ED 071 971 SO 005 271 TITLE Creative Ceramic Design, Art
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Fast Fossils Carbon-Film Transfer on Saggar-Fired Porcelain by Dick Lehman
March 2000 1 2 CERAMICS MONTHLY March 2000 Volume 48 Number 3 “Leaves in Love,” 10 inches in height, handbuilt stoneware with abraded glaze, by Michael Sherrill, Hendersonville, North FEATURES Carolina. 34 Fast Fossils 40 Carbon-Film Transfer on Saggar-Fired Porcelain by Dick Lehman 38 Steven Montgomery The wood-firing kiln at Buck Industrial imagery with rich texture and surface detail Pottery, Gruene, Texas. 40 Michael Sherrill 62 Highly refined organic forms in porcelain 42 Rasa and Juozas Saldaitis by Charles Shilas Lithuanian couple emigrate for arts opportunities 45 The Poetry of Punchong Slip-Decorated Ware by Byoung-Ho Yoo, Soo-Jong Ree and Sung-Jae Choi by Meghen Jones 49 No More Gersdey Borateby JejfZamek Why, how and what to do about it 51 Energy and Care Pit Firing Burnished Pots on the Beach by Carol Molly Prier 55 NitsaYaffe Israeli artist explores minimalist abstraction in vessel forms “Teapot,” approximately 9 inches in height, white 56 A Female Perspectiveby Alan Naslund earthenware with under Female form portrayed by Amy Kephart glazes and glazes, by Juozas and Rasa Saldaitis, 58 Endurance of Spirit St. Petersburg, Florida. The Work of Joanne Hayakawa by Mark Messenger 62 Buck Pottery 42 17 Years of Turnin’ and Burnin’ by David Hendley 67 Redware: Tradition and Beyond Contemporary and historical work at the Clay Studio “Bottle,” 7 inches in height, wheel-thrown porcelain, saggar 68 California Contemporary Clay fired with ferns and sumac, by The cover:“Echolalia,” San Francisco invitational exhibition Dick Lehman, Goshen, Indiana. 29½ inches in height, press molded and assembled, 115 Conquering Higher Ground 34 by Steven Montgomery, NCECA 2000 Conference Preview New York City; see page 38. -
Trade Show Group
r THE WEEKLY NEWSPAPER OF INDIANA UNIVERSITY-PURDUE UNIVERSITY AT T ame and fortune: Write the llJPl I fight song and win $$$. See Page 17 i Dec. 12,1988 V0I.18, No. 19 THIS WEEK Trade show group - to link with school By JEFFREY DeHERDT NAEM, explained that NAEM “plans to establish a cooperative Indianapolis may desire to be relationship with IUPUI which “sports capital of the world" but would eventually allow the As may become trade show and ex sociation and the University’s position capital of the world in School of Business, Division of the process. Restaurant and Hotel Manage Mayor William H. Hudnut an ment and Division of Continuing nounced on Nov. 30 that the Na Studies to present joint cur tional Association of Exposition riculum offerings.” Managers (NAEM), whose mem “The NAEM may help provide bers operate more than 5,000 training courses in the execution trade shows and expositions a and planning of trade shows and year, will relocate in , In expositions" said Mark J. Goff of dianapolis. The relocation, offi the Mayor’s office. cials at^the mayor’s office said, Training, McGowan added, will bring roughly $30 billion in could help to familiarize stu business to the city. dents with the expositions and “One of the main reasons th^y trade show industry, which he came to Indy was because of the said is a largely unknown aspect education opportunities at of business and advertisement IUPUI," said Bill McGowan, in today's world. “Those that president of the Indianapolis market through r^|j(£g0verti£: ing and .newspaper advertising Convention and Visitors Associ Rudolph has nothing on this reindeer decoration outside the University Hospital front entrance. -
ANBI Document KCT 2017-2022
Keramiekcentrum Tegelen Pottenbakkersmuseum Centrum voor hedendaagse Keramiek BELEIDSPLAN “De vleugels uitslaan” 2017-2022 1 Stichting Keramiekcentrum Tiendschuur Tegelen Beleidsplan 2017-2022 Kasteellaan 8 5932 AG Tegelen tel.nr.:077-3260213 e-mail:[email protected] www.tiendschuur.net 2 INHOUDSOPGAVE VOORWOORD 4 1 Samenvatting 5 2 VISIE EN DOELSTELLINGEN 2.1 Huidige situatie 6 2.2 Visie Keramiekcentrum in Steyl 7 2.3 Uitbreiding van aanbod Keramiekcentrum op landgoed Château Holtmühle 8 3 COLLECTIE 3.1 Deel Collecties 9 3.2 Collectieregistratie 10 3.3 Predicaat geregistreerd museum 10 3.4 Uitgangspunten collectieaankoopbeleid 10 3.5 Restauratie 10 3.6 Bibliotheek 10 3.7 Collectie kansen bij uitbreiding 11 4 PUBLIEKSBELEID 4.1 Doelgroepen 12 4.2 Permanente presentatie 12 4.3 Tentoonstellingen 12 4.4 Educatie 14 4.5 Gezamenlijke Wereld-Museumwinkel en Museumcafé 15 4.6 Marketing en PR 16 5 ACCOMMODATIE 5.1 Benedenzaal en omloop 18 5.2 Kantoorruimte 18 5.3 Vergaderruimte 18 5.4 Bibliotheek 18 5.5 Ontvangstruimte voor groepen 19 5.6 Keramisch atelier Tiendschuur 19 6 PERSONEEL 6.1 Medewerkers 20 6.2 Vrijwilligers 20 6.4 Organisatieschema 21 7 FINANCIËN 7.1 Exploitatiebudget 22 7.2 Investeringen 22 7.3 Subsidies en sponsoring 22 7.4 Ambities na uitbreiding 23 8 SAMENVATTING 26 3 VOORWOORD Voor U ligt het beleidsplan van de Stichting Keramiekcentrum Tiendschuur Tegelen voor de periode 2017 – 2022. In dit plan beschrijft de stichting hoe ze in bovengenoemde periode haar doelstellingen wil realiseren. Geruime tijd is er gesproken over een mogelijke verhuizing van de Tiendschuur naar Steyl. -
Indiana Central and All That Jazz
/Indiana Central and all that jazz Indiana Central’s first jazz ensemble was comprised of J. Lynn Arbogast on the piano; Edwin McCune on clarinet; Donald Klinger on violin; Paul Ar- bogast on banjo; and Everett Hoffman on drums. This 1924 photograph was forwarded to the Alumni News by Lynn W. Turner ’27, who wrote, “I think the title we have given it-Indiana Central’s First Jazz Ensemble - is legitimate, even though I doubt whether this group ever gave a public performance. It was the day when George Gershwin and Paul Whiteman were first making jazz respectable, and we decided at Central that it wasn’t a sin to indulge in it occasionally, so you have at least three preacher’s sons in this picture.” 0 McMemorabilia ? The ICU Public Relations Office, in basis, or have any other questions, con- conjunction with the McDonald’s at tact the Public Relations Office at (317) Shelby Street near the campus, is re- 788-3298. 0 questing that Indiana Central alumni give(them a hand - along with some IC memorabilia. The folks at McDonald’s are planning some renovation of their store, and hope to commemorate the 20-year relationship with the campus in the process. If you have photographs of Indiana Central’s campus or students, Next no matter how old or new, that you would like to donate to help cover a wall summer: at McDonald’s for posterity, please send them to the Public Relations Office, Indiana Central University, 1400 East Hawaiian Hanna Avenue, Indianapolis, Indiana L 46227. Holiday Plans are also being made for a locked glass case on one wall of the restaurant, which will feature other types of ICU memorabilia on a revolving basis. -
20Th Century Design and Craft: the Library of Philip Aarons
20 th Century Design and Craft The Library of Philip Aarons 965 titles in 981 volumes The Philip Aarons Design Library The Philip Aarons design library is focused on modern decorative arts—including ceramics, glass, furniture design, metalwork and jewelry—and on modern architecture and architects, from Wright and Gaudi to Team 10. Studies of periods and movements, such as Art Nouveau, Arts and Crafts, and Art Déco, are represented as well. ARS LIBRI THE PHILIP AARONS 20 TH CENTURY DESIGN AND CRAFT LIBRARY GENERAL WORKS 1 AGIUS, PAULINE. British Furniture, 1880-1915. 195, (1)pp. Prof. illus. 4to. Cloth. D.j. Woodbridge (The Antique Collectors’ Club), 1978. 2 AKRON. THE AKRON ART INSTITUTE. Why Is an Object: An Exhibition Investigating Motivation and Purpose. Sept.- Nov. 1962. Text by Luke Lietzke and the artists. (32)pp. 15 plates. Sm. oblong 4to. Wraps. Josef Albers, Leonard Baskin, Wharton Esherick, Trude Guermonprez, Edith Heath, Margo Hoff, Gideon Kramer, Jack Lenor Larsen, Miriam Leefe, George Nakashima, Robert Sperry, Lenore Tawney, Peter Voulkos, Marguerite Wildenhain, George Wells. Akron, 1962. 3 AKRON. AKRON ART INSTITUTE. Young Designers 1953. March-April 1953. (16)pp. Prof. illus. Sm. sq. 4to. Wraps. Library stamp. Akron, 1953. 4 AKRON. AKRON ART MUSEUM. Off the Production Line. An invitational exhibition of products designed for industry for you. Feb.-March 1956. (28)pp. 55 illus. Oblong 4to. Self-wraps. Akron, 1956. 5 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. ART MUSEUM. Crafts: National Invitational Exhibition. April-May 1968. 23, (1)pp. Prof. illus. 4to. Wraps. Albuquerque, 1968. 6 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. -
Back Issues Catalogue 1984 - 2020
Back Issues Catalogue 1984 - 2020 Documenting the History of American Art Pottery for Generations to Come. Purchase Price: $10.00 Per Issue BACK Shipping and Handling: $7.50 Flat Rate. ISSUES: Purchase online or download an order form and mail with a check. 2020 Winter 2020 - Volume 36, Issue 1 Summer 2020 - Volume 36, Issue 3 • Roberto Lugo: Ghetto Grueby - By Garth Johnson • Rookwood Pottery Co. Tiles Plaques Found In New Jersey School • Extra Brilliant: • Rookwood’s Dull Gorham Silver Finish Deposit on Rook- • From Imaginary Box wood Pottery - to Treasure House: By Lea C. Lane The Alfred Ceramic • Newcomb Art Museum - By Pottery - By Wayne Higby Konrad Shields • Waylande Gregory’s Plates and Platters: A Modern Context • Art Pottery and Vernacular Modernism - More Than for “China Painting” - By Tom Folk, Ph.D. Popular Culture - By Bill Paul • She Came In Through The Bathroom Window - By Anne • (Feminist) Origins of Newcomb Pottery (1895-1940) - By Fulper Jenni Sorkin • It’s In The Details: Terri Kern - By Riley Humler Spring 2020 - Volume 36, Issue 2 Fall 2020 - Volume 36, Issue 4 • Owens Pottery - Photography by: David McKillop • In Countenance: Don Pilcher | Portraits - By Richard D. Mohr • In The Beginning: Adelaide Alsop Robineau’s First Porcelains - By Martin Eidelberg • Still Life With Ku- gie - Anne Fulper • Make a Virtual Visit to Kirkland Museum of Fine & Decorative Art • The Year of the Sphinx - By Tony Homer • Museum Update - Zanesville Museum of Art - The Charles Hosmer Morse Museum of American Art - The Met Purchase Price: $10.00 Per Issue BACK Shipping and Handling: $7.50 Flat Rate. -
Ceramics Monthly Apr00 Cei04
April 2000 1 2 CERAMICS MONTHLY April 2000 Volume 48 Number 4 Moss-covered earthenware water jars in the city of Chiang Mai, Thailand. 40 FEATURES “Blue Connection,” 38 Clay Today approximately 8 inches Worlds by 16 artists at Dowling College in Oakdale, New York in height, porcelain, by Belgian artist Patty Wouters; from the 40 Reflections from the Depths of a Water Jar “Fourth European Biennial of by Mick Shippen Ceramics” in Manises, Spain. Thailand tradition represents goodwill and hospitality 44 44 Fourth Manises Biennial European competition at Ceramics Museum of Manises in Spain 46 An Ecological Aesthetic The Pots of Karl Yost by Steve Miles 49 Cynthia Bringle: A Fiery Influence by Phyllis Blair Clark A potter’s career touches many lives 54 Metaphors of Geometric Proportion by Bobby Jaber with Bonnie De Varco Sculptural forms based on molecular and mathemetical models 57 On the Big Screen Replicating Mayan Gods for a Movieby Dean K McRaine Raku teapot, approximately 61 Summer Workshops 2000 12 inches in height, Contact information for opportunities in the U.S. and abroad with copper matt glaze, by George Whitten, 65 Brother Thomas Bezanson Mansfield, Ohio. Porcelain vessels at Pucker Gallery in Boston “Leonardo da Vinci,” 6½ inches 68 66 Santa Fe Clay by Cindy Bellinger in diameter, handbuilt porcelain, The evolution of an art center fired to Cone 8, by Bobby Jaber, Santa Barbara, California. 68 George Whitten by Robert Hasselle 54 Raku potter shares recipes and techniques The cover:Lidded jar, 72 Horn Island Kiln by W. Lowell Baker 14 inches in height, Building a wood-fired kiln on the beach by Cynthia Bringle, Penland, North Carolina; see page 49. -
Kondo Yutaka
KONDO YUTAKA The Transformation of a Traditional Kyoto Family JOAN B MIRVISS LTD © 2010 Joan B. Mirviss, Ltd., NYC KONDO YUTAKA The Transformation of a Traditional Kyoto Family Presented at Joan B Mirviss LTD, New York November 10 through December 17, 2010 Joan B. Mirviss, Ltd. is honored to present the special exhibition “Kondô above KONDÔ YUTAKA Yutaka: The Transformation of a Traditional Kyoto Family,” created in Black-white vases, 1973 collaboration with the Kondô family. This show focuses on the work of Kondô Glazed stoneware Yutaka (1932-83), a remarkable artist and gifted teacher who inspired many left to right of the established clay artists working today, and was the pivotal figure in 15 3/4 x 7 1/8 inches 13 x 9 1/2 inches his ceramic family before his untimely death. 14 3/8 x 4 3/4 inches Drawn from the family’s collection and offered for the first time, the fourteen left KONDÔ YÛZÔ works by Yutaka may be seen in the context of his highly unusual heritage Detail of vase with thistle motif, ca. 1965 as both a member of a Kyoto samurai family and the son of the celebrated Porcelain with cobalt blue underglaze ceramist and designated Living National Treasure, Kondô Yûzô (1902-85). 8 1/4 x 8 3/4 inches Complementing these works by Yutaka are a number of vessels by both his father and his younger brother, Kondô Hiroshi (b. 1936), which are also drawn principally from family collections. Furthermore, his nephew, the international artist Kondô Takahiro (b. 1958), is represented in this show by front cover KONDÔ YUTAKA numerous recent works that illustrate his artistic relationship to the senior Footprint of the Buddha I and II, 1979 artist-members of his illustrious family. -
Back Issues Catalogue
1 1 american Back Issues Catalogue association 1 1 1 1 1 1 Purchase Price: $10.00 Per Issue BACK Shipping and Handling: $6.50 Flat Rate. ISSUES: Purchase online or download an order form and mail with a check. 2017 Winter 2017 - Volume 33, Issue 1 Summer 2017 - Volume 33, Issue 3 • Convention 2017 • A Closer Look At Iowa State College Pottery. By Marie and Mark Latta • Fulper’s Marking System. By Jon A. Kornacki • Sculpture, Pottery and Art Nouveau Imagery: The French • Tuition in Tile: Part I — Art Tiles in America’s Schools and Connection. By Two Red Roses Foundation Libraries. By Richard Mohr • Postcards of the Potteries – Collection of Dorothy Daniels • Emerging from the Shadows - Polia Pillin. Spring 2017 - Volume 33, Issue 2 Fall 2017 - Volume 33, Issue 4 • Tuition in Tile: Part II - The Interesting Tile Work of Erie’s • Jugtown Pottery – An American Folkcraft with a Pedigree. East High School (1919). A Documentation and Conjecture. By Stephen C. Compton By Richard Mohr • Collection Page: Pretty in Pink • A Letter From Your New President, Mark Latta • Learning by Doing: The Evolution of Viktor Schreckengost’s • Studio Ceramics at Chelsea Passage (Barneys New York), Jazz Series. By Mark Bassett, Heather McClellan, and ca 1985-1995. By Tom Folk Ph.d, AAA Richard McClellan Purchase Price: $10.00 Per Issue BACK Shipping and Handling: $6.50 Flat Rate. ISSUES: Purchase online or download an order form and mail with a check. 2016 Winter 2016 - Volume 32, Issue 1 Summer 2016 - Volume 32, Issue 3 • Critic, Author, Collector – Elizabeth Gordon. -
The Studio Potter Archives
ARIZONA STATE UNIVERSITY ART MUSEUM CERAMICS RESEARCH CENTER THE STUDIO POTTER ARCHIVES 2015 Contact Information Arizona State University Art Museum Ceramics Research Center P.O. Box 872911 Tempe, AZ 85287-2911 http://asuartmuseum.asu.edu TABLE OF CONTENTS Collection Overview 3 Administrative Information 3 Biographical Note 3 Scope and Content Note 4 Arrangement 5 Series 1: Magazine Issues: Volume 1, No. 1 – Volume 32, No. 2 Volume 1, No. 1 5 Volume 2, Nos. 1-2 6 Volume 3, Nos. 1-2 7 Volume 4, Nos. 1-2 9 Volume 5, Nos. 1-2 11 Volume 6, Nos. 1-2 13 Volume 7, Nos. 1-2 15 Volume 8, Nos. 1-2 17 Volume 9, Nos. 1-2 19 Volume 10, Nos. 1-2 21 Volume 11, Nos. 1-2 23 Volume 12, Nos. 1-2 26 Volume 13, Nos. 1-2 29 Volume 14, Nos. 1-2 32 Volume 15, Nos. 1-2 34 Volume 16, Nos. 1-2 38 Volume 17, Nos. 1-2 40 Volume 18, Nos. 1-2 43 Volume 19, Nos. 1-2 46 Volume 20, Nos. 1-2 49 Volume 21, Nos. 1-2 53 Volume 22, Nos. 1-2 56 Volume 23, Nos. 1-2 58 Volume 24, Nos. 1-2 61 Volume 25, Nos. 1-2 64 Volume 26, Nos. 1-2 67 1 Volume 27, Nos. 1-2 69 Volume 28, Nos. 1-2 72 Volume 29, Nos. 1-2 74 Volume 30, Nos. 1-2 77 Volume 31, Nos. 1-2 81 Volume 32, Nos. 1-2 83 Series 2: Other Publications Studio Potter Network News 84 Studio Potter Book 84 Series 3: Miscellaneous Manuscripts and Images Miscellaneous Manuscripts 85 Miscellaneous Images 86 Series 4: 20th Anniversary Collection 86 Series 5: Administration Daniel Clark Foundation/Studio Potter Foundation 87 Correspondence 88 Miscellaneous Files 88 Series 6: Oversized Items 88 Series 7: Audio Cassettes 89 Series 8: Magazine Issues: Volume 33, No. -
Ceramics Monthly Feb00 Cei02
February 2000 1 2 CERAMICS MONTHLY February 2000 Volume 48 Number 2 FEATURES Soda-glazed teapots, approximately 5 inches in 36 Finding Oaxaca by Eric Mindling height, by Lisa Hammond, In search of traditional pottery in Mexico Greenwich, England; shown at the “Chelsea Crafts Fair.” 42 20th Chelsea Crafts Fair by Kim Nagorski 42 England’s top wholesale/retail show 46 The “Nice Girl” Sculptures of Jean Cappadonna-Nichols by Jack Barbera Figurative sculpture with active surface design 50 Don Reitz Workshop by Sherman Hall Ceramics pioneer shares techniques and anecdotes 52 Tom Gray “Student,” 34 inches in Selling Pottery Online by Cathy Ray Pierson height, coil-built stoneware, by Akio Takamori, Seattle. 55 Akio Takamori’s Theater of Memory 55 by Kate Bonansinga Combining a cultural and personal history 58 Blair Meerfeld by Marty Mitchell Colorado potter gets back to his roots 64 Working with an Apprentice by Helen Slater A variety of personalities and styles keep studio life interesting 68 Modern Mashiko by Mary Francis Flodin Variations on a Japanese pottery tradition 73 Lifesprings Michael Games’ Kinetic Ceramic Coils by Karen Games Don Reitz builds a large vessel during an American Ceramic Society workshop 76 Awka Oil-Spot Glaze by Emman Okunna in Westerville, Ohio. Developing glazes with local materials in Nigeria 50 “Lifespring III; Fountain of Youth,” 32 inches in The cover: “Tower Jars,” to height, stoneware, by 19 inches in height, stoneware Michael Games, Stone with white slip and black glaze, Mountain, Georgia. salt fired, by Blair Meerfeld; see page 58. 73 February 2000 3 UP FRONT 12 Barbara McKenzie Raku-fired ware at Green Tara Gallery in Carrboro, North Carolina 12 Wustum Museum Receives Crafts Collection Editor Ruth C. -
Ceramicsprogram Without One." Glenn C
~i~ ~ii~ v MARCH 1974 60(: This unassuming little potter's wheel And this one's a winner! For six years gets the job done. the Shimpo-West RK-2 has proved its gutsy To learn more, please contact us today. capabilities in thousands of classrooms, studios, and production shops. Superb designing and heavy duty construction give it both compactness and solid, vibration-free performance. Surely this is an unusual combination in any wheel. 5HItI~PO WEST PO g(}123t5, LA PtJENTIE, CALIFI~NtA 91746 d j- j iii~l!!~~i~ ~~ ~j:~ ! J "We have at least 7Wa ker mills in our system,and nothing but happy kids and instructors. We've re- duced costs considerably. We p an to have at east More and More PeopleEverywhere one machine in each high schoo." Larry Schultz Art Coordinator Jefferson County Schools are Mixing Clay with the Colorado ~ iilr~h~anks!~i~giadm~ill: ilSa~ltirs ipamf e ntTh;nk I a~ U ~f "After almost 10 years with a Walker Pug Mill, I have almost forgotten the t me-consuming drudgery of mixing clay by hand or with makeshift equipment PUG MILL I would not think of either operatingmy own studio or teaching a ceramicsprogram without one." Glenn C. Nelson ~, Author Ceramics(Holt, Reinhart& Winston) instructor, Universityof Minnesota, Duluth Professional Potter Mixing clay by hand wastes time and effort. Buying pre-mixed clay wastes money. • Instructors and potters throughout the nation, and in many foreign coun- tries, have found the better way to mix clay. They're using this modern machine that releases time and talent for teaching, learning, cre- [ ative production and experi- ment.