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Trade Show Group
r THE WEEKLY NEWSPAPER OF INDIANA UNIVERSITY-PURDUE UNIVERSITY AT T ame and fortune: Write the llJPl I fight song and win $$$. See Page 17 i Dec. 12,1988 V0I.18, No. 19 THIS WEEK Trade show group - to link with school By JEFFREY DeHERDT NAEM, explained that NAEM “plans to establish a cooperative Indianapolis may desire to be relationship with IUPUI which “sports capital of the world" but would eventually allow the As may become trade show and ex sociation and the University’s position capital of the world in School of Business, Division of the process. Restaurant and Hotel Manage Mayor William H. Hudnut an ment and Division of Continuing nounced on Nov. 30 that the Na Studies to present joint cur tional Association of Exposition riculum offerings.” Managers (NAEM), whose mem “The NAEM may help provide bers operate more than 5,000 training courses in the execution trade shows and expositions a and planning of trade shows and year, will relocate in , In expositions" said Mark J. Goff of dianapolis. The relocation, offi the Mayor’s office. cials at^the mayor’s office said, Training, McGowan added, will bring roughly $30 billion in could help to familiarize stu business to the city. dents with the expositions and “One of the main reasons th^y trade show industry, which he came to Indy was because of the said is a largely unknown aspect education opportunities at of business and advertisement IUPUI," said Bill McGowan, in today's world. “Those that president of the Indianapolis market through r^|j(£g0verti£: ing and .newspaper advertising Convention and Visitors Associ Rudolph has nothing on this reindeer decoration outside the University Hospital front entrance. -
Indiana Central and All That Jazz
/Indiana Central and all that jazz Indiana Central’s first jazz ensemble was comprised of J. Lynn Arbogast on the piano; Edwin McCune on clarinet; Donald Klinger on violin; Paul Ar- bogast on banjo; and Everett Hoffman on drums. This 1924 photograph was forwarded to the Alumni News by Lynn W. Turner ’27, who wrote, “I think the title we have given it-Indiana Central’s First Jazz Ensemble - is legitimate, even though I doubt whether this group ever gave a public performance. It was the day when George Gershwin and Paul Whiteman were first making jazz respectable, and we decided at Central that it wasn’t a sin to indulge in it occasionally, so you have at least three preacher’s sons in this picture.” 0 McMemorabilia ? The ICU Public Relations Office, in basis, or have any other questions, con- conjunction with the McDonald’s at tact the Public Relations Office at (317) Shelby Street near the campus, is re- 788-3298. 0 questing that Indiana Central alumni give(them a hand - along with some IC memorabilia. The folks at McDonald’s are planning some renovation of their store, and hope to commemorate the 20-year relationship with the campus in the process. If you have photographs of Indiana Central’s campus or students, Next no matter how old or new, that you would like to donate to help cover a wall summer: at McDonald’s for posterity, please send them to the Public Relations Office, Indiana Central University, 1400 East Hawaiian Hanna Avenue, Indianapolis, Indiana L 46227. Holiday Plans are also being made for a locked glass case on one wall of the restaurant, which will feature other types of ICU memorabilia on a revolving basis. -
20Th Century Design and Craft: the Library of Philip Aarons
20 th Century Design and Craft The Library of Philip Aarons 965 titles in 981 volumes The Philip Aarons Design Library The Philip Aarons design library is focused on modern decorative arts—including ceramics, glass, furniture design, metalwork and jewelry—and on modern architecture and architects, from Wright and Gaudi to Team 10. Studies of periods and movements, such as Art Nouveau, Arts and Crafts, and Art Déco, are represented as well. ARS LIBRI THE PHILIP AARONS 20 TH CENTURY DESIGN AND CRAFT LIBRARY GENERAL WORKS 1 AGIUS, PAULINE. British Furniture, 1880-1915. 195, (1)pp. Prof. illus. 4to. Cloth. D.j. Woodbridge (The Antique Collectors’ Club), 1978. 2 AKRON. THE AKRON ART INSTITUTE. Why Is an Object: An Exhibition Investigating Motivation and Purpose. Sept.- Nov. 1962. Text by Luke Lietzke and the artists. (32)pp. 15 plates. Sm. oblong 4to. Wraps. Josef Albers, Leonard Baskin, Wharton Esherick, Trude Guermonprez, Edith Heath, Margo Hoff, Gideon Kramer, Jack Lenor Larsen, Miriam Leefe, George Nakashima, Robert Sperry, Lenore Tawney, Peter Voulkos, Marguerite Wildenhain, George Wells. Akron, 1962. 3 AKRON. AKRON ART INSTITUTE. Young Designers 1953. March-April 1953. (16)pp. Prof. illus. Sm. sq. 4to. Wraps. Library stamp. Akron, 1953. 4 AKRON. AKRON ART MUSEUM. Off the Production Line. An invitational exhibition of products designed for industry for you. Feb.-March 1956. (28)pp. 55 illus. Oblong 4to. Self-wraps. Akron, 1956. 5 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. ART MUSEUM. Crafts: National Invitational Exhibition. April-May 1968. 23, (1)pp. Prof. illus. 4to. Wraps. Albuquerque, 1968. 6 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. -
Back Issues Catalogue 1984 - 2020
Back Issues Catalogue 1984 - 2020 Documenting the History of American Art Pottery for Generations to Come. Purchase Price: $10.00 Per Issue BACK Shipping and Handling: $7.50 Flat Rate. ISSUES: Purchase online or download an order form and mail with a check. 2020 Winter 2020 - Volume 36, Issue 1 Summer 2020 - Volume 36, Issue 3 • Roberto Lugo: Ghetto Grueby - By Garth Johnson • Rookwood Pottery Co. Tiles Plaques Found In New Jersey School • Extra Brilliant: • Rookwood’s Dull Gorham Silver Finish Deposit on Rook- • From Imaginary Box wood Pottery - to Treasure House: By Lea C. Lane The Alfred Ceramic • Newcomb Art Museum - By Pottery - By Wayne Higby Konrad Shields • Waylande Gregory’s Plates and Platters: A Modern Context • Art Pottery and Vernacular Modernism - More Than for “China Painting” - By Tom Folk, Ph.D. Popular Culture - By Bill Paul • She Came In Through The Bathroom Window - By Anne • (Feminist) Origins of Newcomb Pottery (1895-1940) - By Fulper Jenni Sorkin • It’s In The Details: Terri Kern - By Riley Humler Spring 2020 - Volume 36, Issue 2 Fall 2020 - Volume 36, Issue 4 • Owens Pottery - Photography by: David McKillop • In Countenance: Don Pilcher | Portraits - By Richard D. Mohr • In The Beginning: Adelaide Alsop Robineau’s First Porcelains - By Martin Eidelberg • Still Life With Ku- gie - Anne Fulper • Make a Virtual Visit to Kirkland Museum of Fine & Decorative Art • The Year of the Sphinx - By Tony Homer • Museum Update - Zanesville Museum of Art - The Charles Hosmer Morse Museum of American Art - The Met Purchase Price: $10.00 Per Issue BACK Shipping and Handling: $7.50 Flat Rate. -
Kondo Yutaka
KONDO YUTAKA The Transformation of a Traditional Kyoto Family JOAN B MIRVISS LTD © 2010 Joan B. Mirviss, Ltd., NYC KONDO YUTAKA The Transformation of a Traditional Kyoto Family Presented at Joan B Mirviss LTD, New York November 10 through December 17, 2010 Joan B. Mirviss, Ltd. is honored to present the special exhibition “Kondô above KONDÔ YUTAKA Yutaka: The Transformation of a Traditional Kyoto Family,” created in Black-white vases, 1973 collaboration with the Kondô family. This show focuses on the work of Kondô Glazed stoneware Yutaka (1932-83), a remarkable artist and gifted teacher who inspired many left to right of the established clay artists working today, and was the pivotal figure in 15 3/4 x 7 1/8 inches 13 x 9 1/2 inches his ceramic family before his untimely death. 14 3/8 x 4 3/4 inches Drawn from the family’s collection and offered for the first time, the fourteen left KONDÔ YÛZÔ works by Yutaka may be seen in the context of his highly unusual heritage Detail of vase with thistle motif, ca. 1965 as both a member of a Kyoto samurai family and the son of the celebrated Porcelain with cobalt blue underglaze ceramist and designated Living National Treasure, Kondô Yûzô (1902-85). 8 1/4 x 8 3/4 inches Complementing these works by Yutaka are a number of vessels by both his father and his younger brother, Kondô Hiroshi (b. 1936), which are also drawn principally from family collections. Furthermore, his nephew, the international artist Kondô Takahiro (b. 1958), is represented in this show by front cover KONDÔ YUTAKA numerous recent works that illustrate his artistic relationship to the senior Footprint of the Buddha I and II, 1979 artist-members of his illustrious family. -
Back Issues Catalogue
1 1 american Back Issues Catalogue association 1 1 1 1 1 1 Purchase Price: $10.00 Per Issue BACK Shipping and Handling: $6.50 Flat Rate. ISSUES: Purchase online or download an order form and mail with a check. 2017 Winter 2017 - Volume 33, Issue 1 Summer 2017 - Volume 33, Issue 3 • Convention 2017 • A Closer Look At Iowa State College Pottery. By Marie and Mark Latta • Fulper’s Marking System. By Jon A. Kornacki • Sculpture, Pottery and Art Nouveau Imagery: The French • Tuition in Tile: Part I — Art Tiles in America’s Schools and Connection. By Two Red Roses Foundation Libraries. By Richard Mohr • Postcards of the Potteries – Collection of Dorothy Daniels • Emerging from the Shadows - Polia Pillin. Spring 2017 - Volume 33, Issue 2 Fall 2017 - Volume 33, Issue 4 • Tuition in Tile: Part II - The Interesting Tile Work of Erie’s • Jugtown Pottery – An American Folkcraft with a Pedigree. East High School (1919). A Documentation and Conjecture. By Stephen C. Compton By Richard Mohr • Collection Page: Pretty in Pink • A Letter From Your New President, Mark Latta • Learning by Doing: The Evolution of Viktor Schreckengost’s • Studio Ceramics at Chelsea Passage (Barneys New York), Jazz Series. By Mark Bassett, Heather McClellan, and ca 1985-1995. By Tom Folk Ph.d, AAA Richard McClellan Purchase Price: $10.00 Per Issue BACK Shipping and Handling: $6.50 Flat Rate. ISSUES: Purchase online or download an order form and mail with a check. 2016 Winter 2016 - Volume 32, Issue 1 Summer 2016 - Volume 32, Issue 3 • Critic, Author, Collector – Elizabeth Gordon. -
The Studio Potter Archives
ARIZONA STATE UNIVERSITY ART MUSEUM CERAMICS RESEARCH CENTER THE STUDIO POTTER ARCHIVES 2015 Contact Information Arizona State University Art Museum Ceramics Research Center P.O. Box 872911 Tempe, AZ 85287-2911 http://asuartmuseum.asu.edu TABLE OF CONTENTS Collection Overview 3 Administrative Information 3 Biographical Note 3 Scope and Content Note 4 Arrangement 5 Series 1: Magazine Issues: Volume 1, No. 1 – Volume 32, No. 2 Volume 1, No. 1 5 Volume 2, Nos. 1-2 6 Volume 3, Nos. 1-2 7 Volume 4, Nos. 1-2 9 Volume 5, Nos. 1-2 11 Volume 6, Nos. 1-2 13 Volume 7, Nos. 1-2 15 Volume 8, Nos. 1-2 17 Volume 9, Nos. 1-2 19 Volume 10, Nos. 1-2 21 Volume 11, Nos. 1-2 23 Volume 12, Nos. 1-2 26 Volume 13, Nos. 1-2 29 Volume 14, Nos. 1-2 32 Volume 15, Nos. 1-2 34 Volume 16, Nos. 1-2 38 Volume 17, Nos. 1-2 40 Volume 18, Nos. 1-2 43 Volume 19, Nos. 1-2 46 Volume 20, Nos. 1-2 49 Volume 21, Nos. 1-2 53 Volume 22, Nos. 1-2 56 Volume 23, Nos. 1-2 58 Volume 24, Nos. 1-2 61 Volume 25, Nos. 1-2 64 Volume 26, Nos. 1-2 67 1 Volume 27, Nos. 1-2 69 Volume 28, Nos. 1-2 72 Volume 29, Nos. 1-2 74 Volume 30, Nos. 1-2 77 Volume 31, Nos. 1-2 81 Volume 32, Nos. 1-2 83 Series 2: Other Publications Studio Potter Network News 84 Studio Potter Book 84 Series 3: Miscellaneous Manuscripts and Images Miscellaneous Manuscripts 85 Miscellaneous Images 86 Series 4: 20th Anniversary Collection 86 Series 5: Administration Daniel Clark Foundation/Studio Potter Foundation 87 Correspondence 88 Miscellaneous Files 88 Series 6: Oversized Items 88 Series 7: Audio Cassettes 89 Series 8: Magazine Issues: Volume 33, No. -
Ceramicsprogram Without One." Glenn C
~i~ ~ii~ v MARCH 1974 60(: This unassuming little potter's wheel And this one's a winner! For six years gets the job done. the Shimpo-West RK-2 has proved its gutsy To learn more, please contact us today. capabilities in thousands of classrooms, studios, and production shops. Superb designing and heavy duty construction give it both compactness and solid, vibration-free performance. Surely this is an unusual combination in any wheel. 5HItI~PO WEST PO g(}123t5, LA PtJENTIE, CALIFI~NtA 91746 d j- j iii~l!!~~i~ ~~ ~j:~ ! J "We have at least 7Wa ker mills in our system,and nothing but happy kids and instructors. We've re- duced costs considerably. We p an to have at east More and More PeopleEverywhere one machine in each high schoo." Larry Schultz Art Coordinator Jefferson County Schools are Mixing Clay with the Colorado ~ iilr~h~anks!~i~giadm~ill: ilSa~ltirs ipamf e ntTh;nk I a~ U ~f "After almost 10 years with a Walker Pug Mill, I have almost forgotten the t me-consuming drudgery of mixing clay by hand or with makeshift equipment PUG MILL I would not think of either operatingmy own studio or teaching a ceramicsprogram without one." Glenn C. Nelson ~, Author Ceramics(Holt, Reinhart& Winston) instructor, Universityof Minnesota, Duluth Professional Potter Mixing clay by hand wastes time and effort. Buying pre-mixed clay wastes money. • Instructors and potters throughout the nation, and in many foreign coun- tries, have found the better way to mix clay. They're using this modern machine that releases time and talent for teaching, learning, cre- [ ative production and experi- ment. -
Families of Pots
JANUARY 1961 • 50c mwm v un In n = = l | FAMILIES OF POTS ...... ~ ~~ ........ '~"~:~' ~~ ~ ~ .... ~ i ~~"! • | L. A Brand New HANDBOOK - ' ilandhook THROWING on the POTTER'S WHEEL by Thomas Sellers This new handbook on the use of the potter's wheel is based on the series of outstanding PARTIAL LIST OF CONTENTS PART I PART III articles which has been appearing in CERAMICS Development of the Wheel Jars and Vases 3IONTHLY since 1954. The original series has Selection of a Wheel Pitchers Accessory Tools Pulled Handles been expanded to include many new chapters of Choice of a Clay Bottles basic instruction and information of special im- Preparation of the Clay Making a Chuck portance to the beginner. Examples of wheel- Covered Jars PART II Teapots thrown pottery by contemporary American pot- Centering Low Bowls and Plates tars have been included ill a special section. Opening Closed Forms Making a Cylinder Cups and Saucers This complete manual on the use of the potter's Making a Bowl Sectional Pots wheel includes basic steps, from wedging the Lifting from the Wheel Lugged Bowls clay to the making of specific shapes, all clearly Foot Rimming Double-Wall Pots Throwing on Tiles and Bats Matched Sets described and illustrated with photographs and sketches. An ideal book for both teacher and student. A mu,.t for * Over 200 step-by-step photographs every hobbyist, school, art and craft group, library. * 80 pages of instruction ~r F.II-si=e 8V2" x 11" format Price $4.00 * Attractive three-color cover YOU ASKED FOR IT! NOW YOU CAN HAVE IT WORLD-FAMOUS, NON-CRAZING Ex.;c E, oo.0 SLI P is now available in one gallon, plastic-insert, throw-away containers.. -
Kondō Yutaka (1932-1983)
KONDŌ YUTAKA (1932-1983) Kondō Yutaka studied at Kyoto City University of Art with three Living National Treasures: his father Kondō Yuzō (1902-1985), designated for sometsuke ware (cobalt blue-glazed porcelain), Fujimoto Nōdō (1919-92), known for his overglaze works, and Tomimoto Kenkichi (1886-1963), who revolutionized Japanese ceramics as both artist and influential teacher. After graduating in 1955 and until his untimely death in 1983, Kondō also taught ceramic courses at the university. He drew inspiration from medieval Chinese, Korean, and Islamic ceramic aesthetics, which he studied first- hand during several trips abroad. Of these various techniques, the style of punch’ong ware from 15th – 16th century Korea, characterized by a white liquid slip-inlay and a black glazed surface, became Kondō’s signature aesthetic. 1932 Born in Kyoto 1955 Graduated from ceramic department of Kyoto City University of Arts 1957 Studied with Tomimoto Kenkichi and Kondō Yūzō 1961 Appointed assistant at Kyoto City University of Fine Arts 1962-63 Traveled to U.S. and Europe, taught at Indiana University with Karl Martz 1964 Appointed Instructor at Kyoto City College of Fine Arts 1966 Japan Ceramics Association Award 1969 Participated in field research in Papua New Guinea 1971 Appointed Assistant Professor at Kyoto City University of Arts 1972 Invited to teach at Indiana University 1977 Participated in field research in Afghanistan and Korea 1979 Visiting instructor, Queen Elizabeth II Academy of Fine Arts in New Zealand 1980 Appointed Professor at Kyoto -
Contemporary Ceramics of the Western Hemisphere
THE COVER DESIGN OF THIS CATALOGUE BY BILL ATKINSON Syracuse New York CONTEMPORARYCERAMICS OF THE WESTERN HEMISPHERE IN CELEBRATION OF THE TENTH ANNIVERSARY OF T H E N A T I O N AL C E R A M I C E X H I B I T I O N SPONSORED BY THE SYRACUSE MUSEUM OF FINE ARTS AND THE INTERNATIONAL BUSINESSMACHINES CORPORATION FOREWORD BY RICHARD F. BACH CHICAGO ART INSTITUTE CHICAGO ILLINOIS JANUARY 20 - FEBRUARY 23 9 4 2 COUNTRIES REPRESENTED: ARGENTINA BOLIVIA BRAZIL CANADA CHILE COLOMBIA CUBA ECUADOR ICELAND MEXICO PANAMA PARAGUAY PERU PUERTO RICO UNITED STATES URUGUAY VENEZUELA 4 JURY OF SELECTION AND A WARD CHAIRMAN RICHARD F. BACH, Dean, Education and Extension,Metropolitan Museum of Art WAYLANDE GREGORY, Sculptor, New York REGINALD POLAND, Director, Fine Arts Gallery, San Diego HENRY VARNUM POOR, Painter and Ceramist, New York FREDERICK RHEAD, Art Director, Homer Laughlin Co., West Virginia EX OFFICIO R. GUY COWAN , Art Director, Onondaga Pottery and Trustee, Syracuse Museum ANNA WETHERILL OLMSTED, Director, Syracuse Museum of Fine Arts DONORS OF PURCHASE PRIZES INTERNATIONAL BUSINESS MACHINES CORPORATION COMMERCIAL DECAL, INCORPORATED, East Liverpool, Ohio HANOVIA CHEMICAL MANUFACTURING COMPANY, Newark HARSHAW CHEMICAL COMPANY, Cleveland FERRO ENAMEL CORPORATION, Cleveland UNITED STATES POTTERS'ASSOCIATION ONONDAGA POTTERY COMPANY, Syracuse KATHERINE Q. PAYNE MEMORIAL AWARD B. F. DRAKENFELD COMPANY, New York IROQUOIS CHINA COMPANY, Syracuse PASS AND SEYMOUR, Syracuse 5 FOREWORD by R I C H A R D F. BA C H DEAN, EDUCATION AND EXTENSION METROPOLITAN MUSEUM OF ART 6 Were there a Darwin of the industrial arts, he would seek his "survival of the fittest" in two places, and in their nicely adjusted relationship find his survivors. -
Directory of Summer Craft Courses
March 1971, Vol. 12, No.2 Directory of summer Jordan Road, Sedona 86336. Macrame, W - Creative Arts Group, 35-37 E Montecito nonloom (Mary Pendleton), 7 /5 - 7 /9. W - be Avenue, Sierra Madre 91024. M scu lpture craft courses ginning & advanced (Mary Pendleton), 7/12 - (DaVid Williams) , C (Jean Taylor, Ellen Fergus, The popularity of summer study in crafts 7/16,7/1 9 - 7/23, 8/9 - 8113 & 8/16 - 8/20.W Ell en DaVidson) , W & Macrame (Carolyn Oyer), Navalo, 7/26 - 7/30. W - Hopi, 8/2 - 8/6. J J (linda Heimerl), P (Chris Kehoe) 6 /21 - has grown markedly in the last several beginning, 8 /9 ·8113, J . lost wax, 8/16·8/20 7/31 years. Many requests for information, (8ob & Gina Winston) De Anza College, Stevens Creck Boulevard, Tucson Art Center, 325 West Fr~nklin Street, Cupertino 95014 . Cr (Lillian Mary QUirke, Neal coming earlier each year, prompted the Tucson 85705. C (Joan Butler) , Raku (John Boor). Research & Education 8epartment to Rhodes), W, P (Marcia Andros) , J (Joe Harris) . Dominican College , San Rafael 94901. C (John prepare a spec ial su m mer craft cou rse 7/14·811. Chambers) , Everyday Arts and Craft s of Wes t University of Arizona, Tucson 85721 C A frica, Art Craft Resources of the Bay Area directory annually beginning in 1969. (Maurice K. Grossmarl), J (J. Edward Barker) , (Ida Dean Grae) 6 /21 - 7/30. This year the information gathered by Craft History 6/14 · 7/17. Experiment A, Hal Riegger Workshops, 469 Yavapai College, 1100 East Sheldon, Prescott questionnaire from schools throughout the Panoramic Highway, Mill Valley 94941.