Introduction Chapter 1
Notes Introduction 1. Allan Ramsay, ‘Verses by the Celebrated Allan Ramsay to his Son. On his Drawing a Fine Gentleman’s Picture’, in The Scarborough Miscellany for the Year 1732, 2nd edn (London: Wilford, 1734), pp. 20–22 (p. 20, p. 21, p. 21). 2. See Iain Gordon Brown, Poet & Painter, Allan Ramsay, Father and Son, 1684–1784 (Edinburgh: National Library of Scotland, 1984). 3. When considering works produced prior to the formation of the United Kingdom in 1801, I have followed in this study the eighteenth-century prac- tice of using ‘united kingdom’ in lower case as a synonym for Great Britain. 4. See, respectively, Kurt Wittig, The Scottish Tradition in Literature (London: Oliver and Boyd, 1958); G. Gregory Smith, Scottish Literature: Character and Influence (London: Macmillan, 1919); Hugh MacDiarmid, A Drunk Man Looks at the Thistle, ed. by Kenneth Buthlay (Edinburgh: Scottish Academic Press, 1988); David Craig, Scottish Literature and the Scottish People, 1680–1830 (London: Chatto & Windus, 1961); David Daiches, The Paradox of Scottish Culture: The Eighteenth-Century Experience (London: Oxford University Press, 1964); Kenneth Simpson, The Protean Scot: The Crisis of Identity in Eighteenth-Century Scottish Literature (Aberdeen: Aberdeen University Press, 1988); Robert Crawford, Devolving English Literature (Oxford: Clarendon Press, 1992); Murray Pittock, Poetry and Jacobite Politics in Eighteenth- Century Britain and Ireland (Cambridge: Cambridge University Press, 1994) and idem, Scottish and Irish Romanticism (Oxford: Oxford University
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