HUGO LUCZYC-WYHOWSKI Production Designer

Total Page:16

File Type:pdf, Size:1020Kb

HUGO LUCZYC-WYHOWSKI Production Designer HUGO LUCZYC-WYHOWSKI Production Designer Feature Films Include: MONTE CARLO – 20th Century Fox – Thomas Bezucha, director I LOVE YOU PHILLIP MORRIS – LD Entertainment – John Requa & Glenn Ficarra, directors FLASH OF GENIUS – Universal Pictures – Marc Abraham, director MARRIED LIFE – Sony Pictures Classics – Ira Sachs, director MARTIAN CHILD – New Line Cinema – Menno Meyjes, director MRS. HENDERSON PRESENTS – Pathé Pictures – Stephen Frears, director DIRTY DANCING: HAVANA NIGHTS – Lions Gate Films – Guy Ferland, director DIRTY PRETTY THINGS – Miramax Films – Stephen Frears, director THE TRUTH ABOUT CHARLIE – Universal Pictures – Jonathan Demme, director SNATCH – Sony Pictures – Guy Ritchie, director BIRTHDAY GIRL – Miramax Films – Jez Butterworth, director MADELINE – TriStar Pictures – Daisy Mayer, director MOJO – Channel Four Films – Jez Butterworth, director COUSIN BETTE – 20th Century Fox – Des McAnuff, director NIL BY MOUTH – Sony Pictures Classics – Gary Oldman, director THE AFFAIR – HBO Films – Paul Seed, director WHEN SATURDAY COMES – Guild – Maria Giese, director BLACK EASTER – BBC – Ben Bolt, director UNCOVERED – CiBy 2000 – Jim McBride, director KLEPTOMANIA – Warner Bros. – Don Boyd, director THE MUSIC OF CHANCE – IRS Media – Philip Haas, director WATERLAND – Fine Line Features – Stephen Gyllenhaal, director A WOMAN AT WAR – Canal Plus – Ed Bennet, director SMACK AND THISTLE – Channel Four Films – Tunde Ikoli, director DREAM DEMON – Warner Bros. – Harley Cokeliss, director SAMMY AND ROSIE GET LAID – Cinecom Pictures – Stephen Frears, director PRICK UP YOUR EARS – MGM – Stephen Frears, director PERSONAL SERVICES – Vestron Pictures – Terry Jones, director MY BEAUTIFUL LAUNDRETTE – Orion Classics – Stephen Fears, director Commercials Include (Full List Available Upon Request): MILLER LITE – Biscuit Filmworks – Jim Hosking, director MASTERCARD – MJZ, Inc. – Lenard Dorfman, director LLOYD’S – MJZ, Inc. – Rupert Sanders, director LEXUS – MJZ, Inc. – Lenard Dorfman, director NIKE – MJZ, Inc. – Fredrik Bond, director LANDROVER – MJZ, Inc. – Nikolai Fuglsig, director NOKIA – Harry Nash – The Guard Bros., director HEWLETT PACKARD – MJZ, Inc. – Fredrik Bond, director SONY PLAYSTATION – Rogue – The Guard Bros., director WARBURTONS – Sonny London – Guy Manwaring, director .
Recommended publications
  • DAN LEIGH Production Designer
    (3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES
    [Show full text]
  • Pr-Dvd-Holdings-As-Of-September-18
    CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
    [Show full text]
  • Lee Percy Editor
    LEE PERCY EDITOR FEATURES CHARMING THE HEARTS OF MEN High Hopes Productions Prod: Brian David Cange, Richard T. Lewis Dir: S.E. DeRose (Editor) THE HALF OF IT (Editor) Netflix Prod: Blair Breard, Anthony Bregman Dir: Alice Wu SKIN (Editor) A24 Prod: Oren Moverman, Dillon D. Jordan Dir: Guy Nattiv Jamie Ray Newman THE KINDERGARTEN TEACHER Netflix Prod: Maggie Gyllenhaal, Ged Dickersin Dir: Sara Colangelo (Editor) MAPPLETHORPE (Editor) Samuel Goldwyn Films Prod: Richard Bosner, Eliza Dushku Dir: Ondi Timoner THE MOUNTAIN BETWEEN US (Editor) 20th Century Fox Prod: Peter Chernin, Dylan Clark Dir: Hany Abu-Assad SNOWDEN (Editor) Open Road Films Prod: Moritz Borman, Eric Kopeloff Dir: Oliver Stone ANGELICA (Editor) Pierpoline Films Prod: Mitchell Lichtenstein, Joyce Pierpoline Dir: Mitchell Lichtenstein TOUCHED WITH FIRE (Editor) Roadside Attractions Prod: Jeremy Alter, Kristina Nikolova, Dir: Paul Dalio Jason Sokoloff CARRIE (2013) (Editor) MGM / Screen Gems Prod: Kevin Misher Dir: Kimberly Peirce DISCONNECT (Editor) LD Entertainment Prod: William Horberg, Mickey Liddell Dir: Henry Alex Rubin Jennifer Monroe WHAT MAISIE KNEW Millennium Entertainment Prod: Daniel Crown, Daniela Taplin, Lundberg, Dir: Scott McGehee, David Siegel (Additional Editor) William Teitler, Charles Weinstock THIN ICE (Editor) ATO Pictures Prod: Mary Frances Budig, Elizabeth Redleaf, Dir: Jill Sprecher Christine K. Walker AS GOOD AS DEAD (Editor) First Look International Prod: Jordan Gertner, Ali Abouomar Dir: Jonathan Mossek SALT (Additional Editor) Sony Prod: Lorenzo
    [Show full text]
  • Guide to the Papers of the Capri Community Film Society
    Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline.
    [Show full text]
  • December 26-30, 2018 Wheeler Opera House + Paepcke Auditorium
    December 26-30, 2018 Wheeler Opera House + Paepcke Auditorium PROGRAM | aspenfilm.org TICKETS | aspenshowtix.com SOCIAL | @aspenfilm GOLD MEDAL DIVERSE WINTER BIKING AND LOCAL RETAIL ARTS AND FREE • Friday, November 9, 2018 RIVERS RECREATION HIKING TRAILS FOOD THERAPY CULTURE THE ASPEN TIMES SINCE 1881 .COM COLORADO | 2018-2019 THE SNOWBELL EFFECT Aspen Mtn. set 4-Season Guide to the Best of to open early Basalt Ski area will open Saturday, Nov. 17; terrain to be determined Scott Condon The Aspen Times spen Mountain will open for the season Saturday, Nov. 17, five days before the scheduled opening — though what exactly will open is yet to be deter- mined, Aspen Skiing Co. announced Thursday. A“We’re opening. We’re happy to be opening. We just don’t know what we’re opening yet,” said Jeff Hanle, Skico vice presi- dent of communications. The amount of terrain that opens will depend on how much snow falls between now and then. “At a minimum, we’ll do Nell and Bell,” Hanle said, referring to the Little Nell chairlift at the base and the old standby Bell Mountain chairlift. If that’s all that opens Nov. 17, Aspen Moun- tain will still offer more vertical feet of skiing than many of the resorts now open in Colorado, according to Hanle. The top of the Bell Mountain chair is at an elevation of about 10,500 feet. The base is at about 7,945 feet. Hanle said the ticket price can’t be set because it’s uncertain how much terrain will open. Ski passes will be able to be used.
    [Show full text]
  • Film Appreciation Wednesdays 6-10Pm in the Carole L
    Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced.
    [Show full text]
  • Motion Picture License List of MPL Participating Theatrical Distributors & Producers
    Motion Picture License List of MPL Participating Theatrical Distributors & Producers MAJOR HOLLYWOOD STUDIOS & AFFILIATED LABELS 20th Century Studios Paramount Pictures (f/k/a Twentieth Century Fox Film Corp.) Paramount Vantage Buena Vista Pictures Picturehouse Cannon Pictures Pixar Animation Studios Columbia Pictures Polygram Filmed Entertainment Dreamworks Animation SKG Republic Pictures Dreamworks Pictures RKO Pictures (Releases 2011 to present) Screen Gems PLEASE CHOOSE Dreamworks Pictures CATEGORY: (Releases prior to 2011) Searchlight Pictures (f/ka/a Fox Searchlight Pictures) Fine Line Features Sony Pictures Entertainment Focus Features Major Hollywood Studios STX Entertainment & Affiliated Labels Fox - Walden Touchstone Pictures Fox 2000 Films TV Tristar Pictures Fox Look Triumph Films Independent Hanna-Barbera United Artists Pictures Hollywood Pictures Faith-Based Universal Pictures Lionsgate Entertainment USA Films Lorimar Telepictures Children’s Walt Disney Pictures Metro-Goldwyn-Mayer (MGM) Studios Warner Bros. Pictures Spanish Language New Line Cinema Warner Bros. Television Nickelodeon Movies Foreign & International Warner Horizon Television Orion Pictures Warner Independent Pictures Paramount Classics TV 41 Entertaiment LLC Ditial Lifestyle Studios A&E Networks Productions DIY Netowrk Productions Abso Lutely Productions East West Documentaries Ltd Agatha Christie Productions Elle Driver Al Dakheel Inc Emporium Productions Alcon Television Endor Productions All-In-Production Gmbh Fabrik Entertainment Ambi Exclusive Acquisitions
    [Show full text]
  • John Bull University of Lincoln 'We Cannot All Be Masters, Nor All Masters/Cannot Truly Be Follow'd': Joe Orton's Holida
    John Bull University of Lincoln ‘We cannot all be masters, nor all masters/Cannot truly be follow’d’: Joe Orton’s Holiday Camp Bacchae – matters of class, genre and medium in The Erpingham Camp. Joe Orton is thought of largely as a writer for the theatre, and yet three of his plays first appeared on television: as many as first appeared on stage. In what follows I want to consider just one of these, The Erpingham Camp (1967) and, by looking at the way in which it evolved both before and after its first outing on television, to offer to both reposition this play in the oeuvre and to re-open the debate about what Orton was moving towards theatrically.1 Before considering its development, it will be useful first to reflect on the public perception of the young dramatist at the time he started to work on it. From a distance of some fifty years, and in a very different social and cultural climate, it is extremely hard to fully comprehend the kind of impact that Joe Orton’s plays had when first produced: and, concomitantly, it is just about impossible to understand the degree of hostility that they aroused in many quarters, and yet it is important to do so in order to understand how Orton dealt practically with the implications of this hostility. Nor was it confined to sections of the paying public and to newspaper critics, as reaction to the work that caused the greatest furore at the time, Loot (1964), will demonstrate. Examination of the Lord Chamberlain’s archive reveals that there was considerable internal pressure to refuse to grant it a licence at all: a reader’s report by Kyle Fletcher (8 December 1964) argued that the play 1 Work on this article has been greatly aided by research in the following archives: ‘Joe Orton Collection’, University of Leicester; ‘’Lord Chancellor’s Papers’ and ‘Peter Gill Archive’, British Library; ‘Lyndsay Anderson Archive’, University of Stirling; the British Film Institute archive.
    [Show full text]
  • Complicated Views: Mainstream Cinema's Representation of Non
    University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Film Studies Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. DOI: by Eliot W. Blades Thesis for the degree of Doctor of Philosophy May 2020 University of Southampton Abstract Faculty of Arts and Humanities Department of Film Studies Thesis for the degree of Doctor of Philosophy Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. by Eliot W. Blades This thesis examines a number of mainstream fiction feature films which incorporate imagery from non-cinematic moving image technologies. The period examined ranges from the era of the widespread success of television (i.e.
    [Show full text]
  • PIERS HAMPTON Visual Effects Producer/Supervisor
    PIERS HAMPTON Visual Effects Producer/Supervisor FILMS DIRECTOR STUDIO/PRODUCTION “THE PARTY” SALLY POTTER ADVENTURE PICTURES On-Set Supervisor Alice Dawson, Karl Liegis “HOW TO TALK TO GIRLS AT JOHN CAMERON MITCHELL SEE-SAW FILMS PARTIES” HANWAY FILMS On-Set Supervisor “THE MAN WHO KNEW INFINITY” MATT BROWN EDWARD R. PRESSMAN FILM VFX Supervisor/VFX Producer Matt Brown, Ed Pressman “BITTER HARVEST” GEORGE MENDELUK DEVIL’S HARVEST PRODUCTION Additional VFX Super / Chad Baranger, Jaye Gazeley VFX Unit Director (Re-shoots) “DAWN” ROMED WYDER DSCHOINT VENTSCHR FILMPRODUKTION VFX Supervisor/Producer Samir, Romed Wyder “BHOPAL” RAVI KUMAR RISING STAR VFX Supervisor/Producer Ravi Walia Prime Focus – Sole Vendor “VAMPIRE ACADEMY” MARK WATERS THE WEINSTEIN COMPANY Sr. VFX Producer Deepak Nayar Prime Focus - Sole Vendor “LEGENDARY” ERIC STYLES CHINA FILM GROUP VFX Producer Matthew Kuipers, Xiaodong Liu “THE CRISTMAS CANDLE” JOHN STEPHENSON PINEWOOD FILMS VFX Supervisor Tom Newman Prime Focus – Sole Vendor “THE WEE MAN” RAY BURDIS CARNABY INTERNATIONAL VFX Producer Mike Loveday Prime Focus - Sole Vendor “STORAGE 24” JOHANNES ROBERTS UNIVERSAL PICTURES Sr. VFX Producer Noel Clark Prime Focus - Sole Vendor “OUTPOST 2: BLACK SUN” STEVE BARKER MATADOR Exec Supervisor – Prime Focus Nigel Thomas “THE NUTCRACKER IN 3D” ANDREY KONCHALOVSKIY VNESHECONOMBANK VFX Producer / Creature Effects Andrey Konchalovskiy, Paul Lowin Producer / Adtl VFX Supervisor “TAMARA DREWE” STEPHEN FREARS RUBY FILMS VFX Producer / Set Supervision Alison Owen, Tracey Seaward Bluff Hampton – Sole Vendor “SCOTT PILGRIM VS. THE WORLD” EDGAR WRIGHT UNIVERSAL PICTURES VFX Producer – Bluff Hampton Eric Gitter, Nira Park “THE ARBOR” CLIO BARNARD ARTANGEL MEDIA VFX Producer Tracy O’Riordan Bluff Hampton – Sole Vendor “NINE” ROB MARSHALL THE WEINSTEIN COMPANY VFX Producer John DeLuca, Rob Marshall Bluff Hampton – Sole Vendor Piers Hampton -Continued- “THE DEATHS OF IAN STONE” DARIO PIANA LIONSGATE VFX Producer – Bluff Hampton Brian J.
    [Show full text]
  • MY BEAUTIFUL LAUNDRETTE London W1J 9LN Followed by a Q&A with STEPHEN FREARS and HANIF KUREISHI Cbe Hosted by LESLIE FELPERIN
    BAFTA HERITAGE SCREENING Thursday 16 April 2O15 BAFTA 195 Piccadilly MY BEAUTIFUL LAUNDRETTE London W1J 9LN Followed by a Q&A with STEPHEN FREARS and HANIF KUREISHI CBE Hosted by LESLIE FELPERIN My Beautiful Laundrette exploded onto our screens thirty years ago and cemented the reputation of director Stephen Frears as one of our most original and distinguished film makers. The film’s screenplay, by Hanif Kureishi, was a landmark debut that received a BAFTA nomination and established Kureishi as a major screenwriting talent. The film became an international success and received wide critical acclaim. The film critic Roger Ebert reviewed the film on its US release and is reproduced here in an edited version. Release yeaR: 1985 Runtime: 97 mins DiRectoR: Stephen Frears PRoDUCERs: Sarah Radclyffe, Tim Bevan scReenwRiteR: Hanif Kureishi hen people told me laundry. It is the story of two kinds outside and bares her breasts to Omar they’d seen My Beautiful of outsiders (Omar and Johnny) in through the French doors. Laundrette and it was modern London. The movie is not concerned with a good movie, I had My Beautiful Laundrette refuses to plot, but with giving us a feeling for the Wa tendency to believe them, for who commit its plot to any particular agenda, society its characters inhabit. Modern would dare to make a bad movie with and I found that interesting. It’s not about Britain is a study in contrasts, between such an uncommercial title? The laundry whether Johnny and Omar will remain rich and poor, between upper and lower in question is a storefront operation in lovers or about whether the laundry classes, between native British and the one of the seedier areas of London, and will be a success.
    [Show full text]
  • SHIRCORE Jenny
    McKinney Macartney Management Ltd JENNY SHIRCORE - Make-Up and Hair Designer 2003 Women in Film Award for Best Technical Achievement Member of The Academy of Motion Picture Arts & Sciences THE DIG Director: Simon Stone. Producers: Murray Ferguson, Gabrielle Tana and Ellie Wood. Starring: Lily James, Ralph Fiennes and Carey Mulligan. BBC Films. BAFTA Nomination 2021 - Best Make-Up & Hair KINGSMAN: THE GREAT GAME Director: Matthew Vaughn. Producer: Matthew Vaughn. Starring: Ralph Fiennes and Tom Holland. Marv Films / Twentieth Century Fox. THE AERONAUTS Director: Tom Harper. Producers: Tom Harper, David Hoberman and Todd Lieberman. Starring: Felicity Jones and Eddie Redmayne. Amazon Studios. MARY QUEEN OF SCOTS Director: Josie Rourke. Producers: Tim Bevan, Eric Fellner and Debra Hayward. Starring: Margot Robbie, Saoirse Ronan and Joe Alwyn. Focus Features / Working Title Films. Academy Award Nomination 2019 - Best Make-Up & Hairstyling BAFTA Nomination 2019 - Best Make-Up & Hair THE NUTCRACKER & THE FOUR REALMS Director: Lasse Hallström. Producers: Mark Gordon, Larry J. Franco and Lindy Goldstein. Starring: Keira Knightley, Morgan Freeman, Helen Mirren and Misty Copeland. The Walt Disney Studios / The Mark Gordon Company. WILL Director: Shekhar Kapur. Exec. Producers: Alison Owen and Debra Hayward. Starring: Laurie Davidson, Colm Meaney and Mattias Inwood. TNT / Ninth Floor UK Productions. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 JENNY SHIRCORE Contd … 2 BEAUTY & THE BEAST Director: Bill Condon. Producers: Don Hahn, David Hoberman and Todd Lieberman. Starring: Emma Watson, Dan Stevens, Emma Thompson and Ian McKellen. Disney / Mandeville Films.
    [Show full text]