Noise Music As Queer Expression Introduction
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CNMAT Notes.Indd
CAL PERFORMANCES PRESENTS Saturday, February 11, 2006, 8 pm Hertz Hall CNMAT Presents: Mark Dresser, Myra Melford, Bob Ostertag, David Wessel Th is presentation is made possible, in part, by the generous support of Liz and Greg Lutz. Cal Performances thanks our Centennial Season Sponsor, Wells Fargo. CAL PERFORMANCES 29 ABOUT THE ARTISTS ABOUT THE ARTISTS Jazziz magazine noted, “Th e confi dence to go included the Kronos Quartet, avant-gardists so far into uncharted territory and the ability John Zorn and Fred Frith, heavy metal star to carry listeners along—then bring them Mike Patton, jazz great Anthony Braxton, back—attest to Melford’s vision.” dyke punk rocker Lynn Breedlove, drag diva Myra Melford is currently Assistant Justin Bond, fi lmmaker Pierre Hébert and Professor of Improvisation and Jazz in the others. He is rumored to have connections Department of Music at the University of to the shadowy media guerrilla group Th e California, Berkeley. Yes Men. Bob Ostertag recently joined the Department of Technocultural Studies at the University of California, Davis, where he is an Associate Professor. Myra Melford (piano and electronics) is “the genuine article, the most gifted pianist/ Mark Dresser has been composing and composer to emerge from jazz since Anthony performing solo contrabass and ensemble Davis,” according to critic Francis Davis. A music professionally throughout North composer and bandleader with a “commitment Composer, performer, instrument builder, America, Europe and the Far East since to refreshing, often surprising uses of melody, journalist, activist, historian, kayak instruc- 1972. He has recorded more than 100 CDs harmony and ensemble playing,” according to tor—Bob Ostertag’s work cannot easily be with some of the strongest personalities in NPR, Melford currently leads or co-leads four summarized or pigeon-holed. -
Space Rock, the Popular Music Inspired by the Stars Above Us
SPACE ROCK, THE POPULAR MUSIC INSPIRED BY THE STARS ABOVE US JARKKO MATIAS MERISALO 79222N ASTRONOMICAL VIEW OF THE WORLD PART B S-92.3299AALTO UNIVERSITY 0 TABLE OF CONTENTS Table of contents ................................................................................................................. 1 1. Introduction ................................................................................................................... 2 2. What is space rock and how it was born? ..................................................................... 3 3. The Golden era ............................................................................................................. 5 3.1. Significant artists and songs to remember ................................................................ 5 3.2. Masks and Glitter – Spacemen and rock characters ................................................. 7 4. Modern times .............................................................................................................. 10 5. Conclusions ................................................................................................................. 12 6. References .................................................................................................................. 13 7. Appendices ................................................................................................................. 14 1. INTRODUCTION When the Soviets managed to launch “Sputnik 1”, the first man-made object to the Earth’s orbit in November 1957, -
Living Labor: Marxism and Performance Studies Joshua Lubin-Levy* and Aliza Shvarts
Women & Performance: a journal of feminist theory, 2016 Vol. 26, Nos. 2–3, 115–121, http://dx.doi.org/10.1080/0740770X.2016.1269504 Living Labor: Marxism and Performance Studies Joshua Lubin-Levy* and Aliza Shvarts New York University, New York, N.Y., USA Capital is dead labor, which, vampire-like, lives only by sucking living labor, and lives the more, the more labor it sucks. – Karl Marx, Capital, Vol. 11 To live and to labor are the twinned imperatives to which we are always already given. Together, they animate a rhythm of material production and reproduction that extends over time. This special issue of Women & Performance examines how thinking about life and labor between Marxism and Performance Studies can help us attend to the world at hand. Living Labor began as a conference hosted by the department of Performance Studies at New York University, which took place 11–13 April 2014. It featured over 70 presentations, film screenings, artist presentations, and keynote addresses by Fred Moten and Sianne Ngai. The provocation of this conference was to ask what formal criteria could be articulated between aesthetic analysis and political economy. That is, how does performance analysis bring together the living body and the working body? How do Marxist and Marxist-inspired philosophies articulate and reimagine labor, value, and revo- lutionary struggle, particularly in relation to the social, aesthetic, and political dimensions of performance and performativity? How are theories of difference – which cut across the divisions of race, gender, sexuality, and disability – differently animated by the many his- tories of anti-capitalist critique? The collected essays, short texts, and artworks that com- prise this special issue include versions of the papers presented at the conference as well as new contributions from cultural producers and theorists. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
Hathawayinterview
MARCH 2019 #96 Real estate: Cashflow is king Luxury: Las Vegas! Fitness Group exercise Design Decor legends Travel Pita Maha, Bali Ardennes-Etape Radisson Red Champagne & Dining PERSONAL DEVELOPMENT Listen to your body Technology in Africa Transforming the mind Money & Politics Arnon Barnes: Giving back The three-letter word Be successful books Fashion & Beauty Art attitude Anne WWW.TOGETHERMAG.EU HathawayInterview IN A CHANGING WORLD, EXPATS FEEL AT HOME RIGHT AWAY. WITH YOU FROM THE START Simply enjoy the Belgian way of life. We take care of all your banking & BE 403.199.702 3 - B 1000 Brussels RPM/RPR Brussels, VAT Montagne du Parc/Warandeberg SA/NV, Fortis BNP Paribas Publisher: E. Jacqueroux, insurance matters. More info on bnpparibasfortis.be/expatinbelgium. The bank for a changing world BNP-11046-038892473327 - Nouvelles affiches agences EXPATS_330x230.indd 1 06/06/2018 14:45 YOUR SCAPA & SCAPA HOME LIFESTYLE STORE BOULEVARD DE WATERLOO 26 +32 2 469 02 77 BRUSSELS / BRUXELLES / BRUSSEL Editor’s IMAGINE THERE’S LETTER A HEAVEN A friend of mine was reading a book with an intriguing title, or rather she was re-reading it even though she had promised to pass it on to a niece – she couldn’t resist delving back into it one more time. It was written by Jason Leen or rather by John Lennon himself several years after his death. What’s that you say? Yes, af ter… The aforementioned intriguing title is: Peace at Together: Last: The After-Death Experiences of John Inspiring you Lennon, published in 1998. Leen describes his to reach your dreams.. -
Sinbad in the Rented World
Sinbad in the Rented World Sinbad in the Rented World JOEL GIBB ANDREW HARWOOD JEREMY LAING AND WILL MUNRO IAN PHILLIPS THE ENSEMBLE OF TOPS ‘N’ BOTTOMS SCOTT TRELEAVEN Ian Phillips Untitled Found Object, 2003 [detail] Sinbad in the Rented World WITH AN ESSAY BY R.M. VAUGHAN AND A STORY BY DEREK MCCORMACK ART GALLERY OF YORK UNIVERSITY TORONTO Jeremy Laing and Will Munro Pavilion of Virginia Puff-Paint, 2004 [detail] ON THE OTHER HAND Sinbad in the Rented World With the title, Sinbad in the Rented World, I pay homage to the legacy of the legendary underground filmmaker and performer Jack Smith, referring to one of his unfinished film projects. Not that I suspect Smith’s legacy to be fulfilled by the artists in the exhibition—or even his amazing achievements in film, experimental theatre, and installation necessarily to be known. What I want to explore is a queer aesthetic in Toronto art but as applied to social function. Is this a new phenomenon? Perhaps, if we are willing to stretch our understanding of the parameters of visual culture—or queer art. One might not think that glamour or the superficial excess of glitter could have a social function, but Smith adamantly believed so saying: “Could art ever be useful? Ever since the desert glitter drifted over the burnt-out ruins of Plaster Lagoon thousands of artists have pondered and dreamed of such a thing, yet, art must not be used anymore as another elaborate means of fleeing from thinking because of the multiplying amount of information each person needs to process in order to come to any kind of decision about what kind of planet one wants to live on before business, religion, and government succeed in blowing it out of the solar system.”* The environmental costuming of the gallery (to extend a phrase of Charles Ludlam’s) that takes place here can be considered co-extensive with social practices in the world, even if the works herein contained seem too playful. -
Music, Politics, People, and Machines
Critical Studies in Improvisation / Études critiques en improvisation, Vol 6, No 2 (2010) Book Review Creative Life: Music, Politics, People, and Machines Bob Ostertag Urbana: U of Illinois P, 2009 ISBN-10: 025207646X ISBN-13: 978-0252076466 194 pages Reviewed by Rob Wallace The title of Bob Ostertag’s third book is more accurately rendered as Creative Life Music Politics People and Machines—a continuous stream of concepts connected precariously only through Ostertag himself. The key term is “creative,” along with the equally important “people.” For while Ostertag’s book is on the one hand a collection of essays touching on various aspects of his own biography and artwork, it is also a series of engaging and at times very moving portraits of his contemporaries. Profiling such figures as Anthony Braxton, David Wojnarowicz, Jim Magee, “Maria,” Aleksandra Kostic, and Justin Bond, Creative Life is a story of many creative “lives” that in some way have intersected with the creative life of the protagonist, Ostertag. Some of these lives may be familiar to readers, some not so familiar, and that latter fact is one of the book’s greatest strengths: as an advocate of artists in particular and interesting people in general, Ostertag’s narrative makes the individuals he meets seem intriguing and potentially life-changing, regardless of their level of “fame” in their respective worlds. The information about Texas-based artist Jim Magee, for example, is reason enough to read the book (and if you are unfamiliar with Magee, as I was, take my word for it and read Ostertag’s profile). -
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Variations #6
Curatorial > VARIATIONS VARIATIONS #6 With this section, RWM continues a line of programmes devoted to exploring the complex map of sound art from The Library different points of view organised in curatorial series. We encounter the establishment of sound libraries, collections explicitly curated 'Variation' is the formal term for a musical composition based for further use: sound objects presented as authorless, unfinished ingredients. on a previous musical work, and many of those traditional Though some libraries contain newly commissioned generic sounds, specifically methods (changing the key, meter, rhythm, harmonies or designed for maximum flexibility, the most widely used sounds are often sourced tempi of a piece) are used in much the same manner today from commercial recordings, freed from their original context to propagate across by sampling musicians. But the practice of sampling is more dozens to hundreds of songs. From presets for digital samplers to data CD-ROMs than a simple modernization or expansion of the number of to hip-hop battle records, sounds increasingly detach from their sources, used options available to those who seek their inspiration in the less as references to any original moment, and more as objects in a continuous refinement of previous composition. The history of this music public domain. traces nearly as far back as the advent of recording, and its As hip-hop undergoes a conservative retrenchment in the wake of the early emergence and development mirrors the increasingly self- nineties sampling lawsuits, a widening variety of composers and groups expand conscious relationship of society to its experience of music. the practice of appropriative audio collage as a formal discipline. -
The Promise and Uncertainty of Pre-Exposure Prophylaxis
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Press Release
PRESS RELEASE: A PARTIAL ECLIPSE OF THE <3 ART MEETS SOUND AT BERGHAIN BY YOUR MOM’S AGENCY Thursday, May the 4th | 8pm to 12.30am Info: #EclipseBerghain | http://yourmomsagency.com/a-partial-eclipse-of-the Picture download: http://yourmomsagency.com/eclipse-berghain-images Listen: www.mixcloud.com/YourMomsAgency/a-partial-eclipse-of-the-3 Tickets on: www.residentadvisor.net/event.aspx?954637 RSVP on www.facebook.com/events/281510082219442 Contact: [email protected] “Nothing I can say, a total eclipse of the heart” Bonnie Tyler Come see what artists have to say when the heart is only partially eclipsed, when light battles the darkness, and opposites must coexist. After the success of our exhibitions Twist in my Sobriety at Kaufhaus Jandorf in October 2013, Open House at Konzulát for Art Week 2014, and our first Berghain art & music happening Turn Around Bright Eyes in October 2015, Your Mom’s is once again ready to blur the edges of electronic art and live music. We bring together over 30 multi-disciplinary artists of different horizons to share their take on drone techno and synth pop, on digital imagery, radiance and shade, life hardships and creative hope. 13 musicians including HITO, 6zm, Neven, Hithertoo, Sky Deep, and Simonne Jones, will open the live stage by improvising for the very first time together, you will witness how creative energies mix and evolve from noise to music; Autist and Los Angeles electronica darlings Rainbow Arabia (Kompakt Records) will follow live as well. The visual art will be up all evening long on two levels featuring Black Cracker, Carla Chan, Jem the Misfit, Crystalmafia, Martin Eder, and many more.