Zena G. Holman Jack London Collection
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Anna Strunsky Walling Papers, 1900-1963
http://oac.cdlib.org/findaid/ark:/13030/tf567nb104 No online items Guide to the Anna Strunsky Walling Papers, 1900-1963 Processed by Nicole Cuadra The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu © 2003 The Regents of the University of California. All rights reserved. Guide to the Anna Strunsky BANC MSS C-H 95 1 Walling Papers, 1900-1963 Guide to the Anna Strunsky Walling Papers, 1900-1963 Collection number: BANC MSS C-H 95 The Bancroft Library University of California, Berkeley Berkeley, California Contact Information: The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu Collection Processed By: Nicole Cuadra Date Completed: August 2004 Finding Aid written by: Nicole Cuadra and completed by Alison E. Bridger © 2003 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Anna Strunsky Walling papers, Date (inclusive): 1900-1963 Collection Number: BANC MSS C-H 95 Creator: Walling, Anna Strunsky, 1879- Extent: Number of containers: 2 boxesLinear feet: 0.6 Repository: The Bancroft Library Berkeley, California 94720-6000 Abstract: Contains correspondence, writings, clippings, programs, brochures and ephemera, concerning the life and career of Anna Strunsky Walling. Correspondence is with friends and associates in the social and political movements in which she was active, including Emma Goldman, Jack London, Selig Perlman, and Upton Sinclair. Writings include manuscripts of her book "Violette of Père Lachaise," articles and speeches addressing the social revolution and a microfilm copy of "Revolutionary lives: Russia-1906." Also includes correspondence of her husband William English Walling including a letter from Upton Sinclair, and their daughter Rosamond Walling. -
Jack London - Free Online Library
Jack London - Free Online Library London's youth was marked by poverty. 3 many years later he left the girl and their a pair of daughters, eventually in order to marry Charmian Kittredge, an editor and outdoorswoman. I shall use my time. You can't watch for inspiration. Within 1894 he ended up being arrested in try what your woman says Niagara Falls as well as jailed with regard to vagrancy. Inside the midst of a bitter separation in 1904, London traveled to Korea as a correspondent for Hearst's newspapers to pay for the actual war among Russia and also Japan (1904-05). Within 1900 he married Elisabeth (Bess) Maddern; their house became a new battle field among Bess as well as London's mother Flora. He didn't stop trying even in the particular program of his travels along with drinking periods. His guide about the economic degradation in the poor, the People of the Abyss (1903), was a surprise achievement in the U.S. He died about November 22, 1916, officially of gastro-intestinal uremia. London had early built his system of producing a new every day quota regarding thousand words. He ended up being deserted by simply his father, "Professor" William Henry Chaney, an itinerant astrologer, along with raised within Oakland simply by his mother Flora Wellman, a new audio teacher along with spiritualist. London's very first novel, The Particular Son with the Wolf, appeared within 1900. Upon the particular voyage he started for you to write Martin Eden. His early stories appeared inside the Overland Month For You To Month along with Atlantic Monthly. -
Literature and Poverty Law Adam Gearey Introduction This
“You May Find Yourselves Changed in Unexpected Ways” Literature and Poverty Law Adam Gearey “[I]n these times of dreary crisis, what is the point of emphasising the horror of being?” Julia Kristeva1 Introduction This paper outlines a tradition of Anglo-American literature that stretches from Jane Addams to Jack London and George Orwell. Locating poverty law scholarship in this tradition of poverty writing has important implications for how we understanding lawyering for the poor and, indeed, for the very idea of law and literature.2 Borrowing the idea of unlearning from Jane Addams, we will show how reading literature is central to the moral task of self- definition.3 It may be that poverty lawyering is best understood as peculiar continuation of a tradition of unlearning that defines the problematic of poverty writing.4 The argument concludes with comments on how the main themes of this essay can be framed as a kind of dialectics that pushes unlearning in the direction of a politics of poverty.5 Our argument begins with the encounter between the ‘middle classes’ and the poor that underpinned the settlement house movement in the latter 1800s. The settlement house movement had its origins in the response of churchmen and university scholars to the social and spiritual degradation of slum life wrought by the industrial revolution. Profoundly impressed with the work of the settlement movement, Jane Addams resolved to repeat the social experiment in Chicago. Addams founded Hull House with her partner Ellen Gates Starr in 1889. Addams saw Hull House as “an experimental effort to aid in the solution of the social and industrial problems which are engendered by the modern conditions of life in a great city.”6 Addams appreciated that the spiritual/educational mission of settlement could not be based on settlors imposing their understandings of morality on poor families. -
The Call: Spring-Summer 2006
Spring /Summer 2006 Volume XVII, No. 1 THE CALL The Magazine of the Jack London Society Inside This Issue: A Remembrance of Winnie 2 Winifred Kingman Dies At Age 85 3 Recent London Publications 3 Eighth Biennial Symposium: Alaska 4 Jack London’s Palace of Fine Arts 5 And “The Hussy” News and Notes 9 Page 2 The Call A REMEMBRANCE OF WINNIE The Jack London Society G ARY RIEDL President No doubt all who knew Winnie will instantly recall with a pang of loss Donna Campbell her warm receptionreception not only to her friends but to all visitors, particularly Washington State University those whose research interests led them to seek out the wonderful resources available in the JL Research Center in Glen Ellen. As we all know, the center was put together by Winnie and her beloved Russ, demonstrating Executive Coordinator their combined efforts to collect and organize everything they could find on Jeanne C. Reesman Jack London. In the process, Winnie became an authority on London, his University of Texas at San Antonio home, his family, his travels, and his place in the literature of California and the world. Everyone who visited the little Research Center will recall a Advisory Board sense of surprise at the vast amount of information—all of it useful to peo- Sam S. Baskett ple trying to understand an author whose work has fluctuated between Michigan State University world-wide accolades and nominal acceptance. Thanks though in no small Lawrence I. Berkove part to the efforts of the Winnie and Russ, over the last 30 years London University of Michigan-Dearborn has emerged as the important artist he knew himself to be. -
Vol. 9, No. 8, February, 1909
The International Socialist Review A MONTHLY JOURNAL OF INTERNATIONAL SOCIALIST THOUGHT EDITED BY CHARLES H. KERR ASSOCIATE EDITORS: Ernest Untermann, John Spargo, Robert Rives La Monte, Max S. Hayes, William E. Bohn, Mary E. Marcy. CONTENTS FOR FEBRUARY, 1909. The Dream of Debs (Concluded) Jack L01rdon Must the Proletariat Degenerate? - Karl Kautsky Socialism for Students. IV. Thl! Class Struggle - Joseph E. Co!Jen Workers and Intellectuals in Italy Dr. Eruin Szabo The Hold Up }fan Clare11ce S. Darrou: How Tom Saved the Business Mary E. Marcy Who Constitute the Proletariat? Carl D. Thompson DEPARTMENTS Editor's Chair: Unionism and Socialism; A Choice Specimen; Local Portlanrl's Proposed Referendum. International Notes Literature and Art World of Labor News and Views Publishers' Department Subscription price, $1.00 a year, including postage, to any address in the United States, Mexico and Cuba. On account of the increased weight of the Review, we shall be obliged in future to make the subscription price to Canada $1.20 and to all other countries $1.36. All coJTespondence regardin,l!" advertising should be addressed to The Howe-simpson Company, Advertising Manager of the International Socialist Review, 140 Dear born street, Chicago. AdYt-rtising rate, $25.00 per page; half and quarter pases pro rata; less than quarter pages, 15 cents per agate line. This rate Is based on a guaranteed circulation exceeding 25,000 copies. All other business communications should be addressed to CHARLES H. KERR & COMPANY, Publishers (Co-Operative) 153 Kinzie Street, Chicago, Ill., U. S. A. Copyright, 1909, by Charles H. Kerr & Company. Entered at the I'ostoftlce at Chicago, Ill .• as St>coad Class llfatter July 27, 1900, under Act of March 3, 1879. -
Xerox University Microfilms 300 North Zoeb Road Ann Arbor
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) dr section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again - beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Jack London Collection
http://oac.cdlib.org/findaid/ark:/13030/tf8q2nb2xs No online items Inventory of the Jack London Collection Processed by The Huntington Library staff; machine-readable finding aid created by Gabriela A. Montoya Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Fax: (626) 449-5720 Email: [email protected] URL: http://www.huntington.org/huntingtonlibrary.aspx?id=554 © 1998 The Huntington Library. All rights reserved. Inventory of the Jack London 1 Collection Inventory of the Jack London Collection The Huntington Library San Marino, California Contact Information Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2203 Fax: (626) 449-5720 Email: [email protected] URL: http://www.huntington.org/huntingtonlibrary.aspx?id=554 Processed by: David Mike Hamilton; updated by Sara S. Hodson Date Completed: July 1980; updated May 1993 Encoded by: Gabriela A. Montoya © 1998 The Huntington Library. All rights reserved. Descriptive Summary Title: Jack London Collection Creator: London, Jack, 1876-1916 Extent: 594 boxes Repository: The Huntington Library San Marino, California 91108 Language: English. Access Collection is open to qualified researches by prior application through the Reader Services Department. For more information please go to following URL. Publication Rights In order to quote from, publish, or reproduce any of the manuscripts or visual materials, researchers must obtain formal permission from the office of the Library Director. In most instances, permission is given by the Huntington as owner of the physical property rights only, and researchers must also obtain permission from the holder of the literary rights In some instances, the Huntington owns the literary rights, as well as the physical property rights. -
Debbie Lopez
DEBBIE LOPEZ The University of Texas at San Antonio Dept. of English, Classics, Philosophy, San Antonio, TX 78249 (210) 458-5973 [email protected] Revised January 23, 2009 ________________________________________________________________________ Academic Training March, 1994 Ph.D., Harvard University, Department of English and American Literature and Language. Distinction conferred. Dissertation received Howard Mumford Jones Prize. 1987 A.M., Harvard University, Department of English and American Literature and Language. 1981 M.A., Middlebury College (Bread Loaf School of English). 1977 B.A. The University of the South, Department of English. Summer, 1976 University College, Oxford University, Oxford, U.K. Teaching Positions Held September 2008-February 2009 Visiting Fulbright Scholar, Aristotle University, Thessaloniki, Greece 1999-Present Associate Professor, The University of Texas at San Antonio, Department of English, Classics, and Philosophy 2008-2009 Aristotle University of Thessaloniki, Greece, Fulbright Lecturer. 1993-1999 Assistant Professor, The University of Texas at San Antonio, Division of English, Classics, Philosophy, and Communication. 1988-1993 Teaching Fellow, Harvard University, Department of English and American Literature and Language. 1984-1986 Part-time Instructor in Composition and American Literature and Instructor in the Writing Laboratory at the University of Alabama in Birmingham. 1984-1986 Part-time Instructor in Composition, Birmingham Southern College, Birmingham, Alabama. Non-University Positions Related to Field 1992-1993 Research Assistant to Professor Henry Louis Gates, Jr., Harvard University 1 1987-1988 Research Assistant to Professor Marjorie Garber, Harvard University. 1981-1983 Staff Writer and Editor, Alabama Public Television Publications Book: Lopez, Debbie. Taking the Fall: Lilith and Lamia in the New World Eden. (Book manuscript) Refereed Journal Articles: Lopez, Debbie. -
Jack London's South Sea Narratives. David Allison Moreland Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1980 Jack London's South Sea Narratives. David Allison Moreland Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Moreland, David Allison, "Jack London's South Sea Narratives." (1980). LSU Historical Dissertations and Theses. 3493. https://digitalcommons.lsu.edu/gradschool_disstheses/3493 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. -
Your Guide to the Classic Literature CD Version 4 Electronic Texts For
Your Guide to the Classic Literature CD Version 4 Electronic texts for use with Kurzweil 1000 and Kurzweil 3000. Your Guide to the Classic Literature CD Version 4. Copyright © 2003-2010 by Kurzweil Educational Systems, Inc. All rights reserved. Eleventh printing, January 2010. Kurzweil 1000 and Kurzweil 3000 are trademarks of Kurzweil Educational Systems, Inc., a Cambium Learning Technologies Company. All other trademarks used herein are the properties of their respective owners and are used for identification purposes only. Part Number: 125516 UPC: 634171255169 11 12 13 14 15 BNG 14 13 12 11 10 Printed in the United States of America. 25 Prime Park Way . Natick, MA 01760 . (781) 276-0600 2-0 Introduction Kurzweil Educational Systems is pleased to release the Classic Literature CD Version 4. The Classic Literature CD is a portable library of approximately 1,800 electronic texts, selected from public domain material available from Web sites such as www.gutenberg.net. You can easily access the CD’s contents from any of Kurzweil Educational Systems products: Kurzweil 1000™, Kurzweil 3000™ for the Apple® Macintosh® and Kurzweil 3000 for Microsoft® Windows®. Some examples of the CD’s contents are: Literary classics by Jane Austen, Geoffrey Chaucer, Joseph Conrad, Charles Dickens, Fyodor Dostoyevsky, Hermann Hesse, Henry James, William Shakespeare, George Bernard Shaw, Leo Tolstoy and Oscar Wilde. Children’s classics by L. Frank Baum, Brothers Grimm, Rudyard Kipling, Jack London, and Mark Twain. Classic texts from Aristotle and Plato. Scientific works such as Einstein’s “Relativity: The Special and General Theory.” Reference materials, including world factbooks, famous speeches, history resources, and United States law. -
The Iron Heel
“I WAS A CREATURE OF ENVIRONMENT”: JAMESIAN HABIT IN JACK LONDON’S THE IRON HEEL By Thomas W. Howard A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Literature in English—Master of Arts 2015 ABSTRACT “I WAS A CREATURE OF ENVIRONMENT”: JAMESIAN HABIT IN JACK LONDON’S THE IRON HEEL By Thomas W. Howard William James describes in his Principles of Psychology the central role that habits and adaptation plays in the human experience. Habits affect an individual’s beliefs, actions, and emotions, and without habits an individual would not have any personality. In the nineteenth century, literary theorists such as Henry James describe the necessity for authors to create realistic characters and events. This thesis displays the intersection of these two intellectual movements in Jack London’s dystopian novel, The Iron Heel. I begin by examining the history of the theory of habits beginning with John Locke and ending with James’s own works on the subject. I then focus on literary theory and the ways it is conducive to the absorption of habit theory into the creation of realistic literary characters. I argue that novels that do this are “psychoepisodic,” or novels containing psychologically realistic characters that describes a piece of the psychological side of the human experience through various episodes. Finally, I use these theories to examine London’s The Iron Heel and the ways London uses habits in the development of the characters. Copyright by THOMAS W. HOWARD 2015 To Scott W. Mason, teacher, mentor, and friend "iv ACKNOWLEDGMENTS I would first like to thank Dr. -
Jack London: Master Craftsman of the Short Story
Utah State University DigitalCommons@USU Faculty Honor Lectures Lectures 4-14-1966 Jack London: Master Craftsman of the Short Story King Hendricks Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/honor_lectures Part of the English Language and Literature Commons Recommended Citation Hendricks, King, "Jack London: Master Craftsman of the Short Story" (1966). Faculty Honor Lectures. Paper 29. https://digitalcommons.usu.edu/honor_lectures/29 This Presentation is brought to you for free and open access by the Lectures at DigitalCommons@USU. It has been accepted for inclusion in Faculty Honor Lectures by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. '/. ;>. /71- 33 UTAH STATE UNIVERSITY THIRTY-THIRD FACULTY HONOR LECTURE Jack London: Master Craftsman of the Short Story by KING HENDRICKS Head, Department of English and Journalism THE FACULTY ASSOCIATION UTAH STATE UNIVERSITY LOGAN, UTAH APRIL 1966 Jack London: Master Craftsman of the Short Story N NOVEMBER of 1898 Jack London, aged 22, sold his first short I story, "To the Man on Trail," to Overland Monthly for the sum of $5. Three months later The Black Cat magazine paid him $40 for "A Thousand Deaths." This was the beginning of a writing career that in 17 years was to produce 149 short stories, not including his tramping experiences which he published under the title of The Road, 19 novels, and a number of essays. If all were accumulated and published, they would fill 50 volumes. Besides this, he wrote a number of newspaper articles (war cor respondence, sports accounts, and sociological and socialistic essays), and thousands of letters.