Issn 1848-6762
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Book of Abstracts
BORDERS AND CROSSINGS TRAVEL WRITING CONFERENCE Pula – Brijuni, 13-16 September 2018 BOOK OF ABSTRACTS BORDERS AND CROSSINGS 2018 International and Multidisciplinary Conference on Travel Writing Pula-Brijuni, 13-16 September 2018 BOOK OF ABSTRACTS Published by Juraj Dobrila University of Pula For the Publisher Full Professor Alfio Barbieri, Ph.D. Editor Assistant Professor Nataša Urošević, Ph.D. Proofreading Krešimir Vunić, prof. Graphic Layout Tajana Baršnik Peloza, prof. Cover illustrations Joseph Mallord William Turner, Antiquities of Pola, 1818, in: Thomas Allason, Picturesque Views of the Antiquities of Pola in Istria, London, 1819 Hugo Charlemont, Reconstruction of the Roman Villa in the Bay of Verige, 1924, National Park Brijuni ISBN 978-953-7320-88-1 CONTENTS PREFACE – WELCOME MESSAGE 4 CALL FOR PAPERS 5 CONFERENCE PROGRAMME 6 ABSTRACTS 22 CONFERENCE PARTICIPANTS 88 GENERAL INFORMATION 100 NP BRIJUNI MAP 101 Dear colleagues, On behalf of the Organizing Committee, we are delighted to welcome all the conference participants and our guests from the partner institutions to Pula and the Brijuni Islands for the Borders and Crossings Travel Writing Conference, which isscheduled from 13th till 16th September 2018 in the Brijuni National Park. This year's conference will be a special occasion to celebrate the 20thanniversary of the ‘Borders and Crossings’ conference, which is the regular meeting of all scholars interested in the issues of travel, travel writing and tourism in a unique historic environment of Pula and the Brijuni Islands. The previous conferences were held in Derry (1998), Brest (2000), Versailles (2002), Ankara (2003), Birmingham (2004), Palermo (2006), Nuoro, Sardinia (2007), Melbourne (2008), Birmingham (2012), Liverpool (2013), Veliko Tarnovo (2014), Belfast (2015), Kielce (2016) and Aberystwyth (2017). -
485 Svilicic.Vp
Coll. Antropol. 37 (2013) 4: 1327–1338 Original scientific paper The Popularization of the Ethnological Documentary Film at the Beginning of the 21st Century Nik{a Svili~i}1 and Zlatko Vida~kovi}2 1 Institute for Anthropological Research, Zagreb, Croatia 2 University of Zagreb, Academy of Dramatic Art, Zagreb, Croatia ABSTRACT This paper seeks to explain the reasons for the rising popularity of the ethnological documentary genre in all its forms, emphasizing its correlation with contemporary social events or trends. The paper presents the origins and the de- velopment of the ethnological documentary film in the anthropological domain. Special attention is given to the most in- fluential documentaries of the last decade, dealing with politics: (Fahrenheit 9/1, Bush’s Brain), gun control (Bowling for Columbine), health (Sicko), the economy (Capitalism: A Love Story), ecology An Inconvenient Truth) and food (Super Size Me). The paper further analyzes the popularization of the documentary film in Croatia, the most watched Croatian documentaries in theatres, and the most controversial Croatian documentaries. It determines the structure and methods in the making of a documentary film, presents the basic types of scripts for a documentary film, and points out the differ- ences between scripts for a documentary and a feature film. Finally, the paper questions the possibility of capturing the whole truth and whether some documentaries, such as the Croatian classics: A Little Village Performance and Green Love, are documentaries at all. Key words: documentary film, anthropological topics, script, ethnographic film, methods, production, Croatian doc- umentaries Introduction This paper deals with the phenomenon of the popu- the same time, creating a work of art. -
Croatia: Submerged Prehistoric Sites in a Karstic Landscape 18
Croatia: Submerged Prehistoric Sites in a Karstic Landscape 18 Irena Radić Rossi, Ivor Karavanić, and Valerija Butorac Abstract extend as late as the medieval period. In con- Croatia has a long history of underwater sequence, the chronological range of prehis- archaeological research, especially of ship- toric underwater finds extends from the wrecks and the history of sea travel and trade Mousterian period through to the Late Iron in Classical Antiquity, but also including inter- Age. Known sites currently number 33 in the mittent discoveries of submerged prehistoric SPLASHCOS Viewer with the greatest num- archaeology. Most of the prehistoric finds ber belonging to the Neolithic or Bronze Age have been discovered by chance because of periods, but ongoing underwater surveys con- construction work and development at the tinue to add new sites to the list. Systematic shore edge or during underwater investiga- research has intensified in the past decade and tions of shipwrecks. Eustatic sea-level changes demonstrates the presence of in situ culture would have exposed very extensive areas of layers, excellent conditions of preservation now-submerged landscape, especially in the including wooden remains in many cases, and northern Adriatic, of great importance in the the presence of artificial structures of stone Palaeolithic and early Mesolithic periods. and wood possibly built as protection against Because of sinking coastlines in more recent sea-level rise or as fish traps. Existing discov- millennia, submerged palaeoshorelines and eries demonstrate the scope for new research archaeological remains of settlement activity and new discoveries and the integration of archaeological investigations with palaeoenvi- I. R. Rossi (*) ronmental and palaeoclimatic analyses of sub- Department of Archaeology, University of Zadar, merged sediments in lakes and on the seabed. -
GLAZBA I POP KULTURA 80-Ih U JUGOSLAVIJI
GLAZBA I POP KULTURA 80-ih U JUGOSLAVIJI Periša, Antonija Undergraduate thesis / Završni rad 2018 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek / Sveučilište Josipa Jurja Strossmayera u Osijeku, Akademija za umjetnost i kulturu u Osijeku Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:251:309501 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-23 Repository / Repozitorij: Repository of the Academy of Arts and Culture in Osijek Sveučilište Josipa Jurja Strossmayera u Osijeku Akademija za umjetnost i kulturu Preddiplomski studij Kulturalni menadžment Antonija Periša GLAZBA I POP KULTURA 80-ih U JUGOSLAVIJI Završni rad Osijek, 2018. Sveučilište Josipa Jurja Strossmayera u Osijeku Akademija za umjetnost i kulturu Preddiplomski studij Kulturalni menadžment Antonija Periša GLAZBA I POP KULTURA 80-ih U JUGOSLAVIJI Završni rad Kolegij: Povijest hrvatske kulture 2 JMBAG: 601983 11 0344002506 3 e-mail: [email protected] Mentor: doc.dr.sc. Vladimir Rismondo Osijek, 2018. Josip Juraj Strossmayer University of Osijek Academy of Arts Undergraduate Study of cultural management Antonija Periša MUSIC AND POP CULTURE OF THE 80s IN YUGOSLAVIA Final paper Osijek, 2018. Sažetak Popularna kultura se može definirati na nekoliko različitih načina, ovisno o razdoblju, pogledu na kulturu i o nizu drugih čimbenika. Najbolje se može opisati kao kultura koja je dostupna svima i koja je široko rasprostranjena te je najzastupljenija u masovnim medijima kao što su film, glazba, televizija, šport i slično. Ona može biti opisana kao nešto što je trenutno moderno, kao nešto što ljudi trenutno vole, slušaju, čitaju te se upravo zbog te činjenice ne može svrstati u samo jedno razdoblje hrvatske povijesti niti u jedno razdoblje općenito. -
239 Postanak I Razvoj Novog Vala Na Području Bivše
POSAAK AZVOJ NOVO ALA NA PODRUČJU BIVŠE JUGOSLAVIJE Filozofski fakultet u Splitu, Odsjek za povijest E-mail: [email protected] Mihaljević Jurković Novi val vrsta je glazbe koja se pojavila u Velikoj Britaniji i u SAD-u 70-ih godina prošlog stoljeća. Iako prisutan već od druge polovice 70-ih, novi će val potaknuti veličanstveni uzlet bendova poklonika tog žanra, kao što su Azra, Prljavo kazalište, Film, Haustor na hrvatskoj, odnosno Električni orgazam, Šarlo akrobata i Idoli na srpskoj sceni. Ti su ljudi kreirali novu i drugačiju povijest, novu i drugačiju supkulturu koja je nesumnjivo utjecala na mlade generacije onog vremena. Prodor novog žanra u komunističke je zemlje, zbog njihove izoliranosti od zapadnih modernih utjecaja bio otežan, u nekim gotovo i nemoguć. Koji je to bitni element ili koji su to bitni elementi koji su otvorili vrata Jugoslavije Zapadu unatoč njezinoj orijentaciji? U kakvim se političkim prilikama razvijao i koliko je područja obuhvatio, odnosno je li se odnosio samo i isključivo na glazbu? Naposljetku, ne možemo se ne zapitati, upoznati sa situacijom na istoku i centru Europe, zašto je jedan tvrdokorni komunistički režim tolerirao buntovnost, samoizražavanje i slobodu rocka. Ovaj članak problematizira navedenu tematiku. Ključne riječi: novi val, 80-e, Jugoslavija, Polet, Azra, Pankrti, Prljavo kazalište, Branimir Štulić Johnny, Darko Rundek, Haustor, Bijelo dugme, Laibach Povijest noo aa Novi val u francuskoj kinematografiji s kraja 0- sineastima, nije se od samih početaka odnosio na glazbu. Naime, taj je pojam bio poznat novi val ih godina prošlog stoljeća po mladim dru odnosno mladim inovativnim predstavnicima umjetnosti. Osim što je zaslužan za gačije shvaćanje francuske kinematografije u smislu ideja o efikasnijoj i jeftinijoj glazbi.647 proizvodnji i metodama, dao je poticaj promjenama u drugim umjetnostima, naročito u Tijekom kasnih 70-ih i ranih 0- novog vala punka i rocka. -
The Potential for Luxury Resort Developments in Croatia
The Potential for Luxury Resort Developments in Croatia Arlett Oehmichen, Associate HVS HOSPITALITY SERVICES 7-10 Chandos Street London W1G 9DQ UK Tel: 02078787747 Fax: 02078787799 NORTH AMERICA ‐ Atlanta | Boston | Boulder | Chicago | Dallas | Denver | Mexico City | Miami | New York | Newport, RI | San Francisco | Toronto | Vancouver | Washington, D.C. | EUROPE ‐ Athens | London | Madrid | Moscow | ASIA ‐ Beijing | Hong Kong | Mumbai | New Delhi | Shanghai | Singapore | SOUTH AMERICA ‐ Buenos Aires | São Paulo | MIDDLE EAST ‐ Dubai HVS International The Potential for Luxury Resort Developments in Croatia 1 The Potential for Luxury Resort Developments in Croatia This report is produced by the London office of HVS International Arlett Oehmichen October 2007 Introduction An unspoilt nature, numerous cultural sites, more than 1,100 islands, a mild Mediterranean climate, a strong economic recovery in recent years, the expected accession to the EU and a lack of luxury accommodation make Croatia the current hotspot for resort development in the Mediterranean Basin. This article will highlight the potential for resort developments but also the possible downsides. Country Snapshot The Republic of Croatia is a central European and a Mediterranean Croatia country. It borders Slovenia to the west, Hungary to the north, Serbia to the east and Bosnia-Herzegovina to the south. Croatia has a long coastline on the Adriatic Sea, and its borders total 2,028 km. The Location of Croatia HVS International The Potential for Luxury Resort Developments in Croatia 2 Since the end of the war in 1995, Croatia’s economy and tourism have been constantly growing. In 2006, Croatia experienced GDP growth of 4.8% on the previous year. -
ACFC 2Nd State Report Croatia
April 2004 ACFC/SR/II(2004)002 SECOND REPORT SUBMITTED BY CROATIA PURSUANT TO ARTICLE 25, PARAGRAPH 1 OF THE FRAMEWORK CONVENTION FOR THE PROTECTION OF NATIONAL MINORITIES (Received on 13 April 2004) ACFC/SR/II(2004)002 Table of contents: INTRODUCTION .............................................................................................................. 6 PART I.............................................................................................................................. 11 From the report of the Ministry of Justice ........................................................................ 11 From the report of the Office for National Minorities of the Government of the Republic of Croatia .......................................................................................................................... 20 From the report of the Commission on Relations with Religious Communities.............. 34 From the report of the Central State Administration Bureau............................................ 38 From the report of the Ministry of Foreign Affairs .......................................................... 38 From the report of the Ministry of Science, Education and Sports .................................. 38 Albanian national minority ............................................................................................... 43 PART II............................................................................................................................. 46 Answers to the Questionnaire of the Advisory -
Novi Val U Glazbi Kao Odgovor Na Društveno-Politiĉke Promjene U Jugoslaviji 1980-Ih Godina
Sveuĉilište u Zagrebu Filozofski fakultet Odsjek za povijest DIPLOMSKI RAD Tema: Novi val u glazbi kao odgovor na društveno-politiĉke promjene u Jugoslaviji 1980-ih godina Student: Nino Mihaljek Mentor: Hrvoje Klasić, dr. sc. Vlastoruĉni potpis: U Zagrebu, rujan 2015. _________________ SADRŢAJ 1. UVOD……………………………………………………………………………….3 2. ZAHVALE……………………………………………………………….................4 3. DRUŠTVENO-POLITIĈKA SITUACIJA U JUGOSLAVIJI KRAJEM 70-IH GODINA…………………………………………………………………….5 4. OBILJEŢJA PUNK GLAZBE…………………………………………………. 10 5. VAŢNOST BIJELOG DUGMETA ZA RAZVOJ DOMAĆE ROCK GLAZBE………………………………………………………………………….. 12 6. POJAVA PRVE JUGOSLAVENSKE ALTERNATIVNE GRUPE – BULDOŢER……………………………………………………………………… 14 7. RAZVOJ JUGOSLAVENSKOG PUNKA……………………………………....17 7.1. Pojava Pankrta i stvaranje ljubljanske punk scene……………………………17 7.2. Razvoj riječke punk scene – Paraf i Termiti…………………………………...23 7.3. Prljavo kazalište i formiranje zagrebačke punk scene………………………...32 8. FORMIRANJE ZAGREBAĈKE NOVOVALNE SCENE……………………..40 8.1. Azra…………………………………………………………………………….40 8.2. Film i Haustor………………………………………………………………….48 9. POJAVA I RAZVOJ BEOGRADSKOG NOVOG TALASA………………….53 10. BEOGRADSKI NOVOTALASNI BENDOVI………………………………....57 10.1. Električni orgazam…………………………………………………………...57 10.2. Idoli…………………………………………………………………………...61 11. ZAKLJUĈAK……………………………………………………………………65 12. SAŢETAK………………………………………………………………………. 67 13. BIBLIOGRAFIJA……………………………………………………………….68 2 1.Uvod IzmeĊu druge polovice 70-ih i sredine 80-ih godina 20. stoljeća, u Jugoslaviji se, pod utjecajem svjetskih dogaĊanja, -
Vizualni Identitet Glazbene Produkcije Novoga Vala (1977
Sveučilište u Zagrebu Filozofski fakultet Odsjek za povijest umjetnosti Vizualni identitet glazbene produkcije novoga vala (1977. - 1987.) Diplomski rad mentor: dr. sc. Frano Dulibić, red. prof. studentica: Kora Girin Zagreb, 2016. Sadržaj 1. Uvod........................................................................................................................................3 1. 1. Problem definicije i periodizacije glazbenoga žanra novoga vala ............................... 3 1.2. Pitanje novovalnoga senzibiliteta ................................................................................... 8 1.3. Novi val i postmodernizam...........................................................................................13 1.4. Glazbeni spot i televizija kao arhetipske postmodernističke forme. Primjeri novovalnih glazbenih spotova......................................................................................................................15 1.5. Grafički dizajn i postmodernistička estetika ................................................................ 21 2. Punk......................................................................................................................................23 2.1. Punk i vizualni identitet punka u svijetu.......................................................................23 2.2.Punk u Jugoslaviji ......................................................................................................... 26 2.3.Vizualni identitet slovenskoga punka .......................................................................... -
Theorising Return Migration
MAX WEBER PROGRAMME EUI Working Papers MWP 2011/20 MAX WEBER PROGRAMME THE SILENT REPUBLIC: POPULAR MUSIC AND NATIONALISM IN SOCIALIST CROATIA Dean Vuletic EUROPEAN UNIVERSITY INSTITUTE, FLORENCE MAX WEBER PROGRAMME The Silent Republic: Popular Music and Nationalism in Socialist Croatia DEAN VULETIC EUI Working Paper MWP 2011/20 This text may be downloaded for personal research purposes only. Any additional reproduction for other purposes, whether in hard copy or electronically, requires the consent of the author(s), editor(s). If cited or quoted, reference should be made to the full name of the author(s), editor(s), the title, the working paper or other series, the year, and the publisher. ISSN 1830-7728 © 2011 Dean Vuletic Printed in Italy European University Institute Badia Fiesolana I – 50014 San Domenico di Fiesole (FI) Italy www.eui.eu cadmus.eui.eu Abstract This paper explores the development of popular music and its relationship to the political situation in Croatia and Yugoslavia from 1945 to 1991, and how global musical trends were used to construct and reinvent Croatian and Yugoslav cultural and political identities. It begins with a discussion of the suppression of patriotic music in the early decades of socialist Yugoslavia, when the regime attempted to create a supranational culture that would unify Yugoslavia’s constituent nations. It then analyses the national cultural revival in Croatia in the late 1960s that prompted a political movement known as the Croatian Spring, when the pop singer Vice Vukov incorporated Croatian patriotic themes into his songs. In the years following the crushing of the Croatian Spring in 1971, Croatian nationalism was again suppressed in politics and music, and because of this stifling of political opposition Croatia was dubbed “the silent republic.” For the rest of the 1970s the political function of pop and rock music was reflected in its glorification of Yugoslavia and its leader, Josip Broz Tito. -
ACTA HISTRIAE 24, 2016, 3, Pp
ACTA HISTRIAE ACTA ACTA HISTRIAE 24, 2016, 3 24, 2016, 3 ISSN 1318-0185 Cena: 11,00 EUR UDK/UDC 94(05) ACTA HISTRIAE 24, 2016, 3, pp. 463-688 ISSN 1318-0185 UDK/UDC 94(05) ISSN 1318-0185 Zgodovinsko društvo za južno Primorsko - Koper Società storica del Litorale - Capodistria ACTA HISTRIAE 24, 2016, 3 KOPER 2016 ACTA HISTRIAE • 24 • 2016 • 3 ISSN 1318-0185 UDK/UDC 94(05) Letnik 24, leto 2016, številka 3 Odgovorni urednik/ Direttore responsabile/ Darko Darovec Editor in Chief: Uredniški odbor/ Gorazd Bajc, Furio Bianco (IT), Flavij Bonin, Dragica Čeč, Lovorka Comitato di redazione/ Čoralić (HR), Darko Darovec, Marco Fincardi (IT), Darko Friš, Aleksej Board of Editors: Kalc, Borut Klabjan, John Martin (USA), Robert Matijašić (HR), Darja Mihelič, Edward Muir (USA), Egon Pelikan, Luciano Pezzolo (IT), Jože Pirjevec, Claudio Povolo (IT), Vida Rožac Darovec, Andrej Studen, Marta Verginella, Salvator Žitko Urednika/Redattori/ Editors: Gorazd Bajc, Urška Lampe Prevodi/Traduzioni/ Translations: Urška Lampe (angl., slo.), Gorazd Bajc (it.) Lektorji/Supervisione/ Language Editor: Urška Lampe (angl., slo.), Gorazd Bajc (it.) Stavek/Composizione/ Typesetting: Grafis trade d.o.o. Izdajatelj/Editore/ Published by: Zgodovinsko društvo za južno Primorsko / Società storica del Litorale© Sedež uredništva/Sede della redazione/ Address of Editorial Board: SI-6000 Koper/Capodistria, Kreljeva/Via Krelj 3, e-mail: [email protected], internet: http://www.zdjp.si/ Tisk/Stampa/Print: Grafis trade d.o.o. Naklada/Tiratura/Copies: 300 izvodov/copie/copies Finančna podpora/ Supporto finanziario/ Javna agencija za raziskovalno dejavnost Republike Slovenije / Slovenian Financially supported by: Research Agency Slika na naslovnici/ Foto di copertina/ Picture on the cover: Nedelja v Peroju / Domenica a Peroi / Sunday in Peroj – August Tischbein, August Selb: Memorie di un viaggio pittorico nel litorale austriaco (Trieste 1842) Redakcija te številke je bila zaključena 16. -
New Wave in Yugoslavia: Socio-Political Context Udc 316.723:78(497.11)
FACTA UNIVERSITATIS Series: Philosophy, Sociology, Psychology and History Vol. 12, No1, 2013, pp. 69 - 83 NEW WAVE IN YUGOSLAVIA: SOCIO-POLITICAL CONTEXT UDC 316.723:78(497.11) Jelena Božilović University of Niš, Faculty of Philosophy, Serbia E-mail: [email protected] Abstract. This paper analyzes the social and political implications of a popular culture music trend known as New Wave in SFRY. This trend was created in Great Britain and USA by the end of the 1970's but it "moved" to our country, as well, due to its opennes to Western culture. The Yugoslav New Wave was not a sheer copy of the Western trend but it managed to create its own original music expression becoming a phenomenon of one generation. The most popular new wave bands (Prljavo kazalište, Azra, Haustor, Film, Lajbah, Šarlo akrobata, Električni orgazam, Idoli) left a significant mark on the society, generation and the whole epoch not only in the sense of the music they created but also in the social, cultural and political sense. The New Wave was an avant-gard music trend whose ideals were reflected in simple musical forms, characteristic ideological engagement, visual presentations (music album covers and posters) and particularly in their lyrics full of irony, allusions and metaphors in relation to the establishment of the time. The paper compares the Western and Yugoslav new wave and punk music with a reference to their achievements and influence which is still present in contemporary culture. Key words: New Wave, Subculture, SFRY, Socialist ideology, Urban culture INTRODUCTION The new music trend, known as New Wave, originated in Great Britain and the Unated States of America in the late 1970s.