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The Factory of Visual
ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving. -
Oral History Interview with Harrison Mcintosh
Oral history interview with Harrison McIntosh Funding for this interview provided by the Pacific Art Foundation. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 General............................................................................................................................. 2 Scope and Contents........................................................................................................ 1 Scope and Contents........................................................................................................ 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ..................................................................................................... -
October 19,59 G Old M L' Dal Ing Historical a Nd Artistic Qual Ity, Chosen from Museum Tional Code
demonstrate the stages in the development of the fin The.:. Tational ished work, This material will become part of the per manent collection o f the Museum of Contemporary Adz isorl} Boa rd Crafts, to be used for display and for circulating edu cational units of the Amencan Craftsmen's Council. > The National Advisory Board held its annual meeting The nine enamclists who were commissioned are: at the close of the Lake George Conference. The dis C Margaret Craver, Karl Drerup, Robert J. King. Mary cussion ranged through a variety of subjects including Ellen McDermott, John Paul Miller. Earl B. Pardon, membership, jurying. regional conferences, and a code Ronald Pearson, June Schwarcz and Joseph Trippetti. of ethics for craftsmen. It was suggested that all affi Finally, the contemporary enamel work is shown c:! liates who have formulated a Code of Ethics send one against the background of sixty enamels of outstand copy to ACC for a study leading to a possible Na October 19,59 G old m l' dal ing historical a nd artIstic qual ity, chosen from museum tional Code. collections in this country, This part provides a point winner hv Dirk Hubers David Campbell reiterated his belief that the contin of perspective for the exhibition as a whole, shows the ued growth of ACC depended upon a mutual effort historical use of various techniques, provides the op among individual members, affiliated groups, and portunity for comparisons with contemporary work ACe. The ACC does not intend to impose any rigid and finally, inspiration for the enamelist. Some enam pattern upon its members, but only to lead them in the eli sts interviewed stated frankly that the study of directions they themselves believe are best. -
Newsletter/Spring 2016 the DAS DAS DAS News the Decorative Arts Society, Inc
newsletter/spring 2016 Volume 24, Number 1 Decorative Arts Society The DAS DAS DAS news The Decorative Arts Society, Inc. in 1990 for the encouragement of interest in, the appreciation of, and the exchange of DAS sees changes on board, information about the decorative arts. To, is pursuea not-for-profit its purposes, New theYork DAS corporation sponsors foundedmeetings, Newsletter programs, seminars, tours and a newsletter on the decorative arts. Its supporters include museum curators, academics, collectors and dealers. is at peak of service and vitality Please send change-of-address information by e-mail to [email protected]. or the past 10 years, I have had to the chairs of the Robert C. Smith for the fall Board of Directors Gerald W. R. Ward Editor the honor and pleasure to serve and Charles F. Montgomery Award of 2016: to President Senior Consulting Curator Gerald W. R. Ward as president of the Decorative committees, and to Gerry Ward and New Haven, Senior Consulting Curator & F Susan P. Schoelwer Katharine Lane Weems Senior Curator of Arts Society (DAS). Believing strongly Ruth Thaler-Carter for their dedica- CT, to see Katharine Lane Weems Senior Curator Robert H. Smith Senior Curator American Decorative Arts and - tion in bringing out each new issue of the exhibi- Sculpture Emeritus of American Decorative Arts and George Washington’s Mount Vernon cial to every organization (not to men- the newsletter. tion Art and Museum of Fine Arts, Boston Sculpture Emeritus Mount Vernon, VA that changes in leadership are benefi Boston, MA Museum of Fine Arts, Boston I owe special thanks to Nicholas Industry Boston, MA decided to step down. -
Ceramics Evans Ceramic Supply Port Chester, NY 10573 Studio Supply 2100 N
OCTOBER 1979 $1.25 \ put Shimpo-West on the top of your list! ARIZONA COLORADO KANSAS Clay Art Center SOUTH CAROLINA 40 Beach St. A & A Potter's Warehouse Mile Hi Ceramics Evans Ceramic Supply Port Chester, NY 10573 Studio Supply 2100 N. Wilmot Rd. 1155 S. Cherokee 1518 S. Washington Box 546 Tucson. AZ 85712 Denver. CO 60223 Wichita, KS 67211 Dollman Ceramics Supplies Columbia, SC 29202 Char Mar Ceramics Van Howe Ceramic Supply 663 Walden Ave. 3454 N. 1st Ave. 11975 E. 40th St. KENTUCKY Buffalo, NY 14211 SOUTH DAKOTA Tuscon, AZ 85719 Denver, CO 80239 Owl Creek Pottery Earthworks Arts & Crafts West Sioux Ceramics Hill Brothers Van Howe Ceramic Supply 11416 Shelbyville Rd. 1667 Penfield Rd. 2315 W. Madison 4450N.42ndSt. 2602 Durango Louisville, KY40243 Rochester, NY 14625 Sioux FalIs, SD 57104 Phoenix, AZ 85019 Colorado Springs. CO 80910 MAINE Hilco Ceramics Marion Ceramic Shop CONNECTICUT 16 Elain Terrace TENNESSEE Portland Pottery & Gallery Camillus, NY 13031 Gallery 111 Phoenix,AZ3434W. Earl185017Dr' GayC°lest.CeramicRt. 41Lab°rat°ties 20portland.WestSt.ME 04120 Seeley's Ceramic Service, Inc. 122 Stadium Dr. Shop of Art Sharon, CT 06069 9 River St. Hendersonville, TN 37075 26 E. University Dr. Rusty Kiln MARYLAND Oneonta. NY 13820 House of Ceramics Tempe, AZ 85281 80 Garden St. Wurzbacker Ceramic Supply 1011 N. Hollywood ARKANSAS Wethersfield. CT 06109 Eagle Ceramics 213 Mineola Blvd. Memphis. TN 38108 12264 Wilkins Ave. Box 534 Boston Mountain Pottery Supply DELAWARE Rockville, MD 20852 Mineola, NY 11501 The Potter's Mark Rt. 1 Buckhorn Rd. 225 N. Gregg Eagle Ceramics MacMillian Arts & Crafts NORTH CAROLINA Gatlinburg. -
California Design, 1930-1965: “Living in a Modern Way” CHECKLIST
^ California design, 1930-1965: “living in a modern way” CHECKLIST 1. Evelyn Ackerman (b. 1924, active Culver City) Jerome Ackerman (b. 1920, active Culver City) ERA Industries (Culver City, 1956–present) Ellipses mosaic, c. 1958 Glass mosaic 12 3 ⁄4 x 60 1 ⁄2 x 1 in. (32.4 x 153.7 x 2.5 cm) Collection of Hilary and James McQuaide 2. Acme Boots (Clarksville, Tennessee, founded 1929) Woman’s cowboy boots, 1930s Leather Each: 11 1 ⁄4 x 10 1⁄4 x 3 7⁄8 in. (28.6 x 26 x 9.8 cm) Courtesy of Museum of the American West, Autry National Center 3. Allan Adler (1916–2002, active Los Angeles) Teardrop coffeepot, teapot, creamer and sugar, c. 1957 Silver, ebony Coffeepot, height: 10 in. (25.4 cm); diameter: 9 in. (22.7 cm) Collection of Rebecca Adler (Mrs. Allan Adler) 4. Gilbert Adrian (1903–1959, active Los Angeles) Adrian Ltd. (Beverly Hills, 1942–52) Two-piece dress from The Atomic 50s collection, 1950 Rayon crepe, rayon faille Dress, center-back length: 37 in. (94 cm); bolero, center-back length: 14 in. (35.6 cm) LACMA, Gift of Mrs. Houston Rehrig 5. Gregory Ain (1908–1988, active Los Angeles) Dunsmuir Flats, Los Angeles (exterior perspective), 1937 Graphite on paper 9 3 ⁄4 x 19 1⁄4 in. (24.8 x 48.9 cm) Gregory Ain Collection, Architecture and Design Collection, Museum of Art, Design + Architecture, UC Santa Barbara 6. Gregory Ain (1908–1988, active Los Angeles) Dunsmuir Flats, Los Angeles (plan), 1937 Ink on paper 9 1 ⁄4 x 24 3⁄8 in. -
Trade Show Group
r THE WEEKLY NEWSPAPER OF INDIANA UNIVERSITY-PURDUE UNIVERSITY AT T ame and fortune: Write the llJPl I fight song and win $$$. See Page 17 i Dec. 12,1988 V0I.18, No. 19 THIS WEEK Trade show group - to link with school By JEFFREY DeHERDT NAEM, explained that NAEM “plans to establish a cooperative Indianapolis may desire to be relationship with IUPUI which “sports capital of the world" but would eventually allow the As may become trade show and ex sociation and the University’s position capital of the world in School of Business, Division of the process. Restaurant and Hotel Manage Mayor William H. Hudnut an ment and Division of Continuing nounced on Nov. 30 that the Na Studies to present joint cur tional Association of Exposition riculum offerings.” Managers (NAEM), whose mem “The NAEM may help provide bers operate more than 5,000 training courses in the execution trade shows and expositions a and planning of trade shows and year, will relocate in , In expositions" said Mark J. Goff of dianapolis. The relocation, offi the Mayor’s office. cials at^the mayor’s office said, Training, McGowan added, will bring roughly $30 billion in could help to familiarize stu business to the city. dents with the expositions and “One of the main reasons th^y trade show industry, which he came to Indy was because of the said is a largely unknown aspect education opportunities at of business and advertisement IUPUI," said Bill McGowan, in today's world. “Those that president of the Indianapolis market through r^|j(£g0verti£: ing and .newspaper advertising Convention and Visitors Associ Rudolph has nothing on this reindeer decoration outside the University Hospital front entrance. -
Indiana Central and All That Jazz
/Indiana Central and all that jazz Indiana Central’s first jazz ensemble was comprised of J. Lynn Arbogast on the piano; Edwin McCune on clarinet; Donald Klinger on violin; Paul Ar- bogast on banjo; and Everett Hoffman on drums. This 1924 photograph was forwarded to the Alumni News by Lynn W. Turner ’27, who wrote, “I think the title we have given it-Indiana Central’s First Jazz Ensemble - is legitimate, even though I doubt whether this group ever gave a public performance. It was the day when George Gershwin and Paul Whiteman were first making jazz respectable, and we decided at Central that it wasn’t a sin to indulge in it occasionally, so you have at least three preacher’s sons in this picture.” 0 McMemorabilia ? The ICU Public Relations Office, in basis, or have any other questions, con- conjunction with the McDonald’s at tact the Public Relations Office at (317) Shelby Street near the campus, is re- 788-3298. 0 questing that Indiana Central alumni give(them a hand - along with some IC memorabilia. The folks at McDonald’s are planning some renovation of their store, and hope to commemorate the 20-year relationship with the campus in the process. If you have photographs of Indiana Central’s campus or students, Next no matter how old or new, that you would like to donate to help cover a wall summer: at McDonald’s for posterity, please send them to the Public Relations Office, Indiana Central University, 1400 East Hawaiian Hanna Avenue, Indianapolis, Indiana L 46227. Holiday Plans are also being made for a locked glass case on one wall of the restaurant, which will feature other types of ICU memorabilia on a revolving basis. -
20Th Century Design and Craft: the Library of Philip Aarons
20 th Century Design and Craft The Library of Philip Aarons 965 titles in 981 volumes The Philip Aarons Design Library The Philip Aarons design library is focused on modern decorative arts—including ceramics, glass, furniture design, metalwork and jewelry—and on modern architecture and architects, from Wright and Gaudi to Team 10. Studies of periods and movements, such as Art Nouveau, Arts and Crafts, and Art Déco, are represented as well. ARS LIBRI THE PHILIP AARONS 20 TH CENTURY DESIGN AND CRAFT LIBRARY GENERAL WORKS 1 AGIUS, PAULINE. British Furniture, 1880-1915. 195, (1)pp. Prof. illus. 4to. Cloth. D.j. Woodbridge (The Antique Collectors’ Club), 1978. 2 AKRON. THE AKRON ART INSTITUTE. Why Is an Object: An Exhibition Investigating Motivation and Purpose. Sept.- Nov. 1962. Text by Luke Lietzke and the artists. (32)pp. 15 plates. Sm. oblong 4to. Wraps. Josef Albers, Leonard Baskin, Wharton Esherick, Trude Guermonprez, Edith Heath, Margo Hoff, Gideon Kramer, Jack Lenor Larsen, Miriam Leefe, George Nakashima, Robert Sperry, Lenore Tawney, Peter Voulkos, Marguerite Wildenhain, George Wells. Akron, 1962. 3 AKRON. AKRON ART INSTITUTE. Young Designers 1953. March-April 1953. (16)pp. Prof. illus. Sm. sq. 4to. Wraps. Library stamp. Akron, 1953. 4 AKRON. AKRON ART MUSEUM. Off the Production Line. An invitational exhibition of products designed for industry for you. Feb.-March 1956. (28)pp. 55 illus. Oblong 4to. Self-wraps. Akron, 1956. 5 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. ART MUSEUM. Crafts: National Invitational Exhibition. April-May 1968. 23, (1)pp. Prof. illus. 4to. Wraps. Albuquerque, 1968. 6 ALBUQUERQUE. UNIVERSITY OF NEW MEXICO. -
Three Ceramicists Influential to Me
/HH0LGGOHPDQ 86$ During my 12-year career in ceramics, I have learned from many people – fellow students, teachers, and senior ceramics artists. I appreciate the valuable insights from all of them. There are three artists who have most influenced my work and career. The first was an early mentor and friend, the second was a famous and gracious Japanese master and the third artist is an American master. I would like to share their careers and influences on me, but first I should briefly explain my ceramic art. I create classic forms and use surface textures to give the work energy and vitality, resulting in art that is both pleasing and alive (Fig u re 1). I seek to create patterns and textures that emphasize the organic interplay between order and randomness found in Nature. I use multiple glazes to intensify the dynamic tension in my surfaces. Although functional, my work is often prized as decorative. More examples of my work can be seen on my website: www.LeeMiddleman.com. I met Gary Clarien when I took my first ceramics Figure 1 Lee Middleman, Pine Vase 2008 courses at the Palo Alto Art Center (PAAC) in California. Gary (Figure 2) was the Studio Supervisor for 35 years. Although he was not teaching courses at the time, he was available to students for questions. As an excited new student with an engineering background, I was eager to develop my skills and art. Gary saw that enthusiasm and became my mentor. His ability to demonstrate techniques and explain the underlying principles was exciting. -
Back Issues Catalogue 1984 - 2020
Back Issues Catalogue 1984 - 2020 Documenting the History of American Art Pottery for Generations to Come. Purchase Price: $10.00 Per Issue BACK Shipping and Handling: $7.50 Flat Rate. ISSUES: Purchase online or download an order form and mail with a check. 2020 Winter 2020 - Volume 36, Issue 1 Summer 2020 - Volume 36, Issue 3 • Roberto Lugo: Ghetto Grueby - By Garth Johnson • Rookwood Pottery Co. Tiles Plaques Found In New Jersey School • Extra Brilliant: • Rookwood’s Dull Gorham Silver Finish Deposit on Rook- • From Imaginary Box wood Pottery - to Treasure House: By Lea C. Lane The Alfred Ceramic • Newcomb Art Museum - By Pottery - By Wayne Higby Konrad Shields • Waylande Gregory’s Plates and Platters: A Modern Context • Art Pottery and Vernacular Modernism - More Than for “China Painting” - By Tom Folk, Ph.D. Popular Culture - By Bill Paul • She Came In Through The Bathroom Window - By Anne • (Feminist) Origins of Newcomb Pottery (1895-1940) - By Fulper Jenni Sorkin • It’s In The Details: Terri Kern - By Riley Humler Spring 2020 - Volume 36, Issue 2 Fall 2020 - Volume 36, Issue 4 • Owens Pottery - Photography by: David McKillop • In Countenance: Don Pilcher | Portraits - By Richard D. Mohr • In The Beginning: Adelaide Alsop Robineau’s First Porcelains - By Martin Eidelberg • Still Life With Ku- gie - Anne Fulper • Make a Virtual Visit to Kirkland Museum of Fine & Decorative Art • The Year of the Sphinx - By Tony Homer • Museum Update - Zanesville Museum of Art - The Charles Hosmer Morse Museum of American Art - The Met Purchase Price: $10.00 Per Issue BACK Shipping and Handling: $7.50 Flat Rate. -
CAG Newsletter – March 2012
KILN’ TIME MARCH/APRIL 2012 THE OFFICIAL CLAY ARTS GUILD NEWSLETTER Mini-Workshops are back! By Tom Winn In April and May, the Clay Arts Guild will present a series of mini- CAG Studio Spring Sale workshops that allow ceramic artists featuring Garden Art, Bargains and lots of Demos! to learn tips, tricks, and techniques from fellow CAG members. AND l Friday, April 27 ~ 5-9 pm IT’S FREE! This series of short (Opening Night) workshops will be presented on Wednesday afternoons at 2 pm dur- l Saturday, April 28 ~ 10 am-7 pm ing open studio hours. If you’re a l Sunday, April 29 ~ 10 am-4 pm Guild member with free time and an inclination to try something new, Sign up at the studio poster display if you want to participate. stop by the studio on one of the dates IMPORTANT! Follow the directions below: listed below and you just might learn • Enter your name & 3-letter code on the sale master list a thing or two. • Decide when you can do the required number of work shifts based on how many items you plan to sell. (See box below) April1 1 - Making • Enter your name and phone number for each work shift. Ceramic Trays • Follow directions from the CAG website: Using Plywood <http://www.clayartsguild.com/ > Click on “Sales Instructions” Forms with Pino • Inventories must be typed and returned via email to: Pagni <[email protected]> How do you make • You will be provided with price tags pre-printed with your perfectly shaped initials and successive inventory numbers.