William Turnbull, Jr./MLTW Collection, 1959-1997
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The Poetry of Robinson Jeffers
The Poetry of Robinson Jeffers 1 Table of Contents The Poetry of Robinson Jeffers About the Book.................................................... 3 “Permanent things, About the Author ................................................. 4 or things forever Historical and Literary Context .............................. 7 Other Works/Adaptations ..................................... 8 renewed, like the Discussion Questions............................................ 9 grass and human Additional Resources .......................................... 10 passions, are the Credits .............................................................. 11 material for poetry...” Preface The poetry of Robinson Jeffers is emotionally direct, magnificently musical, and philosophically profound. No one has ever written more powerfully about the natural beauty of the American West. Determined to write a truthful poetry purged of ephemeral things, Jeffers cultivated a style at What is the NEA Big Read? once lyrical, tough-minded, and timeless. A program of the National Endowment for the Arts, NEA Big Read broadens our understanding of our world, our communities, and ourselves through the joy of sharing a good book. Managed by Arts Midwest, this initiative offers grants to support innovative community reading programs designed around a single book. A great book combines enrichment with enchantment. It awakens our imagination and enlarges our humanity. It can offer harrowing insights that somehow console and comfort us. Whether you’re a regular reader already or making up for lost time, thank you for joining the NEA Big Read. NEA Big Read The National Endowment for the Arts 2 About the Book Introduction to Robinson Jeffers The poetry of Robinson Jeffers is distractingly memorable, not only for its strong music, but also for the hard edge of its wisdom. His verse, especially the wild, expansive narratives that made him famous in the 1920s, does not fit into the conventional definitions of modern American poetry. -
Big Sur for Other Uses, See Big Sur (Disambiguation)
www.caseylucius.com [email protected] https://en.wikipedia.org/wiki/Main_Page Big Sur For other uses, see Big Sur (disambiguation). Big Sur is a lightly populated region of the Central Coast of California where the Santa Lucia Mountains rise abruptly from the Pacific Ocean. Although it has no specific boundaries, many definitions of the area include the 90 miles (140 km) of coastline from the Carmel River in Monterey County south to the San Carpoforo Creek in San Luis Obispo County,[1][2] and extend about 20 miles (30 km) inland to the eastern foothills of the Santa Lucias. Other sources limit the eastern border to the coastal flanks of these mountains, only 3 to 12 miles (5 to 19 km) inland. Another practical definition of the region is the segment of California State Route 1 from Carmel south to San Simeon. The northern end of Big Sur is about 120 miles (190 km) south of San Francisco, and the southern end is approximately 245 miles (394 km) northwest of Los Angeles. The name "Big Sur" is derived from the original Spanish-language "el sur grande", meaning "the big south", or from "el país grande del sur", "the big country of the south". This name refers to its location south of the city of Monterey.[3] The terrain offers stunning views, making Big Sur a popular tourist destination. Big Sur's Cone Peak is the highest coastal mountain in the contiguous 48 states, ascending nearly a mile (5,155 feet/1571 m) above sea level, only 3 miles (5 km) from the ocean.[4] The name Big Sur can also specifically refer to any of the small settlements in the region, including Posts, Lucia and Gorda; mail sent to most areas within the region must be addressed "Big Sur".[5] It also holds thousands of marathons each year. -
National Register of Historic Places Registration Form
NPSForm 10-900 OMB No. 1024-0018 (Oct. 1990) United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties ow toi Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). e appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter l ill i " For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property historic name Folger Estate Stable Historic District_____________________ other names/site number Jones Ranch ________________________ 2. Location street & number 4040 Woodside Road___________ NA [H not for publication city or town Woodside_____________________ NAG vicinity state California_______ code CA county San Mateo. code 081_ zip code 94062 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this £3 nomination D request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property E3 meets D does not meet the National Register Criteria. I recommend that this property be considered significant D nationally n statewide 13 locally. ( Q See continuation sheet for additional comments.) Signature of certifying official/Title Date California Office of Historic Preservation State or Federal agency and bureau In my opinion, the property D meets Q does not meet the National Register criteria. -
UCSC Special Collections and Archives MS 6 Morley Baer
UCSC Special Collections and Archives MS 6 Morley Baer Photographs - Job Number Index Description Job Number Date Thompson Lawn 1350 1946 August Peter Thatcher 1467 undated Villa Moderne, Taylor and Vial - Carmel 1645-1951 1948 Telephone Building 1843 1949 Abrego House 1866 undated Abrasive Tools - Bob Gilmore 2014, 2015 1950 Inn at Del Monte, J.C. Warnecke. Mark Thomas 2579 1955 Adachi Florists 2834 1957 Becks - interiors 2874 1961 Nicholas Ten Broek 2878 1961 Portraits 1573 circa 1945-1960 Portraits 1517 circa 1945-1960 Portraits 1573 circa 1945-1960 Portraits 1581 circa 1945-1960 Portraits 1873 circa 1945-1960 Portraits unnumbered circa 1945-1960 [Naval Radio Training School, Monterey] unnumbered circa 1945-1950 [Men in Hardhats - Sign reads, "Hitler Asked for It! Free Labor is Building the Reply"] unnumbered circa 1945-1950 CZ [Crown Zellerbach] Building - Sonoma 81510 1959 May C.Z. - SOM 81552 1959 September C.Z. - SOM 81561 1959 September Crown Zellerbach Bldg. 81680 1960 California and Chicago: landscapes and urban scenes unnumbered circa 1945-1960 Spain 85343 1957-1958 Fleurville, France 85344 1957 Berardi fountain & water clock, Rome 85347 1980 Conciliazione fountain, Rome 84154 1980 Ferraioli fountain, Rome 84158 1980 La Galea fountain, in Vatican, Rome 84160 1980 Leone de Vaticano fountain (RR station), Rome 84163 1980 Mascherone in Vaticano fountain, Rome 84167 1980 Pantheon fountain, Rome 84179 1980 1 UCSC Special Collections and Archives MS 6 Morley Baer Photographs - Job Number Index Quatre Fountain, Rome 84186 1980 Torlonai -
A Rccaarchitecture California the Journal of the American Institute Of
architecture california the journal of the american institute of architects california council a r cCA aiacc design awards issue 04.3 photo finish ❉ Silent Archives ❉ AIACC Member Photographs ❉ The Subject is Architecture arcCA 0 4 . 3 aiacc design a wards issue p h o t o f i n i s h Co n t e n t Tracking the Awards 8 Value of the 25 Year Award 10 ❉ Eric Naslund, FAIA Silent Archives: 14 In the Blind Spot of Modernism ❉ Pierluigi Serraino, Assoc. AIA AIACC Member Photographs 18 ❉ AIACC membership The Subject is Architecture 30 ❉ Ruth Keffer AIACC 2004 AWARDS 45 Maybeck Award: 48 Daniel Solomon, FAIA Firm of the Year Award: 52 Marmol Radziner and Associates Lifetime Achievement 56 Award: Donlyn Lyndon, FAIA ❉ Interviewed by John Parman Lifetime Achievement 60 Award: Daniel Dworsky, FAIA ❉ Interviewed by Christel Bivens Kanda Design Awards 64 Reflections on the Awards 85 Jury: Eric Naslund, FAIA, and Hugh Hardy, FAIA ❉ Interviewed by Kenneth Caldwell Savings By Design A w a r d s 88 Co m m e n t 03 Co n t r i b u t o r s 05 C r e d i t s 9 9 Co d a 1 0 0 1 arcCA 0 4 . 3 Editor Tim Culvahouse, AIA a r c C A is dedicated to providing a forum for the exchange of ideas among mem- bers, other architects and related disciplines on issues affecting California archi- Editorial Board Carol Shen, FAIA, Chair tecture. a r c C A is published quarterly and distributed to AIACC members as part of their membership dues. -
National Register of Historic Places Continuation Sheet Condominium 1 Sonoma County, California Section Number 7 Page 1
NPS Form 10-900 OMB No. 1024-0018 (Oct. 1990) H"^l United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property________________________________________________________ historic name Condominium 1 ________________________________________________________ other names/site number __________________________________ 2. Location street & number 110-128 Sea Walk Drive_____________ NA I I not for publication city or town The Sea Ranch_________________ ___NA[~1 vicinity state California_______ code CA county Sonoma. code 097_ zip code 95497 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, i hereby certify that this ^ nomination D request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ^ meets D does not meet the National Register Criteria. I recommend that this property be considered significant 03 nationally D statewide D locally. -
Carmel Pine Cone, May 2, 2014 (Main News)
VolumeThe 100 No. 18 Carmel On the Internet: www.carmelpinecone.com Pine Cone May 2-8, 2014 TRUSTED BY LOCALS AND LOVED BY VISITORS SINCE 1915 Report: House exploded 37 minutes after gas leaked Candidate’s campaign By MARY SCHLEY wonder why the company didn’t respond more quickly and claims raise hackles prevent the explosion. PG&E WORKERS drilling into a gas line March 3 That’s just one of the questions emerging from an inde- n immediately knew they caused a serious leak, but it was 37 pendent consultant’s analysis of the explosion that destroyed Serrano Williams says she’s only candidate minutes later that a nearby house blew up, and the gas con- a house at Guadalupe and Third. The report prepared by with ‘judicial experience,’ but opponent has tinued leaking for an additional half hour — leading some to Exponent was released this week, and while it draws accurate conclusions about the causes, it doesn’t go far presided over hundreds of court hearings enough in analyzing how future accidents can be By KELLY NIX prevented, according to Carmel Mayor Jason Burnett. AMPAIGN CLAIMS made by a judicial candidate It will be the subject of a special meeting at C running for a seat in Monterey County Superior Court are 3:30 p.m. Tuesday, May 6, and Burnett said offi- drawing fire from some of the area’s most respected judges cials from the California Public Utilities and attorneys, who say the Commission, Exponent and PG&E will be there. statements go beyond elec- Investigators concluded the root cause was tion-time hyperbole and are “inadequate verification of system status and misleading. -
Rare Americana African-American History
Sale 503 March 28, 2013 11:00 AM Pacific Time Rare Americana African-American History Auction Preview Tuesday, March 26, 9:00 am to 5:00 pm Wednesday, March 27, 9:00 am to 5:00 pm Thursday, March 28, 9:00 am to 11:00 am Other showings by appointment 133 Kearny Street 4th Floor : San Francisco, CA 94108 phone : 415.989.2665 toll free : 1.866.999.7224 fax : 415.989.1664 [email protected] : www.pbagalleries.com REAL-TIME BIDDING AVAILABLE PBA Galleries features Real-Time Bidding for its live auctions. This feature allows Internet Users to bid on items instantaneously, as though they were in the room with the auctioneer. If it is an auction day, you may view the Real-Time Bidder at http://www.pbagalleries.com/realtimebidder/ . Instructions for its use can be found by following the link at the top of the Real-Time Bidder page. Please note: you will need to be logged in and have a credit card registered with PBA Galleries to access the Real-Time Bidder area. In addition, we continue to provide provisions for Absentee Bidding by email, fax, regular mail, and telephone prior to the auction, as well as live phone bidding during the auction. Please contact PBA Galleries for more information. IMAGES AT WWW.PBAGALLERIES.COM All the items in this catalogue are pictured in the online version of the catalogue at www.pbagalleries. com. Go to Live Auctions, click Browse Catalogues, then click on the link to the Sale. CONSIGN TO PBA GALLERIES PBA is always happy to discuss consignments of books, maps, photographs, graphics, autographs and related material. -
Carmel Pine Cone, November 26, 2010
GIFTGIFT GUIDEGUIDE Inside this week…a colorful start to the shopping season featuring ideas to fill stockings and warm hearts! Volume 96 No. 48 On the Internet: www.carmelpinecone.com November 26-December 2, 2010 Y OUR S OURCE F OR L OCAL N EWS, ARTS AND O PINION S INCE 1915 Wall heater suspected Bulldozers make ‘preemptive’ cut in lagoon sandbar in Monterey CO deaths By CHRIS COUNTS THE ROAR of bulldozers competed with the crash- By MARY BROWNFIELD ing of waves at Carmel River State Beach this week as the Monterey County Public Works Department opened a THE BODIES of a husband and wife were found in channel in the sandbar that separates the Carmel River their Lottie Street home Monday morning after one of Lagoon from the ocean. them failed to appear for work and the employer came Unlike other years, the work was done before water in searching, according to Monterey Fire Marshal Dave the lagoon rose to anywhere near flood stage. Brown. Raymond and Ruth Ann Carlson, ages 53 and “Our goal was to let out some of the water gradually 60, respectively, apparently died of carbon monoxide and create an equilibrium between the lagoon and the poisoning, and the Monterey County Coroner’s Office ocean so that the water level in the lagoon doesn’t drop reported a wall-mounted gas heater might be to blame. off too quickly,” public works director Yaz Emrani The person who had come searching for his employ- explained. ee saw one of the residents unresponsive on the couch But this year, the work was done without an emer- and entered the residence. -
Number 4 (Fall 2002)
Jeffers Studies Robert J. Brophy Department of English California State University Long Beach, CA 90840 Demo XPress Quark Jeffers Studies QuarkVolume 6 Number 4 Fall 2002 XPress Jointly Sponsored by Occidental College California State University Long Beach Robinson Jeffers Association Demo Jeffers Studies Volume 6 Number 4 Fall 2002 QuarkCONTENTS News and Notes 1 Publications 3 Contributors 4 Play Review: Medea at Carmel 5 Robert Kafka Two Reviews: Stones of the Sur 7 Lin Moore and George Hart Two Reviews: The Wild God of the World 13 Robert Zaller and Robert Brophy De Rerum Virtute: A Critical Anatomy 22 Steven Chapman The Work of the Edition: Some Possible Lessons and Directions 36 XPressTim Hunt Carrying the Weight: Jefferss Role in Preparing the Way for Ecocriticism 46 Peter Quigley Demo Jeffers Studies (ISSN 1096-5076) is published quarterly by California State University Long Beach, co- sponsoring with Occidental College and the Robinson Jeffers Association. Triquarterly (Winter, Spring, Summer) issues follow a format similar to that of the preceding Robinson Jeffers Newsletter, including news and notes, memoirs, reviews, abstracts, short refereed articles, bibliography, and the Una Jeffers Correspondent series. The final issue each year, a perfect-bound annual, includes up to six longer scholarly articles, each exploring in depth some aspect of Jefferss life, work, or times. After acceptance for publication, these articles will be available in electronic format through Jeffers Studies Online at <www.jeffers.org>, Quarkthe Internet complement to the print journal. Editorial Board: Robert Brophy, Senior Editor; George Hart, Co-Editor; Robert Kafka, Managing Editor; Peter Quigley, World Wide Web Editor. -
Preserving Postmodern Architecture and the Legacy of Charles W. Moore
PRESERVING POSTMODERN ARCHITECTURE AND THE LEGACY OF CHARLES W. MOORE KAITY RYAN Submitted in partial fulfillment of the requirement for the Degree of Master of Science in Historic Preservation Graduate School of Architecture, Planning and Preservation Columbia University (May 2012) Thesis Advisor: Liz McEnaney Reader I: Theodore Prudon, Ph.D, FAIA Reader II: Sherida Paulsen, FAIA Copyright © 2012 Kaity Ryan All Rights Reserved Thesis Acknowledgments Many people made this research possible. I thank them all. In particular, I would like to acknowledge the generosity of Kevin Keim and The Charles Moore Foundation as well as that of Mark Simon at Centerbrook Architects and Planners. I would like to extend special thanks to my advisor, Liz McEnaney, for her patience, time and always-positive encouragement. My deep gratitude goes to Theo Prudon for his guidance. Lastly, thank you to my family and friends and, of course, Thom. Liz McEnaney Theodore Prudon, Ph.D., FAIA Sherida Paulsen, FAIA Kevin Keim Mark Simon, FAIA Frederick Bland, FAIA Jorge Otero-Pailos, Ph.D. Michael Lynch, P.E., AIA Diane Kaese, R.A. T. Gunny Harboe, FAIA Charles Birnbaum, FASLA, FAAR Kyle Johnson, AIA Lu and Maynard Lyndon Nancy Sparrow Sara Douglas Hart The Yale University Manuscript Library The Charles W. Moore Archives, The Alexander Architectural Archive at the University of Texas at Austin The Charles Moore Foundation Avery Library Drawings & Archives Department 2 TABLE OF CONTENTS ABSTRACT | 4 INTRODUCTION | 6 I. ARCHITECTURAL CONTEXT | 8 II. BIOGRAPHICAL CONTEXT | 17 III. INTRODUCTION TO CASE STUDIES | 50 IV. KRESGE COLLEGE CASE STUDY | 53 V. PIAZZA d’ITALIA CASE STUDY | 63 VI. -
Capitol Art Collection: Three Decades Later Meagan Atiyeh
ART OF THE TIME oregon’s state capitol art collection oregon’s state capitol art collection I Oregon State Capitol 900 Court Street NE Salem, Oregon 97301 http://www.leg.state.or.us/capinfo/ Oregon Arts Commission 775 Summer Street NE Salem, Oregon 97301 www.oregonartscommission.org The Ford Family Foundation has provided funding to print additional copies of this publication for distribution to Oregon libraries, universities, curators and arts institutions. The Foundation’s new Art Acquisitions Program, a component of its Visual Arts Program, supported the purchase of James Lavadour’s Flag 2 for the State Capitol Collection. Copyright © 2011, Oregon Arts Commission All rights reserved II art of the time ART OF THE TIME oregon’s state capitol art collection This catalog is published on the occasion of the reinstallation of the Oregon State Capitol Art Collection, January 2011. The reinstallation project was made possible by Oregon’s Percent for Art in Public Places program, ors 276.080, and facilitated by the Oregon Arts Commission. The Capitol Art Collection is owned by the Oregon State Capitol on behalf of the State of Oregon, and publicly accessible to all. Contents 3 Foreward Christine D’Arcy 5 The Capitol Art Collection: Three Decades Later Meagan Atiyeh 19 A Collection of Photographs Jennifer Stoots and Lawrence Fong 23 Plates 70 Floorplan oregon’s state capitol art collection 1 figure 1. Louis Bunce (1907–1983). Midway #5. 1975. Oil on canvas. One of the paintings conserved during the reinstallation. Cleaned and re-stretched, Midway #5 is now displayed prominently in the Capitol’s State Street Entrance.