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Animation Secivres Issue ’s ANIMATION ISSUE SECIVRES SECIVRES DECEMBER 2012 CANADA POST AGREEMENT NUMBER 40050265 PRINTED IN CANADA USPS AFSM 100 Approved Polywrap CANADA POST AGREEMENT NUMBER 40050265 PRINTED IN USPS AFSM 100 Approved US$7.95 in the U.S. CA$8.95 in Canada US$9.95 outside of Canada & the U.S. A publication of Brunico Communications Ltd. KS.22343.FrimaSoldCover.indd 1 12-11-16 3:10 PM ’s ANIMATION SECIVRES SECIVRES CONTENTS DECEMBER 2012 PAGE 14 CGI Service houses move to streamline processes and keep costs down PAGE 24 STOP MOTION This century-old style continues to stand out from the crowd PAGE 20 2D More than ever, effi cient pipelines depend on the right software PAGE 9 3D STEREOSCOPIC Finding big opportunities on increasingly smaller screens PAGE 28 MIXED MEDIA Talent and tenacity combine to break new style ground AnimationServicesContents.indd 2 12-11-19 2:23 PM KS.22382.KaleidoMDA.indd 1 12-11-19 11:03 AM December 2012 • Volume 17, Issue 8 www.kidscreen.com VP & PUBLISHER Jocelyn Christie [email protected] EDITORIAL EDITORIAL Lana Castleman Editor [email protected] Kate Calder Features Editor [email protected] Gary Rusak Senior Writer [email protected] Jeremy Dickson Senior Online Writer NOW FOR SOMETHING [email protected] BUSINESS DEVELOPMENT COMPLETELY DIFFERENT AND ADVERTISING SALES (416) 408-2300, 1-800-KID-4512 Myles Hobbs Associate Publisher [email protected] Nathaniel Martin Account Manager [email protected] Jonathan Abraham Account Manager [email protected] Commissioning broadcasters are making no secret of the fact that they’re on Russell Willer Account Executive, Kidscreen Connect the hunt right now for animated projects that stand out visually from the crowd, [email protected] Vakis Boutsalis Marketing Coordinator namely the predominant forms of CGI or 2D squash-and-stretch that occupy a [email protected] good chunk of airtime on kidnets the world over. CREATIVE Sure those stand-out concepts start with arresting character designs and Creative Director Stephen Stanley equally intriguing storylines crafted by their creators, but it’s in the execution [email protected] Art Director Andrew Glowala where the balance of the life of those unique visions hangs—whether they fl our- [email protected] Production/Distribution Coordinator Robert Lines ish or fall fl at largely depends on the service providers a producer chooses. [email protected] And in this special Animation Services issue of Kidscreen, we turn the spot- AUDIENCE SERVICES light on a number of those innovative animation houses. For example, senior Director of Audience Services and Production online writer Jeremy Dickson takes a look at how CGI pioneer Polygon Pictures Jennifer Colvin [email protected] Manager, Audience Services in Japan keeps moving the style forward as an artform (p. 14) almost three de- Deborah Brewster [email protected] cades after the shop’s launch. Moving over to mixed-media, arguably where the CORPORATE most visually interesting projects are coming from right now, features editor Kate President & CEO Russell Goldstein [email protected] Calder delves into the multi-pronged production of CBBC and FremantleMedia’s VP & Editorial Director Mary Maddever new puppet-based series Strange Hill High. (Between this series and Disney XD’s [email protected] VP of Finance & Administration Linda Lovegrove Crash & Bernstein, I think we’re at the dawn of a new era in puppet-based shows [email protected] for tweens. Nick’s 2006 series Mr. Meaty may have been just a little too far ahead VP & Chief Information Officer Omri Tintpulver [email protected] of the curve.) I personally haven’t seen anything like it before, and was fascinated VP & Realscreen Publisher Claire Macdonald to learn how the puppetry elements are being blended with CGI and a host of [email protected] Customer care after-effects animation techniques to craft the creepy comedy. Finally, senior To order a subscription visit www.kidscreen.com/subscribe To make a change to an existing subscription, writer Gary Rusak’s piece on stop-motion animation (p. 24) serves as a great please contact us by e-mail: [email protected] Fax: 416.408.0249 Tel: 416.408.2448 reminder that productions can rise and fall on the amount of attention paid to the Subscription rates Kidscreen is published 7 times per year details and that price shouldn’t always be the determining factor in choosing an by Brunico Communications Ltd. In the US: One year US$89.00 Two years US$159.00 animation style or service provider. Single copy price in the US is US$7.95. Please allow four weeks for new subscriptions and address changes. And as we close the year out at Kidscreen, I’d like to end on a personal note. Postmaster Notification U.S. Postmaster, send undeliverables and address changes to: After six and a half years of ably covering all things kids TV, Kate will be leaving our Kidscreen PO BOX 1103 Niagara Falls NY 14304 Canadian Postmaster, send undeliverables and address changes to: fold. She’s not exiting the kids space, though, as she’s accepted a publicist posi- Kidscreen PO Box 369, Beeton ON L0G 1A0 Printed in Canada. Canada Post Agreement No. 40050265. tion with Corus Entertainment’s suite of children’s channels that includes YTV and ISSN number 1205-7746 Opinion columns appearing in Kidscreen do not necessarily reflect the Treehouse. We will miss her and wish her all the best in her new career. Speaking of views of the magazine or its parent company Brunico Communications Ltd. All letters sent to Kidscreen or its editors are assumed intended best wishes, here’s hoping that all of you have a happy holiday and a bright, shiny for publication. Kidscreen invites editorial comment, but accepts no responsibility for its loss, damage or destruction, howsoever arising, while in its offices, in transit or elsewhere. All material to be returned New Year. We’ll see you at Kidscreen Summit in February! must be accompanied by a self-addressed, stamped envelope. Nothing may be reproduced in whole or in part without the written permission of the publisher. © Brunico Communications Ltd. 2012 Cheers, ® Kidscreen is a registered trademark of Brunico Communications Ltd. Lana 4 KIDSCREEN’S ANIMATION SERVICES ISSUE 2012 AnimationServicesEditorial.indd 4 12-11-19 3:19 PM KS.22306.DubbingBrothers.indd 1 12-11-16 3:07 PM The year’s biggest kids e February 5-8 , 2013 • H Announcing our What would Homer do? Joel Cohen, Writer and Co-Executive Producer of The Simpsons, will kick off the conference program with a customized keynote presentation called “The Tao of Homer: Lessons in Creativity and Innovation from The Simpsons” that’s sure to make you laugh and think about your business in new ways. KEYNOTE SPONSORSHIP AVAILABLE! Email [email protected] for more info. $1,650 Early Bird Rate on now! Register before December 21 to save $100. KS.22390.KSS_DPS.indd 6 12-11-16 4:18 PM ds entertainment event • Hilton NY, New York keynote speaker! Add a Master Class for just $200! In addition to the general conference sessions that are included in your Kidscreen Summit registration, we will be offering six hands-on Master Classes on Friday, February 8. Attendees who are keen to pack more professional learning into their Summit week can take part in one of these sessions for an additional $200. High on Humor: Getting more laughs with your animated comedies Big-League Budgeting: A pro’s guide to better production planning Digital Dollars: Finding the real money in digital distribution Second-Screen Success: Mapping your IP’s digital media universe Showrunning Show & Tell: Producing kids series the US network way Income Property: Tapping into your IP’s back-end potential Each class is two hours long, with three running in the morning and three in the afternoon. So the maximum number of Master Classes that one person can participate in is two. Detailed descriptions of these sessions are available online at summit.kidscreen.com/2013/register. The year’s biggest gathering of kids entertainment decision-makers, Kidscreen Summit is the one event you can’t afford to miss if you’re in the business of entertaining children. Register today @ summit.kidscreen.com KS.22390.KSS_DPS.indd 7 12-11-16 4:18 PM Contact Natalie Lawley, [email protected], +61 428 326 277 Contact Content Sales KS.22404.ABC_Commercial.indd 1 12-11-19 3:21 PM 3D STEREOSCOPIC 3D STEREOSCOPIC Service house Tiny Island’s Dream Defenders now airs on US 3D channel 3net By Kate Calder 3D’s NEW DIMENSION While the small screen is Three years ago, James Cameron’s Avatar ushered in a new era of 3D stereoscopic entertainment. The fi lm wove a new currently the target for technology into the storytelling and grossed more than US$2.7 billion worldwide. It also kicked off a mass upgrade consumer electronics makers to 3D screens in movie theaters around the globe, with 3D- pushing 3D-enabled products, enabled screens jumping from approximately 12,000 in 2009 to almost 42,000 this year, according to media research fi rm it may be even smaller screens IHS Screen Digest. “As the big screens have converted, the demand for 3D like 3D tablets and phones content has started to draw content towards it,” says Michele that gives the production of Martell, COO at L.A.-based 3D live-action and animation house SD Entertainment. TV manufacturers are also rolling out bet- 3D stereoscopic kids content ter, cheaper 3D-capable sets (Screen Digest predicts 43 million 3D TV sets will be sold worldwide by year’s end) and glasses- the boost that producers and free, auto-stereographic sets are only a few years away from service houses working in the reaching the mass market.
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