New on Naxos the World’S Leading Classical Music Label

Total Page:16

File Type:pdf, Size:1020Kb

New on Naxos the World’S Leading Classical Music Label 25years NEW ON NAXOS The World’s Leading Classical Music Label MARCH 2012 Also Available on Blu-ray Audio This Month’s Other Highlights © 2012 Naxos Rights International Limited · Contact Us: [email protected] www.naxos.com · www.classicsonline.com · www.naxosmusiclibrary.com NEW ON NAXOS | MARCH 2012 © Doug Houghton 8.572348 Playing Time: 68:03 7 47313 23487 5 Peter MAXWELL DAVIES (b 1934) Symphony No 1 • Mavis in Las Vegas BBC Philharmonic • Peter Maxwell Davies Peter Maxwell Davies’s visionary music has gained him a knighthood, the prestigious position of Master of the Queen’s Music and a leading position among the foremost composers of our time. The two works on this disc, authoritatively conducted by the composer, show two sides of his remarkable musical imagination. The First Symphony is permeated by the presence of the sea and the haunting landscape of his home in the Orkney Islands, while the vibrant theme and variations Mavis in Las Vegas is an exuberant ‘tribute’ to the glitzy gambling capital of the world, in all its hyper-reality. Universally acknowledged as one of the foremost composers of our time, Sir Peter Maxwell Davies has made a significant contribution to musical history through his wide-ranging and prolific output. He lives in the Orkney Islands off the north coast of Scotland, where he writes most of his music. His substantial chamber and instrumental catalogue includes the landmark cycle of ten string quartets, the Naxos Quartets, described in the Financial Times as ‘one of the most impressive musical statements of our time’. Companion Titles 8.557396 8.557397 8.557398 8.557399 8.557400 RECORDING OF GRAMOPHONE THE MONTH EDITOR’S CHOICE 8 10 © John Batten 2 NEW ON NAXOS | MARCH 2012 570893bk SarasateVP3:570034bk Hasse 21/12/11 9:05 PM Page 4 to Los pájaros owes a great debt to Saint-Saëns, while the Les Adieux, Op. 9, is a tender duet. It was written for violin writing, with its myriad of bird-like harmonic Sarasate’s first true love, Marie Lefébure-Wély and is effects, is brilliantly evocative. Compare the inspiration obviously autobiographical in music and in feeling; a sad SARASATE of Sarasate’s Los pájaros to other works of the same genre conclusion to young love, but a fitting ending to this and the listener comes away with admiration of Sarasate collection. the composer. Joseph Gold Boléro • Sérénade andalouse Tianwa Yang Introduction et fandango 8.570893 Playing Time: 78:55 In concert and recital Tianwa Yang is winning unprecedented international reviews as she takes the stage as one of the most impressive young violinists of Prière et berceuse • Airs écossais 7 47313 08937 6 today. She studied the violin from the age of four and at ten was accepted by Lin Pablo SARASATE (1844-1908) Yaoji at the Central Conservatory of Music in Bejing. Hong Kong media Music for Violin and Piano, Vol 3 Tianwa Yang, Violin Tianwa Yang, violin • Markus Hadulla, piano subsequently described her as “A Pride Of China”. She was awarded the Volkswagen Foundation prize Star of Tomorrow by Seiji Ozawa and the Prix Repertoire • Boléro, Op 30 • Zortzico d’Iparraguirre, Op 39 • Sérénade andalouse, Op 10 • Adiós montañas mias – Danse espagnole, Op 37 • Montblanc 2006. Her mentors are Jörg-Wolfgang Jahn and Anner Bylsma. Markus Hadulla, Piano Le Sommeil, Op 11 • Rêverie, Op 4 • Introduction et fandango, Op 40 • Fantaisie-Caprice • Prière et berceuse, Op 17 • Confidences – Romance Photo: Friedrun Reinhold International symphonic débuts have taken her to the United States, Europe, sans paroles, Op 7 • Caprice sur Mireille de Gounod, Op 6 • Airs écossais, Singapore, Taiwan and China. In recital she has performed at the Berlin Op 34 • Los pájaros de Chile • Les Adieux, Op 9 Philharmonic Hall, and the Wigmore Hall, London. At the age of thirteen she Tianwa Yang’s admired and revelatory Sarasate series continues with recorded the 24 Caprices of Paganini, making her the youngest interpreter of this a volume of captivatingly melodic compositions. Given Sarasate’s © Friedrun Reinhold prodigious status in the violin pantheon, technical demands on the demanding work and in 2004 she began her collaboration with Naxos, recording performer are often – but not universally – constant. But so too is his unfailing gift for lyricism, whether in the elegant Boléro, the balletic the first two volumes of eight of the complete works of Sarasate. Sérénade andalouse or the aria-like Rêverie. The dazzling bowing difficulties in the Fantaisie-Caprice are thrilling, and so are the bird call harmonics of Los pájaros de Chile, written during a South American tour Markus Hadulla and only very recently published. Born in Cologne, the pianist Markus Hadulla began his studies in the Lieder class In concert and recital Tianwa Yang is winning unprecedented international of Mitsuko Shirai and Hartmut Höll in Karlsruhe, continuing at the Paris reviews as she takes the stage as one of the most impressive young violinists of today. International symphonic débuts have taken her to the Conservatoire National Supérieur de Musique and subsequently at Yale with the United States, Europe, Singapore, Taiwan and China. In recital she has performed at the Berlin Philharmonic Hall, and the Wigmore Hall, London. Hungarian pianist Peter Frankl. He won the prize for best Lieder accompanist at the Seventh International Hugo Wolf Competition in Stuttgart in 1994 and was Companion Titles invited by Dietrich Fischer-Dieskau to join his Lieder class in Berlin. Other Photo: Myriam Mersy influences on his musical development were Elisabeth Schwarzkopf and Ralf Gothóni. He has collaborated with a number of well-known singers, vocal ensembles, writers and actors, as well as with instrumentalists and chamber 8.557767 8.570192 8.572216 8.572275 ensembles, and has appeared at venues and major halls throughout the world. After teaching several years at the Hanns Eisler Musikhochschule in Berlin, he C now holds a teaching post for Lieder at the Karlsruhe Staatliche Hochschule für © Myriam Mersy Musik. He gives regular master-classes for Lieder and chamber music, and M Markus Hadulla serves as Artistic Director of the wort+ton concert series in Winnenden, Germany, which features an innovative combination of literature and music. Markus Hadulla has a large number of recordings, broadcasts and television Y appearances to his credit. 3 K 8.570893 4 572747 bk Alwyn EU_572747 bk Alwyn EU 23/12/2011 11:17 Page 1 NEW ON NAXOS | MARCH 2012 RNCM Wind Orchestra Clark Rundell WIND BAND CLASSICS The RNCM Wind Orchestra is one of Photo: Paul Cliff Clark Rundell is currently Director of Contemporary Music at the Royal several large scale ensembles that make Northern College of Music in Manchester. He studied at Northwestern up the wide diversity of music making at University, Chicago, studying conducting with John Paynter and trombone the Royal Northern College of Music in with Frank Crisafulli of the Chicago Symphony Orchestra. He regularly Manchester, one of the world’s leading conducts the Royal Liverpool Philharmonic Orchestra and the contemporary WILLIAM ALWYN music conservatoires. Bands, ensembles group, Ensemble 10:10. and orchestras from the college have been active for many years in giving concerts, both within the college, at venues in Great Film Music Britain and on international tours. These groups have also made an increasing number of commercial recordings for Royal Northern College of Music Wind Orchestra 572747 bk Alwyn EU_572747 bk Alwynleading EU record23/12/2011 companies. 11:17 Page 1 8.572747 Playing Time: 69:46 Clark Rundell • Mark Heron 7 47313 27477 2 William ALWYN (1905-85) • Film Music Royal Northern College of Music Wind Orchestra RNCM Wind Orchestra Clark Rundell † Clark Rundell* • Mark Heron WIND BAND CLASSICS The RNCM Wind Orchestra is one of Clark Rundell is currentlyRepertoire Director• The Crimson of PirateContemporary – Overture† • The Music History at of theMr Polly Royal Photo: Paul Cliff – Suite* • The Way Ahead – March* • State Secret – Suite* • The Million © Paul Cliff RNCM Wind Orchestra several large scale ensembles that make Northern College Poundof Music Note – inWaltz Manchester.† • Swiss Family RobinsonHe studied – Suite †at • The Northwestern True Glory – up the wide diversity of music making at University, Chicago,March studying† • Geordie conducting – Suite* • In Search with ofJohn the Castaways Paynter – Suiteand† •trombone Desert the Royal Northern College of Music in with Frank CrisafulliVictory of –the Suite Chicago† Symphony Orchestra. He regularly All arrangements by Martin Ellerby Manchester, one of the world’s leading conducts the Royal Liverpool Philharmonic Orchestra and the contemporary William Alwyn was a consummate film composer, as capable of creating WILLIAM ALWYN music conservatoires. Bands, ensembles group, Ensemble 10:10. and orchestras from the college have been powerful marches as he was atmospheric waltzes. In these exciting arrangements by Martin Ellerby for wind band, the full variety of Alwyn’s active for many years in giving concerts, inspiration can be appreciated. There is the romantic allure of the both within the college, at venues in Great overture to The Crimson Pirate, the compact, brilliant characterisation of Film Music Mark Heron The History of Mr Polly and the suite from Geordie, with its seductive use Britain and on international tours. These of familiar Scottish melodies. The scores for The Way Ahead and Desert groups have also made an increasing Victory convey action with superb and stirring effectiveness. number of commercial recordings for Mark Heron studied at the RoyalRoyal Scottish Northern Academy ofCollege Music of Music Wind Orchestra ThePhoto: RNCM Wind Paul Orchestra Cliff is one of several large scale ensembles leading record companies. that make up the wide diversity of andmusic making Drama at the Royal and Northern the Royal Northern College of Music, where College of Music (RNCM) in Manchester, one of the world’s leading music Clark Rundell • Mark Heron conservatoires.
Recommended publications
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Vol. 17, No. 4 April 2012
    Journal April 2012 Vol.17, No. 4 The Elgar Society Journal The Society 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] April 2012 Vol. 17, No. 4 President Editorial 3 Julian Lloyd Webber FRCM ‘... unconnected with the schools’ – Edward Elgar and Arthur Sullivan 4 Meinhard Saremba Vice-Presidents The Empire Bites Back: Reflections on Elgar’s Imperial Masque of 1912 24 Ian Parrott Andrew Neill Sir David Willcocks, CBE, MC Diana McVeagh ‘... you are on the Golden Stair’: Elgar and Elizabeth Lynn Linton 42 Michael Kennedy, CBE Martin Bird Michael Pope Book reviews 48 Sir Colin Davis, CH, CBE Lewis Foreman, Carl Newton, Richard Wiley Dame Janet Baker, CH, DBE Leonard Slatkin Music reviews 52 Sir Andrew Davis, CBE Julian Rushton Donald Hunt, OBE DVD reviews 54 Christopher Robinson, CVO, CBE Richard Wiley Andrew Neill Sir Mark Elder, CBE CD reviews 55 Barry Collett, Martin Bird, Richard Wiley Letters 62 Chairman Steven Halls 100 Years Ago 65 Vice-Chairman Stuart Freed Treasurer Peter Hesham Secretary The Editor does not necessarily agree with the views expressed by contributors, Helen Petchey nor does the Elgar Society accept responsibility for such views. Front Cover: Arthur Sullivan: specially engraved for Frederick Spark’s and Joseph Bennett’s ‘History of the Leeds Musical Festivals’, (Leeds: Fred. R. Spark & Son, 1892). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. A longer version is available in case you are prepared to do the formatting, but for the present the editor is content to do this.
    [Show full text]
  • 2110520Fb Tuscany
    NAXOS HIGH-DEFINITION AUDIO DISC This unique programme is the first time that all the ballet music from Verdi’s operas has been brought together 24-bit, 96 kHz Stereo and Surround recordings in a single recording. Although The Four Seasons from I vespri siciliani (The Sicilian Vespers) and the ballet scenes from Aida and Otello have survived, substantial pieces from Il trovatore and Don Carlo are more often cut, while the ballet from Jérusalem is all but unknown. José Serebrier’s recordings with the Bournemouth VERDI: Symphony have resulted in some great successes with unusual repertoire. This release will be of interest both to opera enthusiasts and to those eager to explore Verdi’s neglected and relatively small body of concert music. Giuseppe VERDI the Operas Complete Ballet Music from (1813-1901) Complete Ballet Music from the Operas 1 From Otello: Act III, Scene 7 5:34 2-4 From Macbeth: Act III, Scene 1 10:12 5-8 From Jérusalem: Act III, Scene 1 21:33 9 From Don Carlo: Act III, Scene 2 16:39 0 From Aida: Act I, Scene 2 2:24 VERDI ! From Aida: Act II, Scene 1 1:38 @ From Aida: Act II, Scene 2 4:46 #-% From Il trovatore: Act III, Scene 1 5:56 ^-( From Il trovatore: Act III, Scene 2 17:07 Complete Ballet Music )-£ From I vespri siciliani: Act III, Scene 2 29:25 Bournemouth Symphony Orchestra from the Operas José Serebrier A detailed track list can be found on page 2 of the booklet Bournemouth Recorded at The Lighthouse, Poole, Dorset, UK, from 15th to 17th May, 2011 Produced, engineered and edited by Phil Rowlands • Assistant engineer: Patrick Phillips Symphony Orchestra Booklet notes: José Serebrier • Cover: Set design for Verdi’s Aida by Alfred Roller (1864-1935) With many thanks to Mr Paul Underwood for supporting this recording Special thanks to Clark McAlister, Editor, Kalmus Music Publishers and to Helen Harris, Librarian, BSO ൿ & Ꭿ 2012 Naxos Rights International Ltd • Booklet notes in English • Made in Germany José Serebrier DTS and the DTS-HD Master Audio Logo are the trade-marks of Digital Theater Systems, Inc.
    [Show full text]
  • Rigoletto, Composes by Verdi: with an English Version, and the Music of the Principal Airs
    No. 34. The only Edition that contains the Music and correct Words. RIGOLETTO, COMPOSES BY VERDI: WITH AN ENGLISH VERSION, AND THE MUSIC OF THE PRINCIPAL AIRS IjIBfipf l^g UNIFORM WITH THIS, IN FOREICN AND ENCLISH, With the Number of Pieces of Music printed in each. No. No. 1 Le Peophete with 9 Pieces 22 Fidklio with 5 Pieces 43 Crispino e la Comare 7 2 Noema 1- Pieces 23 L' Elisiee d'Amore 9 Pieces 44 Luisa Miller 14 3 IlBaebierediSivigliaH Pieces 24 Les Huguenots 10 Pieces 45 Marta 10 4 Otello 8 Pieces 25 I Puritani io Pieces 46 Zampa 8 5 Lucrezia Borgia 15 Pieces 20 Romeo e Giulietta 7 Pines 47 Macbeth 12 La Cekebbntola 10 Pieces 27 La Gazza Ladra 11 Pieces 48 II Giuramento 15 7 Linda di Chamouni ...10 Pieces 2S PiPEi.io (German) 5 Pieces 40 Matrimonio Segreto 10 8 Lek Fbeischtjtz (Hal.) 10 Pieces 2» Der FREiscnuiz (Ger.) lo Pieces 50 Orfeo e Eurydice 8 9 LUCIA DI LamMEEMOOR 10 Pieces so II Seraglio (German)... 7 Pieces > 51 Ballo in Maschera ...12 10 Don Pasquale 6 Pieces 31 Die Zaubeeflote (Ger) 10 Pieces ! 52 I Lombardi 14 11 La Favorita 8 Pieces 32 II Flauto Magico (Ita) 10 Pieces 63 La Forza del Destino 9 12 Medea (Mayer) 10 Pieces 33 II Trovatore 16 Pieces 64 Don Bucefalo 4 18 ]>cm Giovanni 11 Pieces 34, KlGOLETTO 10 Pieces 55 L'Italiana in Algeri... 8 | 50 Precauzioni 8 1 1 Semiramide 10 Pieces 35 Guglielmo Teli. 6 Pieces Le là Kunani 10 Pieces 30 La Traviata 12 Pieces 57 La Donna del Lago ...li Pieces I 8 Pieces 58 Orphee aux Enfees, Fr 9 l'ieres 16 Koiikkto II Diavolo ..
    [Show full text]
  • Abstracts James Hepokoski Oberlin College
    Verdi Forum Number 11 Article 3 3-1-1983 Abstracts James Hepokoski Oberlin College David Lawton SUNY Stony Brook Martin Chusid New York University Andrew Hornick New York University John Nádas University of California, Santa Barbara See next page for additional authors Follow this and additional works at: http://scholarship.richmond.edu/vf Part of the Musicology Commons, Music Performance Commons, and the Music Theory Commons Recommended Citation Hepokoski, James; Lawton, David; Chusid, Martin; Hornick, Andrew; Nádas, John; Tomlinson, Gary; Garrison, Leonard; Powers, Harold S.; Harwood, Gregory W.; Beams, Richard B.; Cole, William P.; Cordell, Albert O.; Davis, Marianne; Frye, Loryn E.; King, Ben; Mason, James; McCauley, William E.; and Town, Stephen (1983) "Abstracts," Verdi Forum: No. 11, Article 3. Available at: http://scholarship.richmond.edu/vf/vol1/iss11/3 This Article is brought to you for free and open access by UR Scholarship Repository. It has been accepted for inclusion in Verdi Forum by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Abstracts Abstract Abstracts of papers about Giuseppe Verdi and his works, presented at joint meetings of the AIVS and Greater NY Chapter of the American Musicological Society, 1979-81 (Hepokoski, Lawton, Chusid, Hornick, Nádas, Tomlinson, Garrison, Powers), at the 1982 national meeting of the American Musicological Society (Harwood), and at an NEH-sponsored summer seminar at NYU in 1980 (Beams, Cole, Cordell, Davis, Fry, King, Mason, McCauley, Town). Keywords Giuseppe Verdi, opera Authors James Hepokoski, David Lawton, Martin Chusid, Andrew Hornick, John Nádas, Gary Tomlinson, Leonard Garrison, Harold S. Powers, Gregory W.
    [Show full text]
  • Naxcat2005 ABRIDGED VERSION
    CONTENTS Foreword by Klaus Heymann . 4 Alphabetical List of Works by Composer . 6 Collections . 88 Alphorn 88 Easy Listening 102 Operetta 114 American Classics 88 Flute 106 Orchestral 114 American Jewish Music 88 Funeral Music 106 Organ 117 Ballet 88 Glass Harmonica 106 Piano 118 Baroque 88 Guitar 106 Russian 120 Bassoon 90 Gypsy 109 Samplers 120 Best Of series 90 Harp 109 Saxophone 121 British Music 92 Harpsichord 109 Trombone 121 Cello 92 Horn 109 Tr umpet 121 Chamber Music 93 Light Classics 109 Viennese 122 Chill With 93 Lute 110 Violin 122 Christmas 94 Music for Meditation 110 Vocal and Choral 123 Cinema Classics 96 Oboe 111 Wedding 125 Clarinet 99 Ondes Martenot 111 White Box 125 Early Music 100 Operatic 111 Wind 126 Naxos Jazz . 126 Naxos World . 127 Naxos Educational . 127 Naxos Super Audio CD . 128 Naxos DVD Audio . 129 Naxos DVD . 129 List of Naxos Distributors . 130 Naxos Website: www.naxos.com NaxCat2005 ABRIDGED VERSION2 23/12/2004, 11:54am Symbols used in this catalogue # New release not listed in 2004 Catalogue $ Recording scheduled to be released before 31 March, 2005 † Please note that not all titles are available in all territories. Check with your local distributor for availability. 2 Also available on Mini-Disc (MD)(7.XXXXXX) Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating. Our recordings receive favourable reviews in many other publications which, however, do not use a simple, easy to understand rating system.
    [Show full text]
  • Ambassador Auditorium Collection ARS.0043
    http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity.
    [Show full text]
  • I Vespri Siciliani Dramma in Cinque Atti
    Giuseppe Verdi I vespri siciliani Dramma in cinque atti Libretto di Eugène Scribe e Charles Duveyrier Traduzione ritmica italiana di Arnaldo Fusinato PERSONAGGI Guido di Monforte governatore di Sicilia per Carlo d’Angiò baritono Il sire di Bethune ufficiale francese basso Il conte Vaudemont ufficiale francese basso Arrigo giovane siciliano tenore Giovanni da Procida medico siciliano basso La duchessa Elena sorella del Duca Federigo d’Austria soprano Ninetta sua cameriera contralto Danieli sisiliano tenore Tebaldo soldato francese tenore Roberto soldato francese basso Manfredo siciliano tenore Soldati francesi, sei Giovinette, quattro paggi, Mestro di Cerimonie, Nobili d’ambo i sessi, quattro ufficiali, due Penitenti, un Carnefice, Siciliani. Scena: Palermo Epoca: il 1282 Prima esecuzione: Parigi, Opéra, 13 giugno 1855 Verdi: I vespri siciliani - atto primo ATTO PRIMO Scena I° Il teatro rappresenta la gran Piazza di Palermo. In fondo alcune strade ed i principali edifizi della città. A destra dello spettatore il palazzo di Elena. A sinistra l’ingresso ad una caserma con fasci d’armi. Dallo stesso lato il palazzo del governatore, a cui si ascende per una gradinata. Tebaldo, Roberto, Soldati Francesi, Siciliani, poi Bethune e Vaudemont. (Tebaldo e Roberto con parecchi soldati francesi hanno recato una tavola dinanzi la porta della caserma, vi siedono intorno e bevono. Siciliani e Siciliane attraversano la piazza, formano de’ gruppi qua e là, guar- dano biecamente i soldati francesi.) [Coro] Ed è de’ suoi l’amor! CORO (In questo mentre escono dalla caserma Bethune e (TEBALDO, ROBERTO, SOLDATI FRANCESI) Vaudemont tenendosi in atto famigliare) Al cielo natio, VAUDEMONT Sorriso di Dio, Così di queste mura Voliam col pensier Che chiamano Palermo, Tra i canti e i bicchier.
    [Show full text]
  • Media Release
    Media Release FOR IMMEDIATE RELEASE: July 16, 2019 Contact: Edward Wilensky (619) 232-7636 [email protected] San Diego Opera’s 2019-2020 Season Opens with Verdi’s masterpiece Aida Verdi specialist Michelle Bradley to make Company debut as Aida Theatrical Concert Opera will use sets, costumes, and lighting with the San Diego Symphony, San Diego Opera Chorus, and principal singers on stage Tenor Carl Tanner makes welcome return as Radames San Diego, CA – Verdi’s beloved opera Aida opens San Diego Opera’s 2019-2020 season in an entirely new theatrical concert performance utilizing set elements, costumes, lighting, and featuring the San Diego Symphony and San Diego Opera chorus onstage, alongside some of the greatest interpreters of Verdi’s music performing today. Aida opens on October 19, 2019 for four performances. Additional performances are October 22, 25, and 27 (matinee), 2019. All evening performances for the 2019-2020 season will begin at 7:30 PM for the convenience of our audiences. The matinee will remain at 2 PM. Assembled for the opening opera of the season is an exciting cast of singers including the Company debut of soprano Michelle Bradley as Aida who is quickly becoming one of the most sought after Verdi sopranos performing today. Making a welcome return to San Diego Opera in the role of Radames is tenor Carl Tanner who was last heard in San Diego Opera’s 2018 production of Turandot as Calaf. Also making house debuts are mezzo-soprano Olesya Petrova as Amneris and baritone Nelson Martinez as Amonasro. Bass Mikhail Svetlov returns to sing the King of Egypt, having last been heard as Ambimelech in 2013’s Samson and Delilah.
    [Show full text]
  • Anna Netrebko Has Redefined What It Means to Be an Opera Star, Becoming Perhaps the Most Celebrated Soprano in the World
    mli^o=jrpf`=mofwb=i^rob^qb=OMOMW=^kk^=kbqob_hl= “A soprano with star power in the best sense, a charismatic expressivity that pervades every element of her performance.” – Anthony Tomassini, New York Times The reigning prima donna of the 21st century, Anna Netrebko has redefined what it means to be an opera star, becoming perhaps the most celebrated soprano in the world. In live performance and on award-winning recordings, her portrayals of opera’s most iconic heroines have already made an indelible mark. Now, as she ventures into bolder, more dramatic repertoire, she continues to reach new heights. From singing at the opening ceremony of the 2014 Winter Olympics to becoming the first classical artist named to TIME magazine’s list of the world’s 100most influential people, Anna serves as opera’s leading global ambassador and is widely recognized as one of today’s most compelling, committed performing artists in any genre. Offstage, on social media, she shares her infectious joie de vivre–along with her love of family, fashion, and food–inspiring people to live their most colorful lives and to celebrate what makes them unique. Now at the peak of her powers, Anna is drawing on the exceptional maturation of her voice to conquer the most demanding roles of her career. Her title role debut in Giovanna d’Arcoat the 2013 Salzburg Festival, and the concurrent release of her Verdi album on Deutsche Grammophon, marked the major turning point when she began to leave behind the lighter, more lyric roles for which she had first become known.
    [Show full text]
  • 04-14-2018 Luisa Miller Mat.Indd
    GIUSEPPE VERDI luisa miller conductor Opera in three acts Bertrand de Billy Libretto by Salvadore Cammarano, production Elijah Moshinsky based on the play Kabale und Liebe by Friedrich von Schiller set and costume designer Santo Loquasto Saturday, April 14, 2018 lighting designer 12:30–4:00 PM Duane Schuler revival stage director Gregory Keller The production of Luisa Miller was made possible by a generous gift from Catherine and Ephraim Gildor The revival of this production is made possible by a gift from Rolex and Mrs. Jayne Wrightsman general manager Peter Gelb music director designate Yannick Nézet-Séguin 2017–18 SEASON The 91st Metropolitan Opera performance of GIUSEPPE VERDI’S This performance luisa miller is being broadcast live over The Toll Brothers– Metropolitan Opera conductor International Radio Bertrand de Billy Network, sponsored by Toll Brothers, in order of vocal appearance America’s luxury ® homebuilder , with miller generous long-term Plácido Domingo support from The Annenberg luisa Foundation, The Sonya Yoncheva Neubauer Family Foundation, the laura Vincent A. Stabile Rihab Chaieb** Endowment for Broadcast Media, rodolfo and contributions Piotr Beczała from listeners worldwide. wurm Dmitry Belosselskiy Visit List Hall at the first intermission for count walter the Toll Brothers- Alexander Vinogradov Metropolitan Opera Quiz. federica Olesya Petrova This performance is also being broadcast a peasant live on Metropolitan Patrick Miller Opera Radio on SiriusXM channel 75. Saturday, April 14, 2018, 12:30–4:00PM This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation.
    [Show full text]
  • Concert: Ithaca College Symphony Orchestra Ithaca College Symphony Orchestra
    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 3-11-2012 Concert: Ithaca College Symphony Orchestra Ithaca College Symphony Orchestra Jeffery Meyer Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Symphony Orchestra and Meyer, Jeffery, "Concert: Ithaca College Symphony Orchestra" (2012). All Concert & Recital Programs. 705. http://digitalcommons.ithaca.edu/music_programs/705 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Digital Commons @ IC All Programs Concert & Recital Programs 3-11-2012 Concert: Ithaca College Symphony Orchestra Ithaca College Symphony Orchestra Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Symphony Orchestra Jeffery Meyer, conductor Jessica Julin, soprano Norwalk Concert Hall Sunday, March 11, 2012 7:15 p.m. Program Carnival Overture, Op. 92 Antonin Dvoràk (1841-1904) Three Great Heroines of Opera Tu che le vanità Giuseppe Verdi from Don Carlo (1813-1901) Sola, perduta, abbandonata Giacomo Puccini from Manon Lescaut (1858-1924) Mercè, dilette amiche Giuseppe Verdi from I Vespri Siciliani Jessica Julin, soprano Intermission Symphony No. 4 in F minor, Op. 36 Piotr Ilyich Tchaikovsky I.
    [Show full text]