Homer's Entangled Objects: Narrative, Agency and Personhood
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Summaries of the Trojan Cycle Search the GML Advanced
Document belonging to the Greek Mythology Link, a web site created by Carlos Parada, author of Genealogical Guide to Greek Mythology Characters • Places • Topics • Images • Bibliography • PDF Editions About • Copyright © 1997 Carlos Parada and Maicar Förlag. Summaries of the Trojan Cycle Search the GML advanced Sections in this Page Introduction Trojan Cycle: Cypria Iliad (Synopsis) Aethiopis Little Iliad Sack of Ilium Returns Odyssey (Synopsis) Telegony Other works on the Trojan War Bibliography Introduction and Definition of terms The so called Epic Cycle is sometimes referred to with the term Epic Fragments since just fragments is all that remain of them. Some of these fragments contain details about the Theban wars (the war of the SEVEN and that of the EPIGONI), others about the prowesses of Heracles 1 and Theseus, others about the origin of the gods, and still others about events related to the Trojan War. The latter, called Trojan Cycle, narrate events that occurred before the war (Cypria), during the war (Aethiopis, Little Iliad, and Sack of Ilium ), and after the war (Returns, and Telegony). The term epic (derived from Greek épos = word, song) is generally applied to narrative poems which describe the deeds of heroes in war, an astounding process of mutual destruction that periodically and frequently affects mankind. This kind of poetry was composed in early times, being chanted by minstrels during the 'Dark Ages'—before 800 BC—and later written down during the Archaic period— from c. 700 BC). Greek Epic is the earliest surviving form of Greek (and therefore "Western") literature, and precedes lyric poetry, elegy, drama, history, philosophy, mythography, etc. -
Historical Bronzes Catalogue
Historical Bronzes by Fernando Andrea Table of Contents FERNANDO ANDREA ......................................................................................... 5 BRONZE-01 “General Custer (Son of the Morning Star)” ......................... 6 P.BRONZE-01 “General Custer Polychromed Bronze” ............................. 10 BRONZE-02 “Lawrence of Arabia” ................................................................... 12 BRONZE-03 “Chasseur de la Garde” .............................................................. 16 BRONZE-04 “Napoléon à Fontainebleau” ................................................... 20 BRONZE-04S “Napoléon à Fontainebleau (small)” .................................... 24 BRONZE-05 “Le Capitaine, 1805” ............................ ........................................ 26 BRONZE-06 “Banner” .................................................. ........................................ 30 P.BRONZE-06 “Banner Polychromed Bronze” .... ........................................ 33 BRONZE-07 “Le Roi Soleil, 1701” ............................. ........................................ 34 BRONZE-08 “Officier d’Artillerien de la Garde Impériale, 1809” .......... 38 NEWS ................................................................................ ........................................ 42 WORKSHOP ................................................................... ........................................ 44 Fernando Andrea He was born in Madrid, Spain, in 1961 and Fernando is also an accomplished musician received his early -
The Evolution of Power and Politics in the Mycenaean World and Its Reflection in the Homeric Epic: the Iliad
Near East University (NEU) Faculty of Economics and Administrative Sciences Department of International Relations The Evolution of Power and Politics in the Mycenaean World and its Reflection in the Homeric Epic: the Iliad By: Nicolaie A. Şorodoc We certify that the thesis is satisfactory for the award of the Degree of Master of International Relations Examining committee: Prof. Dr. Levent Köker Faculty of Law, Department of Law, NEU Prof. Dr. Jouni Suistola Faculty of Economics and Administrative Sciences, Department of International Relations, NEU Assoc. Prof. Dr. Ali Efdal Özkul Faculty of Education, Department of History Teaching, NEU Approval of the Graduate School of Social Sciences Prof. Dr. Aykut Polatoğlu 1 Jury Report June, 2010 Student Info: Full Name Nicolaie Alin Şorodoc Faculty Economics and Administrative Sciences Institution Near East University Department International Relations Thesis Info: Title: The Evolution of Power and Politics in the Mycenaean World and its Reflection in the Homeric Epic the Iliad Abstract: This study tries to go beyond the boundaries of present day issues and examine the evolution of power and politics of the Mycenaean people during the Bronze Age. At each stage, be it big-man leadership, chiefdom or state based society I examine how power and social complexity increases and what were the reasons behind such a phenomenon. I start with some few considerations regarding developments during the Neolithic and Early Bronze Age and then I jump to the question of the “coming of the Greeks.” I argue that any explanation of the political life shall start from early stages; it is only then that we might get a measured insight in respect to the workings of political and social institutions. -
Sons and Fathers in the Catalogue of Argonauts in Apollonius Argonautica 1.23-233
Sons and fathers in the catalogue of Argonauts in Apollonius Argonautica 1.23-233 ANNETTE HARDER University of Groningen [email protected] 1. Generations of heroes The Argonautica of Apollonius Rhodius brings emphatically to the attention of its readers the distinction between the generation of the Argonauts and the heroes of the Trojan War in the next genera- tion. Apollonius initially highlights this emphasis in the episode of the Argonauts’ departure, when the baby Achilles is watching them, at AR 1.557-5581 σὺν καί οἱ (sc. Chiron) παράκοιτις ἐπωλένιον φορέουσα | Πηλείδην Ἀχιλῆα, φίλωι δειδίσκετο πατρί (“and with him his wife, hold- ing Peleus’ son Achilles in her arms, showed him to his dear father”)2; he does so again in 4.866-879, which describes Thetis and Achilles as a baby. Accordingly, several scholars have focused on the ways in which 1 — On this marker of the generations see also Klooster 2014, 527. 2 — All translations of Apollonius are by Race 2008. EuGeStA - n°9 - 2019 2 ANNETTE HARDER Apollonius has avoided anachronisms by carefully distinguishing between the Argonauts and the heroes of the Trojan War3. More specifically Jacqueline Klooster (2014, 521-530), in discussing the treatment of time in the Argonautica, distinguishes four periods of time to which Apollonius refers: first, the time before the Argo sailed, from the beginning of the cosmos (featured in the song of Orpheus in AR 1.496-511); second, the time of its sailing (i.e. the time of the epic’s setting); third, the past after the Argo sailed and fourth the present inhab- ited by the narrator (both hinted at by numerous allusions and aitia). -
THE ARGONAUTIKA He'd Gone on His Vain Quest with Peirithoos: That Couple Would Have Made Their Task's Fulfillment Far Easier for Them All
Book I Starting from you, Phoibos, the deeds ofthose old-time mortals I shall relute, who by way ofthe Black Sea's mouth and through the cobalt-dark rocks, at King Pelias 's commandment, in search of the Golden Fleece drove tight-thwarted Argo. For Pelias heard it voiced that in time thereafter a grim fate would await him, death at the prompting of the man he saw come, one-sandaled, from folk in the country: and not much later-in accordance with your word-Jason, fording on foot the Anauros's wintry waters, saved from the mud one sandal, but left the other stuck fast in the flooded estuary, pressed straight on to have his share in the sacred feast that Pelias was preparing for Poseidon his father, and the rest of the gods, though paying no heed to Pelasgian Hera. The moment Pelias saw him, he knew, and devised him a trial of most perilous seamanship, that in deep waters or away among foreign folk he might lose his homecoming. ,\row singers before 7ny time have recounted how the vessel was fashioned 4 Argos with the guidance of Athena. IW~cctIplan to do now is tell the name and farnib of each hero, describe their long voyage, all they accomplished in their wanderings: may the Muses inspire mnj sinpng! First in our record be Orpheus, whom famous Kalliope, after bedding Thracian Oikgros, bore, they tell us, 44 THE XRGONAUTIKA hard by Pimpleia's high rocky lookout: Orpheus, who's said to have charmed unshiftable upland boulders and the flow of rivers with the sound of his music. -
Horse Motifs in Folk Narrative of the Supernatural
HORSE MOTIFS IN FOLK NARRATIVE OF THE SlPERNA TURAL by Victoria Harkavy A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Master of Arts Interdisciplinary Studies Committee: ___ ~C=:l!L~;;rtl....,19~~~'V'l rogram Director Dean, College of Humanities and Social Sciences Date: ~U_c-ly-=-a2..!-.:t ;LC>=-----...!/~'fF_ Spring Semester 2014 George Mason University Fairfax, VA Horse Motifs in Folk Narrative of the Supernatural A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at George Mason University by Victoria Harkavy Bachelor of Arts University of Maryland-College Park 2006 Director: Margaret Yocom, Professor Interdisciplinary Studies Spring Semester 2014 George Mason University Fairfax, VA This work is licensed under a creative commons attribution-noderivs 3.0 unported license. ii DEDICATION This is dedicated to my wonderful and supportive parents, Lorraine Messinger and Kenneth Harkavy. iii ACKNOWLEDGEMENTS I would like to thank my committee, Drs. Yocom, Fraser, and Rashkover, for putting in the time and effort to get this thesis finalized. Thanks also to my friends and colleagues who let me run ideas by them. Special thanks to Margaret Christoph for lending her copy editing expertise. Endless gratitude goes to my family taking care of me when I was focused on writing. Thanks also go to William, Folklore Horse, for all of the inspiration, and to Gumbie, Folklore Cat, for only sometimes sitting on the keyboard. iv TABLE OF CONTENTS Page Abstract .............................................................................................................................. vi Interdisciplinary Elements of this Study ............................................................................. 1 Introduction ........................................................................................................................ -
BSA Annual Report 2012-2013
The British School at Athens Annual Report 2012–2013 THE BRITISH SCHOOL AT ATHENS REGISTERED CHARITY NO. 208673 www.bsa.ac.uk PATRON HRH The Prince of Wales CHAIR OF COUNCIL Professor M. Schofield, FBA DIRECTOR Professor C. A. Morgan, OBE, MA, PhD Co-editor of the Annual ATHENS Odos Souedias 52 FRIENDS OF THE BSA (UK) GR 106 76 Athens Hon. Secretaries Professor P. M. Warren School Office Tel: 0030–211–102 2800 Claremont House Fax: 0030–211–102 2803 5 Merlin Haven E-Mail: [email protected] Wotten-under-Edge Fitch Laboratory Tel: 0030–211–102 2830 GL12 7BA E-Mail: [email protected] Friends of the BSA Tel: 0030–211–102 2806 Miss M.-C. Keith E-Mail: [email protected] 12 Sovereign Court 51 Gillingham Street KNOSSOS The Taverna London Villa Ariadne SW1V 1HS Knossos, Herakleion GR 714 09 Crete THE BRITISH SCHOOL AT Tel: 0030–2810–231 993 ATHENS FOUNDATION, USA Fax: 0030–2810–238 495 President Mr L. H. Sackett E-Mail: [email protected] Groton School Box 991 LONDON 10–11 Carlton House Terrace Groton MA 01450 London 8W1Y 5AH Tel: 001–978–448–5205 Tel: 0044–(0)20–7969 5315 Fax: 001–978–448–2348 E-Mail: [email protected] E-mail: [email protected] PUBLICATIONS Co-editor of the Annual Dr S. Sherratt E-Mail: [email protected] Editor of Supplementary Dr O. Krzyszkowska, MA, FSA Volumes/Studies THE BRITISH SCHOOL AT ATHENS Chairman’s Report With the death of Hector Catling last February, the British School at fifth decade; and the course for schoolteachers he began was in the Athens has lost one of its most faithful and distinguished servants in 2012–13 session successfully restructured to meet the needs of more all its long history. -
Maria Marshall Au Affaire De Famille» Un Texte Sur Charles Des Médicis), La Nourriture, Il Nous Livre Dans Les Dynamisme Ambiant
Trimestriel d'actualité d'art contemporai n : avril.mail.juin 2013 • N°61 • 3 € L u c T u y m a n s , © F b B l u u e r x l e g N L a 9 ï e i e u / P è 2 - w B g . d 1 P s e e e 7 . l 0 X g d i é q p u ô e t Sommaire Edito « ... Et si je vieillis seule et sale je n’oublierai jamais dial. Dans ce cadre prestigieux où l’art et le luxe que l’Art est ma seule nourriture ». C’est la dernière sont rois, j’ai eu l’occasion de croiser un galeriste 2 Édito . Dogma, un projet de ville. Focus sur une strophe de l’autoportrait écrit à la main de Manon philosophe. Le galeriste NewYorkais m’a surpris agence d’architecture un peu particulière, 3 Michel Boulanger.Jalons, un texte de Bara qui fait la cover de FluxNews. Un élan sous par la teneur de son discours. Ironisant sur sa posi - par Carlo Menon. Yves Randaxhe. forme de rayon de soleil dans le petit monde de l’art tion de plus en plus marginalisée face à la montée en 21 Suite d’On Kawara par Véronique Per - d’aujourd’hui. La petite entreprise de Manon ne puissance d’une galerie comme Gagosian qui grâce 4 Concentration de galeries dans le haut riol. connaît pas la crise, elle carbure à l’essentiel... L’art à ses nombreuses succursales occupe plus de trois de Bruxelles, texte de Colette Dubois. -
PIAFFE in ENGLISH Totilas Or
PIAFFE IN ENGLISH magazine translation for the international reader 2010/1 magazine page 4 Totilas Or: Mr. Gal’s Big Appearance By Karin Schweiger took risks during his performance. Even though he could not prevent mistakes within Gold, silver, bronze – in 2009, the Dutch riders the flying changes at every stride, the entire decided the European championship dressage audience was enchanted by jet-black Totilas freestyle titles among themselves. Edward Gal and his prodigious movements. made history by achieving an all-time high of 90.70 points and opening the door to new His victory was a given and at no point in spheres of grading. The audience – and not danger. Totilas had earned it. 90.70 points! No just the Dutch spectators – was beyond itself one had believed this sound barrier could ever watching the battle between the three top be breached – it has been done, however. Gal contestants from the Netherlands. This was won gold which represents his first ever major the first time the stadium had ever been sold title. Dressage fans may decide for themselves out; tension could not have been built up in a if Erik Lette, president of the judges present, is more dramatic way: First, current winners of right by saying the following: “This was the the Classic Tour Adelinde Cornelissen and best competition we have ever seen. So many Parzival had to set the pace. Their great horses – and from various nations at performance included highstepping passages, that. It will prove beneficial for the future of a wonderfully impulsive extended trot and our sport.” All of the above is based on the rhythmic double pirouettes. -
From Boston to Rome: Reflections on Returning Antiquities David Gill* and Christopher Chippindale**
International Journal of Cultural Property (2006) 13:311–331. Printed in the USA. Copyright © 2006 International Cultural Property Society DOI: 10.1017/S0940739106060206 From Boston to Rome: Reflections on Returning Antiquities David Gill* and Christopher Chippindale** Abstract: The return of 13 classical antiquities from Boston’s Museum of Fine Arts (MFA) to Italy provides a glimpse into a major museum’s acquisition patterns from 1971 to 1999. Evidence emerging during the trial of Marion True and Robert E. Hecht Jr. in Rome is allowing the Italian authorities to identify antiquities that have been removed from their archaeological contexts by illicit digging. Key dealers and galleries are identified, and with them other objects that have followed the same route. The fabrication of old collections to hide the recent surfacing of antiquities is also explored. In October 2006 the MFA agreed to return to Italy a series of 13 antiquities (Ap- pendix). These included Attic, Apulian, and Lucanian pottery as well as a Roman portrait of Sabina and a Roman relief fragment.1 This return is forming a pattern as other museums in North America are invited to deaccession antiquities that are claimed to have been illegally removed from Italy. The evidence that the pieces were acquired in a less than transparent way is beginning to emerge. For example, a Polaroid photograph of the portrait of Sabina (Appendix no. 1) was seized in the raid on the warehousing facility of Giacomo Medici in the Geneva Freeport.2 Polaroids of two Apulian pots, an amphora (no. 9) and a loutrophoros (no. 11), were also seized.3 As other photographic and documentary evidence emerges dur- ing the ongoing legal case against Marion True and Robert E. -
THRESHING FLOORS AS SACRED SPACES in the HEBREW BIBLE by Jaime L. Waters a Dissertation Submitted to the Johns Hopkins Universit
THRESHING FLOORS AS SACRED SPACES IN THE HEBREW BIBLE by Jaime L. Waters A dissertation submitted to The Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland August 2013 © 2013 Jaime L. Waters All Rights Reserved ABSTRACT Vital to an agrarian community’s survival, threshing floors are agricultural spaces where crops are threshed and winnowed. As an agrarian society, ancient Israel used threshing floors to perform these necessary activities of food processing, but the Hebrew Bible includes very few references to these actions happening on threshing floors. Instead, several cultic activities including mourning rites, divination rituals, cultic processions, and sacrifices occur on these agricultural spaces. Moreover, the Solomonic temple was built on a threshing floor. Though seemingly ordinary agricultural spaces, the Hebrew Bible situates a variety of extraordinary cultic activities on these locations. In examining references to threshing floors in the Hebrew Bible, this dissertation will show that these agricultural spaces are also sacred spaces connected to Yahweh. Three chapters will explore different aspects of this connection. Divine control of threshing floors will be demonstrated as Yahweh exhibits power to curse, bless, and save threshing floors from foreign attacks. Accessibility and divine manifestation of Yahweh will be demonstrated in passages that narrate cultic activities on threshing floors. Cultic laws will reveal the links between threshing floors, divine offerings and blessings. One chapter will also address the sociological features of threshing floors with particular attention given to the social actors involved in cultic activities and temple construction. By studying references to threshing floors as a collection, a research project that has not been done previously, the close relationship between threshing floors and the divine will be visible, and a more nuanced understanding of these spaces will be achieved. -
Volume 16 Winter 2014
Volume 16 Winter 2014 Tomb 6423 At right, the Below is the A Digger’s View: lastra sealing chamber as The Tomb of the Hanging the chamber found at the The perspective of a field Aryballos, Tarquinia shown in situ. moment of archaeologist by Alessandro Mandolesi Above it is the opening, by Maria Rosa Lucidi another lastra on the back The University of Turin and the possibly reut- wall a little The discovery of the tomb of the Superintendency for the Archaeological ilzed spolia aryballos still “hanging aryballos" has aroused great Heritage of Southern Etruria have been interest among the public in both Italy taken from hangs on its investigating the Tumulus of the Queen and internationally. The integrity of the original nail. and the necropolis surrounding it, the the tumulus unviolated tomb is definitely one of the Doganaccia, since 2008. The excava- of the queen, (photographs reasons for the attention it has received. tions have brought forth many important which stands by Massimo The uniqueness is even more pro- and unexpected results, thanks to subse- nearby. Legni). nounced when one considers that since quent research, and the infor- the second half of the nine- mation relating to the differ- teenth century the English ent phases of its use has made traveler George Dennis it possible to clarify many blamed the inability to recov- obscure points about the great er the contexts from intact era of the monumental tumuli chamber tombs in Etruscan at Tarquinia. Tarquinia on repeated looting Archaeologists working since ancient times. The