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Thinking the Concept Otherwise: Deleuze and Expression
Thinking the Concept Otherwise: Deleuze and Expression PETER COOK University o/Sydney ABSTRACT: In What is Philosophy?, Deleuze and Guattari think the concept of concept otherwise. In keeping with Deleuze 's professed empiricism, he and Guattari study various concepts and 'extract' a new concept ofthe concept. This constructive method does not illuminate how and why their proposed concept diffors from the traditional. This paper considers how Deleuze and Guattari 's concept does differ, as afirst step towards arriving at some evaluation oftheir analysis. REsUME: Dans Qu' est-ce que la philosophie?, Deleuze et Guattari pensent Ie concept autrement. Tout en s 'en tenant aI 'empirisme avoue de Deleuze, ce dernier et Guattari analysent differents concepts et en 'extraient' un nouveau concept de concept. Cette methode constructive n 'eclaire cependant pas comment et pourquoi Ie concept qu 'ils proposent di.ffere du concept traditionnel. Apres avoir considere la faryon dont Ie concept de Deleuze et Guattari di.ffere en effit de l'acception traditionnelle, cet article pourra se pencher sur la question de I 'evaluation de leur analyse. " ... one can ... think ... the concept of concept otherwise ... "l In What is Philosophy?, Deleuze and Guattari think the concept of concept otherwise. In keeping with Deleuze's professed empiricism, he and Guattari study various concepts and 'extract' a new concept of the concept. This constructive method does not illuminate how and why their proposed concept differs from the traditional. In this paper I consider how Deleuze and Guattari's concept does differ, as a first step towards arriving at some evaluation of their analysis. -
Derrida in the University, Or the Liberal Arts in Deconstruction / C
Derrida in the University, or the Liberal Arts in Deconstruction / C. Kelly 49 CSSHE SCÉES Canadian Journal of Higher Education Revue canadienne d’enseignement supérieur Volume 42, No. 2, 2012, pages 49-66 Derrida in the University, or the Liberal Arts in Deconstruction Colm Kelly St. Thomas University ABSTRACT Derrida’s account of Kant’s and Schelling’s writings on the origins of the mod- ern university are interpreted to show that theoretical positions attempting to oversee and master the contemporary university find themselves destabilized or deconstructed. Two examples of contemporary attempts to install the lib- eral arts as the guardians and overseers of the contemporary university are examined. Both examples fall prey to the types of deconstructive displace- ments identified by Derrida. The very different reasoning behind Derrida’s own institutional intervention in the modern French university is discussed. This discussion leads to concluding comments on the need to defend pure re- search in the humanities, as well as in the social and natural sciences, rather than elevating the classical liberal arts to a privileged position. RÉSUMÉ Le compte-rendu de Derrida sur les écrits de Kant et de Schelling portant sur les origines de l’université moderne démontre que des positions théoriques tentant de surveiller et de gouverner l’université contemporaine se trouvent déstabilisées et déconstruites. L’auteur étudie deux exemples de tentatives contemporaines visant à donner aux arts libéraux le statut de gardiens et de surveillants de l’université contemporaine. Les deux exemples en question ne tiennent pas la route devant les substitutions déconstructives identifiées par Derrida. -
PHIL 463/563 Author: Jacques DERRIDA Fall 2016 Instructor
PHIL 463/563 Author: Jacques DERRIDA Fall 2016 Instructor: Professor Beata Stawarska Noon - 1:50pm, T & TH, 250C SCH Office Hours: T 2-3:50pm & by appointment Office: SCH 247 E-mail: [email protected] Description This class surveys representative works by the contemporary Algerian-Jewish-French philosopher Jacques Derrida (1930-2004). We will focus especially on the tasks and methods of deconstruction, which is first and foremost a style of reading texts attending to their logical and rhetorical dimensions. A related focus will be on Derrida’s critique of Western metaphysics of presence with its set of violent and vertical dichotomies such as interiority and exteriority, speech and writing, male and female, self and other, and on his attempt to thematize difference in a more complex, dynamic, and non-hierarchical manner – both at the level of theory and practice. These two main foci determine the design of this class, which examines Derrida’s deconstructive reading of Husserl’s phenomenology of consciousness with its commitment to the primacy of sound and/or voice (The Voice and Phenomena); Plato’s Phaedrus and the undecidable status of writing as a pharmakon (remedy and/or poison) (Dissemination); and J. L. Austin’s and John Searle’s speech acts theory and its conception of the performative (Limited Inc). We will then address Derrida’s more recent, socially and politically situated work, especially the question of sexual difference and feminism (select essays from Psyche), of an indeconstructible and other- oriented justice (‘Force of Law: the Mystical Foundation of Authority’), and of linguistic and cultural identity within a post-colonial context (Monolingualism of the Other). -
Jacques Derrida Law As Absolute Hospitality
JACQUES DERRIDA LAW AS ABSOLUTE HOSPITALITY JACQUES DE VILLE NOMIKOI CRITICAL LEGAL THINKERS Jacques Derrida Jacques Derrida: Law as Absolute Hospitality presents a comprehensive account and understanding of Derrida’s approach to law and justice. Through a detailed reading of Derrida’s texts, Jacques de Ville contends that it is only by way of Derrida’s deconstruction of the metaphysics of presence, and specifi cally in relation to the texts of Husserl, Levinas, Freud and Heidegger, that the reasoning behind his elusive works on law and justice can be grasped. Through detailed readings of texts such as ‘To Speculate – on Freud’, Adieu, ‘Declarations of Independence’, ‘Before the Law’, ‘Cogito and the History of Madness’, Given Time, ‘Force of Law’ and Specters of Marx, de Ville contends that there is a continuity in Derrida’s thinking, and rejects the idea of an ‘ethical turn’. Derrida is shown to be neither a postmodernist nor a political liberal, but a radical revolutionary. De Ville also controversially contends that justice in Derrida’s thinking must be radically distinguished from Levinas’s refl ections on ‘the Other’. It is the notion of absolute hospitality – which Derrida derives from Levinas, but radically transforms – that provides the basis of this argument. Justice must, on de Ville’s reading, be understood in terms of a demand of absolute hospitality which is imposed on both the individual and the collective subject. A much needed account of Derrida’s infl uential approach to law, Jacques Derrida: Law as Absolute Hospitality will be an invaluable resource for those with an interest in legal theory, and for those with an interest in the ethics and politics of deconstruction. -
THE PRAGMATICS of DIRECT ADDRESS in the ILIAD: a STUDY in LINGUISTIC POLITENESS DISSERTATION Presented in Partial Fulfillment Of
THE PRAGMATICS OF DIRECT ADDRESS IN THE ILIAD: A STUDY IN LINGUISTIC POLITENESS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of the Ohio State University By H. Paul Brown The Ohio State University 2003 Dissertation Committee: Approved by Stephen V. Tracy, Advisor Victoria Wohl ________________________ Advisor Brian Joseph Department of Greek and Latin Daniel Collins Copyright by H. Paul Brown 2003 ABSTRACT The purpose of this paper will be to examine, in the text of Homer’s Iliad, some of the pragmatic and sociolinguistic factors in the choice of form of address (epithet). Specifically I will look at these in light of the Parry-Lord theory of oral composition and its claims of ‘economy of form.’ The results of this limited examination have important implications for the viability of such methods and for our understanding of oral, traditional literature. Milman Parry, as is well known, demonstrated that the choice of appellation for any character, between the given-name (e.g., ÉAgam°mnvn) and the patronymic (e.g., ÉAtre˝dhw) was a decision based on metrical considerations alone, and importantly, not on semantic ones. The two terms cannot simply be substituted for the other without changing the meter of the whole line. The choice between the two is, according to Parry, driven by metrical necessity alone and hence any possible distinction of meaning is automatically bleached. The two names mean the same thing (i.e., Agamemnon). In this study I will look specifically at the use types of address within the narrative frame of the Iliad, in light of two potentially contributing factors. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy sutimitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorged copyright material had to be removed, a note will indicate the deletion. Oversize materials (e g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9* black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Leaming 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMÏ EIHETORICAL HYBRIDITY: ASHBERY, BERNSTEIN AND THE POETICS OF CITAHON DISSERTATION Presented in. Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy m the Graduate School o f The Ohio State University By \fatthew Richardson^ hlA . ***** The Ohio State Unwersity 2001 Dissertation Committee: Approved by Professor Jon Erickson. Adviser Professor Jessica Prinz . -
1 After the Event: Looking Back on Deconstruction
Notes 1 After the Event: Looking Back on Deconstruction 1. The question of immediate retrospect has figured in many commentaries on this event, but often focused on the supposedly inaugural nature of the con- ference for structuralism in America, organized as it was to celebrate the work of Claude Levi-Strauss. Russell Daylight claims that the ‘force of Derrida’s 1966 paper was such that it simultaneously announced the opening and closing of structuralism in the Anglophone world’ (Daylight 2012). The simultaneity of the beginning and the end was extended to deconstruction itself partly by the length of time that it took for Derrida’s paper to be made widely available in the United States. For further detail see Chapter 2 below. 2. In ‘Structure, Sign and Play’ this is a concern with an emerging monstrosity that cannot yet be fully discerned. We see this also in the mention of the future anterior at the opening of Of Grammatology. The epoch more generally has been characterized this way by François Lyotard and Julia Kristeva: see Lyotard (1978); Kristeva (1981). 3. The wording is borrowed here from Thomas Pavel and David Herman, and the phrase is widely used in cognitive narratology to describe one of the ten- dencies of the structuralist phase that ‘postclassical’ narratology has had to move beyond. 4. Psyche: Invention of the Other and ‘Typewriter Ribbon’. 5. Derrida refers to a wide debate on this subject, and in particular to essays by Suzanne Gearhart and Rodolphe Gasché. These discussions figure later in this book. It is worth speculating, though, that the notion of self-reflexivity may simply have been mistaken for the notion of self-reflection, which makes perfectly good sense. -
Learning to Live Finally Learning to Live Finally the Last Interview
ZJ ~T~} 'Along with Ludwig Wittgenstein and Martin Heidegger, Jacques Q, Qj Derrida, who died in Paris at the age of 74, will be remembered as —— one of the three most important philosophers of the 20th century.' LEARNING TO >*J — The New York Times r— ^-» With death looming, Jacques Derrida, the world's most famous __ *T\ philosopher - known as the father of 'deconstruction' - sat down ~' with journalist Jean Birnbaum of the French daily Le Monde. They LIVE FINALLY revisited his life's work and his impending death in a long, surpris• ingly accessible, and moving final interview. The Last Interview Sometimes called 'obscure' and branded 'abstruse' by his critics, the Derrida found in this book is open and engaging, reflecting on a long career challenging important tenets of European philosophy 'ACOUES DERRIDA from Plato to Marx. The contemporary meaning of Derrida's work is also examined, including a discussion of his many political activities. But, as Derrida says, 'To philosophize is to learn to die'; as such, this philosophical discussion turns to the realities of his imminent death-including life with a fatal cancer. In the end, this interview remains a touching final look at a long and distinguished career. The late Jacques Derrida was Director of Studies at the Ecole des Hautes Etudes en Sciences Sociales, France, and Professor of Humanities at the University of California, Irvine. ISBN 978-0-230-53785-9 9 780230 537859 Cover illustration © Carol Hayes Learning to Live Finally Learning to Live Finally The Last Interview Jacques Derrida An Interview with Jean Birnbaum Translated by Pascale-Anne Brault and Michael Naas With a bibliography by Peter Krapp All rights reserved. -
As a Foreign Language: Rereading Deleuze and Derrida
Pan-Pacific Association of Applied Linguistics 12(1), 29-46 The Becoming-Philosophy as a Foreign Language: Rereading Deleuze and Derrida Immanuel Kim University of California, Riverside Kim, I. (2008). The becoming-philsophy as a foreign language: Rereading Deleuze and Derrida. Journal of Pan-Pacific Association of Applied Linguistics, 12(1), 29-46. This paper will revisit French theorists, Gilles Deleuze and Jacques Derrida, on the notion of the future of philosophy. Although their approaches to the future (devenir [to become] for Deleuze and á venir [to come] for Derrida) of philosophy may differ, I will argue that their differences allow for a space of congruence and continuity in the not only the field of philosophy but in every academic field. The question of the future of philosophy needs to be addressed because of the “crisis” that each academic department seems to face with every new faculty appointment, influx in student registration, applying for funding, etc. Each and every department in the university context seems to have the need to “justify” and validate the purpose of that discipline. I am not proposing another theory for theory’s sake, but a call to deeply reconsider and re-evaluate the philosophy of and in each department. After all, faculty members who are not even “involved” in the philosophy department still possess a PhD. Key Words: Deleuze, Derrida, philosophy 1 An Attempt to Find a Place for Philosophy Where does [philosophy] find today its most appropriate place? (Derrida, 2002, p.3) Where would we begin to reread these two thinkers? From what point should we begin? Would a rereading proffer an ethical reading of their respective philosophies? What can these thinkers offer to the field of linguistics? What relationship does philosophy (especially with these French thinkers) have with applied linguistics? What are the pragmatics of philosophy in the field research of applied linguistics? I will attempt to find a “place” where philosophy can enter even in the field of linguistics in order to iterate the importance of pragmatic research. -
Pragmatics, Prague- Matics, Metapragmatics: Contextuaiizing Pragmatic Contexts
Pragmatics, Prague- matics, Metapragmatics: ContextuaIizing Pragmatic Contexts DAVID HERMAN ...the complete meaning of a sign cannot be but the historical recording of the pragmatic labour that has accompanied every contextual instance of it; . to interpret a sign menas to foresee- ideally-- all the possible contexts in,which it can be inserted (Eco 1937 : 706). 1. Analytic and Structuralist Pragamatics When Charles Morrls(1938) isolated syntax, semantics and pragmatics as three interactive dimensions of semiosis, he thought that he was contributing to an international project envisaged by the founding members of the Vienna Circle-- the project, namely, of the unification of the sciences. Ironically, a half- century after Morris specified these three dimensions, and despite his having dermed the notions of syntax, semantics and pragmatics in what no doubt seemed to him a highly general and therefore maximally non- controversial manner, consensus about what falls within the scope of each semiotic dimension remains split roughly along the lines of scholars' nationalities. Herman Parret (1983) has shown how ,in general, scholars working in the Anglo Saxon or Peircean ("analytic") semiotic tradition find themselves pitted against scholras in the ("structural") Continental tradition, which began with Saussure, extends through Hjelmslev and perpetuates itself in post- Hjclmslevians like Greimas (23-88).1 Specifically, the dispute between the analytic and structuralist factions centers on the element of dynamism that Peircean semiotics, in constrast -
Derrida's Debt to Milton Friedman Michael Tratner Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College English Faculty Research and Scholarship English 2003 Derrida's Debt to Milton Friedman Michael Tratner Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/engl_pubs Part of the English Language and Literature Commons Custom Citation Tratner, Michael. "Derrida's Debt to Milton Friedman." New Literary History: A Journal of Theory and Interpretation 34, no. 4 (Autumn 2003): 791-806. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/engl_pubs/7 For more information, please contact [email protected]. Tratner, Michael: "Derrida's Debt to Milton Friedman," New Literary History: A Journal of Theory and Interpretation , (34:4), 2003 Autumn, 791-806. (2003), 791-806. In the essay Given Time: I. Counterfeit Money , Jacques Derrida says it is important to trace the literary consequences of certain events in economic history: "To study, for example, in so-called modern literature, that is, contemporaneous with capital-city, polis, metropolis-of a state and with a state of capital, the transformation of money forms (metallic, fiduciary-the bank note-or scriptural-the bank check), a certain rarification of payments in cash, the recourse to credit cards, the coded signature, and so forth, in short, a certain dematerialization of money, and therefore of all the scenes that depend on it." 1 The transformation Derrida describes is part of the development of late capitalism; though his essay analyzes a short story by the nineteenth century writer Baudelaire, the transformation away from "metallic" to "fiduciary" forms of money officially occurred in the twentieth century, as did the spread of credit cards and coded signatures. -
Violence and Life in the Work of Jacques Derrida and Theodor Adorno
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 6-2012 Critical ecologies: Violence and life in the work of Jacques Derrida and Theodor Adorno Richard L. Elmore II DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Elmore, Richard L. II, "Critical ecologies: Violence and life in the work of Jacques Derrida and Theodor Adorno" (2012). College of Liberal Arts & Social Sciences Theses and Dissertations. 117. https://via.library.depaul.edu/etd/117 This Dissertation is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. DEPAUL UNIVERSITY Chicago, Illinois CRITICAL ECOLOGIES: VIOLENCE AND LIFE IN THE WORK OF JACQUES DERRIDA AND THEODOR ADORNO A dissertation completed in partial fulfillment of the requirement for the degree of Doctor of Philosophy By Rick Elmore 2011 Table of Contents 1. Table of Contents …………………………………………………………………. 2 2. Abstract ……………………………………………………………………………. 3 3. Introduction ……………………………………………………………………….. 4 4. Chapter One: Violence in the Work of Jacques Derrida……………………….. 13 i. Originary Reparations: The “Violence” Before “Violence”……. 14 ii. Lévi-Strauss and The Violence of Ethnocentrism ………………. 27 iii. Four Characteristics of Reparatory Violence …………………... 34 5. Chapter Two: Derrida and the Critique of Non-Violence ……………………... 43 i. Philosophy at the Threshold of Death: Levinas, Violence, and Subjectivity ………………………………………………………... 44 ii.