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The Poetry of Robinson Jeffers
The Poetry of Robinson Jeffers 1 Table of Contents The Poetry of Robinson Jeffers About the Book.................................................... 3 “Permanent things, About the Author ................................................. 4 or things forever Historical and Literary Context .............................. 7 Other Works/Adaptations ..................................... 8 renewed, like the Discussion Questions............................................ 9 grass and human Additional Resources .......................................... 10 passions, are the Credits .............................................................. 11 material for poetry...” Preface The poetry of Robinson Jeffers is emotionally direct, magnificently musical, and philosophically profound. No one has ever written more powerfully about the natural beauty of the American West. Determined to write a truthful poetry purged of ephemeral things, Jeffers cultivated a style at What is the NEA Big Read? once lyrical, tough-minded, and timeless. A program of the National Endowment for the Arts, NEA Big Read broadens our understanding of our world, our communities, and ourselves through the joy of sharing a good book. Managed by Arts Midwest, this initiative offers grants to support innovative community reading programs designed around a single book. A great book combines enrichment with enchantment. It awakens our imagination and enlarges our humanity. It can offer harrowing insights that somehow console and comfort us. Whether you’re a regular reader already or making up for lost time, thank you for joining the NEA Big Read. NEA Big Read The National Endowment for the Arts 2 About the Book Introduction to Robinson Jeffers The poetry of Robinson Jeffers is distractingly memorable, not only for its strong music, but also for the hard edge of its wisdom. His verse, especially the wild, expansive narratives that made him famous in the 1920s, does not fit into the conventional definitions of modern American poetry. -
William Turnbull, Jr./MLTW Collection, 1959-1997
http://oac.cdlib.org/findaid/ark:/13030/kt5s20213j Online items available Inventory of the William Turnbull, Jr./MLTW Collection, 1959-1997 Betsy Frederick-Rothwell and Laura Tatum Environmental Design Archives College of Environmental Design 230 Wurster Hall #1820 University of California, Berkeley Berkeley, California, 94720-1820 Phone: (510) 642-5124 Fax: (510) 642-2824 Email: [email protected] http://www.ced.berkeley.edu/cedarchives/ © 2005 The Regents of the University of California. All rights reserved. Inventory of the William Turnbull, 2000-9 1 Jr./MLTW Collection, 1959-1997 Inventory of the William Turnbull, Jr./MLTW Collection, 1959-1997 Collection number: 2000-9 Environmental Design Archives University of California, Berkeley Berkeley, California Processed by: Betsy Frederick-Rothwell and Laura Tatum Date Completed: December 2004 Encoded by: Dayna Holz © 2005 The Regents of the University of California. All rights reserved. Descriptive Summary Title: William Turnbull, Jr./MLTW collection Dates: 1959-1997 Collection number: 2000-9 Creator: Turnbull, William Creator: Moore, Lyndon, Turnbull, and Whitaker Collection Size: 96 cartons, 14 boxes, 2 flat boxes, 13 linear feet mounted and framed material, approximately 700 tubes, 11 artifacts Repository: Environmental Design Archives. College of Environmental Design. University of California, Berkeley. Berkeley, California Abstract: The collection consists of records of architect William Turnbull Jr. and the Moore, Lyndon, Turnbull, and Whitaker architectural firm. The majority of the collection documents William Turnbull Jr./MLTW projects between 1958-1997. The Sea Ranch development, commissioned by Oceanic Properties, is the development that put Turnbull on the architectural map, as well as influenced the look of developments on the Pacific coastline for decades to come. -
November 2, 1975 Mr. Artur Rubinstein Beverly Wilshire Hotel
Scopus Award Recipient 1975 Dinner Chairman ARTUR RUBINSTEIN ALBERT A. SPIEGEL Past Recipients of the Scopus Award LOUIS H. BOYAR HARRY A. GOLDMAN RABBI MAX NUSSBAUM ROSALIND WYMAN EUGENE L. WYMAN DR. FRANKLIN D. MURPHY GREGOR PIATIGORSKY ELIE WIESEL November 2, 1975 Mr. Artur Rubinstein Beverly Wilshire Hotel Beverly Hills, California Dear Mr. Rubinstein: First, let me again tell you how honored and pleased we are to have you with us. I am sorry you did not receive any of our communications. However, this is understandable since your schedule takes you to all four corners of the world. For your information, there is a private dais reception from 6:30 to 7:30 PM in the Brentwood Room of the Century Plaza Hotel. Invitations have been issued only to those individuals who will be seated on the dais. Both you and Mrs. Rubinstein, of course, will be among our distinguished dais guests. I am enclosing the agenda for the evening. The actual programs will not be ready until Wednesday. This should provide the timing and sequence of our program. The eve ning is one in which you will be honored with the Scopus Award, the most coveted and prestigious award of the American Friends of the Hebrew University. I am also pleased to tell you that we were fortunate in securing for our musical program one of your protegees, Janina Fialkowska, whom we were fortunate to hear during our recent visit to Jerusalem this past summer. Her concert on November 2nd in Pasadena made it possible for her to be with us. -
Bulletin of the Center for Children's Books
I LL I NOI S UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. Graduate School of Library and Information Science University of Illinois Press at ;i .I~i ;;-i·i· , 01-' -y n a r,i "A handsome puzzle book that also enhances appreciation for our quirky mother tongue."* JUD ITH VIORST The Alphabet from Z to A (With Much Confusion on the Way) Illustrated in full color by Richard Hull * "Refreshingly, Viorst offers anything but a basic introduc- tion to phonetics....Rather, her verse is a pleasing blend of play- fulness and sophistication.... [Hull's] detailed, often fantastical pictures cleverly incorporate the items mentioned in Viorst's rhymes - as well as a devilish number of other objects that begin with the spotlighted letter. It all makes for good (and vocabulary- building) phun." -Starred, Publishers Weekly "Intriguing." -School Library Journal 'qThe well-known humorist uses a reverse alphabet to explore, and rail about, the idiosyncra- ces of English ('Y' is for YEW and for YOUJ But it isn't for USING), touching on the vagaries of homonyms and spelling, slip- ping in rhymes...and engaging in other wordplay." -*Kirkus Reviews "Kids will be charmed to see someone acknowledge the appar- ent idiocy of the language they're grappling with." -Booklist $14.95 SBE/0-689-31768-9 Ages 7-10 SBE indicates a reinforced hardcover edition. Atheneum An imprint of the Simon & Schuster Children's Publishing Division A Paramount Communications Company -- THE BUvL LE T IN OF THE CENTER FOR CHILDREN'S BOOKS June 1994 Vol. -
Old Time Banjo
|--Compilations | |--Banjer Days | | |--01 Rippling Waters | | |--02 Johnny Don't Get Drunk | | |--03 Hand Me down My Old Suitcase | | |--04 Moonshiner | | |--05 Pass Around the Bottle | | |--06 Florida Blues | | |--07 Cuckoo | | |--08 Dixie Darling | | |--09 I Need a Prayer of Those I Love | | |--10 Waiting for the Robert E Lee | | |--11 Dead March | | |--12 Shady Grove | | |--13 Stay Out of Town | | |--14 I've Been Here a Long Long Time | | |--15 Rolling in My Sweet Baby's Arms | | |--16 Walking in the Parlour | | |--17 Rye Whiskey | | |--18 Little Stream of Whiskey (the dying Hobo) | | |--19 Old Joe Clark | | |--20 Sourwood Mountain | | |--21 Bonnie Blue Eyes | | |--22 Bonnie Prince Charlie | | |--23 Snake Chapman's Tune | | |--24 Rock Andy | | |--25 I'll go Home to My Honey | | `--banjer days | |--Banjo Babes | | |--Banjo Babes 1 | | | |--01 Little Orchid | | | |--02 When I Go To West Virginia | | | |--03 Precious Days | | | |--04 Georgia Buck | | | |--05 Boatman | | | |--06 Rappin Shady Grove | | | |--07 See That My Grave Is Kept Clean | | | |--08 Willie Moore | | | |--09 Greasy Coat | | | |--10 I Love My Honey | | | |--11 High On A Mountain | | | |--12 Maggie May | | | `--13 Banjo Jokes Over Pickin Chicken | | |--Banjo Babes 2 | | | |--01 Hammer Down Girlfriend | | | |--02 Goin' 'Round This World | | | |--03 Down to the Door:Lost Girl | | | |--04 Time to Swim | | | |--05 Chilly Winds | | | |--06 My Drug | | | |--07 Ill Get It Myself | | | |--08 Birdie on the Wire | | | |--09 Trouble on My Mind | | | |--10 Memories of Rain | | | |--12 -
Big Sur for Other Uses, See Big Sur (Disambiguation)
www.caseylucius.com [email protected] https://en.wikipedia.org/wiki/Main_Page Big Sur For other uses, see Big Sur (disambiguation). Big Sur is a lightly populated region of the Central Coast of California where the Santa Lucia Mountains rise abruptly from the Pacific Ocean. Although it has no specific boundaries, many definitions of the area include the 90 miles (140 km) of coastline from the Carmel River in Monterey County south to the San Carpoforo Creek in San Luis Obispo County,[1][2] and extend about 20 miles (30 km) inland to the eastern foothills of the Santa Lucias. Other sources limit the eastern border to the coastal flanks of these mountains, only 3 to 12 miles (5 to 19 km) inland. Another practical definition of the region is the segment of California State Route 1 from Carmel south to San Simeon. The northern end of Big Sur is about 120 miles (190 km) south of San Francisco, and the southern end is approximately 245 miles (394 km) northwest of Los Angeles. The name "Big Sur" is derived from the original Spanish-language "el sur grande", meaning "the big south", or from "el país grande del sur", "the big country of the south". This name refers to its location south of the city of Monterey.[3] The terrain offers stunning views, making Big Sur a popular tourist destination. Big Sur's Cone Peak is the highest coastal mountain in the contiguous 48 states, ascending nearly a mile (5,155 feet/1571 m) above sea level, only 3 miles (5 km) from the ocean.[4] The name Big Sur can also specifically refer to any of the small settlements in the region, including Posts, Lucia and Gorda; mail sent to most areas within the region must be addressed "Big Sur".[5] It also holds thousands of marathons each year. -
Bossypants? One, Because the Name Two and a Half Men Was Already Taken
Acknowledgments I would like to gratefully thank: Kay Cannon, Richard Dean, Eric Gurian, John Riggi, and Tracy Wigfield for their eyes and ears. Dave Miner for making me do this. Reagan Arthur for teaching me how to do this. Katie Miervaldis for her dedicated service and Latvian demeanor. Tom Ceraulo for his mad computer skills. Michael Donaghy for two years of Sundays. Jeff and Alice Richmond for their constant loving encouragement and their constant loving interruption, respectively. Thank you to Lorne Michaels, Marc Graboff, and NBC for allowing us to reprint material. Contents Front Cover Image Welcome Dedication Introduction Origin Story Growing Up and Liking It All Girls Must Be Everything Delaware County Summer Showtime! That’s Don Fey Climbing Old Rag Mountain Young Men’s Christian Association The Windy City, Full of Meat My Honeymoon, or A Supposedly Fun Thing I’ll Never Do Again Either The Secrets of Mommy’s Beauty Remembrances of Being Very Very Skinny Remembrances of Being a Little Bit Fat A Childhood Dream, Realized Peeing in Jars with Boys I Don’t Care If You Like It Amazing, Gorgeous, Not Like That Dear Internet 30 Rock: An Experiment to Confuse Your Grandparents Sarah, Oprah, and Captain Hook, or How to Succeed by Sort of Looking Like Someone There’s a Drunk Midget in My House A Celebrity’s Guide to Celebrating the Birth of Jesus Juggle This The Mother’s Prayer for Its Daughter What Turning Forty Means to Me What Should I Do with My Last Five Minutes? Acknowledgments Copyright * Or it would be the biggest understatement since Warren Buffett said, “I can pay for dinner tonight.” Or it would be the biggest understatement since Charlie Sheen said, “I’m gonna have fun this weekend.” So, you have options. -
Pastforward Autumn 2007 Pastforward the NEWSLETTER of the USC SHOAH FOUNDATION INSTITUTE
121056_16pgr_PF_Winter 12/10/09 4:25 PM Page C1 Winter 2010 PastForward autumn 2007 PastForward THE NEWSLETTER OF THE USC SHOAH FOUNDATION INSTITUTE Teacher Innovation Network: Empowering Educators to Change the World USC SHOAH FOUNDATION INSTITUTE FOR VISUAL HISTORY AND EDUCATION www.college.usc.edu/vhi C1 121056_16pgr_PF_Winter 12/10/09 4:26 PM Page IFC2 Board of Councilors Wel Steven Spielberg Honorary Chair Edgar M. Bronfman Honorary Co-chair Renée Crown Honorary Co-chair Lew Wasserman Honorary Co-chair in Memoriam Wallis Annenberg Russel Bernard T Gerald Breslauer Jerome Coben Stephen Cozen Susan Crown David Eisman Phyllis Epstein Emanuel Gerard Eric Greenberg Marc Grossman Yossie Hollander PastForward Robert Katz winter 2o1o William Lauder Lee Liberman Skip Paul Bruce Ramer Welcome Special Coverage Harry Robinson 1 Touchstone of Humanity 8 Steven Spielberg Honored Michael Rutman with Liberty Medal for Mickey Shapiro Accessibility Humanitarian Work Erna Viterbi 2 “The Courage to Tell”: Casey Wasserman Testimonies of Rwandan Accessibility Genocide Survivors 9 New Visual History Archive Founding Executive Directors Search Interface June Beallor 3 Online: First Testimonies James Moll on the Internet 9 Preserving the Testimonies Founding Advisory Committee Research Giving Karen Kushell 4 Genocide Survivor Testimony 1o Donor Highlight: Branko Lustig in Documentary Film: Its Vera and Paul Guerin Gerald R. Molen Afterlife and Its Legacy 1o ACE Charitable Foundation Executive Staff 5 International Conference to Support Local Rwandan Stephen -
National Register of Historic Places Registration Form
NPSForm 10-900 OMB No. 1024-0018 (Oct. 1990) United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties ow toi Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). e appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter l ill i " For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property historic name Folger Estate Stable Historic District_____________________ other names/site number Jones Ranch ________________________ 2. Location street & number 4040 Woodside Road___________ NA [H not for publication city or town Woodside_____________________ NAG vicinity state California_______ code CA county San Mateo. code 081_ zip code 94062 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this £3 nomination D request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property E3 meets D does not meet the National Register Criteria. I recommend that this property be considered significant D nationally n statewide 13 locally. ( Q See continuation sheet for additional comments.) Signature of certifying official/Title Date California Office of Historic Preservation State or Federal agency and bureau In my opinion, the property D meets Q does not meet the National Register criteria. -
October Layout 1
Vol. 38-No.1 ISSN 0892-1571 September/October 2011 - Tishri/Cheshvan 5772 ENSURING THE LEGACY 30TH ANNIVERSARY OF THE AMERICAN & INTERNATIONAL SOCIETIES FOR YAD VASHEM sponding to the challenges of the 21st century. Joseph BY ELI ZBOROWSKI, Wilf, American Society Vice Chairman, was appointed as FOUNDER AND CHAIRMAN the Chairman of the Yad Vashem 2001 Campaign. OF THE AMERICAN & IN- The projects of major benefactors of Yad Vashem 2001 TERNATIONAL SOCIETIES include: FOR YAD VASHEM The Partisans’ Panorama – Julia and Isidore Karten, Harry Karten, Marcia Toledano, and Berne Bookhamer ilestones provide an The Survivors Wall – Gale and Ira Drukier Mopportunity to reflect The Entrance Plaza – The Wilf family in memory of on the past and to project Harry Wilf plans for the future. We The Visitors’ Center – David and Fela Shapell began our efforts as the Mr. and Mrs. Solomon Gross of Rosedale, New York. In- Bridge to a Vanished World – Mr. and Mrs. Jan Czuker American & International So- terest and enthusiasm soon attracted Arie Halpern, Harry The Holocaust History Museum – Harry and Judith cieties united in the desire that the horrors of the Holocaust and Joe Wilf, and others. Wilf family and Joseph and Elizabeth Wilf family should never be forgotten. As we mark the 30th Anniver- The first major project the Societies undertook at Yad Gallery in the Holocaust History Museum – The Nor- sary of the American & International Societies for Yad Vashem was the building of the Valley of Communities, a man Braman Family Foundation Vashem in 2011, we feel that we have successfully met our memorial to the more than 5,000 communities that were The Synagogue – Marilyn and Barry Rubenstein and envisioned goals. -
Assembly Concurrent Resolution No. 73 RESOLUTION CHAPTER 148
Assembly Concurrent Resolution No. 73 RESOLUTION CHAPTER 148 Assembly Concurrent Resolution No. 73—Relative to the Nathan Shapell Memorial Highway. [Filed with Secretary of State October 2, 2007.] legislative counsel’s digest ACR 73, Bass. The Nathan Shapell Memorial Highway. This measure would designate a specified portion of State Highway Route 405 in the County of Los Angeles as the Nathan Shapell Memorial Highway. The measure also would request the Department of Transportation to determine the cost of appropriate signs showing that special designation and, upon receiving donations from nonstate sources sufficient to cover the cost, to erect those signs. WHEREAS, Nathan Shapell was a man of integrity and principle, a builder of lives who was dedicated to helping others less fortunate. A survivor of the Holocaust, he was determined to not only rebuild his own life, but to help others rebuild theirs. For more than five years after World War II, he built a community for thousands of displaced people and survivors of the camps before emigrating to the United States in the early 1950s; and WHEREAS, Nathan Shapell built a highly successful real estate development company that is recognized as an industry leader and highly respected as a role model for corporate philanthropy; and WHEREAS, Nathan Shapell dedicated a major portion of his life to public service. He was a past President and Executive Board Member of the American Academy of Achievement and served as a Member of President Reagan’s Private Sector Survey on Cost Control. He founded and cochaired Building a Better Los Angeles, a one-time project that raised over $1 million for the homeless. -
ABSTRACT POWELL, ETHEL ANNE. Ghosts of Chances for Redemption
ABSTRACT POWELL, ETHEL ANNE. Ghosts of Chances for Redemption via Abjection in Wilson Harris’s Palace of the Peacock and Others. (Under the direction of Deborah Wyrick.) This thesis explores, in three works of literature, possibilities for redemption via abjection. Julia Kristeva’s semanalysis is the primary theoretical tool with which Aphra Behn’s Oroonoko (1688) is examined as a nascent work in Caribbean literature. Next, and central to this thesis, the Guyanese Wilson Harris’s The Palace of the Peacock (1960) is discussed within Kristevan context and within Caribbeanist literary critical context. Mariella, a central and fluid character in Palace, acts as a semiotic agent of destruction and of abjectly sublime redemption for Donne and his crew of river boatmen in pursuit of Other ethnically mixed peoples in Guyana’s interior. Donne’s moment of epiphany, wherein he comes to understand how inhumanely he has treated Others, is followed by his “second” death and rebirth in a celestial palace (along with the rest of the crew), marking his and their transformation from abject slavers to abjectly sublime and redeemed beings. The semiotic linguistic characteristics of Palace are investigated: while written in the style of Magical Realism, Palace contains lexical and dialectal features stemming from African and Amerindian influences. Flannery O’Connor’s “Revelation” (1965) is the final work examined. Via legacies of plantation slavery and ensuing discrimination against freed African-Americans, many works of Southern U.S. literature contain qualities of postcolonial literatures, particularly the element of abject Otherness. In “Revelation” Mrs. Ruby Turpin’s ideas about abject Others are transformed, as she is transformed from an abject avatar of white Southern racism and classism, into an abjectly sublime person who receives a “revelation” of her wrongs righted in a celestial march of all human beings.