DIGITAL PLAYBILL APRIL 2021 BLUEBARN | 32 | Season of the Unknown

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DIGITAL PLAYBILL APRIL 2021 BLUEBARN | 32 | Season of the Unknown MUSIC & LYRICS BY STUART MATTHEW PRICE BOOK & ADDITIONAL LYRICS BY TIMOTHY KNAPMAN BASED ON AN ORIGINAL CONCEPT BY STUART MATTHEW PRICE DIRECTED BY SUZANNE WITHEM DIGITAL PLAYBILL APRIL 2021 BLUEBARN | 32 | Season of the Unknown eason 32 marks a profound shift in perspective. This year we give focus to Sbuilding on BLUEBARN’s transformative programming and services, seeding the fires that will light our way for years to come. A different kind of season awaits us. A different kind of membership awaits you… In these extraordinary times, we invite you to become caretakers of BLUEBARN’s mission. We invite you to provoke thought, emotion, action, and change in our community. Your BLUEBARN membership is a commitment, not to a certain number of productions or nights of theatre, but to the BLUEBARN’s essential work on and off the stage, our values, our art, and our artists. Incomparable theatre and incandescent storytelling remain at the core of our work. For these wild times, we have imagined adventurous new ways to bring the power of story back into all our lives. We have also dreamed up better ways to harness your BLUEBARN membership to “The future is in disorder. extend the reach of our art and sustain A door like this the lives of artists. has cracked open BLUEBARN is proud to announce a host five or six times since we got up of programs and programming that we on our hind legs. It hope will ignite and inspire you. We is the best possible must acknowledge as we do so the very time to be alive, when real uncertainty of the coming year. almost everything you Our season accepts disruptions and thought you knew was adaptations to shifting circumstances as wrong.” givens. — Tom Stoppard, Arcadia The mission stands. The work continues. Join us in lighting the fires that will guide us through this Season of the Unknown and into the future. With gratitude, Susan Clement-Toberer Producing Artistic Director — 2 — TRUBLU MEMBERSHIP SEASON HAPPENINGS: Holiday Hootenanny | Music, song, Bonfire Series | Five Extraordinary dance, story. For the longest nights, Works of Theatre. Dozens of the warmest of fires… and joy to us Extraordinary Artists. all! | Dec 17th-20th The Shape of Things to Come. Marjorie Prime | The great pause ———————— began March 17th. Our set still stands R33 | Sarah Brown after ready on our stage. We’ll premiere as Shakespeare soon as it’s safe. Three actors. One monster. What Digital Access | Live-streamed would you sacrifice to overcome shows. Virtual Tours. Special events. tyranny? The best seats in the house. Your own. For Black Trans Girls… | Radical Hospitality | Arts access is Lady Dane Figueroa Edidi a human right. BLUEBARN will offer A choreopoem. A fantasia. Love and pay-what-you-wish attendance for justice for a new generation. those facing economic barriers. Escaped Alone | Caryl Churchill Artists Fund | BLUEBARN is the only One of the most revered living professional contemporary theatre in playwrights. A most deranged tea Omaha committed to a living wage party. for all its artists. Before After | Knapman & Price Out of the Blue | A new path. What if you had a second chance Education. Touring. On the road. to get it right the first time? A new Online. Only from the BLUEBARN musical. Buffalo Women | Beaufield Berry Juneteenth. Newfound freedom. New lives. A Black cowgirl musical comedy. Anti-Racist Ethos | BLUEBARN owns that systemic racism is real and must be fought against wherever and however it shows up–in our community, in our theatre, in ourselves. — 3 — Discover local Buy the items missions and needs nonprofits need Make a new Give to causes Time to celebrate volunteer commitment your generosity! SHAREomaha.org SUPPORT THE — 4 — DIRECTOR’S NOTES How does a memory get made and why do we keep or not keep certain ones? What is the difference between a moment that becomes a memory and one that just passes? Often, exceptionally consequential or deeply emotional moments are seared into our memory. But what about those trivial things that also manage to secure a space on the register of our personal history? Why do simple things like sunsets or unbuttoned blouses or bad jokes find a place alongside first kisses and final goodbyes? Maybe they’re not trivial at all. Perhaps it is the memory of all the little things that make up a life. In Before After, we see the importance of the big and little memories that make up a life when we learn in the first scene that Ben has lost his memory. Ami, given the choice to tell him the truth or not, takes advantage of the clean slate and attempts to start again. As the musical progresses, each scene alternates between the memory of their first relationship (Before) and the progress of their second relationship (After). In the “before,” Ben and Ami meet, fall in love, and create a life full of memories together. In the “after,” Ben believes he’s meeting Ami for the first time, but she is using her memories of their first relationship to correct their mistakes from before. Alissa Hanish, Elizabeth Stinman, Scott Van Den Top, and I have had the pleasure of working together twice before on creative projects, and I couldn’t be happier for the opportunity to collaborate with them again. And this time, we’ve added Chloe Fulbright as stage manager to our team. In the past, we’ve dealt with themes of love, humor, heartache, seduction, wars, and giants. Now, we’re approaching this story which focuses in on art and memory. As artists ourselves, we’ve really enjoyed crafting a story in which art plays such a central role in creating memories and fostering healing. We hope you enjoy the story as much as we’ve enjoyed telling it. Suzanne Withem WELCOME FROM THE BOARD PRESIDENT Greetings BLUEBARNers! Welcome BACK. Who knew that one year ago, it would be this long before I would have the pleasure, the relief, of saying that? The inimitable actress Lynn Redgrave once said “I think the theatre is as essential to civilization as safe, pure water.” I have to agree, but can also relate to this on a more personal note. Prior to the pandemic, I knew that theatre was a critical part of my life and my heart. But a few months in, it became clear that my need for live theatre - beauty, community, creativity, art - approximated my need for water. A basic need that could not quite be fulfilled by livestreams and podcasts. So, here we are dipping a toe in, and hoping this is the beginning of a path back to full scale production in this venue and all others where we can share community, love, emotion, and growth. Together, in person, once again. And here’s to the amazing minds that came together to design and construct the space that is the BLUEBARN. A space with such amazing adaptability that allows us to begin this journey back... around a bonfire. Enjoy this wonderful series - I really can’t wait to see you all again. Devin — 5 — PRESENTS B O N F I R E SERIES Before After A Musical Love Story Music & Lyrics by Stuart Matthew Price Book & Additional Lyrics by Timothy Knapman Based on an original concept by Stuart Matthew Price Directed by Suzanne Withem April 16th-25th, 2021 This performance runs approximately 90 minutes. There will be no intermission. PLEASE TURN OFF ALL CELL PHONES AND PAGERS. The use of video, still or sound recording devices is strictly prohibited. PLEASE KEEP YOUR MASKS ON — 6 — COVID-19 PROTOCOLS Safety Procedures for BLUEBARN Patrons At the BLUEBARN we are working to reopen as safely as possible. We are following CDC and State guidelines, and measures are being taken to ensure our Patrons, Artists and Staff’s safety. We reserve the right to cancel any in person performance if the Douglas County COVID numbers exceed 10%. Upon Arrival Masks are required to be worn at all times including when inside the theater. Each patron will be temperature checked upon entry. Cleaning Procedures Hand sanitizer dispensers are available throughout the buildings. The theatre, lobby and bathrooms will be thoroughly cleaned before and after each performance for your safety. Doorknobs, railings, counter tops, and other common touch points are sanitized with increased frequency. Fewer Audience Members Indoor seating will be limited in capacity to 20 people. Patrons will be seated together with empty seats between groups allowing a distance of 6’ apart. Social Distancing Patrons are asked to stay six feet from other patrons. It may be necessary to form a line outside of the building to maintain this distance. The theatre will be opened 20 minutes prior to the start of the show. Please head straight to your seat after checking into the box office. Digital Playbill Digital playbills will now be available prior to opening night. Printed playbills will no longer be provided. Concessions Concession items may be preordered and will be ready at your seat when you arrive. No orders will be taken on the day of your performance. Shield guards are installed in areas where guests and staff come into close contact such as the box office and bar. Additional Time for Seating We realize these precautions may mean that it will take additional time to be seated. We will be opening the auditorium doors 20 minutes before showtime. If you have any additional questions, please reach out at (402) 345-1576, or bluebarn.org/contact. — 7 — ACCESS Due to the extraordinary circumstances and restrictions at play during the ongoing pandemic, many elements of our access initiatives are currently suspended or altered.
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