Computer Art Internship Company List

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Career Development 136 W. 21st Street, 6th Floor New York, NY 10011 Tel: 212.592.2370 Email: [email protected] COMPUTER ART INTERNSHIP COMPANY LIST 1st Ave Machine Disney Animation Studios 4Kids Productions Ditlev Film ABC Dogmatic Inc. Adolescent Edit Beach Affinity Online Emerald City Productions Alter Image Estee Lauder Companies Ambitious Film Eyeball NYC Inc. Ambitious Media Eyebeam Art & Technology Center Americanbaby.com Federico Muelas Inc. Animorphous, Inc Filoxenia Holdings, Inc/Kellari Hospitality Anna Sheila Parrucho Group Arkadium Inc. Force Mass Acceleration (FMA) The Artery VFX Fox News Channel Avekta Productions Inc. Framestore Bedrocket Media Ventures Freestyle Collective Beehive FTS Consulting BET FTS Info Tech Betelgeuse Productions FURY BioDigital Systems Galaxy 61, Inc. Bionic NY gameLab. LLC. Blue Sky Studios Giella Design Inc. Bombastic, Inc. Graphiartist Studio Brainstorm Digital Gravity Brand New School HBO Brant Publications Headlight Bust Inc. Hogarth WW CathodeRay Club Inc. HOPR CBS Sports Hornet, Inc. Charged Studios Humble TV Charlex Hush Studios, Inc. Chatsby Films Icebreaker Entertainment, LLC. Click3x IKM Productions Creative Bubble Intelek The Criterion Collective Interactive Edge Curious Pictures IO Media Cybersapien Entertainment iVillage Dancing Diablo Kellari Hospitality Group Designomotion Kidsite 3000 Diary the Movie, LLC Large Animal Games Digital Kitchen Lifetime Television Digital Production Solutions Inc. LOBO Dirt Empire Look FX 209 East 23 Street, New York, NY 10010-3994 Tel 212.592.2370 Fax 212.206.6434 www.schoolofvisualarts.edu Career Development 136 W. 21st Street, 6th Floor New York, NY 10011 Tel: 212.592.2370 Email: [email protected] Lovett Productions Sony Online/Sony Corporation of America Lumiere Media, Inc. Sony Music Entertainment Madison Square Garden South Brunswick High School Manifesto Architecture P.C. Spark Productions MarchFirst Spark Productions Mark EFXS, Inc. Special Ops Marvel Entertainment, LLC Sticky Pictures MassMarket Strategic Group Meccanica The STUDIO Merci Media Super-Fi Michele Quinn/DePalma Productions, Inc. SUSPECT The Mill Threshold Digital The Molecule Tiny Mantis MPC Titmouse, Inc. Mr. Wonderful/Northern Lights Post Treehouse Animation MTV Networks Unified Field Muse Games Unitel Post 38 Nailgun Inc. Viacom Media Networks Nathan Love Warner Bros. Entertainment, Inc. Netomat, Inc. Weill Cornell Medical College NBC Universal The Wilderness LLC New Line Cinema WNEP-TV News 12 The Bronx Worlds Away Productions, Ltd. NFL Films Zing Magazine Oven Digital The Paley Center for Media Panoptic Paradigm Forge Pixel Generation Pixomondo LLC Platform Network Post Perfect Psyop Quietman Rabbit Content Random House Inc. RDF Media USA, Inc. Resident Reversible Destiny Foundation Rhino FX Roosevelt Island Operations Corporation Shilo Sibling Rivalry Sinovision, Inc. SMA-Realtime Socketnet.com The Solomon R. Guggenheim Museum 209 East 23 Street, New York, NY 10010-3994 Tel 212.592.2370 Fax 212.206.6434 www.schoolofvisualarts.edu .

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THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop.
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Commercials Issueissue
May 1997 • MAGAZINE • Vol. 2 No. 2 CommercialsCommercials IssueIssue Profiles of: Acme Filmworks Blue Sky Studios PGA Karl Cohen on (Colossal)Õs Life After Chapter 11 Gunnar Str¿mÕs Fumes From The Fjords An Interview With AardmanÕs Peter Lord Table of Contents 3 Words From the Publisher A few changes 'round here. 5 Editor’s Notebook 6 Letters to the Editor QAS responds to the ASIFA Canada/Ottawa Festival discussion. 9 Acme Filmworks:The Independent's Commercial Studio Marcy Gardner explores the vision and diverse talents of this unique collective production company. 13 (Colossal) Pictures Proves There is Life After Chapter 11 Karl Cohen chronicles the saga of San Francisco's (Colossal) Pictures. 18 Ray Tracing With Blue Sky Studios Susan Ohmer profiles one of the leading edge computer animation studios working in the U.S. 21 Fumes From the Fjords Gunnar Strøm investigates the history behind pre-WWII Norwegian animated cigarette commercials. 25 The PGA Connection Gene Walz offers a look back at Canadian commercial studio Phillips, Gutkin and Associates. 28 Making the Cel:Women in Commercials Bonita Versh profiles some of the commercial industry's leading female animation directors. 31 An Interview With Peter Lord Wendy Jackson talks with co-founder and award winning director of Aardman Animation Studio. Festivals, Events: 1997 37 Cartoons on the Bay Giannalberto Bendazzi reports on the second annual gathering in Amalfi. 40 The World Animation Celebration The return of Los Angeles' only animation festival was bigger than ever. 43 The Hong Kong Film Festival Gigi Hu screens animation in Hong Kong on the dawn of a new era.
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V I T O V I S C O
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How to Train Your Dragon Spy Next Door
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Benjamin R. Porcari Visual Effects Supervisor & Producer
BENJAMIN R. PORCARI VISUAL EFFECTS SUPERVISOR & PRODUCER FEATURES BEYOND SKYLINE (VFX Producer) Beyond The Mothership Prod: Matthew E. Chausse Dir: Liam O’Donnell MARSHALL (VFX Supervisor) Chestnut Ridge Productions Prod: Reginald Hudlin, Jonathan Sanger Dir: Reginald Hudlin MOTHER! (VFX Producer) Protozoa Pictures Prod: Darren Aronofsky, Scott Franklin, Dir: Darren Aronofsky Ari Handel AFTER THE SUN FELL (VFX Supervisor) Choice Films Prod: Tony Glazer, Summer Crockett Moore Dir: Tony Glazer LEAGUE OF GODS (VFX Producer) Bona Film Group Prod: Charles Heung Dir: Koan Hui BARBERSHOP: THE NEXT CUT (VFX Producer) Cube Vision Prod: Ice Cube, Robert Teitel, George Tillman Jr. Dir: Malcolm D. Lee THE GREAT GILLY HOPKINS (VFX Producer) Lionsgate Premiere Prod: Brian Kennedy, David Paterson, Dir: Stephen Herek John Paterson, William Teitler EMELIE (VFX Supervisor) Uncorked Productions Prod: Andrew Corkin Dir: Michael Thelin A MOST VIOLENT YEAR (VFX Producer) Before The Door Pictures Prod: J.C. Chandor, Neal Dodson, Anna Gerb Dir: J.C. Chandor TRASHMAN: THE ART OF SPAIN RODRIGUEZ Bernal Beach Films Dir: Susan Stern (Animation Director) HARRY POTTER AND THE PRISONER Warner Bros. Prod: Chris Columbus, David Heyman Dir: Alfonso Cuarón OF AZKABAN (VFX Producer) Lorne Orleans, Mark Radcliffe TELEVISION JULIE’S GREENROOM (Season 1) The Jim Hensen Company Prod: Tom Keniston, Joey Mazzarino, Dir: Joey Mazzarino (VFX Producer) Emma Walton Hamilton LONGMIRE (Season 4) (VFX Producer) Netflix Prod: Brad Davis Dir: James M. Muro MAJOR CRIMES (Season 4) (VFX Producer) Warner Bros. Television Prod: James Duff, Ronald Chung Dir: Michael M. Robin SUPERGIRL (Season 1) (VFX Producer) Berlanti Productions Prod: Greg Berlanti, Andrew Kreisberg Dir: Glen Winter FLESH AND BONE (Season 1) (VFX Producer) Starz Originals Prod: Lawrence Bender, Donna E.
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K I R K H E N D E R S
K i r k H e n d e r s o n 27 Rosemont Avenue San Anselmo, CA 94960 415 459-5181 • c 415 305-1342 [email protected] IMAGING CONSULTANT – WRITER - DIRECTOR Experienced professional working within a broad spectrum of the arts including feature films, television, games and advertising. Versed in motion graphics, keen timing sense, good written and verbal skills, team player, schedule conscious, comfortable in a fast paced environment, goal oriented. Can work in-house or from my studio space, well equipped for pixel and pencil. Software: Photoshop, After Effects, Illustrator, Final Cut Pro. INDEPENDENT (2001 – Present) 2015 FINN TAYLOR PRODUCTIONS – “UNLEASHED” (feature film) storyboards MEKANISM – “SELF/LESS” (feature film) storyboards TELLTALE GAMES “TALES FROM THE BORDERLANDS 4” (game) storyboards 2013-4 KING BOLDEN LLC – “BOLDEN!” (feature film) key production storyboard artist JONATHAN PARKER FILMS – “THE ARCHITECT” (feature film) conceptual designs RAZMATAZZ FILMWORKS – “SERPENT” (feature film) storyboards TEAK MOTION GRAPHICS - SONY PS4 (game pitches) Storyboards BODEGA STUDIOS – NEW YORK LIFE COMMERCIAL storyboard AT&T FOUNDRY – “TESLA,” “INMOTION,” “PGA” presentation artwork TUACAHN CENTER FOR THE ARTS – “STARLIGHT EXPRESS” storyboards and stage layouts 2012 ZYNGA – BATTLE DRAGONS (game) character and environmental concepts SPYPOST – “NBC SUNDAY NIGHT FOOTBALL” SHOW OPEN storyboards for animatics TUACAHN CENTER FOR THE ARTS – DISNEY’S “ALADDIN 3D” storyboards and stage layouts INVISION - SPECIAL OLYMPICS, EMC2 (webcasts) storyboard artist UBISOFT - ASSASSIN 3 (game) storyboard artist 2011 LIGHTSTREAM ANIMATION - “MILES ACROSS THE SEA” (PBS TV series) episode production storyboard artist SPOOKY COOL LABS - “THE WIZARD OF OZ” (game) character design concepts CURIOUS PICTURES - “EUREKA” (SYFY Channel TV series) storyboards – visual concepts MICROSOFT – SLATE (webcast) illustrations BISHOP CUBES (toy product) motion graphics 2010 “HEMINGWAY & GELLHORN” (feature film) motion graphics, storyboards IWIN INC.
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Kim Rygiel an Art Director, Illustrator and Designer Based in NYC with Over Fi Fteen Years Experience Working in Web, Animation and Print
Kim Rygiel An art director, illustrator and designer based in NYC with over fi fteen years experience working in web, animation and print. I specialize in women’s and children’s media, and I have a love for fashion, pets, crafting, gardening and food. PORTFOLIO www.papericecream.com | LINKEDIN http://www.linkedin.com/in/kimrygiel | EMAIL [email protected] EXPERIENCE Sesame Workshop Art Director | 2014 - present. • Art Direction and design for the Sesame Street Clinic Membership program in Japan, includes montly printed materials, products and clinic interior design • Lead a team of designers and freelancers in creating 48 interactive lessons and 12 units of printed materials for the Sesame Street Parent Child Series in China • Visual Design for multiple Sesame Street English 2.0 interactive lessons • UI / UX and Visual Design of the Sesame Street Smart Learning CMS • Sesame Street Portfolio and Sesame Street Parent Child Series Product B mobile app design • Sesame Street Parent Child Series responsive website design • Illustration, logo, package and promotional material design for various projects Freelance Design, Art Direction, Photo Styling | 2013 - 2014 Clients include Nickelodeon, Howcast, Random House, Weil Curious Pictures Background Designer | 2012–2013 Background designer for fourth season of the animated series Team Umizoomi on Nick Jr. Martha Stewart Living Omnimedia Senior Art Director | 2007–2012 Art Direction and design for MarthaStewart.com, MarthaStewartWeddings.com and WholeLiving.com • Conceptualized and designed
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Christophe Gwynne
Christophe Gwynne Summary: President, Rooster Founder and Big Bird. It was during a 2003 photo-documentary trip to Bangkok that the idea of creating Rooster took seed in Chris’ mind. Impressed by the production quality of the commercials he saw in the Asian market, Chris felt he could elevate the art form by bringing in creative talent from Hollywood and letting their imagination run wild in a new environment. With over 17 years of experience in post-production, he’s worked for some of the most respected names in the industry, representing some the world’s biggest brands, in many different capacities, from technical director, to project management, to creative direction and live action director. With dual American and Swiss citizenship, Chris was born in Greece and grew up in Latin America, Europe and Japan, before moving to the New York area for high school. Chris is the quintessential “citizen of the world.” A Boston University Film School graduate with a degree in Communications concentrating in ﬁlm, photography and art history he's been a computer graphics fanatic since discovering Space Invaders in Tokyo in 1979. If he wasn’t running his own post-production design studio, he’d be shooting photos for National Geographic. Chris has been a CG Supervisor in Los Angeles since the TV series South Park in 1997 and has gone on to work on features such as Matrix Revolutions, Hellboy, Elektra, Superman Returns and Ironman as well as participate in ground breaking commercial work as a designer/animator at studios such as Imaginary Forces, Logan, Buck, Stardust, Picture Mill and Prologue Films.
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Soul’ of Pixar’S Latest Featu
A Behind-the-Scenes Look at the Heart and ‘Soul’ of Pixar’s Latest Featu... https://blog.siggraph.org/2020/12/a-behind-the-scenes-look-at-the-heart-... About Since 1974, ACM SIGGRAPH has b fostering and celebrating innovation Computer Graphics and Interactive Techniques, building communities th invent, educate, inspire, and redefin computer graphics landscape. For m news and headlines, visit the ACM SIGGRAPH news feed. A statement on planning from the SIGGRAPH 2021 conference. Categories A Behind-the-Scenes Look at the Heart and ‘Soul’ of Pixar’s Latest 29 ACM SIGGRAPH Feature DEC 2020 Adaptive Technology by SIGGRAPH Conferences | posted in: Animation, Conferences, Film, Production | 0 Animation © Disney/Pixar Art “Soul,” which opened on Disney+ on 25 December 2020, tells the story of Joe Gardner, a middle school music teacher and aspiring jazz Augmented Reality performer whose soul separates from his body after an untimely accident. The film, which is Pixar’s first Black-led feature, was the Awards focus of several SIGGRAPH 2020 Talks presentations and was completed from a distance during the COVID-19 pandemic. We caught up with Pixar’s Michael Fong (supervising technical director) and Bill Watral (effects supervisor) to hear more about how they created Business the characters of “Soul,” the contrast between the settings of New York City and the astral world of the Great Beyond, the most Conferences impactful scenes, and what it was like to wrap a film while working remotely during the pandemic. Data SIGGRAPH: The characters in “Soul” are more abstract than other Pixar film characters. What techniques did you use to ensure the characters would appear “non-physical” and “formless”? How did this differ from other films you’ve worked on? Design Education Michael Fong (MF): The characters are really different for us.
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Joe Oberle VISUAL EFFECTS SUPERVISOR [email protected] Tel: 646.283.7767
Joe Oberle VISUAL EFFECTS SUPERVISOR www.josephoberle.com [email protected] Tel: 646.283.7767 Visual Effects Supervisor Pre Production- Visual Effects Supervision Script Breakdown, Pre-Viz, Storyboards. Participate In Pre-Production Meetings. Collaborate with Director/ Cinematographer On How To Efficiently Execute All VFX Shots. Provide Bidding, Scheduling and Budgeting. On Set- Visual Effects Supervision Assisting the Director and Cinematographer with Creative Visual Effects Decision Making On Set. Preparing VFX Elements, Green/Blue Screens, 2D Tracking Markers, 3D Matchmoves, Etc. On Set Still Photography DSLR, Reference Photography, Texture References, HDRI Spherical Panoramas, Plate Photography, Chrome/Grey Ball Data, Color Charts, Lens Distortion Grids. Shooting DSLR Photogrammetry, Drone Photogrammetry and knowledge in Lidar. Witness Camera Operator. Post- Visual Effects Supervision Extensive Review Of All Visual Effects Shots. Working Closely With Vendors, Visual Effects Artists, and Editorial To Deliver The Highest Quality Work. Engaging With Clients, Producers, Directors, Cinematographers And Creatives From Pre-Pro Meetings All The Way Through To Final Delivery. Excellent Organizational And Communication Skills. Visual Effects Artist Senior Compositor 16+ Years of Experience with Node Based/ Layer Based Compositing For Feature Films and Television. Digital Compositing. 2.5, Projections, 3D Space. Strong Understanding of Color, Light, Composition, Animation, Realism. Expertise Of Live Action Comping, Green/Blue Screen Keying,
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Jen Rudin, Csa Jen Rudin Casting Llc
JEN RUDIN, CSA JEN RUDIN CASTING LLC 917-446-7277 www.jenrudin.com [email protected] SUMMARY Award-Winning Casting Director, author and owner of Jen Rudin Casting, LLC with significant experience as a Studio Casting Executive at The Walt Disney Company, Casting Director and audition and career coach. HarperCollins/IT Books author, Confessions of a Casting Director. Background in discovering new talent for television, animated feature films and series, musicals, live action feature films, theater, commercials and video games. Expertise in iMovie, video editing, FastCast, casting workbook and cast it systems. Professional child actor prior to becoming a Casting Director. CASTING EXECUTIVE EXPERIENCE THE WALT DISNEY COMPANY, New York, NY and Burbank, CA 2002-2009 Director of Casting and Talent Development, Disney Theatrical Productions (2007-2009) Oversaw and unified the efforts of Producers and Casting Directors across all productions. · In charge of casting for the following successful Broadway shows and tours: The Lion King (Broadway company, two National tours, and original Las Vegas production), Mary Poppins (Broadway company, First National Tour), The Little Mermaid (Original Broadway Company), High School Musical (National Tour). Additional productions include: Peter and the Starcatchers (La Jolla Playhouse), Pippin (Mark Taper Forum) and developmental workshops for The Man in the Ceiling (Jules Feiffer & Andrew Lippa), and High School Musical 2. · Organized, advertised and implemented general open calls for children and adults in New York City and throughout the United States for domestic Disney stage productions. Worked in conjunction with marketing department to advertise and promote open calls in numerous cities across the United States. Successful talent searches resulted in identifying and hiring quality performers for numerous productions and all talent searches were executed in a timely manner and under budget.
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Curious Pictures Cyber Fix Digiscope Digital Visual
7323 Rondel Court San Diego, CA 92119. WALT DISNEY STUDIOS TEL: (800) 365-8433, (619) 644-3000. FAX: (619) 644-3001. email: [email protected] www.crystalpyramid.com WALT DISNEY ANIMATION STUDIOS PRESIDENT (Part of Walt Disney Studios) Mark Schulze 500 S. Buena Vista St., Burbank, CA 91521. PRODUCER & V.P. TEL: (818) 560-1000. www.disneyanimation.com Patty Mooney - [email protected] CHAIRMAN, WALT DISNEY STUDIOS MULTIMEDIA PRODUCER Alan F Horn Luke Jungers PRESIDENT, WALT DISNEY STUDIOS NEW & UNIQUE VIDEOS Alan Bergman EXECUTIVE V.P. & CHIEF TECHNOLOGY OFFICER WALT (Stock footage & distribution) DISNEY STUDIOS 7323 Rondel Ct., San Diego, CA 92119. Greg Brandeau TEL: (619) 644-3000. FAX: (619) 644-3001. email: [email protected] SENIOR V.P. COMMUNICATIONS, THE WALT DISNEY STUDIOS www.newuniquevideos.com Heidi Trotta PRODUCER & V.P. CO-FOUNDER, PIXAR ANIMATION STUDIOS, PRESIDENT, Patty Mooney WALT DISNEY & PIXAR ANIMATION STUDIOS Dr. Ed Catmull Quality stock footage at a great price. A subsidiary of Crystal CHIEF CREATIVE OFFICER, PIXAR & WALT DISNEY Pyramid Inc. ANIMATION STUDIOS, PRINCIPAL CREATIVE ADVISOR, CURIOUS PICTURES WALT DISNEY IMAGINEERING John Lasseter (Computer animation, cel and stop -motion animation) 440 Lafayette St., 6th Flr., New York, NY 10003. PIXAR ANIMATION STUDIOS TEL: (212) 674-1400. FAX: (212) 674-0081. (Wholly owned subsidiary of The Walt Disney Company since [email protected] Jan. 2006) [email protected] www.curiouspictures.com 1200 Park Ave., Emeryville, CA 94608. TEL: (510) 922-3000. MANAGING PARTNER FAX: (510) 922-3151. Marina Grasic - [email protected] CO-FOUNDER, PIXAR ANIMATIONS STUDIOS & SENIOR V.P. HEAD OF STUDIO PRESIDENT, PIXAR & WALT DISNEY ANIMATION STUDIOS Dr.
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