch of shelf wear on bottom panel of slipcase; very lightly worn in a few spots on top edge of dust jacket; else fine. (800/1200)

Lot 190 SIGNED LIMITED EDITION OF THE LITTLE PRINCE 191. Saint-Exupéry, Antoine de. The Little Prince. Translated from the French by Katherine Woods. Illustrated in color by the author. 8¾x7, original cloth with illustration on front cover. No. 335 of 525 numbered copies. First American Edition. New York: Reynal & Hitchcock, [1943] Signed by Saint-Exupéry on the tipped- in limitation page, as issued. Classic children’s book by Antoine de Saint- Exupéry, a fantasy stumbled upon while stranded in the Sahara Desert after a forced landing. Original dust jacket not present. Soiling and wear to cloth, small dampstain on rear cover, light edge wear, child’s bookplate on front free endpaper, several small pieces of tape also on this leaf; a few leaves with dogeared corners; about very good. (6000/9000)

Lot 191

Page 41 192. (Scholder, Fritz) Broder, Patricia Janis. The American West: The Modern Vision. x, 350, [1] pp. Illustrated through in color and black & white. (4to) 11x10, brown leather-backed cloth, clamshell box. One of 150 copies. First Edition, Deluxe Issue. New York: Little, Brown and Company, [1984] With an original four-color lithograph, Another Matinee Cowboy, by Fritz Scholder included. Signed by the author at the colophon. Light wear and fading to box; volume and lithograph fine. (300/500)

193. Segar, E.C. Popeye’s Ark. Adapted from the Famous Newspaper Comic Series. Illustrated by Segar. 5x4½, color pictorial boards. Akron, OH: Saalfield Publishing Co., [1936] Written with a utopian theme using Popeye as a Biblical Noah character. A touch of rubbing to spine ends, still fine, quite rare in this condition. (200/300)

194. Sendak, Maurice. Where the Wild Things Are. Illustrated throughout in color by the author. 9x9¾, cloth-backed color pictorial boards, dust jacket. First Edition. [New York]: Harper & Row, [1963] Later issue jacket, with evidence of the removal of the Caldecott award sticker on front jacket panel. Lower corner of front flap clipped, very light edge wear to jacket including tiny closed tears, bit of color lifted from front panel where Caldecott sticker was removed, some rubbing at flap fold creases; slight edge wear to volume; very good overall. (200/300)

195. Seuss, Dr. And To Think That I Saw It On Mulberry Street. Illustrated throughout by Dr. Seuss. 10½x8, color pictorial paper over boards, dust jacket, custom cloth slipcase. Tenth Printing. New York: Vanguard Press, [1937] Original drawing of the Cat in the Hat, signed by Dr. Seuss on a small blue piece of paper, pasted to the verso of the rear endpaper. Additionally, signed by Dr. Seuss on verso of front free endpaper, with a gift inscription. Above that inscription someone pasted an article advertising a meet and greet of the “Famous Dr. Seuss,” at Marston’s. Dust jacket foxed, with light chipping to edges, and one long closed tear to heel of spine; spine chipped a bit, faint dampstains and smudges to covers, some small pieces of paper lifted from surface; ink gift inscription on front free endpaper, offsetting from pasted article to title page; else very good. (800/1200)

INSCRIBED BY DR. SEUSS 196. Seuss, Dr. The 500 Hats of Bartholomew Cubbins. Illustrated by Dr. Seuss in black and white, with red accents. 11¾x8¾, cloth-backed decorated boards, dust jacket. Later edition. New York: Vanguard Press, [1938] Inscribed on verso of front free endpaper by Dr. Seuss, “For Donald Williams, with kindest regards, Dr. Seuss.” Dust jacket reads a price of $2.50, and the endpapers are illustrated with the reverse pattern of the first printing. Light wear at head and heel of jacket spine, a few short closed tears at top edge of front jacket panel; few dampstains and darkening to spine, boards are heavily rubbed, scuffed and scratched; offsetting to endpapers; smudges within; good volume in a very good jacket. (1200/1800)

197. Seuss, Dr. Green Eggs and Ham. Color illustrations throughout by Dr. Seuss. 9x6½, color pictorial boards, color pictorial endpapers; color pictorial jacket. First Edition, First Printing. [New York]: Random House, 1960 First printing, with no Beginner Books logo on front cover, correct ads on jacket, and words “Distributed by Random House” on rear bottom of jacket. Younger & Hirsch note that the probable earliest issues have the “50 Word Vocabulary” pasted on the jacket, but they are

Page 42 printed here. Younger & Hirsch 27. Light edge wear including lightly chipped head and heel of spine, a few short closed tears to edges, including at heel of spine, which have been repaired with tape on verso, a few marks, including faint dampstains to front and rear panels; light edge wear to volume; very good plus volume in very good jacket. (400/600)

198. Seuss, Dr. If I Ran the Circus. Color illustrations throughout by Dr. Seuss. 11x8, glazed color pictorial paper over boards, color pictorial endpapers; color pictorial jacket. First Edition. First Printing. New York: Random House, [1956] “250/250” price on upper right corner front dust jacket flap and corrects ads. Hirsch & Young 43. Dust jacket with many closed tears and creasing along those tear and edges, chipped at head and heel of spine, ½x2½” lacking to upper rear panel, some sunning; slight sunning to volume edges and spine, spine and corners worn; small inscription on front free endpaper; very good volume in good jacket. (300/500)

199. Seuss, Dr. You’re Only Old Once! A Book for Obsolete Children. Unpaginated. Illustrations throughout by Dr. Seuss. 11x8, cloth backed, pale green boards, dust jacket. First Trade Edition. First Printing. New York: Random House, [1986] Signed by Dr. Seuss on the verso of front free endpaper. Complete number code present on copyright page. Younger & Hirsch 83A A touch sunned on edges of volume; slight offsetting to endpapers; near fine volume in a fine jacket. (500/800)

200. (Steinke, Bettina) Hedgpeth, Don. Bettina: Portraying Life in Art. 155, [1] pp. Illustrated by Bettina Steinke, including color plates. 10¼x7¾, quarter leatherette; slipcase. First Edition. No. 94 of 100 copies with an original signed watercolor. Flagstaff: Northland Press, [1978] Original signed watercolor by Steinke on the limitation leaf. Light wear to slipcase; else fine. (400/700)

201. Stolpe, Daniel Owen. Coyote Now - suite of six framed Artist’s Proofs. Six broadside lithograph illustrations with poetry, printed on Rives paper, each framed. 32x13½. With frame, measure 39½x20½. Each signed by the artist in pencil. Artist’s Proof No. 3 out of 4. Santa Cruz: Native Images, 1984 Daniel Stolpe’s works can be found in important collections around the world, such as the Smithsonian Institute in Washington D.C. The suite portrays with words and image, the Native American archetype figure of the coyote and his subsequent sexual exploits. The calligraphy design is by Eric Mathes and the lithographs were printed at Fox Graphics. Not examined outside of frame; one broadside with yellowing to image; others fine. Additional shipping charges will apply. (2000/3000)

202. (Stowitts, Hubert) Crocker, Templeton and Joseph Redding. The Work of Stowitts for the Fox- God: Lyric Ballet in 3 Acts. [47] + 50 plates and accompanying mounted text plates. Illustrated with 59 mounted color plates from paintings by Hubert Stowitts; decorations in red, brown and gilt throughout. Poem by Templeton Crocker. Music by Joseph Redding. (Folio) 15¼x13, original full buckram, stamped and lettered in terra cotta, edges untrimmed. First American Edition. No. 34 of 400 copies. Hollywood, CA: George Palmer Putnam, 1939 Signed by Stowitts on the limitation page. An elaborately produced volume containing the clas- sic Chinese Opera “Fay-Yen-Fah,” along with the traditional designs, costumes and decor, as illustrated in Stowitts decorations and color plates. Hubert Julian “Jay” Stowitts (1892-1953) was

Page 43 a dancer, artist, track and field star, and a student actor who attended the University of California, Berkeley from 1911-1915. He devoted his life as a professional dancer after being inspired by a ballet perfor- mance he saw in San Francisco. He was soon “discovered” by the famed Russian ballerina Anna Pavlova and traveled as a successful dancer throughout the Americas and Europe, becoming the first American to star with a Russian ballet troupe. After a solo career, Stowitts retired from dancing and began a new career as a painter and occasional film actor. He traveled and lived in the Far East and South Asia, where he produced 155 paintings he called “Van- ishing India.” At the 1936 Olympics in Berlin, his exhibition of fifty-five paintings of nude male American athletes caused a “sensation.” The Nazis closed the exhibit down, partly because it showed depictions of Jewish and African-American athletes. Lot 202 Includes a glossy reproduction from a photograph titled “La Pavlowa a Paris” with Anna Pavlova and Stowitts in a ballet performance in full costume, laid in. Corners and spine ends a bit crimped; binding somewhat shaken with some of the signatures slightly loose; pages and plates fine and bright, near fine or better overall - still an attractive copy of this scarce and important work. (1500/2500)

RARE LIMITED EDITION 203. Szyk, Arthur. Ink & Blood. A Book of Drawings. [14], 18, [3] pp. + 4 color plates and 70 monochrome plates. Also with a color frontispiece depicting Szyk at work. With a prefatory text by Struthers Burt. 12¼x9, original morocco, top edge gilt, spine gilt-lettered; original batik- printed board slipcase. One of 1000 inscribed and signed copies. New York: Heritage Press, 1946 This copy inscribed for Elbert Lenrow. Letter from the publisher offering Mr. Lenrow one of the last 97 unsubscribed copies from the edition of 1000 laid in. Important post-Holocaust drawings by Szyk. As Burt wrote in the introduction: “This book...these , the words that accompany them...have a much deeper purpose than to deride and reveal our recent enemies”...”this is NOT A WAR-BOOK, although most of the cartoons were drawn in the time of war. This is a PEACE-BOOK; a book for the parlous years that follow upon war...” A touch of wear to extremities of slipcase; some light wear to Lot 203 spine; else near fine. (1500/2000)

Page 44 204. Tayler, Frederick. Studies in Animal Painting. With Eighteen Coloured Plates, From Water-Colour Drawings. 24, [4] ad pp. 18 tipped-in color plates of paintings, including frontispieces, by Frederick Tayler. 7x9½, cloth. First Edition. London: Cassell & Company, 1884 Artwork by the late president of the Royal Society of Painters in Water-Colours. Each illustration with accompanying instructions on how to paint the various domesticated animals such as dogs, donkeys, horses, cows, and sheep. Cloth and gilt lettering moderately rubbed, edge wear to head and heel of spine; else very good or better. (100/150)

FIVE LOTS OF ELOISE 205. Thompson, Kay. Eloise. Illustrated by Hilary Knight. 11x7¾, white cloth with stamped illustration, color pictorial jacket, custom cloth slipcase. First Edition, First Printing. New York: Simon and Schuster, 1955 Singed on front free endpaper by Hilary Knight “and Me, Eloise”. Includes laid in postcard advertising Hilary Knight’s appearances in California. Small chips at jacket head, flap fold creases and spine a bit worn, including a few closed tears, one of which is about 2” in middle of spine; light wear to volume spine tips and corners; very good volume in same jacket. (2000/3000)

206. Thompson, Kay. Eloise. Illustrated by Hilary Knight. 11x7¾, red cloth, lettered in black, color pictorial dust jacket, custom cloth slipcase. First UK Edition, Second Printing. London: Max Reinhardt, [1957] Signed by Hilary Knight and dated 2007, on front free endpaper. Jacket price reads 12s 6d net, and reads “second impression.” Jacket foxed (lightly on recto, heavier on verso), spine lightly yellowed; bump on lower front and rear cover of volume; else a near fine volume in a very good jacket. Lot 205 (800/1200)

207. Thompson, Kay. Eloise at Christmastime. Illustrated by Hilary Knight. 11x8, glossy color pictorial boards, dust jacket, custom cloth slipcase. First Edition. First Printing. New York: Random House, [1958] Signed by Hilary Knight on the front pastedown. Lightly chipped head and heel of jacket spine, and along a few spots at edges, paper at head of spine bubbling a little; very light edge wear to volume spine tips and corners; else a near fine volume in very good plus jacket. (600/900)

208. Thompson, Kay. Eloise in Moscow. Illustrated throughout by Hilary Knight, including a double- page fold-out panorama of the Kremlin. 11x7½, boards, dust jacket, custom cloth slipcase. First Edition. New York: Simon and Schuster, 1959 Signed by Hilary Knight on front free endpaper. Jacket edges very lightly chipped or creased with a few very short closed tear, price-clipped, a few tiny dampstains; near fine volume in very good plus jacket. (600/900)

Page 45 209. Thomson, Kay. Eloise in Paris. Illustrated throughout in pink, blue and black by Hilary Knight. 11x7¾, pictorial boards; color pictorial jacket, custom cloth slipcase. First Edition. New York: Simon and Schuster, 1957 Signed by Hilary Knight on verso of front free endpaper. Very lightly chipped jacket edges, a few marks and dust soiling to rear panel; fine volume in a very good jacket. (600/900)

210. Thompson, Ruth Plumly. Two Typed Letters signed by Ruth Plumly Thompson, to Helena Geier, plus one mailing envelope. The first letter is 1½ pages, the second 1 page, both on 4-page notesheets with color illustrations of Oz characters on the first page, signed Ruth Plumly Thompson in ink. 5½x4. The envelope is for the first letter, with typed address and return address, to Miss Helen R. Geier in South Pasadena, California. West Philadelphia, PA: Oct. 4, 1927 & Feb. 7th, [1928] Captivating letters to a fan, referring to possible Oz writings and upcoming publications. The first begins, “Dear Helena, I suppose the publisher thinks that as Dorothy is mentioned first in Dorothy and the Wizard of Oz she really does not need her own book... Perhaps some day I’ll write one and call it Princess Dorothy and the Dunderdee. Anyway she’ll be in most of the stories. I’ll tell you a secret. The next book is about Trot and the Good Witch of the North...” In the second letter, Thompson writes “...A Dunderdee is an animal somewhat like a hare and somewhat like a dog and Dorothy’s adventures with one will have to wait till I tell the amazing story that happened to Trot on the Ozure Isles. It is as you have guessed very exciting and will be out about June first. It is called the Giant Horse of Oz...” Envelope a bit darkened with a stain; letters fine or nearly so. (700/1000)

211. Timlin, William M. The Ship that Sailed to Mars: A Fantasy. Illustrated with 48 mounted color plates; plus 48 text plates printed in colors, all mounted on heavy gray paper. 12x9, original quarter vellum and printed olive boards, spine elaborately gilt. First Edition. London: George G. Harrap, [1923] The author/ illustrator, William Timlin (1893- 1943) was born in Northumberland and “educated in England but emigrated to South Africa before 1915 and studied art there.. he practiced as an architect. He wrote stories, composed music, illustrated periodicals, produced watercolour fantasies, painted in oil and produced etchings.. It has been asserted that the illustrations in this book put him in the top ten of fantasy illustrators with Rackham, Dulac, Goble and Nielsen” – see Horne, “Dictionary of 20th Century British Book Illustrators.” Timlin died in Kimberley, South Africa, before his second great work “The Building of a Fairy City” was completed. A few small drip stains on front, corners a bit rubbed, small ownership stamp on front free endpaper; near fine. (2000/3000) Lot 211

212. Toulouse-Lautrec, [Henri]. The Circus: Thirty-Nine Crayon Drawings in Color. Introduction by Charles Perussaux. 39 loose color lithograph illustrations by Toulouse-Lautrec. 12¼x9½, loose leaves housed within color pictorial portfolio, slipcase. One of 1500 copies, published under the direction of André Sauret. New York: Par is Book Center, Inc., [1952]

Page 46 Lovely collection here of the drawings that compose the series, “The Circus.” The lithographer is Fernand Mourlot. No. 958 out of 1500 copies. Slipcase with some shelf wear; spine of portfolio chipped, and lacking from the heel upwards, about 4”; very slight wear to corners of each illustration; very good plus. (200/300)

213. Tyler, Parker. The Peppermint Pony. [and] The Sea, the Island, the House, the Boy and the Girl. 35 pp. Hand-colored drawings by Theresa Sherman. 8½x7, color illustrated wrappers. [New York]: [Works Progress Administration], [c.1940] Two stories in one little publication here, created under the Works Progress Administration Project # 1552 in co-operation with the Board of Education of . Lovingly illustrated story, and interesting historical item from the New Deal era. Creasing and some very short closed tears to wrapper edge, a few marks; very good. (200/300)

WITH AN ORIGINAL WATERCOLOR BY WILL VAWTER 214. (Vawter, Will) Riley, James Whitcomb. The Flying Islands of the Night. 124 pp. Sixteen color plates by . (4to) 10x7¾, original cloth-backed boards stamped in gilt. First Edition with Booth illustrations. Indianapolis: Bobbs-Merrill, [1913] This copy with a presentation from the publisher, D.L. Chambers, to bookseller Harry D. Sickles on the front free endpaper. On the dedication leaf is an original signed ink sketch by Will Vawter and on the recto of the frontispiece is an original watercolor of two dancing gnomes, signed by Vawter and dated Mar. 10, 1930. Vawter and Riley met in the 1890s and Vawter was the illustrator for many of Riley’s works. Light wear and soiling to boards; very good. (3000/5000)

215. (Verve) Verve: The French Review of Art, Nos. 5-6. Illustrated with lithographs by Braque, Rouault, Derain, Leger, Bonnard, Matisse and Klee; with heliogravure photograph reproductions; and with many other illustrations and tipped-in color heliogravure plates. 14x10, original wrappers with covers by Aristide Maillol. American Issue. Paris: Verve, July-October 1939 Lot 214 Paper at spine split, spine strip lifted, still attached, but fragile, very light edge wear to wrappers; else very good or better. (600/900)

216. (Von Schmidt, Harold) Reed, Walt. Draws and Paints the Old West. 230 pp. Lavishly illustrated. 12½x9½, quarter leatherette and red cloth; slipcase. No. 60 of 104 copies signed by both artist and author, and issued jointly with a limited edition bronze sculpture. Flagstaff: Northland Press, [1972]

Page 47 Accompanied by the bronze sculpture “The Startled Grizzly”, also in an edition of 104. The Startled Grizzly was von Schmidt’s first sculpture. Fine. (1000/1500)

217. Ward, Lynd. God’s Man: A Novel in Woodcuts. Illustrated throughout with woodcuts by Lynd Ward. Cloth-backed pictorial boards, paper spine label. First Edition. New York: Jonathan Cape & Harrison Smith, [1939] Boards a little soiled, edges rubbed, rubbing to spine label; very good. (200/300)

218. (Weston, Brett) Cravens, R.H. : Photographs from Five Decades. 131 pp. Profile by R. H. Cravens. Illustrated with 100 plates from photographs by Brett Weston. 13½x11¾, brown cloth, lettering embossed in dark brown, pictorial jacket. First Edition. [New York]: Aperture, [1980] Inscribed by Brett Weston on half-title page. Brett Weston (1911-1993), the second son of Edward Weston. Jacket price clipped; else fine. (300/500)

FIVE LOTS WITH PHOTOGRAPHS BY EDWARD WESTON 219. Weston, Edward. The Daybooks of Edward Weston. 2 volumes. Edited by Nancy Newhall. 10x8½, cloth. First Edition. Rochester, NY: George Eastman House, [1961-1968] Volume I: Mexico and Volume II: California. Near fine. (100/150)

220. Weston, Edward. Fifty Photographs. 12x9¼, cloth-backed paper over boards, dust jacket. One of 1500 copies, designed by Merle Armitage. New York: Duell Sloan & Pearce, [1947] Signed by Edward Weston with his initials on a small piece of paper, pasted to the limitation statement. Where the number should be written, someone wrote “Personal.” Containing 50 photographs chosen by Weston, never before reproduced in book form. Jacket sunned, moderately chipped along top edge, some short closed tears to edges, some dampstaining; volume with very light edge wear; Plate 49 with some of image lifted from surface; very good volume in good jacket. (700/1000)

221. Weston, Edward. My Camera on . 30 Photographs and Excerpts from E.W.’s Daybook. 30 photograph plates. 14½x12, original spiral-bound stiff wrappers. First Edition. Boston: Houghton Mifflin, 1950 “Edward Weston first met Point Lobos on a day in 1915 when friends...said he must see this place...” -Introduction by Dody. Moderate rubbing to corners of stiff wrappers, a few faint scratches or marks to covers; gift inscription on title page, with some pencil notes; internally near fine. (100/150)

222. (Weston, Edward) Two photographically illustrated books on Edward Weston. Includes: Enyeart, James L. Edward Weston’s California Landscapes. 12½x13½, cloth, slip case with photograph pictorial label. First Edition. Little, Brown, [1984]. * Maddow, Ben. Edward Weston: Fifty Years. The Definitive Volume of His Photographic Work. Illustrated Biography. 12x13, leatherette-backed cloth, dust jacket. Aperture, [1973]. Various places: Various dates Both volumes profusely illustrated from photographs by the American photographer. A few very short closed tears to jacket; else both volumes fine. (100/150)

Page 48 223. Weston, Edward. 8 volumes on Edward Weston photography. Including: Newhall, Beaumont. Supreme Instants: The Photography of Edward Weston. First Edition. Cloth, dust jacket. New York Graphic Society, [1986]. * Wilson, Charis. Edward Weston Nudes. Cloth. First Trade Edition. Aperture, 1977. * 2 copies of: Newhall, Nancy. Edward Weston Photographer. The Flame of Recognition. Cloth, one in dust jacket (price-clipped). Aperture, 1965. * Edward Weston: Color Photography. Cloth, dust jacket. Center for Creative Photography, [1986]. * EW: 100. Centennial Essays in Honor of Edward Weston. Wrappers. Friends of Photography, [1986]. * 2 copies of: Newhall, Nancy. The Photographs of Edward Weston. The Museum of Modern Art, [1946]. All together 8 volumes, with a few duplicated titles. Various places: Various dates Condition varies from very good to fine. (100/150)

224. White, E.B. Charlotte’s Web. Illustrations by Garth Williams. 8x5¼, tan cloth, color pictorial jacket. First Edition. New York: Harper & Brothers, [1952] First printing of this Newberry Honor Award winner with the publisher’s code “I-B” on the copyright page. Price-clipped jacket, lightly foxed and smudged panels, 1¾” closed tear to lower front flap fold, lightly chipped edges, including head and heel of spine; very slight edge wear to volume; else a near fine volume in very good jacket. (600/900)

225. (Wieghorst, Olaf) Reed, William. Olaf Wieghorst. Foreword by Barry Goldwater. Illustrated with numerous color plates reproducing paintings by Wieghorst, plus a few photo plates. 11x8½, leather backed cloth, spine lettered in gilt, gilt brand on front cover, slipcase. No. 12 of 200 copies. First Edition. Flagstaff: Northland Press, 1969 With an original ink sketch (an Indian chief in full headdress on horseback) by Wiegorst on limitation page (as issued); signed by Wieghorst and Reed on front free endpaper. Fine (1000/1500)

226. (Wilson, Edward A.) Kent, Norman, editor. The Book of Edward A. Wilson: A Survey of His Work 1916-1948. xxii, 107, [1] pp. Foreword by Thomas Craven. Tipped-in photograph frontispiece, many color and black & white illustrations and plates from art by Edward Wilson. 12x9, cloth-backed boards, dust jacket. New York: The Heritage Press, 1948 “In these pages you may review [Edward Wilson] at every stage of his career from his lusty illustrations for drinking songs to his sensitive lithographs of the New England coastline; from his dramatic Lot 225 interpretations of classic tales and poems of adventures to samples of his commercial art.” -Foreword. Jacket spine lightly sunned, very slight edge wear, and a few marks on front panel; else all near fine. (100/150)

Page 49 227. (Woodblocks) Four volume set of Japanese woodblock botanical illustrations. Four volumes. 2-page hand- colored woodblocks of various flowers. Each with a list of flowers represented written in English and Japanese. 11x7¼, accordion-bound between boards. [Japan?]: [c.1930?] Boards rubbed; illustrations near fine. (150/250)

WITH AN ORIGINAL SKETCH BY PETER HURD 228. Wyeth, N.C., ed. Marauders of the Sea. Edited with an Introduction on pirates by Wyeth. Illustrated throughout by Peter Hurd; decorative endpapers. 9¼x7, original decorative black cloth, front cover stamped in blue, spine lettered in blue. New York: Grosset & Dunlap, [1935] Contains an original drawing by the artist, Peter Hurd, before the title page, along with the following inked inscription: “For John Peter & Stevie from their grand parents Jack & Polly White, along with this hasty sketch by that old buccaneer of the plains, Peter Hurd, October, 1969.” Title page with the original publisher’s imprint “G.P. Putnam’s Sons,” but the “Grosset & Dunlap” imprint is on the spine foot. Faint dampstains to rear cover, spine a bit faded, ends and corners lightly bumped; some darkening to endpapers; else very good. (500/800)

229. (Wyeth, N.C.) Roberts, Kenneth. Trending Into Maine. [16], 394, [1] pp. Illustrated with 14 color plates, including frontispiece, and color pictorial endpapers by N.C. Wyeth. 9½x6½, linen-backed blue cloth covered boards, gilt-lettered black morocco spine label, edges untrimmed. No. 226 of 1075 hand-numbered copies of the Arundel Edition. First Edition. Boston: Little, Brown, 1938 Signed by Kenneth Roberts and N. C. Wyeth on the limitation page. Author’s beautifully illustrated reminiscences of Maine. Spine label rubbed and scratched, boards sunned at edges, spine yellowed; very good. (600/900) Section II: Fine Printing

230. (Allen Press) Camus, Albert. The Fall. Translated by Justin O’Brien. With 6 color illustrations in the text, rubrics printed in blue, green and brown, by Lewis Allen. (Folio) 14¾x10, original three-tone boards, acetate cover. One of 140 copies printed on Arches paper from France, by the Allen Press. Kentfield, CA: Allen Press, 1966 Allen Press, 29. A few short tears to acetate jacket; head of spine lightly bumped; near fine. (300/500)

231. (Allen Press) The Allen Press Bibliography: A Facsimile with Original Leaves and Additions to Date Including a Checklist of Ephemera. 114 + [7] pp. Illustrated with sample pages from the Allen Press. 13½x9¼, tan-brown cloth, blind-stamped decoration on front cover, spine lettered in gilt, page edges untrimmed. Limited to 750 copies. [San Francisco]: [The Book Club of California], [1985] Facsimile of the hand-printed 1981 edition, with important additions, original leaves, and a complete checklist of ephemera. BCC 180. A few small stains to cloth; very good. (150/250)

232. (Anvil Press) Victor Hammer: Artist and Printer. (4to) 11x7½, original brown cloth, slipcase. One of 550 copies. Lexington: Anvil Press, 1981 Designed by Martino Mardersteig in Dante type and printed at the Stamperia Valdonega in Verona, Italy. Fine (250/350) Page 50 233. (Black Stone Press) Roether, Susan. Reflections on Color. 50 pp. 7½x4½, wrappers, dust jacket, slip case. One of 170 copies. San Francisco: Black Stone Press, 1982 Fine. (100/150)

234. (Black Vine Press) Chaucer, Geoffrey. The Canterbury Tale of the Miller. Head- and tail-piece by Paul Forster. Calf-backed boards, front board stamped in blind, spine lettered in gilt, slipcase. One of 300 copies. San Francisco: [Black Vine Press], 1939 Prospectus laid in. Also included is the original pen and ink drawing of the head-piece that appears on page 1. This copy from the library of Black Vine press proprietor Albert Sperisen, with his small label on front pastedown. Some light scuffing to spine; near fine. (200/300)

235. (Black Vine Press) Morison, Stanley. Typographic Design in Relation to Photographic Composition. [viii], 32, [1] pp. Introduction by John Carter. 9x6¼, original full red morocco. One of only 2 copies thus bound from an edition of 400 copies. San Francisco: Book Club of California, 1959 One of only 2 copies bound in full morocco for the printers Harold Seeger and Albert Sperisen, this copy being Seegers and given as a gift by Sperisen to collector Paul Birkel. 2 typed notes from Sperisen to Birkel laid in and pencil inscription by Sperisen at colophon. Fine (200/300)

236. (Blue Rivers II Press) Hoopes, John. Pictures & Stories. 19 broadside poems, plus cover-sheet and colophon leaf, loose as issued in large tie-died paper envelope. No. 45 of 50 copies of the Envelope Edition, printed on Imago Monarch paper. Oakland, CA: Blue Rivers II Press, [c.1973] Signed and numbered by Hoopes in pencil on the colophon; additionally inscribed and signed by Bob Luper(?) with a drawing on verso of cover sheet. Finely printed series of broadside poems Near fine. (200/300)

237. (Bombshelter Press) Andrews, Michael. Child. 55, [1] pp. 10 inserted photographic prints, each signed and numbered by Andrews. Pages loose in linen folder (as issued), clear lucite case. Copy #4 on an unspecified number of copies of the 4x5 edition. [Hermosa Beach, CA]: [Bombshelter Press], [2004] Signed by Andrews at the colophon. Fine (200/300)

238. (Bombshelter Press) Andrews, Michael. Woman. 48 pp. 11 inserted photographic prints, each signed and numbered by Andrews. 9x6, pages loose in linen folder (as issued), wood slipcase with clear pane on front. Copy # 5 on an unspecified number of copies. [Hermosa Beach, CA]: [Bombshelter Press], [2004] Signed by Andrews at the colophon. Small split to wood of one end panel of slipcase; else fine. (300/500)

239. (Book Club of California) Everson, William. On Printing. xviii, [2], 113 pp. Edited by Peter Rutledge Koch. Illustrated from photographs and facsimiles; folding prospectus example for “The Equinox Press” announcement on the rear pastedown. 7x4½, red linen, paper spine label. One of 400 copies printed by Peter Rutlege Koch. San Francisco: Book Club of California, 1992 Collection of Everson’s writings on printing, produced in honor of the poet/printer’s eightieth birthday. Most of the 400 copies produced were lost in the process of shipping to the members

Page 51 of the Book Club of California, therefore making this one of the scarcest BCC books. Erratum slip laid in. BCC 199. Fine. (250/350)

240. (Book Club of California) Franklin, Colin. Themes in Aquatint. Illustrated with 16 plates from aquatints. 14½x9¼, cloth-backed marbled boards. One of 500 copies printed by the Cambridge University Press. San Francisco: The Book Club of California, 1978 Examination of the use of aquatint in the illustrations of British books in the late 18th and early 19th centuries. Light wear to extremities; very good. (100/150)

241. (Book Club of California) Haraszthy, Arpad. Wine-Making in California. Introduction by Ruth Teiser and Catherine Harroun. Reproductions. 8vo. Boards, jacket. One of 600 copies. [San Francisco]: Book Club of California, 1978 Early history of California wine-making, originally published in the Overland Monthly in 1871 and 1872. With errata slip tipped in at rear. Jacket chipped, spine sunned; volume fine. (100/150)

242. (Book Club of California) Harlan, Robert D. The Two Hundredth Book: A Bibliography of the Books Published by the Book Club of California 1958-1993. Illustrated in color. 14x9½, quarter cloth and decorative boards, paper spine label. One of 500 copies printed by the Mastercraft Press. San Francisco: Book Club of California, 1993 BCC 200. Fine (150/250)

243. (Book Club of California) Kurutz, Gary F. The California Gold Rush: A Descriptive Bibliography of Books and Pamphlets Covering the Years 1848-1853. xxvii, 771 pp. Illustrated with plates. 10½x6¾, blue cloth, stamped in gilt, plain paper jacket. 1 of 1000 copies, produced by W. Thomas Taylor. San Francisco: Book Club of California, 1997 The key reference on the subject. Some light wear to jacket; volume fine. (300/500)

244. (Book Club of California) Kurutz, Gary F. An Essay...on A Bibliography of California and the Pacific West, 1510-1906 by Robert E. Cowan. With an Original Leaf from the Club’s 1914 First Edition. With a leaf from the Club’s 1914 first edition. 10½x7¾, cloth-backed boards. One of 390 copies printed at the Anchor & Acorn Press, designed by Lewis Allen of the Allen Press. San Francisco: The Book Club of California, 1993 BCC 201; Chalmers, Check List of Leaf Books, 203. Fine (200/300)

245. (Cheloniidae Press) Robinson, Alan James. Songbirds [with] Songbirds II. 2 volumes. Each containing three preliminary leaves and 15 hand-colored etchings. Etchings in individual blue paper folders, the whole enclosed in two tan cloth chemises and two morocco-backed clamshell boxes. Both copy No. 7 of 50. [Williamsburg, Mass]: [Cheloniidae Press], [1983-84] Each etching captioned, numbered and signed in pencil beneath the image. Fine (800/1200)

246. (Curwen Press) Shakespeare, William. King Lear. Introduction by G.K. Chesterton. xiv, 134 pp. 10 full-page illustrations by Yunge. (Folio) 13x10½, original cloth, spine lettered in gilt, top edge gilt. One of 210 copies on hand-made paper from a total edition of 240. San Francisco: David Magee, [1930] Some fading and light soiling to cloth; internally fine. (250/350) Page 52 A FEW BY JOE D’AMBROSIO 247.  D’Ambrosio, Joe. Birds in Paradise, Or, Life Upon a Japanese Screen. Unpaginated. Illustrated throughout by D’Ambrosio including 6 signed pieces (including the front cover). 9x6, leather trimmed frame style binding with original illustrations beneath glass on front and rear, slipcase. No. 20 of 50 copies. [Los Angeles]: [The Woman’s Graphic Center], 1984 Another fabulous creation by printer/binder/artist Joe D’Ambrosio. Some wear to slipcase; else fine. (800/1200)

248.  D’Ambrosio, Joe. Oaxaca (Wa-ha-ka) and the Saguaro (Sa-wah-row) Cactus (A Twice-told Tale). Illustrated throughout by D’Ambrosio including 2 pop-ups. 8¼x5¼, full niger goat leather with cactus design on front, hand-bound by D’Ambrosio, clamshell box. Copy No. 1 of 25 copies thus bound and with several ‘textual upgrade variations’. Phoenix: D’Ambrosio, 1996 Printed by D’Ambrosio, letterpress on two colors of Confetti paper and a multitude of printing inks. One of D’Ambrosio’s provocative hand-made books, works of art in themselves. This one complete with pop-ups, one of which is emblazoned with actual feathers. Fine (400/600)

249.  D’Ambrosio, [Joseph]. Nineteen Years and Counting: A Retrospective Bibliography, 1969 to 1988. Illustrated with mounted color plates from photographs of biblio-creations by D’Ambrosio. 8½x5½, hand-bound in hinged binding of leather, copper, and hand-marbled paper over archival boards, Italian linen wrapper/chemise. No. 27 of 75 copies hand-set in Della Robia type, printed on Johannot paper. [Sherman Oaks, CA]: D’Ambrosio, 1989 Signed by D’Ambrosio in pencil on the title-page. Bibliography and reminiscence by the complete book-maker Joe D’Ambrosio - he writes the books, illustrates them, designs them, prints them, binds them, and eventually sells them. A touch of wear to copper; else fine. (250/350)

250. (D’Ambrosio, Joe) Brady, Roy. Old Wine, Fine Wine?. 44, [1] pp. 8½x6, burgundy cloth with grape design formed from styrofoam at fore edges, slipcase. One of 65 copies. Northridge: Santa Susana Press, 1900 Signed at the colophon by the author, Roy Brady, the designer, Joe D’Ambrosio, and the director of the Santa Susana Press, Norman Tanis. Addition signed by D’Ambrosio on the rear endpaper. Fine (250/350)

251. (Dahlstrom, Grant) Housman, A.E. The Parallelogram, The Amphisbaena, The Crocodile. [6], 9, [1] pp. 6¼x4¾, self wrappers. One of 250 copies. Los Angeles: [Jake Zeitlin], 1941 Edges a bit browned; very good. (100/150)

252. (Dahlstrom, Grant - Leaf Book) Dodens, Rembert. A Leaf from the 1583 Rembert Dodoens Herbal printed by Christopher Plantin. Short essay by Carey S. Bliss. Illustrated, including the original leaf. 14x9¼, pictorial cloth, plain paper jacket. 1 of 385 copies printed by Grant Dahlstrom. San Francisco: Book Club of California, 1977 The leaf in this copy has four woodcuts. Chalmer’s, Check List of Leaf Books, 166. Light wear to jacket; volume fine. (200/300)

Page 53 253. (Derrydale Press) Gosnell, Harpur Allen. Before the Mast in the Clippers, Composed in Large Part if the Diaries of Charles A. Abbey kept while at Sea in the Years 1856 to 1860. Illustrated throughout including folding charts, maps. 10x6, half cloth and boards, cloth cover label, gilt-lettered spine, acetate jacket. No. 501 of 950 copies. First Edition. New York: Derrydale Press, 1937 Siegel 111; Frazier G-5-a. Acetate jacket torn; a touch of soiling; very good. (100/150)

254. (Derrydale Press) Harris, Charles Townsend. Memories of Manhattan in the Sixties and Seventies. Cloth-backed boards, paper label on front. One of 1000 copies. New York: Derrydale Press, 1938 Siegel 16; Frazier H-4-a. Some light wear to binding; very good. (100/150)

255. (Derrydale Press) O’Connor, Jack. Game in the Desert. Illustrated with plates from photographs and from paintings by T.J. Harter, including a color frontispiece. 10x7½, simulated snakeskin lettered in gilt. One of 950 copies printed by Eugene V. Connett. First Edition. New York: Derrydale Press, [1939] Spine head and heel a bit frayed; names in ink on front free endpaper, with fairly light dampstain along one edge; dampstain along left edge and margin of frontispiece, does not affect image; else very good. (200/30)

256. (Derrydale Press) Shepperd, Tad. Pack and Paddock. Illustrated by Paul Brown. 144 pp. (12mo) 7x5, Half red cloth and boards, gilt-lettered spine label, glassine, two part box. One of 950 copies printed by Eugene V. Connett at the Derrydale Press, this copy stamped an ‘unnumbered copy for review purposes only.” New York: Derrydale Press, [1938] Siegel 138; Frazier S-5-a. Minor wear to box; else fine. (150/250)

257. (Derrydale Press) A Decade of American Sporting Books & Prints by The Derrydale Press, 1927-1937. Introduction by Eugene V. Connett, III. Illustrated. 9¼x6¼, red linen with gilt seal of the Press, glassine. No. 419 of 950 copies. New York: Derrydale Press, 1937 Complete bibliography for the books and prints published by Derrydale in its first 10 years. Glassine chipped and torn; volume fine. (100/150)

258. (Domesday Press) Hawkins, John Franklin. The Psychoses of War: Studies of Social Derangement. [8] pp descriptive text. Introduction by John Howard Briss. 17 plates tipped to stiff mounts. (Folio) 15x12, housed in a blindstamped black cloth portfolio, ribbon ties. One of 400 copies. New York: George Hornby: The Domesday Press, 1943 Signed by the artist at limitation. Surreal representation of the effects of war. Lacking top and bottom ribbon ties, some slight damage to endpapers; very good. (300/500)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 54 WITH EXTRA VELLUM LEAVES 259. (Doves Press) Strouse, Norman H. & John Dreyfus. C-S The Master Craftsman: An Account of the work of T.J. Cobden-Sanderson [&] Cobden-Sanderson’s partnership with Emery Walker. 2 original leaves printed by the Doves Press, one on vellum the other on hand-made paper. 15¼x10, vellum-backed marbled boards, gilt-lettered spine. Custom clamshell box. No. XVII of 75 copies. Harper Woods, Michigan: Adagio Press, 1969 Signed by both Strouse and Dreyfus on the fly-titles for their individual essays. Also included, as usual, is the small pamphlet “A Letter From Stella” (also number XVII). One of 75 copies with a vellum leaf from the Doves Press edition of Faust and a leaf from the Doves Press Bible on hand-made paper. There were also 12 copies with both leaves on vellum and 242 copies with both leaves on paper. This copy with an additional 8 leaves from the Doves Press Bible, four leaves (2 bifoliums) on paper and the matching 4 leaves (2 bifoliums) on vellum. Provenance: From the library of the late Paul Birkel. Fine (1000/1500)

260. (Elmete Press) The Nature and Making of Papyrus. xvi, 69 pp. Illustrations on colored handmade papers, and a specimen of papyrus. (8vo) 9x5¾, cloth with leather spine label. One of 495 copies. Yorkshire: The Elmete Press, 1973 Signed by the printer, A.S. Maney, and the paper Lot 259 maker, Ian O’Casey. Fine (200/300)

261. (Fanfrolico Press) Petronius, Gaius. The Complete Works of Gaius Petronius. Translated by Jack Lindsay. viii, 151 pp. Illustrated by Norman Lindsay. (Folio) 12½x9¼, purple half vellum and boards, spine lettered in gilt, top edge gilt. One of 650 copies. London: Fanfrolico Press, [1927] Signed at the colophon by Jack Lindsay. Spine faded, some light wear to boards; very good. (250/350)

262. (Fine Press) Eight volumes from various fine presses. Includes: [Blue-Behinded Ape] A Letter by Dr. Franklin to the Royal Academy of Brussels. Boards. 1/1000. Spine lacking. 1929 * [Colt Press] Omai, First Polynesian Ambassador to England. Cloth backed boards. 1/500. 1940 * [Fanfrolico Press] Laureat, John Skelton. The Tunning of Elynour Rumming. Burlap. 1/500 copies. Spine deteriorated. 1928 * [Golden Cockerel Press] Ellis, Havelock. Kanga Creek. Cloth backed boards. 1922 * Nash, John Henry. Honig, Louis. The Arrogant Youth. Paste-paper boards. Spine chipped. 1928 * [Plantin Press] Bliss, Carey S. Autos Across America. Cloth. 1/315. 1972 * [Roycroft] The Rubaiyat of Omar Khayyam. (Oblong 8vo) 5x8, suede binding. Well worn 1908 * [Roycroft]. Hubbard, Elbert. Queen of the Porch. Leather backed boards. Spine deteriorated. [1920]. Together 8 volumes. Various places: Various dates Also includes a small group of small press ephemera. Overall good. Sold as is. (150/250)

FOUR FROM THE GOLDEN COCKEREL 263. (Golden Cockerel Press) Jones, Gwyn. The Green Island. 84 pp. Wood engravings by John Petts. 10x6½, two-tone cloth stamped in gilt on front. No. 467 of 500 copies. [London]: Golden Cockerel Press, 1946 Fine. (150/250) Page 55 264. (Golden Cockerel Press) Keats, John. Endymion. 151, [1] pp. Woodcut engravings by John Buckland-Wright. 12¼x7¾, vellum-backed cloth. No. 450 of 500 copies. London: Golden Cockerel Press, [1947] Printed at the Chiswick Press and bound by Sangorski and Sutcliffe. Spine a bit soiled, some light foxing; else near fine. (700/1000)

265. (Golden Cockerel Press) Lucas, F.L., translator. The Homeric Hymn to Aphrodite. Illustrated with engravings by Mark Severin. (4to) 12½x7½, black morocco backed cloth, gilt illustration on front, spine lettered in gilt, top edge gilt. No. 261 of 750 copies. [London]: Golden Cockerel Press, 1948 Fine. (250/350)

266. (Golden Cockerel Press) Moncrif, Francois Augustin Paradis de. Moncrif’s Cats. Ten illustrations by Coypel after the 1727 edition. Translated by Reginald Bretnor. 9¾x6, full two-tone morocco, spine gilt, gilt emblem, top edge gilt, others uncut; cloth slipcase. No. 17 of 100 specially bound copies from a total edition of 400. London: Golden Cockerel Press, 1961 Beautiful bound by E.W. Hiscox. Slipcase a touch worn; volume fine. (400/600)

SEVERAL FROM THE GRABHORN PRESS 267. (Grabhorn Press) Calvert, George Chambers. A Defense of the Dilettante. [18] pp. (4to) 12x9, recent half brown morocco & marbled boards, leather cover label. One of 200 copies printed by Edward and Robert Grabhorn at The Studio Press. [Indianapolis]: [Studio Press], 1919 The last book printed by the Grabhorns in Indianapolis before they moved to San Francisco. GB 16. Darkening to extreme page edges; near fine. (100/150)

268. (Grabhorn Press) Dante Alighieri. The Comedy of Dante Alighieri translated into English Unrhymed Hendecasyllabic Verse. 3 volumes. Translated by Mary Prentice Lillie. 11x7½, cream boards, spines gilt- lettered; cloth slipcase with wide ribbon. One of 300 sets. San Francisco: Grabhorn Press, 1958 GB 530. Light wear to slipcase; spines a touch sunned; near fine. (500/800)

269. (Grabhorn Press) Defoe, Daniel. The Life and Strange Surprising Adventures of Robinson Crusoe of York, Mariner. Introduction by Ford Madox Ford. Color illustrations by Edward A. Wilson. 10½x7, flexible green cloth, morocco spine label, slipcase. One of 1500 copies printed by the Grabhorn Press. San Francisco: Limited Editions Club, 1930 Signed by Wilson in colophon. GB 135. Some wear and soiling to slipcase; spine sunned; very good. (200/300)

270. (Grabhorn Press) Gutch, John Mathew, editor. A Lytell Geste of Robyn Hode and His Meiny. Color woodcut illustrations by Valenti Angelo. Note by Oscar Lewis. 7½x5, quarter red niger morocco and decorated boards. One of 255 copies. San Francisco: Edwin and Robert Grabhorn for the Westgate Press, 1932 GB 157. Spine faded, small head chipped, light edge wear; else very good. (300/500)

Page 56 ONE OF 27 SPECIAL COPIES 271. (Grabhorn Press - Leaf Book) Schulz, H.C. A Monograph on the Italian Choir Book...with an original illuminated initial from an Italian Gradual of the Sixteenth Century. [16], [1] pp. Illuminated by Valenti Angelo. Vellum leaf inserted at rear. (Folio) 15¼x10¾, red cloth and tan linen. Number 19 of 27 copies from a total edition of 75. San Francisco: David Magee, 1941 One of 27 copies with the initial letter illuminated in gilt and full color. Signed by Magee at the colophon. GB 363. Some light wear and soiling to cloth; very good. (1500/2000)

272. (Grabhorn Press) Wentz, Roby. The Grabhorn Press: A Biography. Illustrated with photo plates and facsimiles; initials by Mallette Dean. 11x8¼, half cloth & boards, spine lettered in gilt, plain paper jacket. One of 750 copies printed by the Grace Hoper Press. San Francisco: The Book Club of California, 1981 BCC 168. Light wear to jacket; fine. (100/150)

273. (Grabhorn Press) [Windsor, Edward, Duke of]. Farewell Speech of King Edward The Eighth Broadcast from Windsor Castle the Tenth Day of December, MCMXXXVI, with the Instrument of Abdication & a Note by William Saroyan. Illustrated with a hand-colored wood-engraving by Mallette Dean; first 5 lines of text printed in gold. Note by William Saroyan. 13¼x9½, quarter white leather & linen, front cover stamped with Mallette Dean woodcut in color. One of 200 copies printed by the Grabhorn Press. San Francisco: Ransohoffs, 1938 GB 299. Some wear to leather spine; very good. (200/300)

274. (Grabhorn Press) Zeitlin, Jake. For Whispers & Chants. [viii], 20, [1] pp. Foreword by Carl Sandburg. Hand-colored frontispiece by Valenti Angelo. 10¼x7, velum backed boards, paper label on front, slipcase. No. 23 of 50 copies on Van Gelder hand made paper. San Francisco: The Lantern Press, 1927 Signed by Valenti Angelo at frontispiece, signed by Jake Zeitlin, Ed Grabhorn, and the publisher Gelber-Lilienthal. GB 96. Light wear and soiling to slipcase; vellum spine darkened, bookplate removed from front pastedown, small date stamp on rear pastedown; very good. (150/250)

275. (Grabhorn Press) Three volumes printed at the Grabhorn Press. Includes: Arnstein, Flora J. A Legacy of Hours. Cloth-backed boards. 1/250. 1927 * Grant, Ed. The Tame Trout. Wrappers. 1939 * Lang, Andrew. Old French Title Pages. Vellum-backed boards. [1929]. Together 3 volumes. San Francisco: Grabhorn Press, Various dates Very good or better. (150/250)

276. (Grabhorn-Hoyem) Littlejohn, David. Dr. Johnson and Noah Webster: Two Men and their Dictionaries. With a matched pair of original leaves from A Dictionary of the English Language (1755) by Samuel Johnson and An American Dictionary of the English Language (1828) by Noah Webster (“STR” section); plus 8 full-page reproductions and other text illustrations. 12½x10, cloth-backed gilt- decorated boards, gilt-lettered morocco spine label. One of 500 copies printed by Grabhorn-Hoyem. San Francisco: Book Club of California, 1971 GHB 49; BCC 139. Light wear to boards; near fine. (200/300)

Page 57 277. (Grabhorn-Hoyem) The Compleat Jane Grabhorn: A Hodge-Podge of Typographical Ephemera, Three Complete Books, Broadsides, Invitations: Greetings, Place Cards, &c. Various illustrations, including many tipped-in folding ephemeral items. 10¼x8¾, linen-backed decorative boards. One of 400 copies. San Francisco: Grabhorn - Hoyem, 1968 Prospectus laid in. Fine (150/250)

278. (Grabhorn-Hoyem) In Memoriam - Edwin Grabhorn, 1889-1968. Illustrated with tipped-in half- tone photographs & with tipped-in specimens. 16x11½, half cloth & boards, paper spine label. One of 150 copies printed for the Roxburghe Club by Robert Grabhorn & Andrew Hoyem. [San Francisco]: [Roxburghe Club], [1968] Light wear and soiling to boards; near fine. (250/350)

279. (Grafton Press) Chaucer, Geoffrey. The Nonnes Preestes Tale of the Cok and Hen. 64. [1] pp. 9x6¾, original full vellum, lettered in gilt on front, ribbon ties, publisher’s two part box. One of 26 lettered copies from a total edition of 130 copies. New York: Grafton Press, 1902 With an illuminated title-page and 6 illuminated initials by William Cushing. From the press of Theodore L. De Vinne & Co. An excellent example of American fine printing as influenced by Morris and the medievalists. 3 page glossary laid in. Box top lacking one side piece, others detached; some rippling to vellum; else volume fine. (250/350)

280. (Gregynog Press) Peacock, Thomas Love. The Misfortunes of Elphin. [iv], 119, [1] pp. Wood engravings by Horace Walter Bray. 9½x6¼, later green morocco backed cloth. One of 250 copies. [Newtown, Montgomeryshire, Wales]: Gregynog Press, 1928 Spine faded to brown; internally fine. (300/500)

281. (Gregynog Press) Vansittart, Robert. The Singing Caravan: A Sufi Tale. x, 145 pp. Frontispiece and illustrations by Milliam MacCance. (4to) 11x7, Later morocco backed cloth, spine lettered in gilt, top edge gilt. One of 250 copies. Newtown, Montgomeryshire, Wales: Gregynog Press, 1932 Spine sunned; near fine. (250/350)

282. (Hoyem, Andrew) Boswell, Winthrop Palmer. Hisperica Famina: The Garden of God. 56 pp. Translated by Winthrop Palmer Boswell. 9¼x11. Cloth-backed decorated boards. One of 400 copies printed at the press of Andrew Hoyem in San Francisco. San Francisco: [Andrew Hoyem], 1974 The Prologue and a part of the Book of Days. With publisher’s announcement laid-in. One of Hoyem’s first independent publications, printed just after the death of Robert Grabhorn and shortly before Hoyem started Arion Press. The rear colophon page bears the familiar emblem of Sir Arion with harp astride his dolphin pal. Light wear and soiling to boards, small chip to spine label; very good. (150/250)

283. (Hoyem, Andrew) Paul Wilhelm Friedrich, Duke of Württemburg. Early Sacramento: Glimpses of John Augustus Sutter, the Hok Farm, and Neighboring Indian Tribes, from the Journals of Prince Paul. Translated by Louis C. Butscher. Illustrated with 3 plates, including frontispiece. 11½x9, cloth-backed boards, paper spine label. 1 of 400 copies printed by Andrew Hoyem. First Edition. [Sacramento]: Sacramento Book Collectors Club, 1973 Fine. (200/300) Page 58 284. (Hoyem, Andrew) Valenti Angelo: Author, Illustrator, Printer. Introduction by Oscar Lewis. Illustrated with 43 facsimiles some with hand-illumination in gold & colors by Angelo. 14¼x10, quarter red cloth & boards, paper spine label, plain jacket. One of 400 copies printed by Andrew Hoyem. San Francisco: Book Club of California, 1976 Inscribed at the colophon by Valenti Angelo to collector Paul Birkel “This copy has been hand- colored by the artist for Paul Birkel.” A beautifully produced and illustrated bibliography of Angelo’s life work. Jacket chipped and darkened; volume fine. (200/300)

TWO LOTS OF KELMSCOTT RARITIES 285. (Kelmscott Press) Morris, William. The Story of the Glittering Plain, or the Land of Living Men. [4], 177, [2] pp. Illustrated with woodcuts after Walter Crane, including the elaborate double title-page, chapter headpieces, initials & ornaments. 11½x8¼, original full limp vellum, original ribbon ties, spine lettered in gilt. One of 250 copies printed by William Morris at the Kelmscott Press. [Hammersmith]: [Kelmscott Press], [1894] Striking printing by Morris of his own work, maintaining superb unity of design. The only Kelmscott title to have been printed twice, the first edition was published in 1891 before the illustrations were completed. Peterson A22. Some soiling to vellum; internally fine. (4000/6000)

286. (Kelmscott Press) [Spenser, Edmund]. The Shepheardes Calender: Conteyning Twelve Aeglogues, Proportionable to the Twelve Monethes. 98 pp. Wood-engraved frontispiece and 11 plates by Arthur Gaskin. (4to) 9½x6½, original linen-backed boards, housed in a custom chemise and morocco- backed slipcase. One of 231 copies of which this is one of 225 printed on paper. [Hammersmith]: [Kelmscott Press], [1896] Inscribed by the artist on front flyleaf: “To J. Thackery Bunce from Arthur J. Gaskin. Nov. 30.96”. A scarce Kelmscott Press title. Peterson A44. Light wear to extremities; internally fine. (4000/6000)

Lot 285 Lot 286

Page 59 TEN LOTS FROM THE LIMITED EDITIONS CLUB 287. (Limited Editions Club) Ashbery, John. Description of a Masque. Illustrated with 3 watercolor woodblock prints by Jane Freilicher. (Folio) 14¾x11, tan cloth with leather label on front, matching clamshell box. One of 300 copies. New York: Limited Editions Club, 1998 Signed in pencil by the author and illustrator at the colophon. A touch of soiling to box; fine. (800/1200)

288. (Limited Editions Club) Brillat-Savarin, Jean Anthelme. The Physiology of Taste. Translated by M.F.K. Fisher. Illustrated by Sylvain Sauvage. Morocco-backed boards, slipcase. One of 1500 copies. New York: Limited Editions Club, 1949 Slipcase split along corners; spine faded; very good. (200/300)

289. (Limited Editions Club) Carpentier, Alejo. The Kingdom of This World. Translated by Harriet de Onis. Introduced by John Hersey. Illustrated with a suite of original etchings by Roberto Juarez. 15x10¾, half black morocco and red Lot 287 Japanese cloth; black linen slipcase. Hand-sewn and bound by Carol Joyce. One of 750 copies. [New York]: Limited Editions Club, [1987] Signed by the artist (in pencil) and John Hersey in the colophon. Beautiful edition of Carpentier’s classic on the Haitian revolution. Slipcase a touch soiled; light stain to rear cover apparently from materials (glue?) used in construction of binding; near fine. (200/300)

290. (Limited Editions Club) Carson, Rachel L. The Sea Around Us. Illustrated with color plates after photographs by Alfred Eisenstaedt. 10x7, dark blue buckram stamped in blind, spine lettered in gilt, glassine wrapper, slipcase. No. 463 of 2000 copies designed by Philip Grushkin. New York: Limited Editions Club, 1980 Signed by Eisenstaedt in colophon. A touch of wear to glassine edges; fine. (200/300)

291. (Limited Editions Club) De Quincey, Thomas. Confessions of an English Opium-Eater. Introduction by William Bolitho. Illustrated with 12 lithographs by Zhenya Gay. 13½x10, cloth-backed marbled boards, top edge gilt, slipcase. No. 737 of 1525 copies printed by B.H. Newdigate at the Shakespeare Head Press. Oxford: Limited Editions Club, 1930 Signed by Gay & Newdigate on the limitation page. Light wear to slipcase; small stain to cloth, newspaper clipping pasted to rear endpaper; very good. (150/250)

292. (Limited Editions Club) Faulkner, William. Hunting Stories. Introduction by Cleanth Brooks. Illustrated with 2 color etchings by Neil Welliver. 13x9¼, ¼ green niger morocco and natural linen, spine lettered in gilt, linen slipcase with inner felt lining. No. 487 of 850 copies on Cartiere Enrico Magnani paper and printed at Heritage Printers from a design by Benjamin Shiff. [New York]: Limited Editions Club, [1988] Signed by Welliver in colophon. Fine. (300/500)

Page 60 293. (Limited Editions Club) Hudson, William Henry. Far Away and Long Ago: A History of My Early Life. Introduction by R.B. Cunningham Graham. Illustrated with lithograph plates by Raúl Rosarivo with laid in tissue-guards. 10½x8, calf & pony skin with the hair still on it, stitched with rawhide thongs, endleaves of split calfskin, publisher’s two part box with the original dust jacket laid in. No. 1103 of 1500 copies printed by Guillermo Kraft. Buenos Aires: Limited Editions Club, 1943 Signed in the colophon by Rosarivo & Kraft. Outstanding book design by Alberto Kraft. Box split at corners; dust jacket worn and chipped; volume fine. (250/350)

294. (Limited Editions Club) Montaigne, Michel de. The Essays of Michel de Montaigne. 4 volumes. Introduction by Andre Gide. Accompanying handbook to the essays by Grace Norton. 7½x5, half vellum and patterned boards, spines stamped in gilt. 1 of 1500 copies. New York: Limited Editions Club, 1946 Signed by Cleland in colophon. Some wear to slipcase; spines darkened; very good. (100/150)

295. (Limited Editions Club) Shelley, Mary Wollstonecraft. Shelley, Mary Wollstonecraft. Introduction by Edmund Lester Pearson. Color illustrations by Everett Henry. 10¼x7, calf-backed linen, spine lettered in gilt, glassine, slipcase. No. 384 of 1500 copies. New York: Limited Editions Club, 1934 Signed by the artist at the colophon. Slipcase sunned; chipping to glassine; calf spine sunned; very good. (200/300)

296. (Limited Editions Club) Wroth, Lawrence C., editor. A History of the Printed Book, Being the Third Number of The Dolphin. Illustrated. 12x8½, black cloth, gilt-lettered spine. 1 of 1800 copies printed by the Yale University Press. First Edition. New York: Limited Editions Club, 1938 Some light wear to cloth; very good. (100/150)

297. (Mosher Press) Symonds, John Addington. Fragilia Labilia. viii, 46, [1] pp. 7¾x4½, original stiff boards with decorated grey paper wrappers. One of 450 copies printed on Kelmscott hand-made paper. Portland Maine: Thomas B. Mosher, 1902 A scarce Mosher Press title. Wrappers chipped; internally clean; very good. (200/300)

298. (Mosher Press) Whitman, Walt. Memories of President Lincoln. [4], xii, 14 leaves, [15]-16, [1] pp. Photo portrait frontispiece. (4to) 11¾x8¾, original boards. One of 300 copies. Portland, Maine: Thomas B. Mosher, 1912 Inscribed by Lincoln scholar F. W. Lehmann. Light wear and soiling to boards, corners rubbed; very good. (150/250)

299. (Mosher Press) Large group of Mosher Press publications. Includes: Symonds, John Addington, translator. The Sonnets of Michael Angelo Buonarroti. Stiff wrappers. 1/925. 1897 * Carove, F.W. The Story Without an End. Stiff wrappers, cloth jacket. 1/425. Second Edition. 1897 * Morris, William, trans. The Tale of King Florus and the Fair Jehane. Stiff wrappers. 1/425. Second Edition. 1898 * Hewlett, Maurice. Quattrocentisteria. Stiff wrappers, slipcase. 1/425. Slipcase damaged. 1898 * Jefferies, Richard. The Pageant of Summer. Stiff wrappers, slipcase. 1/425. Fourth Edition. Slipcase damaged. 1898 * Browning, Elizabeth Barrett. Sonnets From the Portuguese. Stiff wrappers. 1/925. Second Edition. 1899 * Jefferies, Richard. The Story of My Heart. Stiff wrappers. 1/925.

Page 61 Second Edition. 1900 * Pater, Walter. The Child in the House. Stiff wrappers. 1/425. Ninth Edition. 1900 * Lee, Vernon. Chapelmaster Kreisler. Stiff wrappers. 1/425. 1901 * Lang, Andrew. Ballads & Lyrics of Old France. Stiff wrappers. 1/925. Third Edition. 1902 * Stevenson, Robert Louis. AES Triplex and other essays. Stiff wrappers. 1902 * Morris, William. Gertha’s Lover. Stiff wrappers. Stiff wrappers. 1/425. 1902 * Jefferies, Richard & John Brown. Saint Guido and Queen Mary’s Child- Garden. Stiff wrappers. 1/425. Second Edition. 1903 * Macleod, Fiona. Deidre and the Sons of Usna. Stiff wrappers. 1/925. 1903 * The Bibelot. Vol. X, No. 8. Wrappers. Single issue reprinting Whitman’s Memories of President Lincoln. 1904 * Our Lady’s Tumbler. Plain boards, dust jacket. Fourth Edition. 1904 * Macleod, Fiona. The Isle of Dreams. Stiff wrappers. 1/925. 1905 * Alighieri, Dante. The New Life. Stiff wrappers. 1/925. Fourth Edition. 1905 * Morris, William and Walter Pater. Some Great Churches in France. Stiff wrappers. 1/425. Second Edition. 1905 * Morris, William. The Story of the Unknown Church and Other Tales. Stiff wrappers, glassine, slipcase. 1/425. Second Edition. Slipcase damaged. 1906 * Thoreau, Henry D. A Little Book of Nature Themes. Leather. 1906 * Macleod, Fiona. The Wayfarer. Stiff decorated wrappers. 1906 * Ecclesiastes or The Preacher. Boards. 1/500. 1907 * Brown, John. Majorie Fleming. Stiff wrappers. slipcase. 1/425. Fourth Edition. Slipcase damaged. 1907 * Thompson, Francis. The Hound of Heaven. Wrappers. 1/925. Second Edition. 1908 * Henley, Ernest. In Hospital. Boards. 1/950. 1908 * Morris, William. The Story of Amis & Amile. Stiff wrappers. 1/425. Fourth Edition. 1908 * Jefferies, Richard. The Pageant of Summer. Stiff wrappers. Second Edition. 1909 * Morris, William. The History of Over Sea. Stiff wrappers. 1/425. 1909 * Lang, Andrew. Ballads & Lyrics of Old France. Stiff wrappers. 1/925. 1909 * Swinburne, Algernon Charles. Felise. Stiff wrappers. 1/925. 1909 * Reese, Lizette Woodworth. A Branch of May. Boards. 1/950. 1909 * Barrie, J.M. George Meredith, 1909. Stiff wrappers, slipcase. 1/950. 1909 * Wilde, Oscar. The Soul of Man Under Socialism. Cloth-backed boards. 1/600. 1909 * Pater, Walter. The Child in the House. Original full leather, glassine, slipcase. 1909 * Pater, Walter. The Child in the House. Rebound in full red morocco by the Harcourt Bindery. 1909 * Thomson, James. The City of Dreadful Night. Stiff wrappers, slipcase. 1/925. Second Edition. Slipcase cracked. 1909 * Bottomley, Gordon. The Riding to Lithend. Boards. 1/950. Joint cracked. 1910 * Holmes, Daniel Henry. Under a Fool’s Cap: Songs. Boards, dust jacket, slipcase. 1/900. Slipcase damaged. 1910 * Reed, Thomas Brackett. Orations and Address. Boards, dust jacket, slipcase. 1/200. 1911 * Barrie, J.M. George Meredith. Stiff wrappers. 1/950. 1911 * Swinburne, Algernon Charles. Atalanta in Calydon. Stiff wrappers. 1/925. Fourth Edition. 1912 * The Sermon on the Mount. Boards, slipcase. 1913 * Prestage, Edgar. The Sweet Miracle. Stiff wrappers, glassine, slipcase. Second Edition. 1914 * Dowson, Ernest. Studies in Sentiment. Boards. 1/450. 1915 * Mackail, J.W. The Sayings of the Lord Jesus Christ and Recorded by His Four Evangelists. Boards. 1/450. Second Edition. 1919 * [Schwob, Marcel]. The Children’s Crusade. Boards. 1/450. Spine chipped. 1923 * Whistler, James A. “Ten O’Clock” Boards, glassine, slipcase. Second Edition. 1925 * Coughlin, Anna Emma. Knots of Straw and other verses. Boards. 1/300. Large chip from spine. 1926 * Hewlett, Maurice. Quattrocentisteria. Boards, glassine, slipcase. 1/975. 1927 * Stewart, Elinor C. Promises of Hope and Gladness. Boards, dust jacket. 1/975. 1927 * Underwood, Edna Worthley. Egyptian Twilights. Wrappers over stiff boards, glassine. 1/500. 1928 * Underwood, Edna Worthley, translator. The Poets of Haiti, 1782- 1934. Cloth-backed boards. Dampstain. 1934 * Chocano, Jose Santos. Spirit of the Andes. Boards. Dampstain. 1935 * Grebanier, Bernard. Fauns, Satyrs & a Few Sages. Boards. 1/2000 copies. 1945 * Grebanier, Bernard. Mirrors of the Fire. Boards, dust jacket. 1946. Together 56 volumes. Portland, Maine [mostly]: Thomas Bird Mosher or Mosher Press, Various dates Some general wear; overall very good. Sold as is. (700/1000)

300. (Nash, John Henry) Bonfils, Winifred Black. The Life and Personality of Phoebe Apperson Hearst. Decorations by William Wilkie. 14x9, full vellum, spine gilt-lettered, top edge gilt. From an edition of 1000 copies, this copy out of series and not numbered. San Francisco: Printed for William Randolph Hearst by John Henry Nash, 1928 Tribute produced by newspaper tycoon William Randolph Hearst in honor of his mother. Vellum discolored on front cover, light foxing to endpapers; very good. (250/350)

Page 62 SIX LOTS FROM THE NONESUCH PRESS 301. (Nonesuch Press) Dreyfus, John. A History of the Nonesuch Press. With an Introduction by Geoffrey Keynes & a Descriptive Catalogue by David McKitterick, Simon Rendall & John Dreyfus. Illus. with facsimiles. 12x7½, jacket. No. 698 of 950 copies printed at the University Press, Cambridge. London: Nonesuch Press, 1981 Finely printed history of the press which was no press. Sticker affixed to rear jacket flap indicates book distributed in the U.S. by John Howell-Books. Jacket with slight edge wear; fine. (200/300)

302. (Nonesuch Press) Fontenelle, Bernard de. A Plurality of Worlds. Translated by John Glanvill. Prologue by David Garnett. Illustrated with color stencils by T.L. Poulton. 8x5, gilt-decorated vellum, gilt-lettered spine, slipcase. No. 314 of 1200 copies designed by Francis Meynell, composed by T.W. Hay at the Nonesuch Press, and printed on Van Gelder paper at the Curwen Press. Nonesuch Press, 1929 There were also an additional 400 copies printed for distribution in the United States by Random House. Slipcase worn at edges; light wear and soiling to vellum; near fine. (200/300)

303. (Nonesuch Press) Genesis: Twelve Woodcuts by Paul Nash with the First Chapter of Genesis in the Authorised Version. With 12 woodcuts by Paul Nash. Printed on double leaves. 10¾x7½, black boards lettered in gilt. No. 190 of 375 copies printed on Zanders hand-made paper at the Curwen Press. [London]: Nonesuch Press, 1924 Striking treatment of the first book of the Bible. One of the scarcest of the Nonesuch press titles. Lacking slipcase, small chips to spine ends and corners, light wear to boards; very good. (1200/1800)

304. (Nonesuch Press) Symons, A.J.A., Desmond Flower, & Francis Meynell. The Nonesuch Century: An Appraisal, a Personal Note and a Bibliography of the First Hundred Books Issued by the Press, 1923-1934. xii, 80 pp text, 6 pp devices, 6 plates of bindings, 56 pp text and title page examples, 46 examples of illustrations (many two to four pages) tipped onto stiff grey paper. Copperplate engraving of Francis Meynell by Eric Gill. (4to) 12x7¾, green cloth. One of 750 copies. London: Nonesuch Press, 1936 Spine faded, small stain on front cover, bookplate; very good. (300/500)

305. (Nonesuch Press) Twelve volumes published by the Nonesuch Press. Includes: The Letters of George Meredith to Alice Meynell. 1923 * Apuleius. Cupid and Psyches. Slipcase damaged. 1923 * Warlock, Peter. Songs of the Garden. Covers bowed, jacket worn. 1925 * Cowley, Abraham. The Mistress. 1926 * Melville, Herman. Benito Cereno. With scarce jacket. 1926 * Evelyn, John. Memoires for my Grand- son. Slipcase. 1926 * De Maisse. A Journal of all the Was Accomplished by Monsieur de Maisse. 1931 * Donne’s Sermon of Valediction at His Going into Germany. Heavily foxed. 1932 * Evelyn, John. Directions for the Gardiner at Says-Court. Backstrip detached. 1932 * Tennyson, Alfred Lord. In Memoriam. Spine paper torn. 1933 * Jacquier. The Family Face. 1936 * France, Anatole. The Gods are A-Thirst. 1942. Together 12 volumes. London: Nonesuch Press, Various dates Also included is a prospectus for the 1929 Nonesuch publications. Overall very good. Sold as is. (800/1200)

306. (Nonesuch Press) Two volumes from the Nonesuch Press. Includes: Simpson, Evelyn Mary. Donne’s Sermon of Valediction at his Going into Germany. (4to) boards, glassine. One of 750 copies. 1932 * Melville, Herman. Benito Cereno. (4to) red cloth. One of 1650 copies. 1936. Two volumes. London: Nonesuch Press, Various dates Some light wear; first title with some foxing; very good. (150/250) Page 63 307. (Officina Bodoni) Baskin, Leonard. To Colour Thought. Morocco-backed boards. One of 300 copies. New Haven: [Yale University], 1967 Printed in Italy at the Officina Bodoni. Spine sunned; fine. (500/800)

308. (Officina Bodoni) Pastonchi: A Specimen of a New Letter for Use on the “Monotype”. 65, [5] pp. Several full page plates of specimens plus 8 inserted specimen leaves. (to) 11¼x7¾, brown cloth lettered in gilt. First Edition. London: Lanston Monotype Corporation, [1928] One of 200 copies designed by Hans Mardersteig and printed at the press of Arnoldo Monadori by the Officia Bodoni. Scarce. Small tear at foot of spine, light wear to cloth; very good. (500/800)

THE PENNYROYAL ALICE AND THROUGH THE LOOKING GLASS 309. (Pennyroyal Press) Carroll, Lewis. Alice’s Adventures in Wonderland. Preface and notes by James R. Kincaid. Edited by Selwyn Goodacre. Illustrated with wood engravings by Barry Moser, including a separate suite of plates in cloth chemise. 16½x10½, purple morocco backed and edged marbled boards, spine lettered in gilt, together with extra suite in cloth chemise, housed in a morocco-backed clamshell box, gilt- lettered spine. No. 326 of 350 copies printed on Pulegium paper by the Pennyroyal Press and bound by Gray Parrot West Hatfield, MA: Pennyroyal Press, 1982 Each plate in the separate suite of plates signed by Moser, volume signed at the colophon, ‘To the Reader’ leaf laid into portfolio explaining damage that occurred to the wood printing blocks during printing of the additional suite, also signed by Moser. Box spine faded as usual; volume and prints fine. Lot 309 (3000/5000)

310. (Pennyroyal Press) Carroll, Lewis. Through the Looking Glass and What Alice Found There. Preface and notes by James R. Kincaid. Edited by Selwyn Goodacre. Illustrated with wood engravings by Barry Moser, including a separate suite of plates. 16½x10½, purple morocco backed and edged boards, spine lettered in gilt, together with extra suite in cloth chemise, housed in a morocco-backed clamshell box, gilt- lettered spine. No. 151 of 350 copies printed on Pulegium paper by the Pennyroyal Press and bound by Gray Parrot West Hatfield, MA: Pennyroyal Press, 1982 Each plate in the separate suite of plates signed by Moser, volume signed by Moser at the colophon. Box spine faded as usual, short splits at head and heel of front joint of box; volume and prints fine. (3000/5000) Lot 310

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 64 THE PENNYROYAL HUCK FINN 311. (Pennyroyal Press) Twain, Mark. The Adventures of Huckleberry Finn. 420 pp. Illustrated by Barry Moser with 49 wood engravings. Foreword by Henry Nash Smith. Printed by Harold McGrath. 12¾x10, full green morocco gilt-lettered and -ruled. With extra suite of engravings, as issued in cloth portfolio. Housed together in cloth slipcase. No. 138 of 250 copies, initialled by Moser at colophon. West Hatfield, MA: Pennyroyal Press, 1985 Imposing centenary edition of Huck Finn, with the additional suite of engravings. Spine sunned; near fine. (2000/3000)

312. (Peter Pauper Press) Whitman, Walt. Leaves of Grass. Illus. with color wood engravings by Boyd Hanna. 14½x9½, morocco-backed patterned boards, spine lettered in gilt, slipcase with paper label. No. 597 of 1100 copies. Mount Vernon, NY: Peter Pauper Press, [c. 1945] The most elaborate production of the Peter Pauper Press. Some wear and fading to slipcase; light wear to spine leather; else near fine. Lot 311 (400/600)

THREE LOTS FROM THE PLANTIN PRESS 313. (Plantin Press) Dreyfus, John, ed. Four Lectures by T.J. Cobden-Sanderson. Edited and with an essay by John Dreyfus. Illustrated from photographs. 10¾x7¾, cloth-backed decorated boards, printed paper spine label. One of 450 copies printed by Saul and Lillian Marks at the Plantin Press. San Francisco: Book Club of California, 1974 Label loose at one corner; near fine. (100/150)

314. (Plantin Press) Marks, Lillian. Saul Marks and the Plantin Press: The Life & Work of a Singular Man. Illustrated from photographs, typographic examples, etc. 10x6¾, quarter cloth, paper spine label; slipcase. No. 122 of 350 copies printed by Lillian Marks at the Plantin Press. Los Angeles: Plantin Press, 1980 Slipcase split along one corner; volume fine. (150/250)

315. (Plantin Press) Shakespeare, William. The Sonnets of William Shakespeare. [iv], 154, [2] pp. (8vo) 8x5½, morocco backed boards, spine lettered in gilt. No. 90 of 120 copies. Los Angeles: Plantin Press, 1974 The entire edition was subscribed by Jacob Zeitlin & Josephine Ver Brugge Zeitlin. Scarce. A slight touch of wear at extremities; fine. (1000/1500)

316. (Poole Press) Adams, Maryline Poole. A-Maze in Mystery: An Amazeing Peep-Show. 6 paneled peep-show with accordion sides, stiff cardboard title leaf with opening door, half cloth and boards. One of 100 copies. Berkeley: Poole Press, 1992 A clever peep-show book depicting a garden maze. Slanting the peeps-how to the sides allows a look around the corners of the hedges. Fine. (200/300)

Page 65 317.  Ritchie, Ward. Adventures With Authors. Unpaginated. Initial letters designed by Stanislaw Szukalski. 9½x6, marbled wrappers. One of about 50 copies. [Laguna Beach, CA]: [Laguna Verde Imprenta], 1978 Scarce. Fine. (300/500)

318. (Ritchie, Ward) Five volumes from the press of Ward Ritchie. Includes: Bowen, Peg. Pensamientos. Cloth backed boards, dust jacket. Signed by the author. LA: [Anderson, Ritchie and Simon], 1976 * Harding, George L., et al. A Copybook from the hand of Agustin V. Zamorano. Black cloth. One of 250 copies printed by Ward Ritchie for the Zamorano Club. 1974 * Ritchie, Ward. John Gutenberg, 1440-1940. Wrappers. One of 300 copies. [LA: Ward Ritchie Press, 1940] * [Ritchie, Ward]. The Ward Ritchie Press and Anderson, Ritchie & Simon. Cloth, slipcase. No. 114 of 300 signed copies. [LA: Anderson, Ritchie & Simon], 1961 * [Ritchie, Ward]. The Ward Ritchie Press and Anderson, Ritchie & Simon. Cloth, slipcase. No. 162 of 300 signed copies. [LA: Anderson, Ritchie & Simon], 1961. Together 5 volumes. Los Angeles: Ward Ritchie, Various dates Some light wear; very good. (300/500)

319. (Roycroft) Morris, William. A Dream of John Ball. 147, [1] pp. 8¾x5¾, original suede-backed boards. One of 650 copies. East Aurora: Roycroft, 1898 Some deterioration of suede, spine faded; light foxing; very good. (100/150)

320. (Roycroft) Five Volumes Published by the Roycroft Shop. Includes: Hamerton, Philip Gilbert. The Intellectual Life. (4to) brown suede-backed boards. One of 960 copies, signed by Elbert Hubbard. Spine faded, chip to front joint. 1899 * Stevenson, Robert Louis. Will O’ the Mill. (8vo) brown suede- backed boards. 1901 * Shakespeare, William. Tragedy of Hamlet, Prince of . Brown suede- backed boards. 1902 * Shakespeare, William. The Comedy of As You Like It. (4to) brown suede- backed boards. 1903 * Shakespeare, William. The Tragedy of King Lear. (4to) red suede-backed boards. 1904. Together 5 volumes. East Aurora, NY: Roycroft Shop, Various dates Some general light wear; overall very good or better. (250/350)

321. (Scarab Press) Burke, Clifford. Printing Poetry: A Workbook in Typographic Reification. xv. 150 pp. Foreword by William Everson. 10¼½x6¾. Cloth-backed printed boards, jacket. First Edition. San Francisco: Scarab Press, 1980 The rear colophon mentions a limitation of 2000 copies, but in fact only about 600 were actually bound in cloth. Inscribed on the half title by Burke. Prospectus laid in. A touch of wear to jacket edges; volume fine. (200/300)

322. (Stanford University Press) Drummond, Henry. The Greatest Thing in the World. xx, 47, [1] pp. (12mo) 7½x4¾, full green leather stamped in gilt, top edge gilt. One of 100 copies. [Palo Alto, CA]: [Stanford University Press], 1934 Printed at the Stanford University Press for Delight Ward Merner and Garfield David Merner. Spine sunned; near fine. (200/300)

Page 66 323. (Untide Press) Everson, William. War Elegies. [31] pp. Illustrated by Kemper Nomland, Jr. 9½x6¼, full brown leather lettered in gilt. One of 30 copies thus bound from an edition of 975 copies. First Edition. Waldport, OR: Untide Press, 1944 First edition, reissued from the rare 1943 mimeograph issue, this reissue copy includes the additional War Elegy V, placed in its chronological location. A few small scuffs to leather; near fine. (300/500)

324. (Westminster Press) Gielgud, Lewis, translator. The Vigil of Venus. 50 pp. Illustrated by wood engravings by George Buday. 10½x8½, linen-backed boards. One of 250 copies printed at the Westminster Press. London: Frederick Muller, [c.1950] Signed by the translator and the illustrator on the limitation statement. Fine. (100/150)

325. (Whittington Press) Allen, Peter. Travels in Cévennes. 40 pochoir illustrations by the author. (4to) 11x8½, yellow morocco-backed boards, wrap-around paper band, slipcase. One of 50 copies from a total edition of 150. [Risbury, Herefordshire]: [Whittington Press], [1998] One of 50 special copies with two additional illustrations in pocket at rear. Fine. (300/500)

TEN LOTS FROM THE YOLLA BOLLY PRESS 326. (Yolla Bolly Press) Bierce, Ambrose. One of the Missing: Tales of the War Between the States. Introduction by Page Smith. Illustrated with woodcuts by David Page. 13¾x9¾, blindstamped black cloth, slipcase. No. 106 of 20 copies reserved for the Press after the edition of 100 copies for sale. Printed on mould-formed Lana Gravure paper. [Covelo]: Yolla Bolly Press, [1991] Signed in the colophon by Smith & Page. Prospectus and other publisher’s ephemera laid in. The short stories of the Civil War by Bierce were the first to expose the harsh & bloody realities of that war. This copy from the library of Albert Sperisen, noted collector and proprietor of the Black Vine Press, with his small label on front pastedown. Some light wear to slipcase; else fine. (400/700)

327. (Yolla Bolly Press) Fowles, John. The Tree [&] The Nature of Nature. 8 woodcut prints by Aaron Johnson. (4to) 10x8½, patterned gray cloth, slipcase. One of 35 copies reserved for the press, the author, and the artist, after 150 copies for sale. Covelo, CA: Yolla Bolly Press, 1995 Signed at the colophon by the author and illustrator and by Carolyn and James Robertson of the Yolla Bolly Press. This copy from the library of Albert Sperisen, noted collector and proprietor of the Black Vine Press, with his small label on front pastedown. Prospectus and short letter from James Robertson to Sperisen laid in. Fine (1000/1500)

Lot 327 Page 67 328. (Yolla Bolly Press) Hardy, Thomas. The Vineyards and Wine Cellars of California. Edited by Thomas Pinney. Foreword by Robert Mondavi. Illustrated from photographs and with tipped in facsimile wine labels. 11¾x9, quarter cloth and decorated boards; plain slipcase. One of 450 copies printed at Yolla Bolly Press. San Francisco: Book Club of California, 1994 BCC 244. Fine. (200/300)

329. (Yolla Bolly Press) Jeffers, Donnan Call. The House That Jeffers Built. 2 volumes. Illustrated from photographs, with captions by Garth Sherwood Jeffers. 9¼x6, cloth, woodcut cover labels by Rik Olson, slipcase. Copy ‘J’ of an unspecified number of lettered copies from a total edition of 175 copies. [Covelo]: Yolla Bolly Press, [1993] Signed by Garth Jeffers at the colophon of the second volume. Prospectus included. Colophon of the first volume inscribed by Carolyn & Jim [Robertson] to Albert [Sperisen]. Fine (300/500)

330. (Yolla Bolly Press) Jeffers, Robinson. Cawdor. Afterword by James D. Houston. Illustrated with woodblocks by Mark Livingston. 12¾x9¾, quarter morocco and blind-lettered cloth, spine lettered in gilt, slipcase. No. 12 of 240 copies. Covelo: Yolla Bolly Press, [1983] Signed in the colophon by James D. Houston and Mark Livingston. Also, order form and other publisher’s ephemera, laid in. This copy from the library of Albert Sperisen, noted collector and proprietor of the Black Vine Press, with his small label on front pastedown. Slipcase sunned at edges; fine. (400/700)

331. (Yolla Bolly Press) Jeffers, Robinson. Where Shall I Take You To: The Love Letters of Una and . Edited by Robert Kafka. Foreword by Garth Jeffers. Illustrated with tipped-in photos. 8vo. Tan-peach cloth, paper spine label, slipcase. Copy ‘I’ of 20 “Press Copies” of a total edition of 245 copies. [Covelo, CA]: Yolla Bolly Press, [1987] Prospectus and other publisher’s ephemera laid in. This copy from the library of Albert Sperisen, noted collector and proprietor of the Black Vine Press, with his small label on front pastedown. Light wear to slipcase; fine. (500/800)

332. (Yolla Bolly Press) Lawrence, D.H. The Man Who Died. Commentary by John Fowles. Illus. with a suite of woodcuts by Leonard Baskin. 14x10, blindstamped white cloth, slipcase with spine label. Copy ‘N’ of an unspecified number of out of series copies after the edition of 130 copies. Printed on mould-formed Somerset paper by Aaron Johnson at the Press. [Covelo]: Yolla Bolly Press, [1992] Signed in the colophon by Leonard Baskin & John Fowles. Inscribed by James Robertson to Albert Sperisen, noted collector and proprietor of the Black Vine Press, and with his small label on front pastedown. Prospectus laid in. Some light foxing to cloth on spine; near fine (1000/1500)

Lot 332 Page 68 333. (Yolla Bolly Press) Miller, Joaquin. True Bear Stories. Edited by James Robertson. Foreword by William Everson. Illustrated with woodcuts by Vincent Perez. 9¾x6½, full California Latigo cowhide, stamped bear decoration to front cover, slipcase. Copy ‘E’ of 20 presentation copies from a total edition of 230 copies. [Covelo, CA]: Yolla Bolly Press, [1985] Signed by William Everson and the artist, Vincent Perez, at the colophon. 2 copies of the prospectus included. A few small scuffs to leather; else fine. (200/300)

334. (Yolla Bolly Press) Saroyan, William. The Daring Young Man on the Flying Trapeze and Other Stories. Afterword by Herbert Gold. Illustrated with woodblocks by Bill Prochnow. 10x7½, gilt-stamped cloth, publisher’s slipcase. One of 200 copies designed by James and Carolyn Robertson. [Covelo, CA]: Yolla Bolly Press, [1984] Signed by the artist and Herbert Gold at the colophon. Publisher’s printed thank you slip, laid in. Fine. (200/300)

335. (Yolla Bolly Press) Thoreau, Henry David. The Winged Life: The Poetic Voice of Henry David Thoreau. 134 pp. Edited and with commentaries by Robert Bly. Illustrated with wood engravings by Michael McCurdy. (Folio) 14x10, beige Dutch linen, wood-engraved pictorial cover label, paper spine label, linen slipcase. Copy ‘F’ of 12 Press Copies from a total edition of 112 copies printed on heavy mouldmade Arches French art paper by Aaron Johnson at The Yolla Bolly Press; designed by James and Carolyn Robertson. Covelo, CA: Yolla Bolly Press, 1986 Signed by the editor and artist in pencil in the colophon. Inscribed by James Robertson to Albert Sperisen, noted collector and proprietor of the Black Vine Press. Fine. (1200/1800) Lot 335 Section III: Fine Books in All Fields

336. (Architecture) American Country Houses of Today. 2 volumes, for 1912 & 1913. Profusely illustrated from photographs, measured drawings, etc. 11½x9¼, gilt-lettered green buckram, top edges gilt. New York: Architectural Book Publishing Company, 1912 & 1913 Two yearly volumes of this influential architectural publication. Extremity rubbing to covers, 2nd front cover stained; 1st with front hinge cracked, both about very good. (600/900)

TWO RARE AUCTION CATALOGUES 337. (Auction Catalogue) Skinner and Co. A Catalogue of the Portland Museum, Lately the Property of The Duchess Dowager of Portland, Deceased: Which will be Sold by Auction, by Mr. Skinner and Co. On Monday the 24th of April, 1786, and the Thirty-Seven Following Days, at Twelve O’Clock... viii, [1], 4-194 pp. Page 162 is misnumbered 137. (4to) 10x8, disbound, in later wrappers, custom cloth slipcase. On title page is “No.” and in manuscript, the number 95. [London]: Mr. Skinner and Co., 1786 A rare auction catalogue. Compiled by Reverend John Lightfoot, English naturalist and librarian to the Duchess Dowager of Portland. The Duchess, Margaret Cavendish Bentwick, began col- lecting natural specimens as a girl. Over time, her collection grew to include all “Three King- doms of Nature, the Animal, Vegetable, and Fossil…” but more so than any other category, her

Page 69 love of shells is displayed, “Conchology,” as it is called in the Preface. Lady Margaret employed famed naturalist, Dr. Daniel Solander, to assist in the cataloguing of her specimens, however his death in 1782 cut his efforts short, according to the preface. Over 38 days, 4156 lots were offered for auction including many lots of interest in natural, cultural, and art history. Lacking engraved frontispiece. Slipcase with shelf wear and some soiling; volume spine lacking, page block split in two; heavily foxed at preliminary and rear pages, lighter foxing to margins of all pages, very small and unobtrusive spots of worming at each page in gutters; else very good. (800/1200)

338. (Auction Catalogue) Catalogue des tableauz Anciens Ecoles Anglaise et Francaise du XVIIIe Siecle...Dont la Vente par Suite du deces de M. Eugene Kraemer aura lieu a Paris Galerie Georges Petit. 2 volumes. Illustrations throughout. (4to) 12½x9½, period green half morocco and cloth, spines gilt, top edges gilt. Paris: Gallerie Georges Petit, 1913 Beautifully presented catalogue of the Kraemer collection of art and antiques. Bookplate of J. Ogden Armour in each volume. Spine a bit sunned, light wear at extremities; near fine. (250/350)

339. (Automobiles) Seven volumes on luxury cars. Includes: Stein, Ralph. The Great Cars. Color photographs by Tom Burnside. Ridge Press Book, [1967]. * Bennett, Martin. Rolls-Royce: The History of the Car. 2nd Edition. Oxford Illustrated Press, [1983]. * Boesen, Victory and Wendy Grad. The Mercedes-Benz Book. 2nd Edition. Doubleday, 1981. * Ruiz, Marco, et. al. One Hundred Years of the Automobile, 1886-1896. Gallery Books, [1985]. * Drackett, Phil. The Classic Mercedes-Benz. Bison, [1983]. * Bell, Roger. Great Marques: Mercedes-Benz. Octopus, [1980]. * Walton, Jeremy. Great Marques: BMW. Octopus, [1983]. Various places: Various dates Together 7 quarto volumes, each bound in cloth and in their original dust jackets. Each profusely illustrated from photographs. Some degree of edge wear to each dust jacket, generally mild to moderate, a few with chipping at head and heels of jacket spines, or very short closed tears; else very good to fine overall. (100/150)

340.  Barrie, J.M. The Little Minister. 2 volumes. Illustrated by G.W.H. Ritchie. (8vo) original gilt decorated green cloth, circular pictorial labels on front covers, top edges gilt. Accompanied by a suite of extra illustrations from the dramatic production and a photogravure portrait of Maud Adams. In the publisher’s original two-part box. New York: Caldwell, [1898] Box and envelope containing extra illustrations worn; volumes fine. (100/150)

341. Beaumont, [Francis] & [John] Fletcher. The Works of Beaumont & Fletcher. 11 volumes. (8vo) 8¾x5½, original blindstamped brown cloth, spines lettered in gilt. American issue with Little, Brown & Co. imprint on spines. London: Edward Moxon, 1843-46 Light wear to cloth; some foxing; very good. (250/350)

342. (Bible) The Holy Bible Containing the Old and New Testaments: newly translated out of the original tongues, and with the former translations diligently compared and revised. Unpaginated, approx. 936 pp. Engraved illustrated title page. 4½x2¼ (12mo) period full leather, raised bands, blind-tooled decorative covers, metal clasp fixtures on front cover, one clasp missing, fixtures missing from rear cover, top edges gilt. London: John Field, Printer to the Parliament, 1653 Two additional title pages within: One for the New Testament, and one for the Book of Psalms, with a date of 1656. According to the inscriptions on first blank leaf, the book belonged to Jer- emy Driver in 1694, then to Anne Drake in 1740. Spine creased and chipped at head and heel, joints and edges of covers heavily rubbed; a few signatures detached or starting; else very good. (600/900) Page 70 343. (Bicycles) Cyclist’s Mileage Record Book. Unpaginated. 5¾x3½, original full leather titled in gilt on front. No place: [c. 1900] 5 year diary, pre-printed for daily and monthly riding totals, each year with a section at end for miscellaneous expenses. Backstrip detached (approx. 2/3 still present), some wear at edges; first 2 leaves removed; else good. (100/150)

344.  Blaine, Delabere P. An Encyclopaedia of Rural Sports. xiv, 1246 pp. Woodcut illustrations throughout. (Thick 8vo) 8½x5½, rebound in modern green cloth, spine lettered in gilt. Revised Edition. London: Longman, Green, Reader, and Dyer, 1870 Some wear to cloth, hinges cracked and shaken; a few pages chipped; good. (100/150)

COLOR PLATES OF CANARIES AND CAGE BIRDS 345.  Blakston, W.A.; W. Swaysland; & August F. Wiener. The Illustrated Book of Canaries and Cage-Birds, British and Foreign. viii, 448 pp. Illustrated with 56 chromolithograph plates (including frontispiece), plus numerous wood engravings throughout. (4to) 10¾x8½, period half calf and cloth. London: Cassell & Co., Ltd., [c 1880] Brilliant chromolithographs of canaries and other cage birds including parrots, parakeets, etc. Some wear to extremities; plates overall bright and clean; very good. (700/1000)

346. (Book of Hours) [Offizium der Madonna] Das Vatikanische Stundenbuch Jean Bourdichons, Cod. Vat. Lat. 3781. 2 volumes. Facsimile volume bound in full leather with cloth bound text volume. Housed together in matching cloth box. With an introduction by Eberhard König. [Zurich]: Besler Verlag, [1984] Facsimile of the original from the Vatican Library. Fine (200/300)

347. (Books on books) Kraus, Hans P. Collection of 61 volumes of H.P. Kraus catalogues and publications. Includes: Catalogue 165: Cimelia. Laid down color illustrations. Green cloth, gilt-lettered spine, jacket. Publisher’s packaging. [1983]. * In Retrospect: A Catalogue of 100 Outstanding Manuscripts Sold in the Last Four Decades. Blue gilt-lettered cloth, jacket. Publisher’s packaging. [1978]. * 2 copies of: Homage to a Bookman: Essays on Manuscripts, Books and Printing Written for Hans P. Kraus on his 60th Birthday, Oct. 12, 1967. Red cloth with leather spine label. Wrapped in glassine and in publisher’s packaging. Gebr. Mann Verlag, [1967]. New York: H.P. Kraus, [1967-1995] Together 64 volumes. Full list available upon request. 8 volumes still in original publisher’s packaging (cardboard). Conditions vary from very good to fine. (100/150)

348. Bryant, William Cullen. Thirty Poems. 222 pp. 7x4½, later purple full morocco, spine lettered in gilt, raised bands, top edge gilt. First Edition. New York: Appleton, 1864 First issue with ‘veielo’ reading on page 213. Inscribed by the author on blank leaf at front. Spine sunned, light wear to extremities; very good. (250/350)

Each lot is illustrated in color in the online version of the catalogue. Go to www.pbagalleries.com

Page 71 349. Burnet, Gilbert. The Letter Writ by the Last Assembly General of the Clergy of France to the Protestants, Inviting Them to Return to Their Communion. [18], 179, [1], +[8] ad pp. (8vo) 7¼x4½, modern three- quarter brown morocco and marbled boards, spine gilt, top edge gilt. First Edition in English. London: Richard Chiswell, 1687 Wing, L1759. Extremities rubbed; very good. (200/300)

350. [Burnet, Gilbert]. The Life of William Bedell, D.D. Bishop of Kilmore in Ireland. [38], 259, [13], 265-487 pp. 6¾x4½, modern brown half morocco and marbled boards, spine gilt, raised bands, top edge gilt. First Edition. London: John Southby, 1685 The second part, “The copies of certain letters which have passed between & England in matter of religion .. between Mr. James Waddesworth .. and W. Bedell” has separate dated title page; pagination and register are continuous. Wing, B5830. Light wear to extremities; very good. (250/350)

351. Burton, Richard F. Vikram and the Vampire Or Tales of Hindu Devilry. xxiv, 319 pp. Illustrations by Ernest Griset. 7¼x5, later three-quarter red morocco and cloth, spine lettered in gilt, raised bands, top edge gilt. First Edition. London: Longman, Green, and Co., 1870 Spine a bit sunned, minor wear at extremities; very good. (300/500)

352. Byron, Lord. The Works. 6 volumes. 6¼x4, period full calf, spines gilt, all edges marbled. First Collected Edition. London: John Murray, 1815-18 Volumes 1-4 published 1815, Volume 5 in 1817, and Volume 6 in 1818. Spines faded, some light wear and scuffing to leather; very good. (500/800)

353. Campbell, Thomas, ed. Frederick the Great, His Court and Times. 2 volumes. (8vo) 7¾x4¾, later blue polished half calf and cloth, morocco lettering pieces, top edge gilt. Second Edition. London: Henry Colburn, 1844 Spines faded to brown, light wear; very good. (150/250)

A PARTICULARLY FINE COPY 354. Cather, Willa. Death Comes for the Archbishop. Illustrations by Harold Von Schmidt. 11½x8, original full vellum, small emblem in silver on front, spine lettered in silver, top edge silver. No. 129 of 170 copies. New York: Knopf, 1929 Signed by Cather at the limitation. Lower corners slightly bumped; small ink spot on half title; near fine (1500/2000)

Lot 354 Page 72 355.  Chesterfield, Philip Dormer [Stanhope], Lord. Letters of Philip Dormer, Fourth Earl of Chesterfield, to his Godson and Successor. Edited, with memoir by the Earl of Carnarvon. Illustrated with collotype plates. 11¼x9, period full blue morocco, decorative gilt borders, spine gilt, raised bands, top edge gilt. Bound by Whitman Bennett. No. 289 of 525 copies. Oxford: Clarendon Press, 1890 An attractively printed and bound edition of this classic work. Spine sunned, some scuffing to leather; very good. (300/500)

356. Coe, Michael D. Classic Maya Pottery at Dumbarton Oaks. 30 pp. 11x8½, illustrated wrappers, housed within a pocket on the inside of a cloth portfolio, lettered in gilt. Also within portfolio are 16 loose color plates, each 11x17. Dumbarton Oaks: Trustees for Harvard University, 1975 Light wear to extremities of portfolio, corners bumped, and bookplate on inside; volume within is fine, plates are near fine, excepting a few corners creased. (100/150)

SEVEN LOTS OF COOKERY BOOKS 357. (Cookery) Farmer, Fannie Merritt. Catering for Special Occasions, with menus & recipes. viii, [2], 240 pp. With photo plates of table settings; decorations by Albert D. Blashfield. 7¾x5¼, original cloth lettered in white, color pictorial cover label, top edge gilt. First Edition. Philadelphia: David McKay, [1911] Some flaking to cover lettering, rubbing to extremities, lower corner’s bumped; contents with some minor foxing and darkening, a bit shaken, very good. (150/250)

358. (Cookery) Holland, Mary. The Complete Economical Cook, and Frugal Housewife; an Entirely New System of Domestic Cookery, Containing Approved Directions for Purchasing, Preserving, and Cooking ... 4, [xix]- lx, ix, [1], 288 pp. With engraved frontispiece, added title & 4 plates. 6¾x4¼, original printed boards. Sixth Edition. London: Thomas Tegg, 1830 Some rubbing and darkening to boards, a bit shaken with vertical cracks to spine; title-page with 1” chip at top edge affecting “k” in Cook, 4” repaired tear, lacking front free endpaper; still very good overall, rare in the original boards. (250/350)

359. (Cookery) Kettilby, Mary. A Collection of above Three Hundred Receipts in Cookery, Physick, and Surgery; for the Use of all Good Wives, Tender Mothers, and Careful Nurses. 2 parts in 1. [14], 163, [13], 86, [8] pp. (A-M8, A-F8, with first and last leaves blank). (8vo) 7¾x4½, period calf, rebacked with calf. Second Edition. London: Printed for Mary Kettilby, and sold by Richard Wilkin, 1719 A wide-range of recipes and home remedies; the second part, with a separate title-page (A collection of receipts in cookery, physick and surgery. Part II), contains “a great Number of Excellent Receipts, for Preserving and Conserving of Sweet-Meats, &c.” Maclean, STC of Household and Cookery Books, p. 79. Spine scuffed; light dampstain to lower corners of last 40 or so pages; very good condition. (1000/1500)

360. (Cookery) Los Angeles Times. Cook Book No. 2. 957 Cooking and Other Recipes by California Women; 79 Recipes For Spanish Dishes; 109 Recipes for Soups; 135 Recipes for Salads. . .Brought Out By The 1905 Series of Prize Recipe Contests in the Los Angeles Times. 105, [1] pp. 8¾x5½, white cloth lettered in black. First edition, second issue (with cover price of 35 cents). Los Angeles: Times-Mirror Co., 1905

Page 73 Covers soiled; some darkening and soiling within, 2” tear to title-page, recipes glued to pastedowns, good condition. (200/300)

361. (Cookery) A Friend in Need: A Collection of Well Tested and Practical Recipes, Compiled by The Ladies of the First Presbyterian Church, Kalamazoo, Mich. 198, [16] pp. 6¾x4¾, wrappers lettered in gilt. Kalamazoo: Ihling Bros. & Everard, Printers, 1899 Very scarce charity cook book - WorldCat lists only two copies, at the University of Illinois and at Texas Woman’s University Library, with the latter copy lacking the covers. Some fading and wear to wrappers, very good. (200/300)

362. (Cookery - Hawaii) Hawaiian Cook Book. Compiled by the Ladies’ Society of Central Union Church. 152 + [11] ad pp. With blanks interleaved every 4 pages, as issued, for notes (for which purpose they have not been used). 8½x6, original flexible brown cloth. Fourth Edition. Honolulu: Hawaiian Gazette Company Print., 1896 The first edition of this cook book came was issued in 1879 by the Fort Street Church Benevolent Society, an edition so rare that David Forbes had only heard of it, not seen it. He also cites the 1882 second edition (3405), noting that “Many recipes had been adapted to include locally grown food, such as fried or mashed kalo... and ‘papaya as a vegetable’... While most of the recipes are predictable, some are rather startling to the modern reader. Mrs. Marques’ contribution, ‘Soup de Corbeaux,’ calls for two young mynah birds to be roasted and ground, then served on fried toast slices...” Forbes further notes that the Fort Street and Bethel Churches merged to form Central Union Church, and the cook book was reprinted a number of times by the new organization, and states “All editions are now rare.” With ownership signature of C. Palecki on front endpaper. A touch of rubbing to extremities, contents darkened a bit, else very good. (300/500)

363. (Cookery) Lot of of 8 titles on Cookery & Gastronomy. Includes: Soyer, Alexis. The Modern Housewife or, Menagere... Full embossed leather (spine worn, lacking lower 1” of spine strip). NY: D. Appleton, 1851. * Hale, Sara Josepha. The New Household Receipt-Book. (Spine faded, worn.) NY: H. Long & Brother, 1853. * Household Cookery, Carving, and Dinner-Table Observances. (Spine faded.) London: Houlston & Stoneman, 1855. * What To Do with Cold Mutton: A Book of Rechauffes. (Spine faded, torn, head chipped.) NY: Bunce & Huntington, 1865. * Cornelius, Mrs. The Young Housekeeper’s Friend. (Cloth rubbed, spine worn.) Boston: Thompson, Bigelow & Brown, [1871]. * Harland, Marion. Breakfast, Luncheon and Tea. (Pencil scribbles on title-page; some staining.) NY: Scribner, Armstrong, 1875. * The Household (of the Detroit Free Press). 2nd Ed. Detroit: Detroit Free Press, [1881]. * Prof. La Fayette’s French Family Cook Book. (Contents browned.) London. etc.: Paris Publishing Co., 1885. Together, 8 volumes. Cloth except as noted. Various places: Various dates Varying amounts of wear both internally & externally, good to very good, sold with all faults. (400/600)

364. [Defoe, Daniel]. The Whole Life and Strange Surprising Adventures of Robinson Crusoe, of York, Mariner...Account of His Travels round three Parts of the Globe. Written by Himself. 2 volumes. [4], 485; [4], 452 pp. Frontispiece engraving in each volume. (8vo) leather, gilt decorated spines, each with two morocco spine labels. London: Logographic Press, 1785 “Logographic Edition,” per the engraved frontispiece illustrations. Each with the engraved armorial bookplate of the Marquis of Donegall. Edge wear; hinges cracked; offsetting to front free endpapers from bookplates; Volume II’s first signature detached but present; both engravings with small dampstain in lower gutter corner (not affecting image); ink writing to front free endpapers; else very good. (200/300)

Page 74 365. Dickens, Charles. The Posthumous Papers of the Pickwick Club. xiv, [2], 609 pp. With 43 etched plates after Robert Seymour; Robert William Buss; and Hablot K. Browne (“Nemo” and “Phiz”). 8¼x5, half leather, top edge gilt. First Edition in Book Form. London: Chapman & Hall, 1837 Early issue of Dickens’ first novel. The two suppressed plates by R. Buss not present. In the frontispiece, the stool has four stripes, and Phiz fecit is divided left and right by the middle shield at foot (1st issue); the vignette title with the sign reading “Tony Veller” and signed “PHIZ. fecit” (2nd issue); p.260, line 29 reads “hodling” (1st issue); p.400, line 21 reads “this friends.” Smith Vol. I Light wear to extremities; plates darkened (as usual); occasional and light foxing; very good. (200/300)

PLATE VOLUME FROM DIDEROT’S ENCYCLOPEDIA 366. Diderot, Denis & Jean le Rond d’Alembert. Recueil de Planches, sur les Sciences, les Arts Libéraux, et les Arts Mechaniquies, avec Leur Explication. With 243 copper-engraved plates, some double-page or folding, with descriptive letterpress. (folio) 15¼x9¾, period mottled calf, raised spine bands, morocco lettering piece. Paris: Briasson & Le Breton, 1769 One of the desirable plate volumes to Diderot’s massive Encyclopedie, ou dictionnaire raisonne des sciences des arts et des métiers, which numbered 35 volumes in all, including supplements and 11 plate volumes, published from 1751 to 1780. The present volume, designated as “Sixieme Livraison, ou Septieme Volume,” contains 243 plates depicting in great detail the crafts, sciences, industry, and other activities of the late 18th century. These include, in order of appearance: tanning leather, Hungarian style (3 plates); typesetting and printing (19 plates); etching (2 plates); horses, riding, dressage, and equipment (33 plates); farriery (7 plates); blacksmithing (10 plates); ships, shipbuilding, dry-docks, naval pennants, etc. (37 plates); naval tactics (7 plates); anchor manufacturing (13 plates); tanning leather, Moroccan style (5 plates); carpentry, including house building and joining (38 plates); furniture making (20 plates); coach building (30 plates); music theory (19 plates). Printing and the Mind of Man declares the entire Encyclopedie “a permanent source for all aspects of eighteenth century civilization,” and this plate volume provides a record of the techniques and details of the crafts and manufacturing of that era. Spine scuffed with a few cracks to the leather, corners rubbed; top corner of half-title torn off, a few plates with minor discoloration, still internally near fine to fine. (1500/2500)

367. [Diderot, Denis]. Foderie en Caracteres D’Imprimerie - eight folio plates. 3 pp. plus 8 engravings. 17x10½, bound in later boards. [c.1780] Engravings illustrate various tools utilized for type founding. From the pages of Diderot’s Encyclopedia. A few marginal smudges, some offsetting to verso of plates; very good. (200/300)

368.  [Dorat, Claude Joseph]. Mes Fantaisies. xlviij, 238 pp. Three engraved vignettes by Eisen. 7½x5½, re-backed leather, gilt-lettered morocco spine label. First Edition. Amsterdam: Sébastien Jorry, 1768 Moderate edge wear; dampstain at lower gutter edge from title page - pp. xvj and pp. 177 - end of volume; very good otherwise. (100/150)

369. Douglas, Norman. South Wind. 2 volumes. Two color frontispieces and three color plates, each with wax-paper guards, two color pictorial title pages. (4to) original blue buckram, decorated and lettered in gilt, dust jackets, slipcase. One of 2,000 copies. First Edition thus. Chicago: Argus Books, 1929 Woolf A19.1. Dust jackets sunned at spines, and with very tiny closed tears at edges; else fine. (250/350)

Page 75 370.  Douglas, Norman. Two volumes by Norman Douglas and a signed letter. Includes: How About Europe? Some Footnotes on East and West. 7¾x5¼, boards, paper spine label. One of 550 copies. Signed by author limitation. Privately Printed, 1929. * Together. 10x6, red cloth. Large Paper Edition. One of 275 copies, of which only 250 were for sale. Signed by author on limitation. Various places: Various dates Also a one page typed letter, dated February 9th, 1925, and signed by Norman Douglas at the bottom. It is a letter to a bookseller named Jim about his order of the upcoming book by Douglas called Experiments. The bookseller has ordered fifty copies, while the limitation of the book is 300. Volumes with moderate wear to spines; letter creased where folded in half, faint dampstain along all four edges, a few short closed tears; very good. (300/500)

371. Durand, J[ean] N[icholas] L[ouis]. Recueil et Parallèle des Bâtiments Classiques... 3 volumes. [iv], 193, [8], 75 index; [195]-198, [1] + plates; Vol. 3 only plates. Over 300 (in Vols. 2 and 3) copper- engraved plates, including supplemental plates (many double page). 20x13, modern half leatherette and cloth, leather spine labels. Later Edition. Venice: Joseph Antonelli, 1857 Profusely illustrated and an important architecture reference text. Durand’s treatise was first published in 1800. Hundreds of full page (and some double page) plates containing thousands of plans and scale drawings. Supplement by François Zanotto. Text is written in two columns, and in two languages, Italian and French. Text volume pages foxed; scattered foxing to plates; very good or better. (300/500)

372. (Erotica & Curiosa) Laclos, Choderlos de. Les Liaisons Dangereuses. 202 pp. Illustrated with 22 lithographs by Lubin de Beauvais with lithos in 2 states - color and monochrome. 10½x7¼, later cloth. Limited Edition. This one of 40 copies on Japon vellum with plates in 2 states and an original drawing at front, from a total edition of 300 numbered copies. Paris: Ferroud, 1908 Tastefully erotic lithographs illustrate Laclos’ diabolical epistolary novel of the eighteenth century. Amateur rebinding, some wear and soiling; leaf containing the original drawing detached and chipped; else internally very good. (500/800)

373. (Ethiopic Manuscript) Unidentified manuscript in Ge’ez, possibly a Coptic Bible or liturgical work. Ethiopic manuscript on vellum, probably a gospel or prayerbook. 110 leaves. In two columns in black & red Ge’ez lettering. 9x7½, period full blindstamped leather. Ethiopia [Shoah?]: early/mid 19th century Ge’ez is an ancient African language and is still used as a liturgical language in the Ethiopian Coptic Church. It is possibly descended from South Arabian via immigrants to Ethiopia in the first millennium B.C. The present manuscript is notable for its larger size than usually encountered, and for the full blindstamped leather over wooden boards binding. Some rubbing to covers, but sound; first third of the contents with darkening and discoloration to vellum, worse in the margins, remainder with less darkening, some soiling and other wear; overall very good. (500/800)

374.  Fabris, Salvator. De Lo Schermo, overo Scienza d’Arme. 246, [2] pp. Profusely illustrated by engravings within text, as well as frontispiece engraved portrait of the author, with a touch of hand- coloring, for Libro Secondo at pp. 132. 12x8¾, re-backed full calf, gilt-lettered morocco spine label, custom slipcase. [Germany]: [c.1677] Separate title page (at pp. 131) for Libro Secondo. Salvator Fabris (1544-1618) was a renowned fencing artist, employed by royalty as an instructor. He produced this volume first in 1606 and it was so well-received that it was republished many times over, and the illustrations within, which

Page 76 depict fencing in the nude, emulated by others. Edges of calf very worn and peels away; hinges reinforced with cloth tape, yellowed or marked up endpapers; small dampstain at bottom edge of most pages; lightly chipped edges to all pages; else very good. (600/900)

FINELY BOUND BOOKS AND SETS 375. (Fine Bindings) Austen, Jane. [Works]. 4 volumes (of 5). 6¾x4¼, period red half calf and marbled boards, spines gilt, top edges gilt. Bound by Riviere & Son. London: Robert Riviere, [no date] Includes Sense and Sensibility, Pride and Prejudice, Mansfield Park, and Emma. Lacking the 5th volume containing the posthumously published Northanger Abbey and Persuasion. Spines sunned, some rubbing; very good. (250/350)

376. (Fine Bindings) Barrie, J.M. George Meredith, 1909. 16 pp. 4¾x3, later full tan calf lettered in gilt on front, red morocco spine label, all edges gilt. Original cloth bound in at rear. Bound by Sangorski & Sutcliffe. First Edition. London: Constable, 1909 With the leather book label of Estelle Doheny on front pastedown. Light wear at edges; very good. (100/150)

377. (Fine Bindings) Browning, Robert. The Poetical Works of Robert Browning. 17 volumes. 7x4¾, period blue half morocco and marbled boards, spines lettered in gilt, raised bands, top edges gilt. First Complete Edition, Trade Issue. London: Smith, Elder, & Co., 1888-1894 There was also a limited edition of 250 copies on fine handmade paper. Spines faded, some light scuffing to leather; very good. (500/800)

378. (Fine Bindings) Cary, Joyce. The Horse’s Mouth. 311 pp. 7¾x5¼, finely bound in multiple shades of brown calf raised image of a horse with open mouth on front and raised image of a village scene on rear, custom slipcase. Bound by Cris Clair [Takacs] and at bottom edge of rear pastedown. First Edition. New York: Harper, 1944 A few small scuffs on rear; else fine. (300/500)

379. (Fine Bindings) Cooper, James Fenimore. Works. 32 volumes. Steel engravings. (8vo) 7¼x4¾, early brown half morocco and marbled boards, spines gilt, raised bands, all edges marbled. New York: Hurd and Houghton, 1872 A handsomely bound set of Cooper’s novels. Some wear and soiling to bindings, spine heads chipped on several volumes; very good. (1000/1500)

380. (Fine Bindings) Hawthorne, Nathaniel. The Works of Nathaniel Hawthorne. 15 volumes. Illustrated with etchings and steel engravings. (8vo) 8x5¼, period three-quarter red morocco and marbled boards, spines lettered in gilt, gilt-ruled raised bands, top edges gilt. The Standard Library Edition. Boston: Houghton, Mifflin and Company, [c. 1890] Includes the 2 volume biography by Julian Hawthorne. Spines a bit sunned, minor wear; near fine. (1000/1500)

Page 77 381. (Fine Bindings) Irving, Washington. The Sketch-Book of Geoffrey Crayon, Gent. 2 volumes. Illustrations by Arthur Rackham, F.O.C. Darley, and others. (8vo) 8½x6, three-quarter dark blue morocco and cloth, spines gilt, raised bands, top edges gilt. The Van Tassel Edition. New York: G.P. Putnam’s Sons, 1895 A handsomely bound pair. A touch of wear at extremities; near fine. (200/300)

AUTOGRAPH EDITION OF WASHINGTON IRVING’S WORKS 382. (Fine Bindings) Irving, Washington. [Works] - Author’s Autograph Edition. 40 volumes. 8x5, original brown half morocco and marbled boards, spines lettered in gilt, raised bands, top edges gilt. Two maps in cloth folders. One of 500 sets of the “Author’s Autograph Edition”. New York: G.P. Putnam’s Sons, 1895-97 With a holograph manuscript leaf in Irving’s hand from his ‘Life and Voyages of Christopher Columbus’ inserted in first volume, as issued. Includes the often lacking maps for Capt. Bonneville’s Adventures and Life and Voyages of Christopher Columbus in separate cloth folders. Spines faded, a few of the raised bands damaged, one volume chipped at head; 1” tear to manuscript leaf; very good. (1500/2500)

383. (Fine Bindings) Saint-Pierre, Jacques-Bernardin- Henri de. La Chaumiere Indienne. 95 pp. 7x4, finely bound in full olive green straight-grain morocco, elaborate gilt borders and corners, spine heavily gilt, gilt dentelles, all edges gilt. Early reprint (same year as First Edition). Paris: Didot le Jeune, 1791 Lot 382 Finely bound in 1920 by noted binder Ch[arles] de Samblanx. Spine sunned; fine. (200/300)

384. (Fine Bindings) Shakespeare, William. The Dramatic Works of William Shakespeare. 12 volumes. Engraved frontispiece in Volume 1. (8vo) 7¼x4½, 19th century full diced calf, spines gilt, black leather lettering pieces. London: J. Walker, et al, 1825 A handsomely bound edition of Shakespeare’s plays “from the correct edition of Isaac Reed, Esq.” Spines sunned, heads chipped on a few volumes, some light wear to extremities; very good. (500/800)

You can bid absentee directly from the item description in the online version of the catalogue at www.pbagalleries.com. Or bid during the auction using the Real-Time Bidder.

Page 78 EXTRA-ILLUSTRATED WITH PLATES BY BOYDELL AND OTHERS 385. (Fine Bindings) Shakespeare, William. The Pictorial Edition of the Works of Shakspere. - Extra- Illustrated. 8 volumes. Illustrated throughout with wood engravings. Extra-illustrated with the insertion of approximately 130 additional engraved plates (90 by Boydell, 40 by others). (Large 8vo) 9½x6½, later three-quarter dark blue morocco and cloth, gilt shield on front boards, spines gilt, raised bands, all edges gilt. Housed in 4 blue cloth slipcases. Bound by Root & Son, London. London: Charles Knight, No date [1840s] A beautifully presented set of Knight’s pictorial edition, greatly enhanced by the addition of Boydell’s famous engravings. Some light wear to slipcases, a previous owner has written in ink ‘Histories’, ‘Tragedies’, ‘Comedies’, ‘Biography [&] Doubtful Plays’ on the rear of the slipcases; volumes fine. (3000/5000)

Lot 385

386. (Fine Bindings) Stevenson, Robert Louis. Works. 25 volumes. (8vo) 7¼x5, period full tan calf, spines gilt, morocco lettering pieces, top edges gilt. One of 2060 copies of the Swanston Edition. London: Chatto and Windus, 1911-12 A handsomely presented set. Spines a touch sunned, light wear at extremities; very good. (1200/1800)

Lot 386

Page 79 387. (Fine Bindings) Sue, Eugene. The Wandering Jew. 3 volumes. (8vo) 8½x5½, later half green morocco and cloth, spines gilt, raised bands, top edges gilt. First Edition in English. London: Chapman and Hall, 1844-45 Extremities a bit rubbed; very good. (300/500)

388. (Fine Bindings) Tolstoi, Lyof N. The Novels and Other Works of Lyof. N. Tolstoi. 23 (of 24) volumes. Lacking Volume XI. (8vo) 8¼x5½, period three-quarter black morocco and marbled boards, spines lettered and embellished in gilt, raised bands, top edges gilt. New York: Charles Scribner’s Sons, 1917 Largely unopened, most volumes with the page blocks still wrapped in brown paper as delivered from the bindery. A very handsome set. One volume chipped at head, another volume rubbed along front joint; some light soiling to spine leather; very good. (2000/3000)

Lot 388

SIGNED BY THE AUTHOR 389. (Fine Bindings) Ward, Mrs. Humphrey. The Writings of Mrs. Humphrey Ward - Autograph Edition. 16 volumes. Colored photogravure frontispieces and other plates. (8vo) 8½x6, period three-quarter green morocco, spines gilt, raised bands, top edges gilt. One of 750 copies. Boston: Houghton Mifflin, 1909-12 Signed by Mrs. Humphrey Ward in first volume. Spines sunned, minor wear; near fine. (1500/2000)

Lot 389

Page 80 390. (Fine Bindings) Wilde, Oscar. A House of Pomegranates. With four full page illustrations by Shannon (faintly printed as usual) and numerous decorations. 7¾x6½, finely bound by Bayntun- Riviere in full polished red calf, spine gilt, morocco lettering pieces, all edges gilt. 1 of 1000 copies designed by C. Ricketts & C.H. Shannon. First Edition. London: James R. Osgood, 1891 ‘[The] four plates were printed in Paris by some ‘improved’ process. After the book was finished and bound it was noticed that a dusty deposit had formed on each plate, probably owing to some chemical impurity either in the printer’s ink or in the chalky paper used. To take off this deposit each plate was rubbed with soft flannel, which removed the surface and left the reproductions faint and in some cases almost obliterated’ (Mason). Mason 347. A touch of rubbing to joints and edges, front hinge cracking; near fine. (700/1000)

391. (Fore Edge Painting) Scott, Walter. The Lady of the Lake. 433 pp. (8vo) red morocco, with blind and gilt-stamped decorative border, gilt-lettered and stamped spine, all edges gilt. Seventh Edition. Edinburgh: John Ballantyne and Co., 1810 Fore edge painting of a man with a fishing line cast into a river. A boat floats in the river, a house sits across on the opposite bank. Signed S.E. and dated 1810. Heavily rubbed extremities and spine; hinges cracked; toned with age with a few spots of foxing within; else very good. (500/800)

392. Gleeson, William. The Trials of the Church; Or, The Persecutors of Religion. 2 volumes. (8vo) original dark green cloth, spines letter and ruled in gilt, covers decoratively bordered in black and blind. First Edition. West Chester, NY: New York Catholic Protectory, 1880 During the time Reverend Gleeson completed this work, he was the rector of St. Anthony’s Church of San Francisco. Edge wear; very good. (100/150)

MEMOIRS OF GORDY BERRY SR. FATHER OF THE MOTOWN FOUNDER 393. Gordy, Berry, Sr. Dignity And Mother-Wit [Berry Gordy Sr. Memoirs]. Screenplay by Randolyn Meitzenheimer. [5], 57 leaves. Three original watercolor drawings. 8½x11, comb-bound, stiff black and gold covers. [Detroit?]: [c. 1974] Unique typescript for a proposed 90 minute TV production based on the memoirs of Berry Gordy, Sr., father of Motown founder Berry Gordy, Jr. Laid in is an inter-office memo on Motown letterhead presenting the screenplay for Gordy’s evaluation. Some light wear and soiling to covers; near fine. (1500/2000)

394. Goudy, Frederic W. Elements of Lettering. 48 pp. 13 full page plates of type specimens. (4to) 12½x9½, green cloth lettered in gilt. First Edition. New York: Mitchell Kennerley, 1922 Some light wear at edges; very good. (100/150)

395. Graves, Robert, editor. The Owl: A Miscellany. Numbers 1 & 2 (all published), May & October, 1919. (4to) 12½x10, Number 1 in original pictorial wrappers, Number 2 in pictorial boards. Housed in individual chemises within a morocco backed slipcase. First Edition. London: Martin Secker, 1919 Includes contributions by Thomas Hardy, John Masefield, Robert Graves, Siegfried Sassoon, W.H. Davies, Max Beerbohm, John Galsworthy, Walter de la Mare, Rockwell Kent, Edmund

Page 81 Blunden, Vachel Lindsay, H.M. Tomlinson, and others. Some wear to slipcase; wrapper bound issue worn at edges, issue in boards chipped at spine ends, some other general light wear; very good. (300/500)

396. Griswold, F[rank] Gray. French Wines & Havana Cigars. [10], 101, [1] pp. With frontispiece from a photograph of a group portrait with tissue-guard; endpaper maps. 8x5, vellum-backed boards stamped in gilt, top edge gilt. One of 300 copies, printed at the Plimpton Press, Norwood, MA. First Edition. New York: Duttons, Inc., 1929 The first 85 pages are on the fine wines of France, the remainder on the cigars of . Some light wear and soiling to boards; very good. (200/300)

397. Guarnacci, Mario. Vitae, et res Gestae Pontificum Romanorum et S.R.E. Cardinalium a Clemente X... 2 volumes. 542; 772 pp. Engraved head and tail pieces, initials, and 253 engraved portraits of Popes, Cardinals, and other religious authorities. (Large quarto) 15¾x10½ in period full vellum. Rome: Venantii Monaldini, 1751 Beautiful head and tail pieces include genre scenes in addition to armorial crests, allegorical figures or scenes, and religious regalia. Each volume with the armorial engraved bookplate of Steph. Rossi on the half title page. Worn covers, scuffed, soiling, and peeling in places, a spot of worming on Vol. I spine, ex-library sticker residue on Vol. II; each with two circular library rubber stamps (in Italian) on title page; very few pages within are moderately yellowed, scattered and marginal foxing, spot of worming affecting pp. 461-end of Vol. I; else very good. (400/600)

398. Hambly, W.D. The History of Tattooing and Its Significance With Some Account of Other Forms of Corporal Marking. 346 pp. Illustrations from photographs. (8vo) 8½x5½, original red cloth. First Edition. New York: Macmillan, 1927 Spine faded, small stain on front; some foxing; very good. (300/500)

399. [Harte, Walter]. The Amaranth: Or, Religious Poems; Consisting of Fables, Visions, Emblems, &c. xvi, 295, [1] ad pp. Engraved frontispiece, vignette title page, and 21 engraved emblems and tail-pieces. (8vo) 8x5, period full calf, red leather spine label. First Edition. London: Robinson and Roberts, 1767 Edges rubbed, joints and hinges cracking; light foxing; very good. (250/350)

400. Hepplewhite, A[lice]. The Cabinet-Maker and Upholsterer’s Guide... 24 text pages with 128 plates. 14½x9, brown cloth, rebacked with original spine cloth laid down. London: B.T. Batsford, 1897 Facsimile of the third edition of Hepplewhite’s famous book. Some light wear; else very good. (150/250)

The Buyer’s Premium will be 20% for bids up to $100,000 and 15% for that portion over $100,000.

Page 82 FIRST COMPLETE EDITION IN ENGLISH 401. Herodotus. The History of Herodotus. Translated from the Greek by Isaac Littlebury. 2 volumes in 1. [2], xii, [2], 447, [1] blank, [15]; [2], 430, [blank leaf], [16] pp. (8vo) 6¾x4½, later half calf and marbled boards. First Edition in English. London: Printed for Edward Castle and Sam. Buckley, 1709 The very rare first edition in English of the complete text of Herodotus’ seminal Histories, printing all nine books; the even more rare 1584 edition contained only the first two books. Front joint split approximately half the length, extremities rubbed, hinges cracked, bookplate; light foxing; very good. (4000/6000)

402. Hone, William. Ancient Mysteries Described, Especially the English Miracle Plays... [and] Facetiae and Miscellanies. Two volumes bound as one. 298, 2 ad pp.; followed by various incongruous pagination for second volume, which is composed of a number of works. Copper and wood engravings throughout, including many drawn by George Cruikshank. 8½x5½, full calf with gilt decorated spine, Lot 401 morocco spine label. London: William Hone, 1823-1827 Engravings include a frontispiece, full page plates, four folding plates, and many within text. Calf rubbed, especially spine, edge wear, some scuffs; some smudges and very light and scattered foxing within; very good. (250/350)

403. Horn, Walter & Ernest Born. The Plan of St. Gall: A Study of the Architecture & Economy of, & Life in a Paradigmatic Carolingian Monastery. 3 volumes. Illustrated with architectural plans and views, some folding, facsimiles. 14x11, cloth, leather spine labels. Berkeley: University of California Press, 1979 Important study of the architecture and social life of a medieval monastary, and an attractive and well printed book. Also included is “The Plan of St. Gall in Brief ” by Lorna Price. Wrappers. 1982 Minor wear; very good. (300/500)

404. Hundhausen, Vincenz. Der Ölhändler und das Freudenmädchen: Eine chinesische Geschichte in fünf Gesängen. 3 volumes. 64; 65-124; 125-166, [2] pp. 8x5, broqueted wrappers, bound with string, housed in publisher’s silk-lined cloth chemise. No. 55 out of 500 copies. [Leipzig]: [Wilhem Borngraeber], [1926] Signed by the author with a short inscription dated 1927, at the limitation statement. A Chinese Story in Five Songs. Chemise yellowed to side panels, slight edge wear; slightly sunned wrapper edges; light and scattered foxing; very good. (200/300)

405. [Jenkinson], Charles, Earl of Liverpool. A Treatise on the Coins of the Realm; In a Letter to The King. [iv], 268 pp. (4to) 10½x8¼, period calf-backed marbled boards, morocco lettering piece. First Edition. Oxford: University Press, 1805 Scarce work on the origin of coins and their function in the economy of England. An influen- tial work, later republished by the Bank of England in 1880. Some wear to boards, early owner- ship marks of the ‘Cornwall Library’ on front endpaper and spine; foxing; very good. (300/500) Page 83 406. Kahn, Roger. The Boys of Summer. (8vo) cloth, dust jacket. First Edition. New York: Harper & Row, [1972] Inscribed from the author on half title, “To Bob Crombie - The best of book interviewers and (as important) a sports-writer gone straight. Thanks. Roger Kahn.” Dated above February 1972. A few very short closed tears to upper edge of jacket, one repaired on verso with tape; fine volume in near fine jacket. (200/300)

407. Kimura, Shotare and Charlotte Peake, translators. Sword and Blossom Poems from the Japanese. 3 volumes. Each extensively illustrated with color woodblocks, on double-folded leaves. 7x4¾, color pictorial crepe, together in a cloth chemise, clasps. Tokyo: T. Hasegawa, [c.1910] Very lovely edition of traditional Japanese poems, each beautifully printed and illustrated, and with differently designed covers. Chemise is missing one side panel, and one cover panel detached, but present, sunned with a few small dampstains; volumes just a touch rubbed or sunned at edges; each volume with owner name in ink on first blank leaf; very good plus volumes. (300/500)

408. Kirby, Joshua. The Perspective of Architecture. In Two Parts. A Work Entirely New; Deduced from the Principles of Dr. Brook Taylor... 2 parts (in 1). Copper-engraved frontispiece, dedication page, and 91 plates, head & tailpieces. 82; 60, [3] pp. 21¼x14¼, modern half leatherette and cloth, new endpapers. London: The Author, 1761 Lovely frontispiece by William Hogarth. Part 1 has 25 plates, largely geometrical; Part 2 has 66 plates (out of 73, numbered I-LXXIII), some bound out of order, a few such as Plate LXXIII with manuscript writing on top margin. Part the Second, with its own title page. Note that page 53 is bound upside-down. Dampstains on all edges of page block; frontispiece chipped, torn, reinforced on verso with tissue paper/tape, dampstains affecting at least one edge of nearly every page and plate, some images affected by dampstains, such as Plate LXXIII, which also has long tear, repaired with tape; good. (200/300)

409. L[angley], B[atty]. The City and Country Builder’s and Workman’s Treasury of Designs: Or the Art of Drawing and Working The Ornamental Parts of Architecture. 24 pp., followed by a total of 200 numbered copper-engraved plates. 186 numbered with Roman numerals, remaining numbered 1-14. (Quarto) 11½x9, later calf-backed boards, morocco spine label, raised bands. Fifth Edition. London: John and Francis Rivington, et. al., 1770 An important architecture reference text, illustrated by over 400 figures of design elements such as piers, pulpits, iron works, and monuments. This edition with the additional 14 plates (not present in the first edition published in 1740). The additional plates illustrate timber joinery and roof truss systems. Preliminary pages a bit chipped and creased, tape repair on title page, pg. 7-18 affected by a water stain at lower area of page, fairly large at pg. 7 but diminishes, scattered foxing; very good. (800/1200)

410. (Les Maîtres de L’Affiche) Champenois, F. Les Maîtres de l’Affiche plate No. 202. Color lithograph poster. Les Maîtres de l’Affiche embossed stamp in bottom right corner. 15½x11. Paris: Chaix / [Jules Cheret], [c.1900] Beautiful image of a woman, her long flowing hair, enhanced with gilt. Margins are yellowed with age, one corner chipped; taped to mat boards with one piece of tape; else very good. (200/300)

Page 84 SEVERAL LOTS ON LIQUOR AND SPIRITS 411. (Liquor) Hallidie, A.S. Drinking and High License. An Address by Mr. A.S. Hallidie Before the Century Club of San Francisco (by invitation) Wednesday, September 10, 1890. 15 pp. 7x5¼, original wrappers. First Edition. [San Francisco]: C.A. Murdock, [1890] Scarce speech on the necessity for a reduction in the number of drinking establishments in San Francisco, which in 1890 numbered 1 saloon for every 79 persons. Wrappers chipped, vertical crease throughout; very good. (100/150)

412. (Liquor) Thomas, Jerry. The Bar-Tender’s Guide or How to Mix All Kinds of Plain and Fancy Drinks. 130 + [14] ad pp. 6¾x4¼, original cloth. New York: Dick & Fitzgerald, [1887] An “Entirely New and Enlarged Edition” of Jerry Thomas’ classic guide, first published in 1862, versions of which are still in print today. Front flyleaf discolored; very good or better. (200/300)

413. (Liquor) Advertising booklet for Lucien-Foucauld & Co. Cognac. 16 pages of photographs interleaved with printed tissue leaves with descriptive text in French, English, Italian, Norwegian, German, Swedish, Spanish, and Portuguese. Also a double page plan of the Lucien-Foucauld factory. 9½x7¼, original wrappers. No place: [c. 1907] Scarce turn of the century advertising booklet. A touch of wear at edges; near fine. (100/150)

414. (Liquor) Cups and Their Customs. viii, 62, [+2] ad pp. Chromolithograph frontispiece. 7¼x4¾, original green cloth. Second Edition. London: John Van Voorst, 1869 Scarce volume on the history of the cup or goblet as pertaining to a vessel for liquor. Some light wear and soiling to cloth; very good. (100/150)

415. (Liquor) The Cocktail Book: A Sideboard Manual for Gentlemen. xii, 66 pp. (12mo) 6x4, original red cloth stamped in blind and lettered in gilt, original printed dust jacket. Boston: L.C. Page, 1901 Quite rare in the dust jacket. Some light chipping and soiling to jacket; fine in a very good to near fine jacket. (100/150)

PERCIVAL LOWELL’S ACCOUNT OF THE MARS CANALS 416.  Lowell, Percival. Annals of the Lowell Observatory. 3 volumes. xi, 391; x, 523; xiv, 293, 60 supplement pp. Each volume has a frontispiece, Volumes 1 and 2 are in color, profusely illustrated from plates, some folding. 12x10½, boards. Boston and New York: Houghton, Mifflin, 1898-1905 Percival Lowell (1855-1916) founded the Lowell Observatory in Flagstaff, Arizona in 1894. These three volumes are a result of years of observations of the planets Jupiter and Mars. Lowell was known for his particular interest in the study of extraterrestrial canals, and data on canals can be found within these volumes. Dampstains scattered to covers, generally very faint; each with a bookplate from the Munk Library of Arizoniana, and rubber stamp “withdrawn” from Southwest Museum Library of front pastedowns; very good. (1000/1500)

Page 85 417. (Magic) Magic! Mysterious! Miraculous! The Great Nicola...Orpheum Week July 24. 4-page advertising flyer, illustrated with halftone photographs. 12x9. No place: c.1920-30 The American magician Nicola the Great (William Mozart Nicol, 1880-1946) performed feats similar to those of Houdini, but perhaps with more humor. He toured the world frm 1910 to 1939, when all his show equipment was lost in a Singapore shipwreck. Vertical and horizontal creases from being folded; good to very good. (200/300)

418. [Miller, Lydia Falconer F.]. Cats and Dogs, Nature’s Warriors and God’s Workers; Or, Mrs. Myrtle’s Lessons in Natural History. 252 pp. 6 chromolithograph plates. 6¼x4, later full calf, gilt shield on covers, spine gilt. First Edition. London: T. Nelson, 1857 Prize binding from the Fauconberge School, Beccles. Awarded in 1859 as a prize for Classics & Good Conduct. Spine faded, some scuffing to leather; very good. (200/300)

419. (Miniature Books) Weimann, Christopher. Marbling in Miniature. 12 tipped-in marbled samples. 72x55 mm, marbled boards, paper label on front. One of 350 copies. Los Angeles: Dawson’s Book Shop, 1980 Signed by the author at colophon. Fine. (100/150)

420. [Montagu], Charles, Earl of Halifax. The Works and Life of the Right Honourable Charles, Late Earl of Halifax. [6], [iv], 85, [1], 264, viii pp. Engraved portrait frontispiece. 7½x4½, later full red morocco, all edges gilt. First Edition. London: Curll, 1715 Edges rubbed, front hinge cracked; foxing; very good. (250/350)

421. Morris, William. Hopes and Fears for Art. Five Lectures Delivered in Birmingham, London & Nottingham [&] Signs of Change. Seven Lectures Delivered on Various Occasions. Two volumes in one. iv, 106; [4] blank; vi, 100 pp. (4to) 11¼x8, morocco backed cloth, black leather spine labels. [London]: [Longmans, Green and Co.], [1902] Printed at the Chiswick Press. Joints cracked, light wear; very good. (150/250)

422. Murphy, Arthur. An Essay on the Life and Genius of Samuel Johnson, LL.D. [ii], 187 pp. (8vo) 8½x5½, later full mottled calf, spine gilt, all edges gilt. First Edition. London: T. Longman, et al., 1793 Front hinge cracked, front hinge with amateur repair; light foxing; very good. (250/350)

423. (Music) Rudolphe, [Jean Joseph]. Solfège ou Nouvelle Méthode de Musique. Divisée en 2 parties. La Première contient la Théorie de cet Art, La Seconde les Leçons avec la Basse et les gradations nécessaires pour parvenir aux difficultés. 168 pp. Engraved musical compositions throughout, with folding plate music at rear. 12½x9½, later cloth-backed boards, new endpapers. Rouen: Chez Philémon Desroques, [c.1790s] Apparent Second Edition. Rodolphe (1730-1812) was an Alsatian horn player, violinist and composer. His compositions included several ballets, and he was a friends and admirer of Mozart. In this copy of the book, the Parisian publisher’s imprint has been obscured by an opaque printed label affixed by the Rouen distributor. Edge wear to binding; some dampstaining in spots, scattered throughout; else very good. (100/150)

Page 86 424. O’Neill, Eugene. Lazarus Laughed. Original parchment-backed decorative batik boards, paper spine label, slipcase. One of 775 total copies (750 of which were originally for sale). First Edition. New York: Boni & Liveright, 1927 Signed by O’Neill on the limitation page. Atkinson A 29-I-I.b. Slipcase spine attached by one edge only, moderate edge wear, reinforced with a few pieces of black tape; light wear to spine and label; very good. (200/300)

THE ARCHITECTURE OF ANDREA PALLADIO 425. Palladio, Andrea. The Four Books of Andrea Palladio’s Architecture: Wherein, After a short Treatise of the Five Orders, those Observations that are most necessary in Building Private-Houses, Streets, Bridges, Piazzas, Xisti, and Temples... [12], 110 pp. + 4 engraved title-pages. Translated by Isaac Ware. With 205 full- page copper-engraved plates; 7 numbered and 4 unnumbered additional engravings in text; engraved head- and tailpieces by William Kent. (folio) 15¾x9¾, period mottled calf, rebacked in later calf, raised spine bands. London: Isaac Ware, 1738 First and only edition of Ware’s translation, made from the original 1570 Italian edition. The first English translation of The Four Books was completed in 1715 by Nicholas DuBois and revised by Giacomo Leoni in 1721 with numerous changes to Palladio’s original designs. Ware distinguishes his own translation in the “Advertisement”: “To do justice to Palladio, and to perpetuate his most valuable remains amongst us, are the principal inducements to my undertaking so great and laborious a work; in executing of which, I have strictly kept to his proportions and measures, by exactly tracing all the plates from his originals, and engraved them with my own hands”. Front joint beginning to crack; title-page soiled, light dampstaining in Books I & IV, primarily in the margins but intruding into some plates, plate IX in Book I torn 6”; plate II in Book II detached, chipped and darkened around edges; very good overall. (2500/3500)

426. Pascal, Andre. Les Autographes de Pierre Corneille. viii, 81, [1] pp. Tipped-in facsimile plates. 15¾x11¾, original wrappers, glassine. No. 125 of 200 copies. Paris: Edition de la Galerie Pigalle, 1929 Lot 425 Glassine chipped; some wear to spine ends; near fine. (100/150)

427. (Pharmaceutical) Manuscript journal of pharmaceutical recipes. 100 leaves, most of which contain manuscript writing on both sides, about 10 of which are completely blank. 6½x4, half calf with marbled boards. [Germany?]: 1828 The journal of a German fellow named Wenceslaus Heinhaeuser. Contents are written largely in Latin, but also in German and in French, and include a variety of recipes for therapeutic treatments. Includes the recipe for “Liquer de Absinth.” Moderately rubbed; some offsetting to endpapers and scattered instances of stains within; very good. (300/500)

Page 87 428. Planché, J.R. Lays and Legends of the Rhine. 38 pp. 21 hand-colored lithograph plates including additional illustrated title page. (8vo) 8½x5½, later calf-backed marbled boards, spine label lettered in gilt. First Edition. London: Charles Tilt, 1832 Lithographs by G. Jones after drawings by Haghe. Spine faded, foxing throughout; very good. (300/500)

429. Pocock, W[illiam] F[uller]. Architectural Designs for Rustic Cottages, Picturesque Dwellings, Villas, &c. viii, 36 pp. 33 sepia aquatint plates. (4to) 11½x9, period half calf and marbled boards, spines gilt decorated, morocco title label. First Edition. London: J. Taylor, 1807 In his dedication to Sir John Courtenay Honeywood, Pocock indicates that his book is “calculated to further the views you entertain for promoting the comforts and happiness of those rustic dependants necessary to an extensive Estate.” The Preface reveals his concern about the conflict between utility and aesthetics in domestic design. Bookplate of Archibald Earl of Eglinton on front pastedown, similar label on rear pastedown. Edge wear, spine rubbed, head of spine chipped off (~1”); hinges cracked; foxed; very good. (300/500)

430. (Printing) Eighteen volumes on printing and other book arts. Includes: Allen, Lewis. Printing with the Handpress. (4to) red leatherette. 1976 * American Type Founders. A Book of Modernage and Classical Type Faces. (4to) cloth backed boards. [1940s] * Grabhorn, Edwin. Ornamentation in Printing. (4to) wrappers. 1/305 copies. [1977] * Green, Ralph. A History of the Platen Jobber. (8vo) cloth backed boards. 1953 * Johnson, John. The Printer, His Custom and His Men. (12mo) boards, dust jacket. Jacket price clipped. 1934 * Jones, Mary Lutz. A Los Angeles Typesticker: William M. Cheney. (12mo) cloth-backed boards. 1981 * [Lakeside Press] A Rod for the Back of the Binder. (4to) cloth. 1928 * Lanston Monotype Machine Company. Specimen of Types Made by John Bell. (8vo) Wrappers. With the bookplate of the Merrymount Press. [c. 1940] * McMurtrie, Douglas C. Pioneer Printing in Montana. (8vo) Wrappers. 1932 * Moran, James. Printing Presses: History and Development... (4to) cloth, dust jacket. [1973] * Needham, Paul, et al. William Morris and the Art of the Book. (4to) cloth, dust jacket. [1976] * Rosen, Ben. Type and Typography: The Designer’s Type Book. (4to) cloth, dust jacket. Jacket torn. [1969] * Seymour, Alfred. Modern Printing Inks. (8vo) cloth. Rear joint split. 1910 * Superior Printing Ink Company. Encyclopedia of Printing Lithographic Inks and Accessories. (8vo) cloth, dust jacket. [1932] * Vail-Ballou Press. Book of Specimen Pages. (8vo) cloth. [1920s] * The Weiss Family. The Bauer Type Foundry Inc. Three pamphlets on Weiss Types in a cloth backed stiff card folder. With the bookplate of the Merrymount Press. [1931] * Wentz, Roby. Western Printing. (8vo) Cloth backed boards. 1975 * West, Joan L. The Bookplates of the Los Angeles Public Library. (8vo) cloth. Signed by the author. 1971. Together 18 volumes. Various places: Various dates Also included are 2 issues of ‘The Printer’, May and October, 1975. Some general wear; overall very good or better. Sold as is. (300/500)

431. Reed, Ronald. Specimens of Parchment. Title leaf plus 10 leaves with mounted samples of various parchments, with letterpress notes below. 11x8, cloth backed folding case. One of 110 copies with 10 samples from a total edition of 200 copies (the remaining 90 copies had only 9 samples). Los Angeles: Dawson’s Book Shop, 1976 Intended as a supplement to Reed’s 1975 work ‘The Nature and Making of Parchment’. Includes samples from a 15th century book of hours, a 16th century antiphonal leaf, an 18th century indenture, etc. Fine (250/350)

Page 88 432. Réstif de la Bretonne, N[icolas] E[dme]. Le Paysan perverti, ou les dangers de la ville ou les Dangers de la Ville. 4 volumes in 2. [2], 290; [2], vii, [2]-316; 227; 261, [2] pp. (Small 4to) 6¼x3½, red morocco- backed boards, gilt spines. Hague and Paris: La veuve Duchene, 1776-1784 Author’s name misspelled as Rétif de la Bretone on title pages of Volume I and II (no author name on Vols III and IV). No plates, apparently as issued. Wear to extremities; bookplates on front pastedown; page 11/12 of Volume III is lacking and replaced with a later manuscript of the page tipped in; very good. (300/500)

433. (Robert le Diable) Robert the Deuyll. A Metrical Romance from an Ancient Illuminated Manuscript. viii, 49 pp. 14 plates. (8vo) 7½x5, modern blue full morocco, gilt borders, spine gilt, top edge gilt. London: I. Herbert, 1798 [1802?] Translated from the French metrical romance and edited by I. Herbert. Plate facing page 33 with 1802 watermark. ESTC T130686. Minor wear to leather; one leaf with long repaired tear; very good. (300/500)

434. (Russia - Alexander Theater, St. Petersburg) Cent Ans Theatre Alexandre - Theatre Dramatique de l’Etat. Title also in Russian, entire text in Russian. xxiii, 534 pp.; errata slip. Illustrated with numerous portraits; woodcuts. 9¾x6¾, cloth. Leningrad: Theatres de l’Etat, 1932 Scarce volume celebrating 100 years of the Alexander Theatre in St. Petersburg. Covers rubbed, soiled; internally very good. (300/500)

435. (San Francisco) Kirchhoff, Theodor. Californische Kulturbilder. vii, 376 pp. 9x6, green cloth, border decoration blindstamped and gilt title, gilt spine. First Edition. Cassel: Theodor Fischer, 1886 Text in German. A comprehensive survey from this San Francisco journalist. Includes chapters on Los Angeles, San Bernadino and San Diego. Howes K180. Edge wear, a touch of fraying at spine tips and corners; very good. (100/150)

436. Scott, Sir Walter and Lord Byron. Halidon Hill [and] Manfred [and] Beppo. Three works bound as one: Scott, Sir Walter. Halidon: A Dramatic Sketch, From Scottish History. 109, [3] pp. Edinburgh: Archibald Constable and Co., 1822. [and] Byron, Lord. Manfred, A Dramatic Poem. 80, [2] pp. Second Edition. London: John Murray, 1817. [and] Byron, Lord. Beppo, A Venetian Story. [4], 51 pp. Seventh Edition. London: John Murray, 1818. All together bound as one octavo in full calf with blindstamped decorative borders, red morocco spine label. Various places: 1817-1822 Edge wear, spine chipped at head and heel; hinges cracked; torn corner off blank preliminary page; a few very light pencil notes; else very good. (300/500)

437. Scott, Walter. The Pirate. vii, 322; 332; 346 pp. (8vo) later leather-backed marbled boards, bound by T. Jones of Newcastle. First Edition. Edinburgh: Archibald Constable, 1822 Halidon Hill was initially written to be in a poetical miscellany by Joanna Baillie; however, it ended being far too large for Baillie’s publication and was substituted by another work. Archibald Constable later purchased the rights for publication. Spines heavily rubbed, a few scratched and the remnants of a removed sticker on Volume III’s spine, edges and corners heavily rubbed, chipped and worn; embossed ownership stamp on verso of front free endpaper; scattered and generally faint smudging within; very good in fair binding. (400/600)

Page 89 438. Scott, Walter. Redgauntlet. 3 volumes. 319; 328; 331, [4] ad pp. (8vo) half calf and marbled boards, gilt spines. Edinburgh: Archibald Constable, 1824 Edges and spines heavily rubbed with some scratches and peeling; mostly moderate and scattered foxing, with some areas of heavy foxing; good. (300/500)

439. Siddons, Henry. Practical Illustrations of Rhetorical Gesture and Action; Adapted to the English Drama: From a Work on the Subject by M. Engel... 393, [15] index pp. Small illustrations throughout text.(8vo) half calf, marbled boards, with morocco spine label. Second Edition, Improved. London: Sherwood, Neely, and Jones, 1822 Each of the 1½x2” illustrations within text represent “the modern costume of the London Theatres,” -title page. The bookplate of H.M. Goldberg on front paste down. Moderate wear to extremities, some calf peeling away; hinges tender; light and scattered foxing; else very good. (100/150)

FIRST EDITION OF HUMPHRY CLINKER 440. [Smollett, Tobias]. The Expedition of Humphry Clinker. 3 volumes. xvi, 250; [4], 249; [4], 275 pp. Half titles present. 6½x4, later full green morocco, spines ruled and lettered in gilt, all edges gilt. First Edition, First Issue. London: Printed for W. Johnson and B. Collins, 1771 First issue with misprint on Volume I title page, list date of 1671 “MDCLXXI” instead of 1771. Volume I also with: Arabic “6” on bottom margin of p. vi, “Mrs. Gwillim” on page 3, and page 147 numbered as “473.” “Humphry Clinker is one of the great pictures of eighteenth-century England...It stands with Tom Jones, Tristram Shandy...and The Vicar of Wakefield; and the reader who has enjoyed them will enjoy Humphry Clinker the better” - Brander. Rothschild 1925. Some wear to extremities, front joint cracked on Vol. 3, tears to endpapers in Vol. 3; light foxing; very good. (1000/1500)

441. Sperber, Daniel, editor. Great is Peace: Perek Ha-Shalom from the Talmudic Tractate Derekh Eretz Zuta. Unpaginated. Facing pages in English and Hebrew. (Folio) 15¾x10, full brown leather, wooden slipcase with metal plaque on front. The deluxe Bibliophilic edition, limited to 1800 numbered copies. Jerusalem: Massada Press and Golden Pages, 1979 Loosely tied in at front is a (4) pp booklet commemorating the signing of the peace treaty between Israel and Egypt. Fine (200/300)

442. (Stanford University) *. A Plan for the Celebration of the Fiftieth Anniversary of Stanford University. [16] pp. incl. self-wrappers. 11x8¾. Stanford, CA: 1939 Detailed plan “To present, with dignity and propriety, the position of Stanford University, and of its faculty, curriculum, and physical attributes, in such a manner as to increase its prestige among men and women everywhere.” Near fine. (200/300)

443. Stevenson, Robert Louis. Prayer in Time of Rain. [4] pp. Decorative border and initials, hand colored with silver, blue, pink, green, and orange. 11½x8½, wrappers. One of 100 copies printed by John Henry Nash. Pasadena: American Red Cross, 1918 Designed by Lillie H. Hart, this beautifully illuminated text from Stevenson’s Prayer’s at Vailima. Lightly chipped edges and browned along edges of wrappers; very good to near fine. (100/150)

Page 90 444. Sutnar, Ladislav. Design for Point of Sale. Illustrations from photographs throughout. (Oblong 4to) 9x12, cloth-backed boards. First Edition. [New York]: Pellegrini & Cudahy, [1952] Scarce volume on advertising displays. Light wear at edges; very good. (200/300)

445. Swift, [Jonathan],. [Works]. 10 volumes. (12mo) 6¼x3¾, period full calf, spines gilt, black morocco labels. London: Charles Bathurst, 1747-53 Volumes 1-4 Fourth Edition, Volumes 5-6 Third Edition, Volumes 7-9 Second Edition; Volume 10 (Tale of a Tub) Tenth Edition. Spines faded, wear to extremities, a few spine ends chipped; very good. (500/800)

446. Tacitus, Publius Cornelius. The Works of Tacitus. 2 volumes. [12], 479, [1]; [20], 391, [40] pp. Translated by Thomas Gordon. (folio) 14¼x9, period calf. London: Tho. Woodward & John Peele, 1728-31 First edition of Thomas Gordon’s translation. Binding rubbed, worn and dry, covers detached or nearly so; pencil ownership inscriptions from the 19th century on the title-pages, some light foxing within, internally very good, worth of binding restoration. (400/600)

447. Twain, Mark. The American Claimant. xv, [16 (blank)], [17]-277, [1] blank + [8] ad pp. Illustrated from drawings by Dan Beard. 8x5½, decorative grayish-green cloth, lettered in gilt. First Edition. New York: Charles L. Webster, 1892 Twain originally intended to dictate the entire work and fill over a hundred Edison cylinders, but later decided to give up the idea. BAL 3434. Moderate wear to extremities, fraying at spine tips and corners, small and fairly faint dampstains to covers; bookseller’s label, and name in ink on front free endpapers; hinges cracked; else very good. (200/300)

448. (Virgil). P. Virgilii Maronis Opera Nic. Heins Dan. Fil. Emembranis Compluribus iisque Antiquissimis recensuit. 387, [41] index pp. Engraved illustrated title page and folding map. (12mo) boards with morocco spine label. Ultrajecti, apud Guil. van de Water, 1704 Contains the following works: Bucolicon, Georgicon, Æneidos, and Culexet Ciris. Sticker on front pastedown, “Bound by Robert Seton, Head of the Mound Edinburgh.” Light edge wear, heel of spine chipped a touch; very good. (300/500)

THE ARCHITECTURE OF VITRUVIUS 449. Vitruvius Pollio, Marcus. L’Architettura di Marco Vitruvio Pollione Tradotta e Comentata dal Marchese Berardo Galiani... Title page (verso blank), xx, 255, 25 copper-engraved plates with accompanying one page of text facing it (versos blank), 257-272 pp. Copper-engraved frontispiece, woodcut tailpieces, decorative line rules, and initials. 15x10, expertly re-backed and restored, employing original calf covers. Second Edition. Napoli: Fratelli Terres, 1790 Beautifully illustrated and descriptive architectural text. The second edition of Galiani’s translation. Published in 1758, the first edition was well received and republished four more times. Edges rubbed, original calf chipped with expert restoration; some foxing and dampstaining to edges of frontispiece and title page, dampstains affecting edges on many pages- scattered and generally faint; else very good. (800/1200)

Page 91 450. Von Hagen, Victor Wolfgang. The Aztec and Maya Papermakers. 115, [3], 31 plates, many with paper samples tipped in. Tipped in color folding frontispiece, photograph plates, and two folding maps. 13x10, tan linen, red leather gilt-lettered spine label. One of 220 copies by The George Grady Press. New York: J.J. Augustin, [1943] Signed by the author on the limitation statement. Also inscribed on the half title to Gilbert Morgan, who “put-up with much Talk-Talk from the author.” Signed and dated 1944. This copy also includes an offprint from The Scientific Monthly, October 1943, Vol. LVII article by Von Hagen, titled Paper and Civilization. In yellow wrappers. “With the authors compliments,” inscribed on front wrapper, and laid in a few more paper samples, similar to those in the book. Marks and a few very faint stains to covers, touch of fraying to spine tips and corners; internally near fine. (300/500)

451. Waite, Arthur Edward. Israfel: Letters, Visions, and Poems. 114 pp. 7½x5, original boards. First Edition. London: E.W. Allen, 1886 Waite was a mystic and author but is likely best remembered as the co-creator of the Rider- Waite Tarot deck and the author of its companion volume, the Key to the Tarot. Spine sunned, light wear to boards, bookplate removed from front pastedown, erasure and small sticker also on this leaf, small dampstain to rear endpapers; light foxing; very good. (500/800)

452. Wasson, R. Gordon, George and Florence Cowan & Willard Rhodes. Maria Sabina and Her Mazatec Mushroom Velada. xxxii, 282 pp. Illustrations from photographs. Accompanied by a musical score and 4 lp records in a clamshell box. (4to) 12x8¾, morocco backed patterned cloth, acetate jacket. Housed together in a two-compartment slipcase. One of 200 numbered copies printed at the Stamperia Valdonega in Italy. New York: Harcourt Brace Jovanavich, [1974] Ethno-mycological Studies No. 3. Text and recording of a shamanic ceremony performed in 1958 by Maria Sabina in the Mazatec village of Huautla de Jimenez, Mexico. Slipcase and spines faded; else near fine. (400/600)

453. Willis, N[athaniel] Parker. People I Have Met; or Pictures of Society and People of Mark, Drawn Under a Thin Veil of Fiction. xiv, 357 pp. 7¼x4½, original cloth. First Edition. New York: Baker and Scribner, 1850 From the American author, poet and editor comes a book that contains “...the personal history of the eminent men and women of Europe, as the author came to the knowledge of, by conversance with the circles in which they moved...” -Preface. Also include chapters devoted to the “Belles of New York,” of which there are six. Edge wear, a touch of fraying to corners; foxed; very good. (100/150)

454. Wilson, George. The Trial of the Earl of Macclesfield, Faithfully Abridg’d. With Remarks thereon. Wherein The Nature of his Crime... 78 pp. (4to) full leather, gilt-decorated spine, leather spine label. Second Edition. London: Printed for A. Moore, 1727 Chronicling the trial that occurred two years prior. ESTC T5372. Edge wear and rubbing; name ‘John Warner’ in ink on leaf facing title page; some dampstaining on title page, margins of a few later pages, few light smudges; else very good. (150/250)

Page 92 FIRST EDITION OF DANDOLO’S TREATISE ON WINE 455. (Wine) Dandolo, [Vincenzo]. Istruzioni Pratiche sul Modo di Ben Fare e Conservare il Vino. xviii, 178, [2] pp. 5 engraved folding plates at rear. (8vo) 8¾x6, modern half calf and patterned boards, black leather spine labels. First Edition. Milan: Dalla Stamperia Reale, 1812 First edition of Dandolo’s classic oenological treatise Plates and a few leaves at rear chipped at upper corner (without loss of text or illustration); else near fine. (700/1000)

456. Wynn, Ed. The Ed Wynn Show - a television script. Original broadcast copy of the script from the Ed Wynn Show, from the year 1949. Contains the original typed scripts for Program 1, airing on September 22, 1949 through Program 13, airing December 15, 1949. 10¾x8¼, red leather, gilt lettered spine, gilt of Ed Wynn on front cover, all edges stained red. Columbia Broadcasting System, 1949 Ed Wynn (born Isaiah Edwin Leopold) was an American entertainer who began in the golden age of radio. His flair for the live performance naturally led to a career in television, and eventually movies. A comedic actor and television host of his own show, the “first nation-wide television program to emanate from Hollywood” per the title page within. Guest stars like Carmen Miranda and Buster Keaton, are listed in a preliminary page (listing each guest star per episode). A nice item from the set of this important television show, with original directions, corrections, and additions pencilled in the margins. Joints cracking, wear to extremities, moderately rubbed spine and spine tips chipped, KCET sticker with typed description on front cover (as issued?); else very good. (250/350)

Page 93 Page 94 Page 95 Page 96 Page 97 CONDITIONS OF SALE The property listed in this catalogue will be sold by PBA Galleries, Inc. (hereinafter Galleries) as agent for others upon the following terms and conditions as may be amended by notice or oral announcement at the sale:

1. All bids are to be per lot as numbered in the catalogue.

2. As used herein the term “bid price” means the price at which a lot is knocked down to the purchaser and the term “purchase price” means the aggregate of (a) the bid price (b) a premium of twenty percent (20%) of the bid price payable by the purchaser, and (c) unless the purchaser is exempt by law from the payment thereof, any California state or local sales tax except where sold to a purchaser outside of California and shipped to the purchaser.The Galleries have been authorized by the consignor to retain, as part of remuneration, the 20% premium payable by the purchaser.

3. Property auctioned by the Galleries is often of some age.Prospective bidders should personally inspect such property to determine its condition and whether it has been repaired or restored.Any information provided by the Galleries or its employees is for the convenience of bidders only and should not be relied upon. ALL PROPERTY IS SOLD “AS IS” AND NEITHER THE GALLERIES NOR THE CONSIGNOR MAKES ANY WARRANTIES OR REPRESENTATIONS OF ANY KIND OR NATURE WITH RESPECT TO THE PROPERTY OR ITS VALUE, MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, OR WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS.IN NO EVENT SHALL THE GALLERIES OR THE CONSIGNOR BE RESPONSIBLE FOR CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE, AUTHENTICITY, AUTHORSHIP, COMPLETENESS, CONDITION OF THE PROPERTY OR ESTIMATE OF VALUE.NO STATEMENT (ORAL OR WRITTEN) IN THE CATALOGUE, AT THE SALE, OR ELSEWHERE SHALL BE DEEMED SUCH A WARRANTY OR REPRESENTATION, OR ANY ASSUMPTION OF RESPONSIBILITY.HOWEVER, notwithstanding this condition and subject to the further provisions of this paragraph as set forth below, property may be returned by the purchaser, the sale rescinded and the purchase price refunded under the following conditions: (1) printed books which prove upon collation to be defective in text or illustration (provided such defects are not indicated within the catalogue or at the sale), and (2) autographs which prove not to be genuine (if this can be demonstrated and if not indicated in the catalogue or at the sale).Printed books are not returnable for defects not affecting text and illustration, including, but not limited to, lack of half-titles, lists of plates, binder’s instructions, errata, blanks, or advertisements.No returns will be accepted unless written notice, by registered mail or receipted courier, is received by the Galleries within fourteen (14) days of the sale of the property and the property is returned in the same condition as it was at the time of sale.NO LOT IS RETURNABLE ON ACCOUNT OF PROPERTY INCLUDED BUT NOT SPECIFICALLY NAMED AND DESCRIBED IN SUCH LOT.LOTS CONTAINING THREE OR MORE TITLES, WHETHER NAMED OR UNNAMED, AND SELLING FOR ONE HUNDRED FIFTY ($150) OR LESS, EXCLUSIVE OF BUYER’S PREMIUM, ARE SOLD NOT SUBJECT TO RETURN FOR ANY REASON.

4.Photographs, prints and other fine art multiples are sold in compliance with California law, and the Galleries’ catalogue descriptions of such multiples conform to the applicable provisions of that law.

5. Any right of the purchaser under this agreement or under the law shall not be assignable and shall be enforceable only by the original purchaser and not by any subsequent owner or any person who shall subsequently acquire any interest. No purchaser shall be entitled to any remedy, relief or damages beyond return of the property, recision of the sale and refund of the purchase price; and, without limitation, no purchaser shall be entitled to damages of any kind.

Page 98 6. If we are prevented by fire, theft or any other reason whatsoever from delivering any property to the purchaser, our liability shall be limited to the sum actually paid by the purchaser.

7. Books and other property purchased are to be removed at the close of each Sale unless shipping instructions are received by the Galleries before such sale.If not removed, property will be held at the sole risk of the purchaser and no responsibility is assumed if such goods are lost, stolen, damaged, or destroyed.The Galleries will facilitate shipment of property to out-of-town purchasers at an additional packing charge plus carriage and insurance, but will not be responsible for any loss or damage resulting from the shipping thereof in excess of the amount of the insurance.

8. Payment terms:All items are to be paid for by (a) cash, (b) cashier’s check, (c)credit card, or (d) personal check with approved credit, and all accounts are due when bills are rendered. MERCHANDISE WILL BE SHIPPED AFTER PAYMENT HAS BEEN RECEIVED.

9. We reserve the right to reject a bid from any bidder.The highest bidder acknowledged by the auctioneer shall be the purchaser.In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have the sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in every respect.

10. Unless the Sale is advertised as a sale without reserve, each lot is offered subject to a reserve. MOST LOTS OFFERED BY THE GALLERIES HAVE A MINIMUM RESERVE OF ONE- HALF THE PRESALE LOW ESTIMATE .The Galleries do not accept reserves of more than the low estimate nor allow consignors to bid on their own items.

11. To prevent inaccuracy in delivery or inconvenience in the settlement of a purchase, no lot can be transferred.Each buyer must pay for the whole of his purchases before any lot can be removed.

12. As a service to clients unable to attend the Sale, we will accept absentee bids without charge in advance of the sale by telephone, mail, fax, email or in person.All bids must state the highest bid price the bidder is willing to pay.“Buy” bids are not accepted.Please check bid sheets carefully to make sure you have the correct lot numbers and that the sheet is legible.The Galleries reserve the right to refuse to undertake absentee bids, and shall in no event be responsible for failure to execute such bids or for any error that may occur when executing them.Unsuccessful absentee bids will not be acknowledged.

ALL SALES HELD BY PBA GALLERIES ARE CONDUCTED PURSUANT TO SECTION 2328 OF THE COMMERCIAL CODE AND SECTION 535 OF THE PENAL CODE OF THE STATE OF CALIFORNIA CONSIGNING BOOKS TO PBA GALLERIES The first step in consigning to PBA is to contact the Galleries, either by phone, fax, email or letter. It can then be determined whether the item or items under consideration would do well at auction. Following this, arrangements can be made for the delivery of the material to PBA. In the case of large consignments or libraries, a member of the staff may be able to view the books on location, and make arrangements for its transportation to PBA Galleries. Because of the costs involved, PBA discourages consignments with a total value of less than $1500. The frequency of auctions, and variety of subject matter, allows PBA Galleries to ensure quick turn-around time for items consigned. Books can appear at auction as quickly as 30 days and generally not more than 90 days following consignment. Commissions vary between 10% and 15%, depending on the selling price of an item.These commissions encompass all related costs including insurance, storage, cataloguing, illustrations, etc., except shipping. Payment is sent within 20 banking days of an auction.

Page 99 BId Sheet 133 Kearny Street, 4th Floor Sale #:______San Francisco, CA 94108 Sale Date:______Phone: (415) 989-2665 Fax: (415) 989-1664 www.pbagalleries.com

Name:______Bidder#:______Cust Id#______Company:______Shipping address (if different from mailing address) Address:______Address:______City:______State:______Zip:______City:______State:______Zip:_____

Is either a new address? Yes No

Day Phone:______Home Phone:______Cell:______

Email:______Fax:______

Are you a dealer purchasing for resale? Yes No (if yes) I hereby certify that all tangible personal property purchased by me will be for resale and is not subject to California Sales Tax, and that I hold Sellers Permit #______

1. PBA Galleries is hereby authorized to bid on the following lots up to the price stated. 2. All bids shall be treated as offers made subject to the Conditions of Sale. 3. These bids will not be executed unless this form is signed. 4. A 20% Buyer’s Premium will be charged on all lots sold.

PLEASE EXECUTE THESE BIDS ON MY BEHALF. ______SIGNATURE

CHECK HERE TO INCREASE BIDS BY ONE INCREMENT IN CASE OF TIE______

Please charge my credit card for my purchase: Visa Mastercard Discover Credit Card #:______Exp. Date:______Signature______Please use this card for all future purchases

LOT NUMBER LOT NUMBER LOT NUMBER In numerical order BID AMOUNT In numerical order BID AMOUNT In numerical order BID AMOUNT

Bid Increments $00 to $200...... $10 $2000 to $5000...... $250 $200 to $500...... $25 $5000 to $10,000. . . . . $500 $500 to $1000...... $50 $10,000 to $20,000. . . $1000 $1000 to $2000. . . . $100 $20,000 to $50,000. . . $2500 Note: Bids not matching the above increments will be rounded down to the nearest increment.

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