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Stephen Frears Par Eithne O'neill
STEPHEN FREARS PAR EITHNE O'NEILL Collection dirigée par Francis Bordat RIVAGES Du même auteur: Lubitsch ou la satire romanesque, en collaboration avec Jean-Loup Bourget, Stock, 1987; rééd. Flammarion, coll. «Champs Contre-Champs », 1990. Crédits photographiques : British Film Institute (pages 15, 17, 26, 28, 29, 35, 37, 39, 41, 43, 77, 79, 81, 84, 87, 90, 92, 103 haut, 105, 109, 135), archives Cahiers du cinéma (couverture, pages 47, 50, 101, 129), collection Michel Ciment (pages 12, 14, 16, 18, 20, 21, 23, 25, 31, 44, 45, 52, 55, 57, 58, 59, 60, 62, 64, 65, 66, 67, 69, 70, 71, 72, 97, 99, 102, 103 bas, 104, 106, 107, 108 bas, 111, 116, 126, 128, 131, 134, 136, 137, 164, 166, 167, 178, 182, 184, 187, 190, 191, 199, 204, 208, 209, 211), ITC Entertainment (pages 82, 83), Neville Smith (pages 108 haut, 143). © Éditions Payot & Rivages, 1994 106, bd Saint-Germain 75006 PARIS ISBN: 2 - 86930 - 844 - 2 ISSN: 0298 - 0088 A Joëlle Pour leur aide et leur collaboration, je tiens à remercier les personnes suivantes: Neville Smith, romancier, scénariste, acteur et musicien ; Hanif Kureishi, qui m'a autorisée à reproduire son «Intro- duction à My Beautiful Laundrette » ; Christian Bourgois, qui m'a autorisée à reproduire le texte de Hanif Kureishi dans sa traduction française; Patrick O'Byrne, sans qui ce livre n'aurait pas pu être écrit; Reinbert Tabbert; Michael Dwyer, critique de cinéma, The Irish Times ; Michel Ciment ; Hubert Niogret ; Jon Keeble (ITC), qui a organisé pour moi une projection de Bloody Kids ; Maria Stuff, independent film resear- cher, Londres ; Kathleen Norrie ; Maeve Murphy ; Kate Lenehan; Jacques Bover; et Neville Smith, qui a bien voulu me prêter les photos prises par lui. -
Ken Loach : Constructing Individuals
UNIVERSITE MICHEL DE MONTAIGNE – BORDEAUX III U.F.R D’ANGLAIS Ken Loach : Constructing Individuals Questions of existentialism, happiness, gender and individual / collective construction. TRAVAIL D’ETUDES ET DE RECHERCHES PRESENTE PAR ALEXANDRA BEAUFORT J UNIVERSITE MICHEL DE MONTAIGNE – BORDEAUX III U.F.R D’ANGLAIS Ken Loach : Constructing Individuals Questions of existentialism, happiness, gender and individual / collective construction. TRAVAIL D’ETUDES ET DE RECHERCHES PRESENTE PAR ALEXANDRA BEAUFORT Remerciements Je tiens à remercier: - Monsieur Joël Richard qui a accepté de diriger ce TER, pour sa confiance, son suivi et ses conseils; - Monsieur Jean François Baillon, pour son aide précieuse et sa disponibilité; - Monsieur Maurice Hugonin, pour son aide sur Aristote; - Messieurs Paul Burgess, Ken Allen, JF Buck, et les autres pour leur aide à la re- lecture; - Monsieur Fabrice Clerc, pour son soutien et son aide à la mise en page; - Tout le personnel de Parallax Pictures à Londres, pour leur gentillesse et leur compréhension; - Et enfin Ken Loach, pour son extrême gentillesse lors de l'interview, et surtout pour tous ses films, dont l'étude a toujours été passionnante et très enrichissante. TABLE OF CONTENTS INTRODUCTION 1 I/ THE EXISTENTIALIST TREND IN LOACH'S FILMS. 3 1/ Against systematisation. 4 2/ The engagement of the self. 7 3/ Question of religion. 11 4/ Marxism and Existentialism: question of politics. 15 II/ THE PURSUIT OF HAPPINESS 19 1/ Learning to live 20 2/ The Aristotelian conception of citizenship. 23 3/ The organic city. 26 4/ Happiness and Socialization 29 III/ GENDER ISSUES. 33 1/ Is there a gender issue in Loach's movies? 34 2/ Out of home: from Cathy to Sarah 41 3/ Falling Standards, Fallen Males. -
David Yelland Photo: Catherine Shakespeare Lane
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Phone: + 44 (0) 20 73360351 Email: [email protected] David Yelland Photo: Catherine Shakespeare Lane Eastern European, Scandinavian, Location: London Appearance: White Height: 5'11" (180cm) Other: Equity Weight: 13st. 6lb. (85kg) Eye Colour: Blue Playing Age: 51 - 65 years Hair Length: Mid Length Stage Stage, Cardinal Von Galen, All Our Children, Jermyn Street Theatre, Stephen Unwin Stage, Antigonus, The Winter's Tale, Globe Theatre, Michael Longhurst Stage, Lord Clifford Allen, Taken At Midnight, Chichester Festival Theatre & Haymarket Theatre, Jonathan Church Stage, Earl of Caversham, An Ideal Husband, Gate Theatre, Ethan McSweeney Stage, Sir George Crofts, Mrs Warren's Profession, Gate Theatre, Dublin, Patrick Mason Stage, Selwyn Lloyd, A Marvellous Year For Plums, Chichester Festival Theatre, Philip Franks Stage, Serebryakov, Uncle Vanya, The Print Room, Lucy Bailey Stage, King Henry, Henry IV Parts 1&2, Theatre Royal Bath & Tour, Sir Peter Hall Stage, Anthony Blunt, Single Spies, The Watermill, Jamie Glover Stage, Crofts, Mrs Warren's Profession, Theatre Royal Bath & West End, Michael Rudman Stage, President of the Court, For King & Country, Matthew Byam shaw, Tristram Powell Stage, Clive, The Circle, Chichester Festival Theatre, Jonathan Church Stage, Ralph Nickleby, Nicholas Nickleby, Chichester Festival Theatre,Gielgud , and Toronto, Philip Franks, Jonathan Church Stage, Wilfred Cedar, For Services Rendered, The Watermill -
PIERS HAMPTON Visual Effects Producer/Supervisor
PIERS HAMPTON Visual Effects Producer/Supervisor FILMS DIRECTOR STUDIO/PRODUCTION “THE PARTY” SALLY POTTER ADVENTURE PICTURES On-Set Supervisor Alice Dawson, Karl Liegis “HOW TO TALK TO GIRLS AT JOHN CAMERON MITCHELL SEE-SAW FILMS PARTIES” HANWAY FILMS On-Set Supervisor “THE MAN WHO KNEW INFINITY” MATT BROWN EDWARD R. PRESSMAN FILM VFX Supervisor/VFX Producer Matt Brown, Ed Pressman “BITTER HARVEST” GEORGE MENDELUK DEVIL’S HARVEST PRODUCTION Additional VFX Super / Chad Baranger, Jaye Gazeley VFX Unit Director (Re-shoots) “DAWN” ROMED WYDER DSCHOINT VENTSCHR FILMPRODUKTION VFX Supervisor/Producer Samir, Romed Wyder “BHOPAL” RAVI KUMAR RISING STAR VFX Supervisor/Producer Ravi Walia Prime Focus – Sole Vendor “VAMPIRE ACADEMY” MARK WATERS THE WEINSTEIN COMPANY Sr. VFX Producer Deepak Nayar Prime Focus - Sole Vendor “LEGENDARY” ERIC STYLES CHINA FILM GROUP VFX Producer Matthew Kuipers, Xiaodong Liu “THE CRISTMAS CANDLE” JOHN STEPHENSON PINEWOOD FILMS VFX Supervisor Tom Newman Prime Focus – Sole Vendor “THE WEE MAN” RAY BURDIS CARNABY INTERNATIONAL VFX Producer Mike Loveday Prime Focus - Sole Vendor “STORAGE 24” JOHANNES ROBERTS UNIVERSAL PICTURES Sr. VFX Producer Noel Clark Prime Focus - Sole Vendor “OUTPOST 2: BLACK SUN” STEVE BARKER MATADOR Exec Supervisor – Prime Focus Nigel Thomas “THE NUTCRACKER IN 3D” ANDREY KONCHALOVSKIY VNESHECONOMBANK VFX Producer / Creature Effects Andrey Konchalovskiy, Paul Lowin Producer / Adtl VFX Supervisor “TAMARA DREWE” STEPHEN FREARS RUBY FILMS VFX Producer / Set Supervision Alison Owen, Tracey Seaward Bluff Hampton – Sole Vendor “SCOTT PILGRIM VS. THE WORLD” EDGAR WRIGHT UNIVERSAL PICTURES VFX Producer – Bluff Hampton Eric Gitter, Nira Park “THE ARBOR” CLIO BARNARD ARTANGEL MEDIA VFX Producer Tracy O’Riordan Bluff Hampton – Sole Vendor “NINE” ROB MARSHALL THE WEINSTEIN COMPANY VFX Producer John DeLuca, Rob Marshall Bluff Hampton – Sole Vendor Piers Hampton -Continued- “THE DEATHS OF IAN STONE” DARIO PIANA LIONSGATE VFX Producer – Bluff Hampton Brian J. -
MY BEAUTIFUL LAUNDRETTE London W1J 9LN Followed by a Q&A with STEPHEN FREARS and HANIF KUREISHI Cbe Hosted by LESLIE FELPERIN
BAFTA HERITAGE SCREENING Thursday 16 April 2O15 BAFTA 195 Piccadilly MY BEAUTIFUL LAUNDRETTE London W1J 9LN Followed by a Q&A with STEPHEN FREARS and HANIF KUREISHI CBE Hosted by LESLIE FELPERIN My Beautiful Laundrette exploded onto our screens thirty years ago and cemented the reputation of director Stephen Frears as one of our most original and distinguished film makers. The film’s screenplay, by Hanif Kureishi, was a landmark debut that received a BAFTA nomination and established Kureishi as a major screenwriting talent. The film became an international success and received wide critical acclaim. The film critic Roger Ebert reviewed the film on its US release and is reproduced here in an edited version. Release yeaR: 1985 Runtime: 97 mins DiRectoR: Stephen Frears PRoDUCERs: Sarah Radclyffe, Tim Bevan scReenwRiteR: Hanif Kureishi hen people told me laundry. It is the story of two kinds outside and bares her breasts to Omar they’d seen My Beautiful of outsiders (Omar and Johnny) in through the French doors. Laundrette and it was modern London. The movie is not concerned with a good movie, I had My Beautiful Laundrette refuses to plot, but with giving us a feeling for the Wa tendency to believe them, for who commit its plot to any particular agenda, society its characters inhabit. Modern would dare to make a bad movie with and I found that interesting. It’s not about Britain is a study in contrasts, between such an uncommercial title? The laundry whether Johnny and Omar will remain rich and poor, between upper and lower in question is a storefront operation in lovers or about whether the laundry classes, between native British and the one of the seedier areas of London, and will be a success. -
Lycéens Au Cinéma
RAINING STONES un film de Ken LOACH Lycéens au cinéma avec le soutien de Centre National de la Cinématographie Conseil régional du Centre D.R.A.C. Centre Rectorat d'Académie rédigé par Philippe Pilard SOMMAIRE GÉNÉRIQUE SYNOPSIS KENNETH LOACH 3 Titre original Raining Stones L'Angleterre du Nord, banlieue de Manchester, dans les années 90. Dans une campagne brumeuse, deux copains, LES ACTEURS et Production Parallax Pictures Bob et Tommy, cherchent à voler un mouton : il s'agit LES PERSONNAGES 6 et Channel Four Films ensuite de le vendre pour se faire quelques sous. Les deux Mise en scène Ken Loach hommes, qui sont au chômage et survivent grâce à des LE SCÉNARIO Productrice Sally Hibbin "combines" plus ou moins astucieuses, ont bien du mal à • Déroulé séquentiel 8 Scénario Jim Allen vendre la viande. Pire : Bob se fait voler sa camionnette ! • Analyse de la structure 9 Image Barry Ackroyd Bob et sa femme, Ann, ont un autre souci : leur fille Montage Jonathan Morris Coleen, sept ans, prépare sa Première Communion. Ann Musique Stewart Copeland LE TRAITEMENT 10 pense qu'on peut limiter les frais. Mais pour Bob, pas Design Martin Johnson UNE SÉQUENCE 11 question que sa fille n'ait pas une belle robe, "comme les autres". Pour gagner un peu d'argent, il ne craint pas les tâches les plus rebutantes : curer les conduites du tout-à- SIGNIFICATIONS 15 Interprètes l'égout, par exemple. Mais cela lui rapporte surtout des... LA TRADITION "RÉALISTE" 16 Bob Bruce Jones embêtements ! Quant à Tommy, il supporte mal de Ann Julie Brown devoir accepter de l'argent de sa fille - âgée, elle, d'une LE CONTEXTE DU FILM 17 Tommy Ricky Tomlinson vingtaine d'années - et qui gagne bien sa vie, dit-elle, en vendant des cosmétiques. -
SHIRCORE Jenny
McKinney Macartney Management Ltd JENNY SHIRCORE - Make-Up and Hair Designer 2003 Women in Film Award for Best Technical Achievement Member of The Academy of Motion Picture Arts & Sciences THE DIG Director: Simon Stone. Producers: Murray Ferguson, Gabrielle Tana and Ellie Wood. Starring: Lily James, Ralph Fiennes and Carey Mulligan. BBC Films. BAFTA Nomination 2021 - Best Make-Up & Hair KINGSMAN: THE GREAT GAME Director: Matthew Vaughn. Producer: Matthew Vaughn. Starring: Ralph Fiennes and Tom Holland. Marv Films / Twentieth Century Fox. THE AERONAUTS Director: Tom Harper. Producers: Tom Harper, David Hoberman and Todd Lieberman. Starring: Felicity Jones and Eddie Redmayne. Amazon Studios. MARY QUEEN OF SCOTS Director: Josie Rourke. Producers: Tim Bevan, Eric Fellner and Debra Hayward. Starring: Margot Robbie, Saoirse Ronan and Joe Alwyn. Focus Features / Working Title Films. Academy Award Nomination 2019 - Best Make-Up & Hairstyling BAFTA Nomination 2019 - Best Make-Up & Hair THE NUTCRACKER & THE FOUR REALMS Director: Lasse Hallström. Producers: Mark Gordon, Larry J. Franco and Lindy Goldstein. Starring: Keira Knightley, Morgan Freeman, Helen Mirren and Misty Copeland. The Walt Disney Studios / The Mark Gordon Company. WILL Director: Shekhar Kapur. Exec. Producers: Alison Owen and Debra Hayward. Starring: Laurie Davidson, Colm Meaney and Mattias Inwood. TNT / Ninth Floor UK Productions. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 JENNY SHIRCORE Contd … 2 BEAUTY & THE BEAST Director: Bill Condon. Producers: Don Hahn, David Hoberman and Todd Lieberman. Starring: Emma Watson, Dan Stevens, Emma Thompson and Ian McKellen. Disney / Mandeville Films. -
Craig Pinder
3rd Floor, Joel House 17-21 Garrick Street London WC2E 9BL Phone: 0207 420 9350 Email: [email protected] Web: www.shepherdmanagement.co.uk Photo: Ric Bacon Email: [email protected] Website: www.shepherdmanagement.co.uk Craig Pinder Other: Equity, AEA Greater London, England, United Kingdom Eye Colour: Hazel Location: Cambridgeshire, England, United Kingdom Hair Colour: Light/Mid Brown Height: 5'9" (175cm) Hair Length: Bald Weight: 11st. 7lb. (73kg) Facial Hair: Beard Playing Age: 51 - 65 years Voice Quality: Melodious Appearance: Mixed Race, White Voice Character: Natural Stage 2019, Stage, The Constable, Fiddler on the Roof, Playhouse Theatre & Menier Chocolate Factory, Trevor Nunn 2017, Stage, Senator Carlin, The Best Man, Bill Kenwright Ltd & Tour, Simon Evans 2017, Stage, John MacCormick Butts, Veteran's Day, Finborough Theatre, Hannah Boland Moore 2016, Stage, Bee Doyle, Floyd Collins, Wilston's Music Hall, Jonathan Butterell 2016, Stage, Harry the Horse, Guys and Dolls, Runaway Entertainment, Gordon Greenberg 2015, Stage, Dave/Dan, Walking the Chains, Show of Strength Theatre Company, Robin Belfield 2014, Stage, Eli, Hibiscus Hotel, Yellowtale Theatre Company, Robin Belfield 2014, Stage, Robert, Blue/Orange, Canoe Theatre, Julia Thomas 2013, Stage, Seth, High Society, Music and Lyrics, Anna Linstrum 2012, Stage, Parson & Dawn, The White House Murder Case, Orange Tree, Richmnd, Christopher Morahan 2012, Stage, Lewald/Snyder/Sherrill, 1936, Attic Theatre Company, Jenny Lee 2012, Stage, Willy Loman, Death of a Salesman, Upside Out, Amy Bonsall 2012, Stage, Othello, Othello or the Tragedy of Conchy Joe, Yellowtale Theatre Company, Robin Belfield 2011, Stage, Othello, Othello, Nuffield Theatre Southampton, Robin Belfield 2010, Stage, John, The Subject Was Roses, English Theatre of Hamburg, Jenny Lee 2009, Stage, Woodcutter, Rashoman, RADA, MinJae Kang 2008, Stage, Cecil B. -
Ian Bartholomew
Ian Bartholomew Theatre Title Role Director Producer Half A Sixpence Chitterlow Rachel Kavanaugh Noel Coward Theatre & Chichester Festival Theatre The Funfair Billy Smoke Walter Meierjohann Home: Manchester Mrs Henderson Presents Vivian Van Damm Terry Johnson HRH Theatres Shakespeare in Love Tilney Declan Donellan Disney Richard III Richard Loveday Ingham Nottingham Playhouse & York Theatre Royal Oh! What a Lovely War Hague and Various Terry Johnson Theatre Royal Stratford East Follow the Star Lofty Wendy Toye Chichester Festival A Night in Old Peking Jack Martin Duncan Lyric Hammersmith School for Scandal Joseph Surface Phyllida Lloyd Royal Exchange Sleeping Beauty Helpful 2 Philip Hedley Theatre Royal, Stratford School for Clowns Weasle Martin Duncan Lillian Baylis Servant of 2 Masters Truffaldino Martin Duncan Cambridge Theatre Diary of a Somebody Kenneth Halliwell Jonathan Myerson Kings Head Theatre Skullduggery Chris Philip Davis Old Red Lion Cinderella Buttoms Philip Hedley Theatre Royal, Stratford Kooney Waka Hoy Nijinsky Old Red Lion Robert Longdon Winter Darkness Boysey Susan Hogg New End Theatre Pravda Doug Phantom David Hare National Theatre The Artists Partnership 21-22 Warwick Street, Soho, London W1B 5NE (020) 7439 1456 Futurists Bruichkov Richard Eyre National Theatre The Gov't Inspector Dobchinsky Richard Eyre National Theatre Schweyck in the 2nd WW Soldier & Others Richard Eyre National Theatre Guys and Dolls Society Max Richard Eyre National Theatre The Beggars Opera Ben Budge Richard Eyre National Theatre Mayakovsky: -
Natural Pursuits – the Screen Dramas of Simon Gray Television Season at BFI Southbank in August 2011
PRESS RELEASE June 2011 11/49 Natural Pursuits – The Screen Dramas of Simon Gray Television Season at BFI Southbank in August 2011 BFI Southbank celebrates the tragi-comic screen dramas of the late Simon Gray. A writer of immense wit and intellectual charm whose razor-sharp dialogue is unsurpassed. The month long season features some of Gray’s most celebrated work including screenings of Unnatural Pursuits (1992), After Pilkington (1987) and They Never Slept (1991) which feature performances by British acting elite including Alan Bates, Edward Fox and Miranda Richardson. Following the screening of They Never Slept, a panel of guests including producer Kenith Trodd, and directors Udayan Prasad and Christopher Morahan will discuss his great contribution to television drama and the theatre illustrated with clips of some of his early and rare television plays to be chaired by Broadcaster Matthew Sweet. After the screening of Butley on Sunday 14 Aug, Lindsay Posner, director of the 40th anniversary revival of the play currently running at the Duchess Theatre will also be welcomed to the BFI stage for a Q&A. Gray wrote prolifically from the mid-60s onwards for both the West End stage (Otherwise Engaged, Quartermaine’s Terms, The Late Middle Classes, Butley) and for television, where such important early successes such as Death of a Teddy Bear, Man in a Sidecar and The Caramel Crisis were carelessly wiped. His most fertile period writing specifically for TV occurred between 1975 and 1993 during a close collaboration with producer Kenith Trodd and four major directors, Michael Lindsay- Hogg, Christopher Morahan, Udayan Prasad and Pat O’Connor. -
Land and Freedom Le Passé Imparfait Par Gérald Collas *
« Land and Freedom le passé imparfait par Gérald Collas * Comment parler d'un film comme Land and freedom aujourd'hui ? D'abord écouter son réalisateur, Ken Loach, lorsqu'il énonce les raisons qui l'ont conduit à faire ce film : « J'ai voulu raconter l'histoire d'une révolution trahie. Expliquer comment, à chaque tentative de changement, la gauche gâchait tout espoir. Témoigner d'une lutte de pouvoir - ici entre anarchistes, trotskistes et commu nistes. Montrer que la révolution populaire a échoué par la faute du P.C. et de la politique de Staline (...) Mon message est simple : le socialisme n'a pas échoué, il reste à faire. Aujourd'hui que le bloc communiste s'est ef fondré, cette leçon est précieuse » il. Intentions du réalisateur et réactions de la critique dé limitent l'espace dans lequel va s'inscrire le film - ad hésion ou rejet espace qui va largement surdéterminer les lectures qu'en feront à chaque fois ses spectateurs. Cet espace - d'emblée - est un espace trop plein, un es pace dans lequel il n'y a plus de jeu possible en ce sens qu'il invite le spectateur à une lecture programmée, à une lecture qui est décodage d'un message dont la sim plicité est le meilleur garant de sa fluidité. A lire l'abondante critique suscitée par le film lors de sa sortie en salles ou à l'occasion de sa présentation dans le cadre du Festival de Cannes, une première réflexion s'impose : une fois encore, ce qui prend le dessus c'est le débat autour de la question historique qui sert de ré- 55 férence et non la critique du film lui-même, du récit au tour duquel il s'ordonne et du sens que celui-ci produit pour le spectateur. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.