BIFF Katalog Side 3-26
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sverigespel: Kent Anderssons Och Bengt Bratts Dramatik 1967-71 Mot Bakgrund Av Samhälls
Acta Universitatis Umensis Eva Vikström SVERIGESPEL Kent Anderssons och Bengt Bratts dramatik 1967-71 mot bakgrund av samhälls- och teaterdebatten Universitetet i Umeå ss* Almqvist & Wiksell International, Stockholm, Sweden Acta Universitatis Umensis Umeå Studies in the Humanities 88 SVERIGESPEL Kent Anderssons och Bengt Bratts dramatik 1967—71 mot bakgrund av samhälls- och teaterdebatten AKADEMISK AVHANDLING som för avläggande av filosofie doktorsexamen vid universitetet i Umeå kommer att offentligt försvaras i Humanisthuset, hörsal E, lördagen den 18 mar s 1989 kl 10.15 av Eva Vikström Fil mag Vikström Eva, Sverigespel. Kent Anderssons och Bengt Bratts dramatik 1967-71 mot bakgrund av samhälls- och teaterdebatten. ["Sweden Plays". Plays by Kent Andersson and Bengt Bratt 1967-71 Seen against the Debate on Society and the Theatre] Summary in English The Department of Literature, Umeå University Umeå 1989, viii + 283 pages Acta Universitatis Umensis. Umeå Studies in the Humanities 88 ISSN 0345-0155 ISBN 91-7174-398-7 Distributed by Almqvist & Wiksell International Box 45150, 104 30 Stockholm, Sweden ABSTRACT The dissertation deals with the Municipal Theatre of Göteborg with special reference to the period between 1967 and 1971, during which the group theatre developed and paved the way for a repertoire of social criticism. The theatre debate is viewed against the background of the socio-economic, ideo logical, and cultural development of the 1960,s. After describing conditions at the Municipal Theatre of Göteborg under Mats Johansson's management from 1962 onwards, the study concentrates on analysing three group theatre plays produced by Lennart Hjulström: Flotten (spring 1967) by Kent Andersson, Hemmet (autumn 1967) by Kent Andersson and Bengt Bratt, and Sandlådan (autumn 1968) by Kent Andersson. -
The House Is Burning
Reverse Angle Pictures präsentiert THE HOUSE IS BURNING Drehbuch und Regie Holger Ernst mit Harlez Adams, John Diehl, Erik Jensen, Melissa Leo, Julianne Michelle, Joe Petrilla, Robin Tazlor, Nicole Vicius P R E S S E H E F T BEITRAG DER OFFICIAL SELECTION DER FILMFESTSPIELE VON CANNES 2006 KINOSTART: 16. NOVEMBER 2006 Pressematerial: w w w.reverse-angle.com Pressekontakt: Verleih: ZOOMMEDIENFABRIK GmbH Reverse Angle Pictures Christoph Becker Katharina Schwarz Schillerstrasse 94 Dienerreihe 2 10625 Berlin 20457 Hamburg 030/31 80 88 52 040 – 80 81 82 83 030/31 50 68 58 040 – 80 81 82 855 [email protected] [email protected] Besetzung & Stab .............................................................................................3 Kurzinhalt und Pressenotiz ..............................................................................4 THE HOUSE IS BURNING Interview mit dem Regisseur Holger Ernst ......................................................5 Interview mit den Produzenten.........................................................................7 Die Schauspieler Joe Petrilla (Mike Miller)....................................................................................9 Nicole Vicius (Valerie) .......................................................................................9 Robin Taylor (Phil)..............................................................................................9 Julianne Michelle (Terry).................................................................................10 John -
2.Nedeľa O 19.00 Hod. Muži, Ktorí Nenávidia Ženy
Bardejovské Kúpele Január 2011 Kino Žriedlo 2.Nedeľa o 19.00 hod. Muži, ktorí nenávidia ženy Krimitriler Švédsko / Dánsko / SRN, 152 min., Mp15r, cz.tit., Vst. 2,20 € Réžia: Niels Arden Oplev Námet: Stieg Larsson – rovnomenný román (2004) Scenár: Rasmus Heisterberg, Nikolaj Arcel PREMIERA Kamera: Eric Kress Strih: Anne Isterud, Jannus Billeskov Jansen Hudba: Jacob Groth Hrajú: Michael Nyqvist, Noomi Rapace, Sven-Bertil Taube, Peter Andersson, Peter Haber, Lena Endre, Björn Granath, Ingvar Hirdwall, Ewa Fröling Pred štyridsiatimi rokmi zmizla Harriet Vagner z rodinnej oslavy. Telo sa nikdy nenašlo, no jej strýko je presvedčený, že išlo o vraždu, ktorú spáchal niekto z rodiny. Na vyšetrenie prípadu si najme investigatívneho novinára Mikaela Blomkvista, ktorému pomáha drsná počítačová hackerka Lisbeth Salander. Dvojica začne pátrať po podivnej vražde a zároveň rozpletá temnú a desivú rodinnú históriu... Film inšpirovaný knižnou trilógiou Milénium Stiega Larssona, jednou z najčítanejších kníh súčasnosti, získal švédsku výročnú cenu za najlepší film Bardejovské Kúpele Január 2011 Kino Žriedlo 2.Nedeľa o 16.00 hod. Shrek: Zvonec a koniec Animovaná komédia USA, 92 min., Mp, slovenský dabing, Vst. 2 € Zo Shreka sa stal „starý foter“. Namiesto toho, aby desil dedinčanov, otrávený im dnes rozdáva autogramy. Čo sa to stalo s divokým zlobrom? Pretože mu je smutno za časmi, keď býval skutočným netvorom, podpíše zmluvu s prefíkaným predavačom ilúzií Rumpelstiltskinom. V tej chvíli sa ocitne v alternatívnej verzii kráľovstva Za siedmimi horami, kde zlobrov prenasledujú, Rumpelstiltskin je kráľom a Fiona ho v skutočnosti nikdy nestretla. Shrek teraz musí napraviť, čo vyviedol. Musí zachrániť priateľa, obnoviť svet na taký, aký býval, a znovu získať svoju pravú lásku. -
LE QUATTRO VOLTE a Film by Michelangelo Frammartino
LE QUATTRO VOLTE a film by Michelangelo Frammartino Europa Cinemas Award Cannes 2010 Italy/Germany/Switzerland 2010 / 88 mins /certificate : tbc Release date: Spring 2011 FOR ALL PRESS ENQUIRIES PLEASE CONTACT Sue Porter/Lizzie Frith – Porter Frith Ltd Tel: 020 7833 8444/E‐Mail: [email protected] FOR ALL OTHER ENQUIRIES PLEASE CONTACT Robert Beeson – New Wave Films [email protected] 10 Margaret Street London W1W 8RL Tel: 020 3178 7095 www.newwavefilms.co.uk SYNOPSIS In the backcountry of southern Italy’s mountainous region of Calabria, an old shepherd leads his flock to pasture along paths in the hills which have fallen into disuse. Every morning, the church housekeeper trades a handful of the church’s dust for some of the shepherd’s fresh milk. Every evening, the elderly shepherd dissolves the «magic» powder in water and drinks this mixture to remedy his aches and pains. One day, he doesn’t show up for their trade. The next day, he dies in his bed as his goats keep vigil over his passing. A kid takes its first steps, but he is slower than the rest of the flock and falls behind. He falls into a ditch in the middle of the forest. Unable to climb out, he bleats for help, but neither the new shepherd, nor his dog, hear him. The flock leaves the kid in their wake, leaving him to his fate. When he finally emerges from the ditch, he finds that he is alone. He wanders aimlessly until, as night begins to fall, he stumbles onto a majestic fir tree in which he seeks shelter. -
6 Month Paid Internship with Possible Further Employment German
6 Month Paid Internship with possible further employment Coproduction Office is looking forward to welcome a German-speaking Production and Business Affairs Intern By: Coproduction Office Business sector: Film industry, High End Gastronomy Field of expertise: Film production, Cinema and Restaurants Company Location: Berlin Paid Internship: Yes, amount depending on profile, career progression possible Duration: 6 months, full time Start date: according to availability COMPANY PROFILE Based in Paris and Berlin, Coproduction Office is an international distributor and producer of bold, award- winning films. We are looking for a globally-minded colleague, who has organizational skills, is result-oriented and has an interest in art-house cinema, to assist our founder and complete our team of 12 people, working in a dynamic and international environment. Coproduction Office's CEO and founder Philippe Bober has worked with prominent ground-breaking directors* from early on in their careers and has produced thirty-two films to date (including SUZHOU RIVER by Lou Ye). The majority of these films were selected for the main competitions in Cannes, Venice and Berlin, where they have received many major prizes, most notably the Venice Golden Lion in 2014 for Roy Andersson’s A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE, and the Palme d’Or in 2017 for THE SQUARE by Ruben Östlund. Coproduction Office's international sales division distributes a catalogue composed of films produced by Philippe Bober as well as acquired titles and restored classics, including Roberto Rossellini’s key films. The catalogue is unique for its artistic strength, with films that have an individual and distinctive cinematic language, and often daring content. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
SETDECOR Magazine – Online 2015 Nominations
SETDECOR Magazine – Online 2015 Nominations NOMINATIONS FOR THE 20th ANNUAL CRITICS’ CHOICE MOVIE AWARDS BEST PICTURE BEST YOUNG ACTOR/ACTRESS Birdman Ellar Coltrane – Boyhood Boyhood Ansel Elgort – The Fault in Our Stars Gone Girl Mackenzie Foy – Interstellar The Grand Budapest Hotel Jaeden Lieberher – St. Vincent The Imitation Game Tony Revolori – The Grand Budapest Hotel Nightcrawler Quvenzhane Wallis – Annie Selma Noah Wiseman – The Babadook The Theory of Everything Unbroken BEST ACTING ENSEMBLE Whiplash Birdman Boyhood BEST ACTOR The Grand Budapest Hotel Benedict Cumberbatch – The Imitation The Imitation Game Game Into the Woods Ralph Fiennes – The Grand Budapest Hotel Selma Jake Gyllenhaal – Nightcrawler Michael Keaton – Birdman BEST DIRECTOR David Oyelowo – Selma Wes Anderson – The Grand Budapest Hotel Eddie Redmayne – The Theory of Ava DuVernay – Selma Everything David Fincher – Gone Girl Alejandro G. Inarritu – Birdman BEST ACTRESS Angelina Jolie – Unbroken Jennifer Aniston – Cake Richard Linklater – Boyhood Marion Cotillard – Two Days, One Night Felicity Jones – The Theory of Everything BEST ORIGINAL SCREENPLAY Julianne Moore – Still Alice Birdman – Alejandro G. Inarritu, Nicolas Rosamund Pike – Gone Girl Giacobone, Alexander Dinelaris, Jr., Reese Witherspoon – Wild Armando Bo Boyhood – Richard Linklater BEST SUPPORTING ACTOR The Grand Budapest Hotel – Wes Josh Brolin – Inherent Vice Anderson, Hugo Guinness Robert Duvall – The Judge Nightcrawler – Dan Gilroy Ethan Hawke – Boyhood Whiplash – Damien Chazelle Edward Norton – Birdman -
Chapter 11), Making the Events That Occur Within the Time and Space Of
CHAPTER I INTRODUCTION: IN PRAISE OF BABBITTRY. SORT OF. SPATIAL PRACTICES IN SUBURBIA Kenneth Jackson’s Crabgrass Frontiers, one of the key histories of American suburbia, marshals a fascinating array of evidence from sociology, geography, real estate literature, union membership profiles, the popular press and census information to represent the American suburbs in terms of population density, home-ownership, and residential status. But even as it notes that “nothing over the years has succeeded in gluing this automobile-oriented civilization into any kind of cohesion – save that of individual routine,” Jackson’s comprehensive history under-analyzes one of its four key suburban traits – the journey-to-work.1 It is difficult to account for the paucity of engagements with suburban transportation and everyday experiences like commuting, even in excellent histories like Jackson’s. In 2005, the average American spent slightly more than twenty-five minutes per day commuting, a time investment that, over the course of a year, translates to more time commuting than he or she will likely spend on vacation.2 Highway-dependent suburban sprawl perpetually moves farther across the map in search of cheap available land, often moving away from both traditional central 1 In the introduction, Jackson describes journey-to-work’s place in suburbia with average travel time and distance in opposition to South America (home of siestas) and Europe, asserting that “an easier connection between work and residence is more valued and achieved in other cultures” (10). 2 One 2003 news report calculates the commuting-to-vacation ratio at 5-to-4: “Americans spend more than 100 hours commuting to work each year, according to American Community Survey (ACS) data released today by the U.S. -
Swedish Film Magazine #2 2010
Swedish Film #2 2010 • A magazine from the Swedish Film Institute P UMP UP THE NOISE Johannes Stjärne Nilsson and Ola Simonsson want the Sound of Noise to ring all over Cannes Bill Skarsgård Another shining son BATHING MICKY In Competition in Cannes A SILENT CHILD In Directors’ Fortnight ... BUT FILM IS MY MISTRESS Bergman revisited www.sfi.se “Brighton Rock” © 2010 Optimum Releasing “Centurion” © 2010 Celador Films / Pathe Productions “Antichrist” © 2009 Zentropa “Dear Alice” © 2009 One Tired Brother “Eden Lake” © 2008 Rollercoaster Films “The Descent: Part 2” © 2009 Celador Films / Pathe Productions “Arn - The Kingdom at Road’s End” © 2008 AB Svensk Filmindustri “Mammoth” © 2009 Memfis Film “The Cottage” © 2008 Steel Mill Yorkshire / UKFC “Hush” © 2009 Warp X / Fear Factory (Hush) SWEDEN’S BEST KEPT SECRET In less than four years Filmgate have supplied high end cost effective visual effects and DI solutions for over 30 feature films in 9 countries. Since the introduction of our 2k grading and conform services we have graded three feature films and several short films as well as TV commercials. In 2009, with the aid of regional funding, we have expanded our services into co-production. Looking forward to 2010 not only do we have exciting and challenging visual effects projects ahead, such as the eagerly anticipated UK features “Centurion” and “Brighton Rock”, we are also involved with a slate of US, UK and French projects as co-producers. www.filmivast.se www.filmgate.se CEO’S LETTER Director, International Department Pia Lundberg Phone +46 70 692 79 80 Unforgettable surprises [email protected] SOME THINGS JUST refuse to go away, no autumn, and Andreas Öhman with Simple matter how hard you try to shake them off. -
Miptv 2020 Producers to Watch Contents
MIPTV 2020 PRODUCERS TO WATCH CONTENTS DOC & FACTUAL 3 DRAMA / FICTION 36 FORMATS 112 KIDS & TEENS 149 DOC & FACTUAL DOC & FACTUAL PRODUCERS LISTED BY COUNTRY AUSTRIA FINLAND HUNGARY SOUTH AFRICA COLLABORATE: IDEAS & IMAGES GS FILM FILM-& FERNSEHPRODUKTION AITO MEDIA SPEAKEASY PROJECT HOMEBREW FILMS Lauren Anders Brown E.U. Erna AAlto László Józsa Jaco Loubser EMPORIUM PRODUCTIONS Gernot Stadler GIMMEYAWALLET PRODUCTIONS OKUHLE MEDIA Emma Read Phuong Chu Suominen IRELAND Pulane Boesak IMPOSSIBLE DOC & FACTUAL BELGIUM RAGGARI FILMS FELINE FILMS Adam Luria CLIN D’ŒIL Minna Dufton Jessie Fisk SPAIN WOODCUT MEDIA Hanne Phlypo BRUTAL MEDIA Matthew Gordon FRANCE JAPAN Raimon Masllorens BELGIUM COLLABORATION INC 4TH DOC & FACTUAL TAMBOURA FILMS UNITED STATES EKLEKTIK PRODUCTION Bettina Hatami Toshikazu Suzuki Xaime Barreiro CREATIVE HEIGHTS ENTERTAINMENT Tatjana Kozar Jaswant Dev Shrestha BLEU KOBALT KOREA ZONA MIXTA CANADA Florence Sala GINA DREAMS PRODUCTION Robert Fonollosa GALAXIE Sunah Kim DBCOM MEDIA SWITZERLAND Nicolas Boucher Thierry Caillibot GEDEON PROGRAMMES PERU SLASH PRODUCTION TORTUGA Jean-Christophe Liechti Adam Pajot Gendron Maya Lussier Seguin PACHA FILMS URBANIA MÉDIAS HAUTEVILLE PRODUCTIONS Luis Del Valle UNITED KINGDOM Philippe Lamarre Karina Si Ahmed POLAND ALLEYCATS ILLEGITIME DEFENSE Desmond Henderson CHINA Arnaud Xainte KIJORA FILM Anna Gawlita BIG DEAL FILMS - UNSCRIPTED DA NENG CULTURE MEDIA YUZU PRODUCTIONS Thomas Stogdon Hengyi Zhi Christian Popp PORTUGAL CHALKBOARD TV ENCOUNTER MEDIA Simon Cooper Qi Zhao PANAVIDEO Diana Nunes SHUTTER BUG STUIO(BEIJING) Hongmiao Yu GS FILM FILM-& FERNSEHPRODUKTION E.U. AUSTRIA My previous works & partners : We have produced over 70 documentaries/docu-dramas and documentary series on various topics such as human interest, history, culture and nature. -
THE REST of US a Babe Nation Film Directed by Aisling Chin-Yee
THE REST OF US A Babe Nation film Directed by Aisling Chin-Yee The Rest of Us Starring Heather Graham (Boogie Nights), Sophie Nélisse (Mean Dreams), Jodi Balfour (The Crown) and Abigail Pniowsky (Arrival) A Babe Nation film | Directed by Aisling Chin-Yee | Written by Alanna Francis Produced by Katie Bird Nolan, Lindsay Tapscott, Emma Fleury and Will Woods Executive Produced by Patrice Theroux and Damon D’Oliveira World Premiere Toronto International Film Festival 2019 (In competition) Running Time 80 min. The Rest of Us is the feature directorial debut of the award-winning writer, producer and director Aisling Chin-Yee. Produced by Babe Nation Films, a boutique production company that champions female voices and stories, The Rest of Us follows Cami (Graham), a poised, divorced woman who threatens her already tenuous relationship with her headstrong teenage daughter, Aster (Nélisse), when she invites her ex-husband’s second wife, Rachel (Balfour), and young daughter, Talulah (Pniowsky), to move in with them following his unexpected death. In an unusually full home overlooking their town, the four women must confront their own grief, truths, flaws and secrets while ultimately deciding if the past will dictate their future. The Rest of Us is a dramatic comedy about authentic, complex women and the messy conflicts between them. The script, written by first-time screenwriter Alanna Francis was a 2016 Academy Fellowship quarterfinalist. Logline Two mother-daughter duos must contend with their grief and complicated relationships with each other when the man who ties them together dies. Short Synopsis Cami Bowden really has her life together. -
Linguopoetic Significance of Connotative Elements in Translation…………………………………………………………………5 Ненарокова М.Р
АНГЛИЙСКИЙ ЯЗЫК НА ГУМАНИТАРНЫХ ФАКУЛЬТЕТАХ ТЕОРИЯ И ПРАКТИКА Сборник научных и научно-методических трудов Выпуск 8 Москва МАКС Пресс 2015 МОСКОВСКИЙ ГОСУДАРСТВЕННЫЙ УНИВЕРСИТЕТ имени М.В. Ломоносова Факультет иностранных языков и регионоведения Кафедра английского языка для гуманитарных факультетов АНГЛИЙСКИЙ ЯЗЫК НА ГУМАНИТАРНЫХ ФАКУЛЬТЕТАХ ТЕОРИЯ И ПРАКТИКА Сборник научных и научно-методических трудов Выпуск 8 Отв. редактор Г.А. Казимова МОСКВА – 2015 УДК 811.111 ББК 81.2Англ А64 Английский язык на гуманитарных факультетах: теория и А64 практика: Сборник научных и научно-методических трудов/ Отв. ред. Казимова Г.А. – М.: МАКС Пресс, 2015. – Выпуск 8. – 216 с. ISBN 978-5-317-04981-2 Сборник содержит статьи, затрагивающие актуальные проблемы фи- лологии и философии, а также вопросы переводоведения, лингвокуль- турологии, лингводидактики. Несколько работ посвящены анализу ху- дожественного и публицистического наследия Ф.М. Достоевского. Ключевые слова: лингвокультурология, лингводидактика, лингвисти- ка, семантика, семиотика, Ф.М. Достоевский, «Восточный вопрос». УДК 811.111 ББК 81.2Англ English Studies in Humanities, Linguistics and Pedagogy / Kazi- mova, G.A. (ed). – М.: MAKS Press, 2015. – Issue 8. – 216 p. The present issue includes articles which consider actual problems of philology, phi- losophy, lingual-cultural studies, language teaching. Some articles are devoted to the analysis of F. Dostoyevsky’s artistic and publicist works. Key words: English studies, lingual-cultural studies, humanities, corpus analysis, pedagogy, F. Dostoyevsky, «the Eastern Issue». ISBN 978-5-317-04981-2 © Авторы, 2015 ОГЛАВЛЕНИЕ Раздел 1. Научные и научно-методические статьи Поэтика, стилистика, аксиология Konurbayev, М. Linguopoetic significance of connotative elements in translation…………………………………………………………………5 Ненарокова М.Р. Детективный жанр как мост между культурами. Детективы Р.ван Гулика о судье Ди……………………………………...36 Филиппова М.М.