About Testing Intelligent Design at the Present Time and References About a Triune God
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__ __ _____ _____ _____ _____ ____ _ __ / / / / /_ _/ / ___/ /_ _/ / __ ) / _ \ | | / / / /__/ / / / ( ( / / / / / / / /_) / | |/ / / ___ / / / \ \ / / / / / / / _ _/ | _/ / / / / __/ / ____) ) / / / /_/ / / / \ \ / / /_/ /_/ /____/ /_____/ /_/ (_____/ /_/ /_/ /_/ _____ _____ _____ __ __ _____ / __ ) / ___/ /_ _/ / / / / / ___/ / / / / / /__ / / / /__/ / / /__ / / / / / ___/ / / / ___ / / ___/ / /_/ / / / / / / / / / / /___ (_____/ /_/ /_/ /_/ /_/ /_____/ _____ __ __ _____ __ __ ____ _____ / ___/ / / / / /_ _/ / / / / / _ \ / ___/ / /__ / / / / / / / / / / / /_) / / /__ / ___/ / / / / / / / / / / / _ _/ / ___/ / / / /_/ / / / / /_/ / / / \ \ / /___ /_/ (_____/ /_/ (_____/ /_/ /_/ /_____/ A TIMELINE OF THE MULTIVERSE Version 1.21 By K. Bradley Washburn "The Historian" ______________ | __ | | \| /\ / | | |/_/ / | | |\ \/\ / | | |_\/ \/ | |______________| K. Bradley Washburn HISTORY OF THE FUTURE Page 2 of 2 FOREWARD Relevant Notes WARNING: THIS FILE IS HAZARDOUS TO YOUR PRINTER'S INK SUPPLY!!! [*Story(Time Before:Time Transpired:Time After)] KEY TO ABBREVIATIONS AS--The Amazing Stories AST--Animated Star Trek B5--Babylon 5 BT--The Best of Trek DS9--Deep Space Nine EL--Enterprise Logs ENT--Enterprise LD--The Lives of Dax NE--New Earth NF--New Frontier RPG--Role-Playing Games S.C.E.--Starfleet Corps of Engineers SA--Starfleet Academy SNW--Strange New Worlds sQ--seaQuest ST--Star Trek TNG--The Next Generation TNV--The New Voyages V--Voyager WLB—Gateways: What Lay Beyond Blue italics - Completely canonical. Animated and live-action movies, episodes, and their novelizations. Green italics - Officially canonical. Novels, comics, and graphic novels. Red italics – Marginally canonical. Role-playing material, source books, internet sources. For more notes, see the AFTERWORD K. Bradley Washburn HISTORY OF THE FUTURE Page 3 of 3 TIMELINE circa 13.5 billion years ago * The Big Bang. - 
												
												Sayings & Stuff
F e r e n g I R u l e s O f A c q u i s i t i o n ? # RULE SOURCE 1 Once you have their money, you never give it back. (18) DS9: "The Nagus", "Heart of Stone" 2 The best deal is the one that brings the most profit. The 34th Rule (1999) (17) 2.1 Money is everything. (18) Strange New Worlds 9 (2006) (17) 3 Never spend more for an acquisition than you have to. DS9: "The Maquis, Part II" DS9: "The Nagus"; ENT: "Acquisition" 6 Never allow family to stand in the way of opportunity. (1) 7 Keep your ears open. DS9: "In the Hands of the Prophets" 8 Small print leads to large risk. Legends of the Ferengi (17) 9 Opportunity plus instinct equals profit. DS9: "The Storyteller" DS9: "Prophet Motive"; VOY: "False 10 Greed is eternal. Profits" 13 Anything worth doing is worth doing for money. (18) Legends of the Ferengi (17) 16 A deal is a deal. DS9: "Melora" (2) 17 A contract is a contract is a contract, but only between Ferengi. DS9: "Body Parts" 18 A Ferengi without profit is no Ferengi at all. DS9: "Heart of Stone" 19 Satisfaction is not guaranteed. Legends of the Ferengi (17) 21 Never place friendship above profit. DS9: "Rules of Acquisition" DS9: "Rules of Acquisition"; VOY: 22 A wise man can hear profit in the wind. "False Profits" Nothing is more important than your health, except for your money. 23 ENT: "Acquisition" (18) 27 There is nothing more dangerous than an honest businessman. - 
												
												Literariness.Org-Barbara-Gurr-Eds.-Race-Gender-And-Sexuality-In-Post-Apocalyptic-TV-And
Race, Gender, and Sexuality in Post-Apocalyptic TV and Film Also by Barbara Gurr Reproductive Justice: The Politics of Healthcare for Native American Women Race, Gender, and Sexuality in Post-Apocalyptic TV and Film Edited by Barbara Gurr RACE, GENDER, AND SEXUALITY IN POST-APOCALYPTIC TV AND FILM Selection and editorial content © Barbara Gurr 2015 Individual chapters © their respective contributors 2015 Softcover reprint of the hardcover 1st edition 2015 978-1-137-50150-9 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission. In accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6-10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published 2015 by PALGRAVE MACMILLAN The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire, RG21 6XS. Palgrave Macmillan in the US is a division of Nature America, Inc., One New York Plaza, Suite 4500, New York, NY 10004-1562. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. - 
												
												DOCUMENT RESUME ED 358 491 CS 503 190 AUTHOR Allen, Sheilah TITLE the World According to Gene Rodenberry. PUB DATE NOTE PUB TYPE
DOCUMENT RESUME ED 358 491 CS 503 190 AUTHOR Allen, Sheilah TITLE The World according to Gene Rodenberry. PUB DATE [93] NOTE 20p. PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MFO1 /PCO1 Plus Postage. DESCRIPTORS English Instruction; Higher Education; Instructional Innovation; *Mass Media Role; Mathematics Instruction; *Popular Culture; Science Instruction; Secondary Education; Time IDENTIFIERS Deep Space 9; *Star Trek; Star Trek the Next Generation; Story Concepts ABSTRACT A teacher of reading across the curriculum uses stories, many based on the television show "Star Trek"or its derivatives "Star Trek: The Next Generation" (STNG) and "Deep Space 9," to illustrate educational theories and practice,. Theteacher began a discussion of the nature of language, meaning and the significance of literacy by discussing an episode of STNG entitled "Darmok" in which an alien race spoke only in metaphor. Humor is present in many episodes of "Star Trek," as wellas concepts like the power of fear. Cultural differences are explored in a number of episodes of STNG. The teacher uses "Star Trek"as an introduction to a lesson and as an impetus for story writing. One of the most enduring qualities of the three series is their focuson problem solving, which can serve as demonstrations for students. The series are also used for teaching the technique of role playing. Episodes of STNG and of "Deep Space 9" can be used to teach contentareas such as English, mathematics, history, physics, chemistry, and biology: "Clues" involves an examination ofspace and time; "Drumhead" involves a Joe McCarthy-like investigator; "Cause and Effect" involves a time loop; "Time's Arrow," involving backward timetravel and Mark Twain; "Emissary" deals with guilt, responsibility,and explaining the nature of time to an immortal-ace; and "The Forsaken" which involves a "shape-shifting" character. - 
												
												ORDEM CRONOLÓGICA: 1ª Star Trek: the Original Series (1966-1969
ORDEM CRONOLÓGICA: 1ª Star Trek: The Original Series (1966-1969) 2ª Star Trek: The Next Generation (1987-1993) 3ª Star Trek: Deep Space Nine (1993-1999) 4ª Star Trek: Voyager (1995-2001) 5ª Star Trek: Enterprise (2001-2005) Jornada nas Estrelas: A Série Original (NCC-1701) Temporada 1 (1966-1967) 01. The Cage (1964) (A Jaula) -02. Where No Man Has Gone Before (1965) (Onde Nenhum Homem Jamais Esteve) 03. The Corbomite Maneuver (O Ardil Corbomite) 04. Mudds Women (As Mulheres de Mudd) 05. The Enemy Within (O Inimigo Interior) 06. The Man Trap (O Sal da Terra) 07. The Naked Time (Tempo de Nudez) 08. Charlie X (O Estranho Charlie) 09. Balance of Terror (O Equilíbrio do Terror) 10. What Are Little Girls Made Of? (E as Meninas, de que São Feitas?) 11. Dagger of the Mind (O Punhal Imaginário) 12. Miri (Miri) 13. The Conscience of the King (A Consciência do Rei) 14. The Galileo Seven (O Primeiro Comando) -15. Court Martial (Corte Marcial) 16. The Menagerie, Parts I & II (A Coleção, Partes I & II) 17. Shore Leave (A Licença) 18. The Squire of Gothos (O Senhor de Gothos) -19. Arena (Arena) 20. The Alternative Factor (O Fator Alternativo) 21. Tomorrow Is Yesterday (Amanhã é Ontem) 22. The Return of the Archons (A Hora Rubra) 23. A Taste of Armageddon (Um Gosto de Armagedon) 24. Space Seed (Semente do Espaço) 25. This Side of Paradise (Deste Lado do Paraíso) 26. The Devil in the Dark (Demônio da Escuridão) 27. Errand of Mercy (Missão de Misericórdia) 28. The City on the Edge of Forever (Cidade à Beira da Eternidade) 29. - 
												
												The Klingon Empire 1.1 – the Homeworld 4 1.2 – Important Places 5 1.3 – History of the Empire 6
INSTITUTE OF ALIEN STUDIES Klingon Warrior Academy Warrior’s Manual This document is a publication of STARFLEET Academy - A department of STARFLEET, The International Star Trek Fan Association, Inc. It is intended for the private use of our members. STARFLEET holds no claims to any trademarks, copyrights, or properties held by CBS Paramount Television, any of its subsidiaries, or on any other company's or person's intellectual properties which may or may not be contained within. The contents of this publication are copyright (c)2008 STARFLEET, The International Star Trek Fan Association, Inc. and the original authors. All rights reserved. No portion of this document may be copied or republished in any or form without the written consent of the Commandant, STARFLEET Academy or the original author(s). All materials drawn in from sources outside of STARFLEET are used per Title 17, Chapter 1, Section 107: Limitations on exclusive rights: Fair Use, of the United States code. The material as used is for educational purposes only and no profit is made from the use of the material. STARFLEET and STARFLEET Academy are granted irrevocable rights of usage of this material by the original author. Contributors: Larry French, Carol Thompson, and Wayne L. Killough, Jr., Gary Hollifield, Jr., Eric Schulman,Dewald de Coning, and George Pimentel Published October 2008 Revised March 2011 Updated October 2014 Material herein was copied or summarized from www.ditl.org , http://en.wikipedia.org/wiki/Klingon and linked pages, http://memory-alpha.org/en/wiki/ , http://startrek.wikia.com/wiki/Klingon , http://en.hiddenfrontier.com/index.php/Klingon , The Klingon Dictionary, Klingon for the Galactic Traveler, Star Trek Encyclopedia: Expanded Version, and various Star Trek episodes and licensed novels. - 
												
												Star Trek Generations
STARTREK.COM: Time Capsule Commentary: When a visitor entered the site's address into his browser, this "splash page" was the first thing he saw. At that time, a typical Internet user might be connected via a dial-up modem running at 2400 baud; today's 56k modems are 24 times faster, and broadband connections are faster still. Given those slow connection speeds, some sites offered two versions: a "graphics-rich" version with images, and a "text- only" version for those users who didn't want to wait for the graphics to download. For this presentation, only the "graphics-rich" version is available. STAR TREK GENERATIONS Enter one of the sites below to access a galaxy of exclusive Generations features. Star Trek Generations Web Site (graphics-rich) Star Trek Generations Web Site (text-only) About this Web site Star Trek (R) is a registered trademark of Paramount Pictures registered in the United States Patent and Trademark Office. TM and Copyright (C) 1995 by Paramount Pictures. ALL RIGHTS RESERVED http://www.startrek.com/custom/include/feature/specials/generations_site/GenerationsBegin.html10/30/2004 3:36:59 PM STARTREK.COM: Time Capsule Commentary: The site was presented in a format that would fit on a 640x480 monitor, typical of those in use at that time. There were no choices for background color or text style, so the site was black Times-font text on white. Links were bright blue, and once you visited them From Paramount Pictures... they turned purple. When a graphic link was STAR TREK GENERATIONS provided, it was common to also provide a text link for those visitors who chose to not display The "Star Trek" generations converge in "Star Trek Generations" starring Patrick Stewart and graphics in their browsers. - 
												
												Women at Warp Episode 97: Citizenship and Immigration in Star Trek [WAW Intro Plays] Jarrah: Hi, and Welcome to Women at Warp, A
Women at Warp Episode 97: Citizenship and Immigration in Star Trek [WAW intro plays] Jarrah: Hi, and welcome to Women at Warp, a Roddenberry Star Trek podcast. Join us as our crew of four women Star Trek fans boldly go on our biweekly mission to explore our favorite franchise. My name's Jarrah, and thanks for tuning in. Today with us we have crew member Grace… Grace: Hey, everybody! Jarrah: And we also have two very special guests, who I will introduce and get them to tell you a bit about themselves, starting with Shashank Avvaru.  Shashank: Hi! I'm not a woman but my mom is, so that's about the qualification I have to be on Women at Warp. This is very exciting! [laughter] Jarrah: Awesome! Well, we'll get you to tell us more about yourself a bit later, because there's more to you than that. But for now, our other guest is Michelle Zamanian. Michelle: Hi! Thank you for having me. Jarrah: You are very welcome. And so, I'll start with you, Michelle, can you tell us maybe a bit about yourself and how you got interested in Star Trek? Michelle: I just graduated with my MFA and I got into Star Trek when I was about 7 years old. I want to say that was around 90, 91. It was the first time I saw Star Trek and I fell instantly in love. It was like... exactly what I needed to see at that age, it was like a family coming together on the ship. - 
												
												Slings and Arrows 03: the Insolence of Office
Dedicated to “the next generation”- my nieces Jordan Teresa, Taylor Stephanie, and Madison Sophia The first time any man’s freedom is trodden on, we’re all damaged. - Captain Jean-Luc Picard, “The Drumhead” Rights! Rights! I’m sick to death of hearing about rights! - Commander Bruce Maddox, “The Measure of a Man” CHAPTER 1 “I hate you, Counselor.” Deanna Troi betrayed no outward reaction to this vitriolic outburst. It was, after all, part of her job, allowing herself to be the focus of her patients’ unguarded emotional releases, and then to help them recognize and redirect them in healthier ways. She had to admit, though, it was still jarring to hear such blunt invective from this particular patient. “Data, I know you don’t really mean that,” she told him in a quiet, soothing tone. Data’s expression almost instantly shifted from anger to regret. “You are correct; I do not.” He turned his head and looked up directly at her. “You are one of my dearest friends, Deanna. Please, forgive me.” Troi smiled kindly down at him where he lay on her couch. Normally, she preferred to conduct her sessions sitting face-to-face, in a more conversational manner. But Data had discovered this anachronistic arrangement in a Sigmund Freud holoprogram he’d consulted some years back, shortly after discovering his dream program, and it was the one he tended to favor. “Of course I forgive you, Data,” she assured him. “You know you are allowed to say anything you want here. But obviously, there must be something bothering you, for you to express yourself in such a way.” Data hesitated, and then slowly answered, “I do not wish to insult you, Counselor. - 
												
												Sebastian Stoppe „Tee, Earl Grey, Heiß.“ Star Trek Und Die Technisierte Gesellschaft
Sebastian Stoppe „Tee, Earl Grey, heiß.“ Star Trek und die technisierte Gesellschaft Originalfassung in: Fuhse, Jan A. (Hg.), Technik und Gesellschaft in der Sci- ence Fiction, Berlin, S. 94-111. Seite 94 Der Schöpfer der Science-Fiction-Serie Babylon 5 J. Michael Straczynski musste sich in einem Inter- view die Frage gefallen lassen, warum in seiner Serie die alltägliche Kommunikation noch über Hand- geräte abgewickelt würde. Schließlich sei es doch heute allgemein akzeptiert, dass so genannte Kom- munikatoren, die an die Brust geheftet werden, die vorherrschende Technologie der Zukunft sein wer- den.1 Diese Art von Technik, Kommunikatoren, tauchten zum ersten Mal 1987 in der Fernsehserie Star Trek: The Next Generation auf. In der Tat lösten sie in der Star Trek-Zeitlinie jene Handgeräte ab, die 1966 erstmals von Captain James T. Kirk und seiner Crew in Star Trek: The Original Series verwen- det wurden und die eine frappierende Ähnlichkeit mit den kleinen Mobiltelefonen der Gegenwart be- sitzen. Diese kleine Anekdote macht deutlich, wie sehr Star Trek im gesellschaftlichen Diskurs mit alltäglich benutzter Technik assoziiert wird und welche mächtige Position diese Science-Fiction-Serie in unserer Populärkultur einnimmt, dass sich sogar andere Science-Fiction-Serien, die in völlig anderen zukünf- tigen Parallelwelten spielen, nach ihr richten sollen. Ist Star Trek tatsächlich so von Technik dominiert, dass sich andere Serien danach richten sollen? Wie wird die Technisierung der Gesellschaft in Star Trek thematisiert? Welche Konsequenzen ergeben sich daraus? Und auf welche Weise reflektiert das Star Trek-Universum die technische Fortentwicklung der Gegenwart? Das Phänomen Star Trek Star Trek wurde 1966 von dem US-amerikanischen Drehbuchautor Gene Roddenberry erfunden und lief zunächst bis 1969 drei Staffeln lang, ehe es wegen zu schlechter Einschaltquoten abgesetzt wurde. - 
												
												Medienwissenschaft / Hamburg: Berichte Und Papiere
Medienwissenschaft / Hamburg: Berichte und Papiere 32, 2003: STAR TREK Bibliographie. Redaktion und Copyright dieser Ausgabe: Nina Rogotzki und Hans J. Wulff. Letzte Änderung: 6. Oktober 2002. Star Trek: Arbeitsbibliographie Zusammengestellt von Nina Rogotzki und Hans J. Wulff Eine erste Fassung der folgenden Bibliographie haben wir in: Faszinierend! STAR TREK und die Wissenschaften. 2. (hrsg. v. Nina Rogotzki [...]. Kiel: Ludwig 2003, S. 222-240) vorgestellt. Cinefantastique, Okt. 1992, pp. 32-105. • Ausführliche Vorschau auf die sechste Staffel. Mit vielen Interviews. Moviestar, Sonderband 5 (1996): STAR TREK: DEEP SPACE NINE. Science Fiction Studies 72 [=24,2], July 1997. STAR TREK: The Official Monthly Magazine 1ff (London), 1997ff. • German ed.: STAR TREK: Das offizielle Magazin 1ff (Stuttgart), 1998ff. Trek World (Augsburg). Alexander, David (1991) Gene Roddenberry: Writer, Producer, Philosopher, Humanist. In: The Humanist 51,2, March/April 1991, pp. 5-30, 38. Alexander, David (1994) STAR TREK Creator: The Authorized Biography of Gene Roddenberry. New York: Penguin (A ROC Book). • German: Gene Roddenberry. Der Schöpfer von STAR TREK. Die autorisierte Biographie. München: Heyne 1997. Altman, Mark A. / Gross, Edward (1995) THE NEXT GENERATION: Der Blick hinter die Kulissen. Königswinter. Amesley, Cassandra Elinor (1989) STAR TREK as Cultural Text: Proprietary Audiences, Interpretive Grammars, and the Myth of the Resisting Reader. Ph.D. Thesis, University of Iowa. • Dissertation Abstracts International 51/02-A, 1989, p. 329. • The author explores the gap between cultural studies as a theory of cultural practices and cultural studies as a commitment to intervene in cultural practices. The author uses STAR TREK and its audience as a case study, analyzes fan narratives, and explores how fans interpret the show, its meaning, and group viewing conduct. - 
												
												10 BOLD Jan 17
Firefox http://prtten04.networkten.com.au:7778/pls/DWHPROD/Program_Repor... SYDNEY PROGRAM GUIDE Sunday 17th January 2021 06:00 am Home Shopping (Rpt) Home Shopping 06:30 am Home Shopping (Rpt) Home Shopping 07:00 am Home Shopping (Rpt) Home Shopping 07:30 am Key Of David PG The Key of David, a religious program, covers important issues of today with a unique perspective. 08:00 am Bondi Forever (Rpt) CC PG Bondi Forever Bondi is the world's most popular beach. It's a beach that's had a profound influence on Australian culture and how we have developed as a nation. 09:00 am Mega Mechanics (Rpt) G What happens when mega-machines go down? It's up to the mega- mechanics to fix them! With huge structures, extreme locations & millions of dollars on the line if they don't repair the machines on time. 10:00 am One Strange Rock (Rpt) CC PG Shield Mature Themes It's a David and Goliath story - Earth's relationship with its greatest threat: the sun. Hurling devastating particles and deadly radiation at us, how can we survive here against the might of the sun? 11:00 am Scorpion (Rpt) CC PG Plutonium Is Forever Violence, To fix a Los Angeles nuclear reactor that's on the verge of a cataclysmic Coarse Language meltdown, Walter and the team must reluctantly enlist the help of a troubled former member. Starring: Elyes Gabel, Katharine McPhee, Robert Patrick, Ari Stidham, Eddie Kaye Thomas, Jadyn Wong 12:00 pm Scorpion (Rpt) CC PG True Colours Mild Coarse Team Scorpion must pass a mandated psych evaluation or face being Language disbanded after they're accused of destroying a priceless work of art.