Music Fans in the U.S
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Jaguars All-Time Roster
JAGUARS ALL-TIME ROSTER (active one or more games on the 53-man roster) Chamblin, Corey CB Tennessee Tech 1999 Fordham, Todd G/OT Florida State 1997-2002 Chanoine, Roger OT Temple 2002 Forney, Kynan G Hawaii 2009 — A — Charlton, Ike CB Virginia Tech 2002 Forsett, Justin RB California 2013 Adams, Blue CB Cincinnati 2003 Chase, Martin DT Oklahoma 2005 Franklin, Brad CB Louisiana-Lafayette 2003 Akbar, Hakim LB Washington 2003 Cheever, Michael C Georgia Tech 1996-98 Franklin, Stephen LB Southern Illinois 2011 Alexander, Dan RB/FB Nebraska 2002 Chick, John DE Utah State 2011-12 Frase, Paul DE/DT Syracuse 1995-96 Alexander, Eric LB Louisiana State 2010 Christopherson, Ryan FB Wyoming 1995-96 Freeman, Eddie DL Alabama-Birmingham 2004 Alexander, Gerald S Boise State 2009-10 Chung, Eugene G Virginia Tech 1995 Fuamatu-Ma’afala, Chris RB Utah 2003-04 Alexis, Rich RB Washington 2005-06 Clark, Danny LB Illinois 2000-03 Fudge, Jamaal S Clemson 2006-07 Allen, David RB/KR Kansas State 2003-04 Clark, Reggie LB North Carolina 1995-96 Furrer, Will QB Virginia Tech 1998 Allen, Russell LB San Diego State 2009-13 Clark, Vinnie CB Ohio State 1995-96 Alualu, Tyson DT California 2010-13 Clemons, Toney WR Colorado 2012 — G — Anderson, Curtis CB Pittsburgh 1997 Cloherty, Colin TE Brown 2011-12 Gabbert, Blaine QB Missouri 2011-13 Anger, Bryan P California 2012-13 Cobb, Reggie* RB Tennessee 1995 Gardner, Isaiah CB Maryland 2008 Angulo, Richard TE W. New Mexico 2007-08 Coe, Michael DB Alabama State 2009-10 Garrard, David QB East Carolina 2002-10 Armour, JoJuan S Miami -
Trap Spaces, Trap Music: Harriet Jacobs, Fetty Wap, and Emancipation As Entrapment
Trap Spaces, Trap Music: Harriet Jacobs, Fetty Wap, and Emancipation as Entrapment SEAN M. KENNEDY Set in a New York City trap house—an apartment that serves as the hub for an outlaw drug business—Fetty Wap’s 2014 song and video “Trap Queen” depicts the stacks of U.S. currency and the manufacture of product that are core aspects of the genre of trap music. But the song and video also portray an outlier to this strategic essentialism: namely, the loving romance at its center which challenges the mainstream common sense of the misogyny of rap. Likewise, the sonics of “Trap Queen”—upbeat, even joyful—contrast with the aural hardness of much of the genre. In these ways, “Trap Queen” is an important pop-cultural political intervention against both the enduring pathologizing of Black life and the sense of siege with which many Black people, especially poor ones, are perceived to live.1 But while Fetty Wap’s persona in “Trap Queen” can be understood as a homo- economicus figure (Wynter 123) of the informal economy—a breadwinner who can self-determine his own life, albeit within the narrow bounds of criminalized enterprise—that burdened self-possession is doubled for his female partner presented as a woman who will happily do anything for her “man,” from cooking crack to giving him a lap dance (see Figure 1). These labors are shown to be uncoerced. Nevertheless, the larger structures of the racial-capitalist formal economy essentially force many Black women into such gendered survival labor. Indeed, the situation of these women, which Fetty Wap’s “trap queen” only partially evokes, illustrates the thinness of freedom under liberal democracy of which emancipation from slavery is considered paradigmatic. -
Nappy Roots Wooden Leather Album Download Wooden Leather (Explicit Content) (U.S
nappy roots wooden leather album download Wooden Leather (Explicit Content) (U.S. Version) Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $15.49. Wooden Leather (Explicit Content) (U.S. Version) Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then $14.99/ month. R. Wilson, Writer - B. Scott, Writer - W. Hughes, Writer - Needlz, Producer - Scott Kidd, Recording Engineer - M. Adams, Writer - K Anthony, Writer - Nappy Roots, MainArtist - V. Tisdale, Writer - Danny Romero, Mixing Engineer, Recording Engineer - K. Cain, Writer. © 2003 Atlantic Records ℗ 2003 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States. R. Wilson, Writer - B. Scott, Writer - L. Crump, Writer - Manny Marraquin, Mixer - Needlz, Producer - Scott Kidd, Recording Engineer - M. Adams, Writer - K Anthony, Writer - Nappy Roots, Performance, MainArtist - Brad Todd, Recording Engineer - V. Tisdale, Writer - Danny Romero, Mixer, Recording Engineer - L. "D.B." Crump, Producer. © 2003 Atlantic Records ℗ 2003 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. R. Wilson, Writer - D. Holmes, Writer - B. Scott, Writer - E. Jackson, Writer - Eric Walls, Guitar - Mike City, Producer, Bass - M. Flowers, Writer - M. Crooms, Writer - Manny Marraquin, Mixer - W. Hughes, Writer - M. Adams, Writer - Frank Ski, Writer - K Anthony, Writer - Nappy Roots, Performance, MainArtist - V. -
ANSAMBL ( [email protected] ) Umelec
ANSAMBL (http://ansambl1.szm.sk; [email protected] ) Umelec Názov veľkosť v MB Kód Por.č. BETTER THAN EZRA Greatest Hits (2005) 42 OGG 841 CURTIS MAYFIELD Move On Up_The Gentleman Of Soul (2005) 32 OGG 841 DISHWALLA Dishwalla (2005) 32 OGG 841 K YOUNG Learn How To Love (2005) 36 WMA 841 VARIOUS ARTISTS Dance Charts 3 (2005) 38 OGG 841 VARIOUS ARTISTS Das Beste Aus 25 Jahren Popmusik (2CD 2005) 121 VBR 841 VARIOUS ARTISTS For DJs Only 2005 (2CD 2005) 178 CBR 841 VARIOUS ARTISTS Grammy Nominees 2005 (2005) 38 WMA 841 VARIOUS ARTISTS Playboy - The Mansion (2005) 74 CBR 841 VANILLA NINJA Blue Tattoo (2005) 76 VBR 841 WILL PRESTON It's My Will (2005) 29 OGG 841 BECK Guero (2005) 36 OGG 840 FELIX DA HOUSECAT Ft Devin Drazzle-The Neon Fever (2005) 46 CBR 840 LIFEHOUSE Lifehouse (2005) 31 OGG 840 VARIOUS ARTISTS 80s Collection Vol. 3 (2005) 36 OGG 840 VARIOUS ARTISTS Ice Princess OST (2005) 57 VBR 840 VARIOUS ARTISTS Lollihits_Fruhlings Spass! (2005) 45 OGG 840 VARIOUS ARTISTS Nordkraft OST (2005) 94 VBR 840 VARIOUS ARTISTS Play House Vol. 8 (2CD 2005) 186 VBR 840 VARIOUS ARTISTS RTL2 Pres. Party Power Charts Vol.1 (2CD 2005) 163 VBR 840 VARIOUS ARTISTS Essential R&B Spring 2005 (2CD 2005) 158 VBR 839 VARIOUS ARTISTS Remixland 2005 (2CD 2005) 205 CBR 839 VARIOUS ARTISTS RTL2 Praesentiert X-Trance Vol.1 (2CD 2005) 189 VBR 839 VARIOUS ARTISTS Trance 2005 Vol. 2 (2CD 2005) 159 VBR 839 HAGGARD Eppur Si Muove (2004) 46 CBR 838 MOONSORROW Kivenkantaja (2003) 74 CBR 838 OST John Ottman - Hide And Seek (2005) 23 OGG 838 TEMNOJAR Echo of Hyperborea (2003) 29 CBR 838 THE BRAVERY The Bravery (2005) 45 VBR 838 THRUDVANGAR Ahnenthron (2004) 62 VBR 838 VARIOUS ARTISTS 70's-80's Dance Collection (2005) 49 OGG 838 VARIOUS ARTISTS Future Trance Vol. -
Westminsterresearch Synth Sonics As
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Synth Sonics as Stylistic Signifiers in Sample-Based Hip-Hop: Synthetic Aesthetics from ‘Old-Skool’ to Trap Exarchos, M. This is an electronic version of a paper presented at the 2nd Annual Synthposium, Melbourne, Australia, 14 November 2016. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 2nd Annual Synthposium Synthesisers: Meaning though Sonics Synth Sonics as Stylistic Signifiers in Sample-Based Hip-Hop: Synthetic Aesthetics from ‘Old-School’ to Trap Michail Exarchos (a.k.a. Stereo Mike), London College of Music, University of West London Intro-thesis The literature on synthesisers ranges from textbooks on usage and historiogra- phy1 to scholarly analysis of their technological development under musicological and sociotechnical perspectives2. Most of these approaches, in one form or another, ac- knowledge the impact of synthesisers on musical culture, either by celebrating their role in powering avant-garde eras of sonic experimentation and composition, or by mapping the relationship between manufacturing trends and stylistic divergences in popular mu- sic. The availability of affordable, portable and approachable synthesiser designs has been highlighted as a catalyst for their crossover from academic to popular spheres, while a number of authors have dealt with the transition from analogue to digital tech- nologies and their effect on the stylisation of performance and production approaches3. -
Hiphop Aus Österreich
Frederik Dörfler-Trummer HipHop aus Österreich Studien zur Popularmusik Frederik Dörfler-Trummer (Dr. phil.), geb. 1984, ist freier Musikwissenschaftler und forscht zu HipHop-Musik und artverwandten Popularmusikstilen. Er promovierte an der Universität für Musik und darstellende Kunst Wien. Seine Forschungen wurden durch zwei Stipendien der Österreichischen Akademie der Wissenschaften (ÖAW) so- wie durch den österreichischen Wissenschaftsfonds (FWF) gefördert. Neben seiner wissenschaftlichen Arbeit gibt er HipHop-Workshops an Schulen und ist als DJ und Produzent tätig. Frederik Dörfler-Trummer HipHop aus Österreich Lokale Aspekte einer globalen Kultur Gefördert im Rahmen des DOC- und des Post-DocTrack-Programms der ÖAW. Veröffentlicht mit Unterstützung des Austrian Science Fund (FWF): PUB 693-G Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Na- tionalbibliografie; detaillierte bibliografische Daten sind im Internet über http:// dnb.d-nb.de abrufbar. Dieses Werk ist lizenziert unter der Creative Commons Attribution 4.0 Lizenz (BY). Diese Li- zenz erlaubt unter Voraussetzung der Namensnennung des Urhebers die Bearbeitung, Verviel- fältigung und Verbreitung des Materials in jedem Format oder Medium für beliebige Zwecke, auch kommerziell. (Lizenztext: https://creativecommons.org/licenses/by/4.0/deed.de) Die Bedingungen der Creative-Commons-Lizenz gelten nur für Originalmaterial. Die Wieder- verwendung von Material aus anderen Quellen (gekennzeichnet -
The Lake Tahoe Entertainer Online Brought to You By
The Lake Tahoe Entertainer Online brought to you by The Lake Tahoe Entertainer Online brought to you by The Lake Tahoe Entertainer Online brought to you by The Lake Tahoe Entertainer Online brought to you by The Lake Tahoe Entertainer Online brought to you by The Lake Tahoe Entertainer Online brought to you by The Lake Tahoe Entertainer Online brought to you by Publisher/Editor Boomerang Design Group Marketing/Sales Ross Orlando 775-588-5657 Joani Buzzetti-Drew 530-318-9994 Entertainment Columnist Photographer • Circulation Ross Orlando Feature Writers Ski Bum • Ross Orlando Victor Babbitt • Howie Nave Tom Crist • Dave Davis Art Director Production Photo Enhancements Tony Drew LAKE TAHOE ENTERTAINER 530.573.1376 P.O.Box 550996 South Lake Tahoe CA. 96155 E-Mail: [email protected] Fax: 530-573-1376 entertainertahoe.com The Lake Tahoe Entertainer Online brought to you by What’s On & Where APRÉS WINE COMPANY - 530-544-9463 J-MAX PRODUCTIONS - 866-468-3399 Wine Bar - Tasting - Gifts Call for show dates & times. • jmaxproductions.net BAR 24 - 775-588-6611 Ext 3477 LAKESIDE INN & CASINO - 775-588-7777 Located inside Bill's Casino. Fat Tuesdays Drink Specials Karaoke Wed & Fri - Live Music - Food Specials - Jib Jam - Feb 21 Fat Tuesday Mardi Gras Party - Feb 24 - Ladies Night Fridays LATE NITE PRODUCTIONS BEACH HUT DELI - 530-541-SURF www.lateniteproductions.com Happy Hour 4pm - 7pm - Party Trays McP'S PUB TAHOE - 530-542-4435 BEACON - 530-541-0630 Live Music Every Night - No Cover - Pool Tables Live Music Friday & Saturday - Lakeview -
The United Eras of Hip-Hop (1984-2008)
qwertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfgh jklzxcvbnmqwertyuiopasdfghjklzxcvb nmqwertyuiopasdfghjklzxcvbnmqwer The United Eras of Hip-Hop tyuiopasdfghjklzxcvbnmqwertyuiopas Examining the perception of hip-hop over the last quarter century dfghjklzxcvbnmqwertyuiopasdfghjklzx 5/1/2009 cvbnmqwertyuiopasdfghjklzxcvbnmqLawrence Murray wertyuiopasdfghjklzxc vbnmqwertyuio pasdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmrty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmqw The United Eras of Hip-Hop ACKNOWLEDGMENTS There are so many people I need to acknowledge. Dr. Kelton Edmonds was my advisor for this project and I appreciate him helping me to study hip- hop. Dr. Susan Jasko was my advisor at California University of Pennsylvania since 2005 and encouraged me to stay in the Honors Program. Dr. Drew McGukin had the initiative to bring me to the Honors Program in the first place. I wanted to acknowledge everybody in the Honors Department (Dr. Ed Chute, Dr. Erin Mountz, Mrs. Kim Orslene, and Dr. Don Lawson). Doing a Red Hot Chili Peppers project in 2008 for Mr. Max Gonano was also very important. I would be remiss if I left out the encouragement of my family and my friends, who kept assuring me things would work out when I was never certain. Hip-Hop: 2009 Page 1 The United Eras of Hip-Hop TABLE OF CONTENTS ACKNOWLEDGMENTS -
The Spongebob Musical in Chicago
FOR IMMEDIATE RELEASE Chicago Press Contact: Amanda Meyer/ Tori Bryan Margie Korshak, Inc. [email protected]/[email protected] National Press Contact: Chris Boneau/Amy Kass BONEAU/BRYAN-BROWN [email protected]/ [email protected] World Premiere of Broadway Bound The SpongeBob Musical in Chicago Co-Conceived and Directed by Tina Landau Book by Kyle Jarrow Music Supervision by Tom Kitt Performances Begin on Tuesday, June 7, 2016 Limited Engagement through Sunday, July 3, 2016 at Broadway In Chicago's Oriental Theatre CHICAGO (August 31, 2015) – Broadway In Chicago is thrilled to announce the Pre-Broadway World Premiere of The SpongeBob Musical will begin performances on Tuesday, June 7 at the Oriental Theatre (24 W. Randolph St., Chicago, IL) in a limited engagement through Sunday, July 3, 2016. The SpongeBob Musical is co-conceived and directed by Tina Landau with a book by Kyle Jarrow, music supervision by Tom Kitt. The SpongeBob Musical will be a one-of-a-kind musical event with original songs by Steven Tyler and Joe Perry of AEROSMITH, Jonathan Coulton, Dirty Projectors, The Flaming Lips, John Legend, Lady Antebellum, Cyndi Lauper, Panic! At the Disco, Plain White T’s, They Might Be Giants and T.I., with an additional song by David Bowie and additional lyrics by Jonathan Coulton. The design team includes scenic and costume design by David Zinn, lighting design by Kevin Adams, projection design by Peter Nigrini and sound design by Walter Trarbach. Following its engagement in Chicago, the musical will open on Broadway in the 2016-2017 season. 1 Casting will be announced shortly. -
Software Crack
1 Foresights A glance into the crystal HE ORCH ball shows great things PMALSQJLLfc^^ for VU, city, page 10 2QQ3___ ymmJ&LM&Jk Tonight: Starry Night, 44° complete weather on pg. 2 SOFTWARE CRACK »• INSIDE EIS receives first complaint of copyright violations involving software News Becca Klusman only run a copy on a single machine, and two revenue for the company whose product has Legal Anniversary TORCH WRITER or more machines have copies with the same effectively been stolen. The VU violation, serial numbers, that, again, is convincing evi there was no exception. Electronic Information Services (EIS) dence of a violation," said Yohe. The accused student was sharing two received their first software copyright viola Adobe Products and one Macromedia product. tion complaint last week from the Business • • It is possible the The total cost of the programs, had they been Software Alliance (BSA). purchased via retail catalog, would have added "To this point, all the complaints had people running P2P up to $1,080. been related to music files," said Mike Yohe, software may be The only other time in VU history that a Executive Director of EIS. sharing private files software violation occurred was a number of According to their website, the BSA is years ago. EIS investigated an unusually high an organization dedicated to the promotion of without even knowing amount of outbound traffic on a faculty com School of Law celebrates a safe and legal digital world. They represent it." puter. some of the fastest growing digital companies 125 years of excellence MIKE YOHE The investigation revealed that the com in the world. -
Abstract Humanities Jordan Iii, Augustus W. B.S. Florida
ABSTRACT HUMANITIES JORDAN III, AUGUSTUS W. B.S. FLORIDA A&M UNIVERSITY, 1994 M.A. CLARK ATLANTA UNIVERSITY, 1998 THE IDEOLOGICAL AND NARRATIVE STRUCTURES OF HIP-HOP MUSIC: A STUDY OF SELECTED HIP-HOP ARTISTS Advisor: Dr. Viktor Osinubi Dissertation Dated May 2009 This study examined the discourse of selected Hip-Hop artists and the biographical aspects of the works. The study was based on the structuralist theory of Roland Barthes which claims that many times a performer’s life experiences with class struggle are directly reflected in his artistic works. Since rap music is a counter-culture invention which was started by minorities in the South Bronx borough ofNew York over dissatisfaction with their community, it is a cultural phenomenon that fits into the category of economic and political class struggle. The study recorded and interpreted the lyrics of New York artists Shawn Carter (Jay Z), Nasir Jones (Nas), and southern artists Clifford Harris II (T.I.) and Wesley Weston (Lii’ Flip). The artists were selected on the basis of geographical spread and diversity. Although Hip-Hop was again founded in New York City, it has now spread to other parts of the United States and worldwide. The study investigated the biography of the artists to illuminate their struggles with poverty, family dysfunction, aggression, and intimidation. 1 The artists were found to engage in lyrical battles; therefore, their competitive discourses were analyzed in specific Hip-Hop selections to investigate their claims of authorship, imitation, and authenticity, including their use of sexual discourse and artistic rivalry, to gain competitive advantage. -
2021 DRAFT RELEASE the OVERVIEW TIMINGDUUUVAL of DRAFTTHE ROUNDS 2021 the 86Th NFL Draft Will Kick Off at 8 P.M
2021 DRAFT RELEASE THE OVERVIEW TIMINGDUUUVAL OF DRAFTTHE ROUNDS 2021 The 86th NFL Draft will kick off at 8 p.m. ET on Thursday, April 29 The Jaguars will host fans at the Travelcamp RV DUUUVAL Draft with the Jaguars holding the No. 1 overall selection for the first time party, beginning at 6:30 p.m. on April 29. The draft party will return in franchise history. The second and third rounds will take place on to TIAA Bank Field so fans can watch the NFL Draft live on the world- Friday, April 30 at 7 p.m. ET with the final four rounds beginning on famous video boards. Gates open at 6:30 p.m., followed by live draft Saturday, May 1 at noon. The Jaguars enter the 2021 NFL Draft with analysis and interviews with Jaguars players. 10 total draft selections, including four in the top 50. 2021 DRAFT ORDER This year’s draft marks the first for Head Coach Urban Meyer and Pick Team 2020 Record W% the seventh for Trent Baalke as a general manager and first as the Jaguars GM. Baalke has held a top 10 pick twice in his career with 1. Jacksonville 1-15 .063 both players ultimately earning Pro Bowl honors within their first 2. New York Jets 2-14 .125 three seasons in the NFL. 3. San Francisco (via Miami) 6-10 .375 “I knew that this would be arguably the most important decision I’d 4. Atlanta 4-12 .250 be making, maybe in my lifetime” Owner Shad Khan said.