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LIBRARY "Something like Diaz’s equivalent "Emotionally and visually powerful" of Jean-Luc Godard’s Alphaville" THE HALT ANG HUPA 2019 | PHILIPPINES | SCI-FI | 278 MIN. DIRECTOR LAV DIAZ CAST PIOLO PASCUAL JOEL LAMANGAN SHAINA MAGDAYAO Manilla, 2034. As a result of massive volcanic eruptions in the Celebes Sea in 2031, Southeast Asia has literally been in the dark for the last three years, zero sunlight. Madmen control countries, communities, enclaves and new bubble cities. Cataclysmic epidemics ravage the continent. Millions have died and millions more have left. "A dreamy, dreary love story packaged "A professional, polished as a murder mystery" but overly cautious directorial debut" SUMMER OF CHANGSHA LIU YU TIAN 2019 | CHINA | CRIME | 120 MIN. DIRECTOR ZU FENG China, nowadays, in the city of Changsha. A Bin is a police detective. During the investigation of a bizarre murder case, he meets Li Xue, a surgeon. As they get to know each other, A Bin happens to be more and more attracted to this mysterious woman, while both are struggling with their own love stories and sins. Could a love affair help them find redemption? ROMULUS & ROMULUS: THE FIRST KING IL PRIMO RE 2019 | ITALY, BELGIUM | EPIC ACTION | 116 MIN. DIRECTOR MATTEO ROVERE CAST ALESSANDRO BORGHI ALESSIO LAPICE FABRIZIO RONGIONE Romulus and Remus are 18-year-old shepherds twin brothers living in peace near the Tiber river. Convinced that he is bigger than gods’ will, Remus believes he is meant to become king of the city he and his brother will found. But their tragic destiny is already written… This incredible journey will lead these two brothers to creating one of the greatest empires the world has ever seen, Rome. -
Delegates Guide
Delegates Guide 15–20 March, 2019 Cultural Partners Supported by Friends of Qumra Media Partners Cover: ‘Six Months and One Day’, directed by Yassine Ouahrani 1 QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 13 Qumra Project Delegates 15 Industry Delegates 63 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Aya Al-Blouchi Quay Chu Anthea Devotta Mayar Hamdan Qumra Master Classes Development Qumra Industry Senior Qumra Shorts Coordinator Senior Coordinator Executive Coordinator Development Assistant Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Meriem Mesraoua Qumra Industry Qumra Talks Senior Qumra Pass Senior Grants Senior Coordinator Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Vanessa Paradis Majid Al-Remaihi Nina Rodriguez Alanoud Al Saiari Grants Coordinator Film Programming Qumra Industry Senior Qumra Pass Coordinator Assistant Coordinator Film Workshops & Labs Coordinator Wesam Said Rawda Al-Thani Jana Wehbe Ania Wojtowicz Grants Coordinator Film Programming Qumra Industry Senior Qumra Shorts Coordinator Assistant Coordinator Film Workshops & Labs Senior Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Head of Grants Qumra Industry Industry Advisor Manager Film Training Senior Manager 4 5 Qumra Masters Eugenio Caballero Kiyoshi Kurosawa In 2015 and 2016 he worked on the film ‘A at Cannes in 2003, ‘Doppelganger’ (2002), Monster Calls’, directed by J.A. Bayona, ‘Loft’ (2005), and ‘Retribution’ (2006), which earning him a Goya on his third nomination screened at that year’s Venice Film Festival. -
Separate and Consolidated Interim Financial Statements As at 30 June 2020
Separate and Consolidated Interim Financial Statements as at 30 June 2020 Separate and Consolidated Interim Financial Statements as at 30 June 2020 Contents 7 Introduction 17 Report on Operations 171 Interim Separate Financial Statements as at 30 June 2020 239 Interim Consolidated Financial Statements as at 30 June 2020 303 Corporate Directory 4 Contents Introduction 7 Corporate Officers 8 Organisational Structure 9 Introduction from the Chairman of the Board of Directors 11 Financial Highlights 12 Report on Operations 17 Mission 18 Market scenario 18 The Rai Group 24 Television 41 Radio 97 RaiPlay and Digital 107 Public broadcasting service function 116 TV production 119 Technological activities 120 Transmission and distribution activities 129 Sales activities 130 Other activities 135 Changes in the regulatory framework 143 Corporate governance 148 Corporate Governance Report - the Rai Control Governance Model and the Internal Control and Risk Management System (SCIGR) 150 Other information 155 Human Resources and Organisation 155 Safety & Security 159 Intercompany Relations 161 Significant events occurring after 30 June 2020 168 Outlook of operations 168 5 Interim Separate Financial Statements as at 30 June 2020 171 Analysis of the results and performance of operating results, financial position and cash flows for the first half of 2020 172 Financial Statements of Rai SpA 186 Notes to the Interim Separate Financial Statements as at 30 June 2020 191 Certification pursuant to article 154-bis of Italian Legislative Decree 58/98 235 Independent -
Kiyoshi Kurosawa We Vanish Avant Que Nous Disparaissions
FROM THE DIRECTOR OF SHOKUZAI AND TOKYO SONATA A FILM BY BEFORE KIYOSHI KUROSAWA WE VANISH AVANT QUE NOUS DISPARAISSIONS 6/6 Jury Prize UN VRAI TSUNAMI D’HUMOUR ABSURDE À LA BECKETT SO FILM YOU WON’T SEE ANYTHING ELSE QUITE LIKE IT THIS YEAR ROGEREBERT.COM MASAMI NAGASAWA RYUHEI MATSUDA MAHIRO TAKASUGI YURI TSUNEMATSU HIROKI HASEGAWA DIRECTED BY KIYOSHI KUROSAWA ORIGINAL PLAY BY TOMOHIRO MAEKAWA “BEFORE WE VANISH AKA SANPO SURU SHINRYAKUSHA” WRITTEN BY SACHIKO TANAKA AND KIYOSHI KUROSAWA MUSIC BY YUSUKE HAYASHI PRODUCTION YOSHIO NAKAYAMA MASANARI NAGAYAMA EIJI OMURA TADASHI OSUMI MASAYA YABUSHITA YOSUKE MIYAKE HIDEKI OHYAGI MIYUKI MATSUDA YOSHIKI SAKURAI EXECUTIVE PRODUCERS DAISUKE KADOYA YOSHINORI CHIBA TAKEHIKO AOKI PRODUCERS YUJI ISHIDA NAOTO FUJIMURA YUMI ARAKAWA TOMOMI TAKASHIMA LINE PRODUCER NOBUHIRO IIZUKA ASSOCIATE PRODUCER RYO OTAKI CINEMATOGRAPHER AKIKO ASHIZAWA PRODUCTION DESIGNER NORIFUMI ATAKA LIGHTING DIRECTOR HIDENORI NAGATA SOUND MIXER SHINJI WATANABE VIDEO ENGINEER & DIGITAL IMAGING TECHNICIAN KEIGO KAGAMIHARA SET DECORATOR TOMOYA YAMADA EDITOR KOICHI TAKAHASHI SOUND EDITOR KENJI SHIBASAKI SCRIPT SUPERVISOR YUKARI YAGINUMA COSTUME DESIGNER HARUKI KOKETSU HAIR&MAKE-UP H A M A MUSIC PRODUCER TORU WADA VFX PRODUCER SHUJI ASANO VFX DIRECTOR JUN YOKOISHI ASSISTANT DIRECTOR TAKASHI KITANO PRODUCTION MANAGER AKIRA SAGARA PRESENTED BY “BEFORE WE VANISH” FILM PARTNERS (NIPPON TELEVISION/NIKKATSU/WOWOW/YOMIURI TELECASTING/PONY CANYON/NIPPON PLANNING CENTER /OFFICE SAKU/ HIRATA OFFICE) PLANNED BY NIKKATSU PRODUCTION DJANGO FILM PRESENTED BY NIKKATSU IN ASSOCIATION WITH WILD BUNCH © 2017 “BEFORE WE VANISH” FILM PARTNERS / DOLBY / 129MINS / CINEMASCOPE / JAPAN WWW.IMAGINEFILM.BE . -
Suburra O Las Entrañas De Roma”
CARMELITANO, Luigi (2016): “Suburra o las entrañas de Roma”. Ángulo Recto. Revista de estudios sobre la ciudad como espacio plural, vol. 8, núm. 1-2, pp. 161- 163. ISSN: 1989-4015. Suburra o las entrañas de Roma Luigi CARMELITANO Título: Suburra Director: Stefano Sollima Guión: Giancarlo De Cataldo, Carlo Bonini, Stefano Rulli y Sandro Petraglia. Intérpretes: Pierfrancesco Favino, Greta Scarano, Elio Germano, Claudio Amendola, Alessandro Borghi, Jean-Hugues Anglade. Género: drama Año: 2015 Duración: 130 minutos Idioma: italiano Si la película de Paolo Sorrentino La grande bellezza (2013) ofrecía una imagen de la ciudad eterna entre la decadencia y el desencanto, proporcionando al espectador un conocimiento superficial de la verdadera alma romana contemporánea, con Suburra de Stefano Sollima descubrimos las entrañas profundas de Roma. Bajo un aspecto de ciudad durmiente, cansada de sobrevivir en el siglo XXI gracias a las herencias de un pasado glorioso, Roma oculta en realidad unas dinámicas muy activas que se entretejen entre los fuertes poderes que componen la realidad italiana. El mundo político, los aparatos eclesiásticos y, sobre todo, la mafia animan el escenario romano convirtiéndolo en el lugar privilegiado de una lucha donde cada uno de ellos persigue su propio objetivo. En el caso de los dos primeros, se trata de mantener el statu quo, es decir, evitar cualquier cambio que pueda poner en riesgo la conservación de privilegios adquiridos a lo largo del tiempo. Por todo ello, todo acontecimiento capaz de tambalear el precario equilibrio -
Corporate Profile Movies, Music, Sports, Anime - Entertainment Comes in Many Forms
www.wowow.co.jp Corporate Profile Movies, music, sports, anime - entertainment comes in many forms. The red of burning passion, the blue of the clear sky, energetic orange, Entertainment has more than one color. bewitching purple, sorrowful black - all of these can be found in WOWOW. As long as there is expression in humanity, to deliver excitement to the whole world, we aim to be a comprehensive entertainment and media group. Becoming a comprehensive entertainment and media group All entertainment in every form WOWOW started broadcasting in 1991 as the first private satellite broadcasting ■Delivering WOWOW appeal through a variety of media station in Japan, and for the past quarter As the ways people enjoy TV diversify, so do too the ways to enjoy WOWOW. of a century has been a frontrunner in Accessibility through various media is one of WOWOW's strengths. pay TV. With WOWOW PRIME, LIVE, CINEMA and WOWOW MEMBERS ON Customers DEMAND, we are delivering Japanese BS and international entertainment gems on TV and other devices. CS In the past few years, changes in lifestyle ● SKY PerfecTV! have diversified how people enjoy video content. We are responding to these CATV changing customer needs by evolving ● Cable TV providers our services. We will produce unique content that sets WOWOW apart from IPTV T V・P C・T A B L E T the competition. As a group of top ● Platform providers ● Telecommunications SMARTPHONE producers, we will lead Japan's creativity operators and give birth to new expression. We will also work with creators inside and WEB outside the country to offer to offer fresh surprises and emotion to Japan and the rest of the world. -
ROMA(Nzo) Criminale” “ROMA(Nzo) Livio Lepratto
kvarter Volume 22. Spring 2021 • on the web akademiskacademic quarter “ROMA(nzo) criminale” Portrayals of Rome in Third-millennium Crime Genre Screenwriting Livio Lepratto received his Ph.D. in History of Visual and Performance Arts from the University of Parma in 2017. From 2016 to 2019 he was a member of a SIR research group, studying Italian film criticism in post-war cultural and popular magazines. From 2017 he has been a Research Assistant at the Department of Humanities, Social and Cultural Enterprises (DUSIC) of the University of Parma. Abstract In recent years, the city of Rome continues to be ‘read’ by Italian cinema as a privileged habitat for the setting of crime narratives. Some emblematic examples are such recent Italian films as Suburra (Id., Stefano Sollima, 2015), Lo chiamavano Jeeg Robot (They Call Me Jeeg, Gabriele Mainetti, 2015), Non essere cattivo (Don’t Be Bad, Clau- dio Caligari, 2015) and Dogman (Id., Matteo Garrone, 2018), which offer the opportunity to explore the creative processes behind the adaptation of successful cross over into television crime narratives and trans/cross-mediated crime narratives such as adaptations, since they are stories and creative processes that transcend the bor- ders between countries and media. My contribution seeks to engage with scholarly debates about Italian crime narratives, investigating how the case study of the representation of “criminal Rome” provides its own individual contribution to the distinct imagery of contemporary Italian noir. Keywords: Rome, crime, suburb, non-place, contemporary Italian cinema. Volume 22 96 “ROMA(nzo) criminale” kvarter Livio Lepratto akademiskacademic quarter As highlighted elsewhere in this special issue (Re and Coviello 2021), in recent years Italian crime screenwriting has been gradu- ally shifting farther away from setting its narrative locations in the symbolic and productive centre of the country, i.e. -
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Dossier De Presse
présente TO THE ENDS OF THE EARTH Un film de Kiyoshi Kurosawa Ouzbékistan/Japon, 2019 Dossier de presse DISTRIBUTION trigon-film CONTACT MÉDIAS Florence Michel [email protected] Tél. 076 431 43 15 MATÉRIEL PHOTO www.trigon-film.org Sortie Suisse romande: 6 novembre 2019 FICHE TECHNIQUE Titre original Tabi no Owari Sekai no Hajimari Scénario et réalisation Kiyoshi Kurosawa Montage Koichi Takahashi Image Akiko Ashizawa Musique Yûsuke Hayashi Son Shinji Watanabe Costumes Haruki Koketsu Maquillage et coiffure HAMA Production Loaded Films, Uzbekkino, King Records, Tokyo Theatres K.K. Pays Ouzbékistan/Japon Année 2019 Durée 120 minutes Langue/ST Japonais, ouzbek d/f DISTRIBUTION Yoko Yatsuko Maeda Iwao Ryo Kase Sasaki Tokio Emoto Temur Adiz Rajabov Yoshioka Shôta Sometani FESTIVALS & RÉCOMPENSES Locarno 2019: Première internationale, Piazza Grande soirée de clôture Toronto Film Festival: Masters TIFF '19 SYNOPSIS Yoko, jeune animatrice d'une émission japonaise sur les voyages, atterrit en Ouzbékistan avec une petite équipe technique, pour tourner sur les lieux emblématiques de cette étape de la Route de la soie. Mais rien ne se passe comme prévu, Yoko se sent mal à l'aise partout et, de surcroît, n'a pas envie de s'adapter. C'est qu'elle rêve d'une autre vie... Ce voyage se révèlera pourtant initiatique: à travers les rencontres et la découverte de l'inconnu, confrontée à une culture étrangère, Yoko se découvrira peu à peu elle-même. RÉSUMÉ DU FILM Si le bramul, mythique poisson du lac Aydar, n'est pas dans la nasse, c'est parce qu'il n'aime pas l'odeur des femmes: le pêcheur ouzbek filmé par l'équipe de télévision japonaise explorant la République d'Asie centrale pour une émission animée par Yoko, n'y va pas par quatre chemins en parlant au traducteur. -
YELLOWSTONE Production Biography TAYLOR SHERIDAN
YELLOWSTONE Production Biography TAYLOR SHERIDAN (Executive Producer/Director/Writer) An Academy Award-nominated screenwriter, Taylor Sheridan serves as writer, director, and executive producer of the Paramount Network series Yellowstone. A frontier family drama set on the largest contiguous ranch in the U.S., the project stars Kevin Costner, Josh Lucas, Luke Grimes, Gil Birmingham, and Kelly Reilly. Most recently, Sheridan made his debut as a writer/director with his critically acclaimed film Wind River, the conclusion to his modern frontier trilogy, which was released in August 2017. Starring Jeremy Renner and Elizabeth Olsen, the film premiered at the 2017 Sundance Film Festival and debuted in Un Certain Regard at the 70th Cannes Film Festival, where Sheridan earned Best Director (Prix de la mise en scène) honors. Sheridan also received a nomination for Outstanding Directorial Achievement of a First-Time Feature Film Director at the 2018 Director's Guild Awards. He previously wrote Hell Or High Water, which was nominated for four Academy Awards®, including Best Picture and Best Original Screenplay. The film, a drama set in the struggling rural areas of West Texas, earned Sheridan additional nominations for Best Screenplay at the Gotham Awards, Critics' Choice Awards, Golden Globe Awards, WGA Awards, and Independent Spirit Awards. His other credits include Sicario, directed by Denis Villeneuve and starring Benicio Del Toro, Emily Blunt and Josh Brolin, which was released in 2015 to critical and box office acclaim. The film was also nominated for several awards including Best Theatrical Motion Picture by the PGA and Best Original Screenplay by the WGA. A sequel to Sicario, called Sicario 2: Soldado, is currently preparing for release by Sony Pictures on June 29, 2018. -
YOCHO (Foreboding) 預兆
影迷嘉年華 CINEPHILE PARADISE Japan 日本 | 2017 | Japanese DCP | Color | 140min Director Kurosawa Kiyoshi Original Author Maekawa Tomohiro Scriptwriter Takahashi Hiroshi, Kurosawa Kiyoshi Cinematographer Ashizawa Akiko Editor Takahashi Koichi Art Director Ataka Norifumi Music Hayashi Yusuke Sound Watanabe Shinji Cast Kaho, Sometani Shota, Higashide Masahiro, Osugi Ren Producer Aoki Takehiko, Takashima Tomomi, Arakawa Yumi, Iizuka Nobuhiro Production / World Sales Wowow YOCHO (Foreboding) 預兆 The film explores the theme of premonition based on only three [導演的話] main characters. People close to us, in the family, workplace or 這部電影只從三個人物,探索預兆的主題。我們身邊的 even the world at large, are gradually changing. Eventually, in a city 人,無論是在家庭、工作場所、甚至整個世界,都慢慢 where everyone has disappeared, how can Etsuko, our protagonist, 地發生了變化。在影片的城市裏,最終所有人消失,剩 face the reality? And what kind of determination and strength does 下夏帆飾演的女主角悅子獨自面對現實。她需要有多大 she need in order to keep going? I tried to depict this magnificent 的勇氣和決心,才能繼續前行?我盡量令影片中恢宏而 yet absurd story as realistic as possible. This is a film heading to 荒謬的情境真實地呈現。電影最終是走向盡頭。我希望 the end. I hope that this ending will never become a reality. 這結局永遠不會出現。 Kurosawa Kiyoshi [簡介] Etsuko is the only one who senses early on that something is odd 悅子發覺同事行為異常,竟將父親當成幽靈,便帶她到 when her colleague treats her father as a ghost. The doctor delivers 丈夫工作的醫院就診,心理醫生說她失去「家人」的概 an unsettling diagnosis: she no longer understands the concept of 念。醫院內,悅子巧遇新來的外科醫生,感受到一股異 “family”. After encountering the new doctor with an uncanny air 於常人的氣場。丈夫行徑變得詭異,身邊怪事連連,令 in the hospital where her husband works, Etsuko gradually learns 她內心萌生一股不祥預兆。為拯救丈夫,悅子決意以身 the truth, and is determined to risk her life to save her husband. -
Sicario Script Pdf
Sicario script pdf Continue Both Sicario and Sicario: Day Of The Soldado - stories that follow drug trafficking and people respectively across the U.S.-Mexico border - were written by Taylor Sheridan, and star Benicio Del Toro and Josh Brolin starring. The first production received outstanding critical praise, and Wolski was set to take on the film for the franchise. The first film was really beautifully made by a film of very talented people, says Wolski, who is no stranger to sequels that with the filming of all the Pirates of the Caribbean movies except the latter, and Stranger: Covenant. With this was an opportunity to do it with another director, with a different look and a different temperament. It was a big challenge. Although it is difficult for Wolski to determine what is said in the first meetings with the new director, he bases many of his ideas on how working relationships begin to build during this time. Details were discussed as they were going to honor the first film, but with some specific changes. Making my own statement was my biggest challenge, says Wolski, who started shooting music videos for artists such as Sting, Paula Abdul and a host of other great acts throughout the 1980s and 90s. Roger (Dickins) is just so specific about photography and very thorough in his work, which is always beautifully decorated. However, we decided to go a little more gritty, a little more realistic. The full interview can be found in the July issue of The Cinematographer magazine for the July 2018 issue (88).