Fine Antique Arms & Armour
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Records of the Medieval Sword Free
FREE RECORDS OF THE MEDIEVAL SWORD PDF Ewart Oakeshott | 316 pages | 15 May 2015 | Boydell & Brewer Ltd | 9780851155661 | English | Woodbridge, United Kingdom Records of the Medieval Sword by Ewart Oakeshott, Paperback | Barnes & Noble® I would consider this the definitive work on the development of the form, design, and construction of the medieval sword. Oakeshott was the foremost authority on the subject, and this work formed the capstone of his career. Anyone with a serious interest in European swords should own this book. Records of the Medieval Sword. Ewart Oakeshott. Forty years of intensive research into the specialised subject of the straight two- edged knightly sword of the European middle ages are contained in this classic study. Spanning the period from the great migrations to the Renaissance, Ewart Oakeshott emphasises the original purpose of the sword as an intensely intimate accessory of great significance and mystique. There are over photographs and drawings, each fully annotated and described in detail, supported by a long introductory chapter with diagrams of the typological framework first presented in The Archaeology of Weapons and further elaborated in The Sword in the Age of Chivalry. There are appendices on inlaid blade inscriptions, scientific dating, the swordsmith's art, and a sword of Edward Records of the Medieval Sword. Reprinted as part Records of the Medieval Sword Boydell's History of the Sword series. Records of the Medieval Sword - Ewart Oakeshott - Google книги Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. -
The Post Office Perth Directory
i y^ ^'^•\Hl,(a m \Wi\ GOLD AND SILVER SMITH, 31 SIIG-S: STI^EET. PERTH. SILVER TEA AND COFFEE SERVICES, BEST SHEFFIELD AND BIRMINGHAM (!^lettro-P:a3tteto piateb Crutt mb spirit /tamtjs, ^EEAD BASKETS, WAITEKS, ^NS, FORKS, FISH CARVERS, ci &c. &c. &c. ^cotct) pearl, pebble, arib (STatntgorm leroeller^. HAIR BRACELETS, RINGS, BROOCHES, CHAINS, &c. PLAITED AND MOUNTED. OLD PLATED GOODS RE-FINISHED, EQUAL TO NEW. Silver Plate, Jewellery, and Watches Repaired. (Late A. Cheistie & Son), 23 ia:zc3-i3: sti^eet^ PERTH, MANUFACTURER OF HOSIERY Of all descriptions, in Cotton, Worsted, Lambs' Wool, Merino, and Silk, or made to Order. LADIES' AND GENTLEMEN'S ^ilk, Cotton, anb SEoollen ^\}xxi^ attb ^Mktt^, LADIES' AND GENTLEMEN'S DRAWERS, In Silk, Cotton, Worsted, Merino, and Lambs' Wool, either Kibbed or Plain. Of either Silk, Cotton, or Woollen, with Plain or Ribbed Bodies] ALSO, BELTS AND KNEE-CAPS. TARTAN HOSE OF EVERY VARIETY, Or made to Order. GLOVES AND MITTS, In Silk, Cotton, or Thread, in great Variety and Colour. FLANNEL SHOOTING JACKETS. ® €^9 CONFECTIONER AND e « 41, GEORGE STREET, COOKS FOR ALL KINDS OP ALSO ON HAND, ALL KINDS OF CAKES AND FANCY BISCUIT, j^jsru ICES PTO*a0^ ^^te mmU to ©vto- GINGER BEER, LEMONADE, AND SODA WATER. '*»- : THE POST-OFFICE PERTH DIRECTOEI FOR WITH A COPIOUS APPENDIX, CONTAINING A COMPLETE POST-OFFICE DIRECTORY, AND OTHER USEFUL INFORMATION. COMPILED AND ARRANGED BY JAMES MAESHALL, POST-OFFICE. WITH ^ pUtt of tl)e OTtts atiti d^nmxonn, ENGEAVED EXPRESSLY FOB THE WORK. PEETH PRINTED FOR THE PUBLISHER BY C. G. SIDEY, POST-OFFICE. -
The European Bronze Age Sword……………………………………………….21
48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ ____________________________ Patrick Feeney Jennifer Baulier _____________________________ Ian Fite February 18th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project explored the potential of QR technology to provide interactive experiences at museums. The team developed content for selected objects at the Higgins Armory Museum. QR codes installed next to these artifacts allow visitors to access a variety of minigames and fact pages using their mobile devices. Facts for the object are selected randomly from a pool, making the experience different each time the code is scanned, and the pool adapts based on artifacts visited, personalizing the experience. 2 Contents Contents........................................................................................................................... 3 Figures..............................................................................................................................6 Introduction ……………………………………………......................................................... 9 Double Edged Swords In Europe………………………………………………………...21 The European Bronze Age Sword……………………………………………….21 Ancient edged weapons prior to the Bronze Age………………………..21 Uses of European Bronze Age swords, general trends, and common innovations -
Antique Arms, Armour & Modern Sporting Guns
Antique Arms, Armour & Modern Sporting Guns Including the Max Gau Collection (Part I) Montpelier Street, London I 29 November 2018 Antique Arms, Armour & Modern Sporting Guns Including the Max Gau Collection (Part I) Montpelier Street, London | Thursday 29 November 2018, at 10.30am and 2pm Antique Arms & Armour: Lots 335 - 536 at 10.30am Modern Sporting Guns: Lots 540 - 806 at 2pm BONHAMS ENQUIRIES SALE NUMBERS IMPORTANT INFORMATION Montpelier Street Antique Arms & Armour 24660 Please note that lots of Iranian Knightsbridge, Director and Persian origin are subject London SW7 1HH David Williams CATALOGUE www.bonhams.com to US trade restrictions which +44 (0) 20 7393 3807 £20 currently prohibit their import +44 (0) 776 882 3711 mobile into the United States, with no VIEWING [email protected] Please see page 2 for bidder exemptions. Sunday 25 November information including after-sale 11am – 3pm Modern Sporting Guns collection and shipment Similar restrictions may apply Monday 26 November Head of Department to other lots. 9am – 7pm Patrick Hawes Please see back of catalogue Tuesday 27 November +44 (0) 20 7393 3815 for important notice to bidders It is the buyers responsibility 9am – 4.30pm +44 (0) 781 868 4869 mobile to satisfy themselves that the Wednesday 28 November [email protected] ILLUSTRATIONS lot being purchased may be 9am – 4.30pm Front cover: Lots 806, 792 & 779 imported into the country of Administrator Back cover: Lots 511 & 573 destination. Modern Sporting Guns Only Helen Abraham Inside front cover: Lot 522 Thursday 29 November +44 (0) 20 7393 3947 Inside back cover: Lot 799 The United States Government 9am – 12pm [email protected] has banned the import of ivory REGISTRATION into the USA. -
Discover the Styles and Techniques of French Master Carvers and Gilders
LOUIS STYLE rench rames F 1610–1792F SEPTEMBER 15, 2015–JANUARY 3, 2016 What makes a frame French? Discover the styles and techniques of French master carvers and gilders. This magnificent frame, a work of art in its own right, weighing 297 pounds, exemplifies French style under Louis XV (reigned 1723–1774). Fashioned by an unknown designer, perhaps after designs by Juste-Aurèle Meissonnier (French, 1695–1750), and several specialist craftsmen in Paris about 1740, it was commissioned by Gabriel Bernard de Rieux, a powerful French legal official, to accentuate his exceptionally large pastel portrait and its heavy sheet of protective glass. On this grand scale, the sweeping contours and luxuriously carved ornaments in the corners and at the center of each side achieve the thrilling effect of sculpture. At the top, a spectacular cartouche between festoons of flowers surmounted by a plume of foliage contains attributes symbolizing the fair judgment of the sitter: justice (represented by a scale and a book of laws) and prudence (a snake and a mirror). PA.205 The J. Paul Getty Museum © 2015 J. Paul Getty Trust LOUIS STYLE rench rames F 1610–1792F Frames are essential to the presentation of paintings. They protect the image and permit its attachment to the wall. Through the powerful combination of form and finish, frames profoundly enhance (or detract) from a painting’s visual impact. The early 1600s through the 1700s was a golden age for frame making in Paris during which functional surrounds for paintings became expressions of artistry, innovation, taste, and wealth. The primary stylistic trendsetter was the sovereign, whose desire for increas- ingly opulent forms of display spurred the creative Fig. -
Henry Nock, Innovator 1741–1804
001_wainwright 1/29/04 10:33 AM Page 1 Henry Nock, Innovator 1741–1804 Peter S. Wainwright Of the comparatively little known about Henry Nock, much has come from the research and writings of Howard L. Blackmore. In 1955 and 1956, he submitted articles to the “Journal of the Arms and Armour Society.” The first was enti- tled The Seven Barreled Guns of Henry Nock and the sec- ond, The Experimental Arms of Henry Nock. These two monographs later formed the backbone of Chapter V of his seminal work, “British Military Firearms 1650–1850” first published in 1961. Chapter V was the only one of twelve devoted to a single gunmaker. The 1956 article started out with the statement: “Arms historians have dealt shamefully with that great London gunmaker, Henry Nock. Credit for the invention of a gun has been given him when he was no more than the maker, and conversely, the lock which he worked so hard to an engineer and tool and gauge maker as well as an experi- perfect has been denied him.”1 menter, innovator, inventor, successful businessman and as The “gun” in question illustrated in Figure 1 is, of we shall see later a remarkably enlightened employer. course, the seven barrel volley gun “invented” by one James Born in 1741, he became a gun locksmith at a time Wilson who was paid for his idea, though it was improved when the Crown for the most part bought locks, stocks and upon and made in quantity by Nock. The “lock,” Figures 2 barrels separately from numerous artisans and subsequently and 16, often attributed to a George Bolton who patented a assembled military arms in The Tower as needed. -
The Two-Piece Corinthian Capital and the Working Practice of Greek and Roman Masons
The two-piece Corinthian capital and the working practice of Greek and Roman masons Seth G. Bernard This paper is a first attempt to understand a particular feature of the Corinthian order: the fashioning of a single capital out of two separate blocks of stone (fig. 1).1 This is a detail of a detail, a single element of one of the most richly decorated of all Classical architec- tural orders. Indeed, the Corinthian order and the capitals in particular have been a mod- ern topic of interest since Palladio, which is to say, for a very long time. Already prior to the Second World War, Luigi Crema (1938) sug- gested the utility of the creation of a scholarly corpus of capitals in the Greco-Roman Mediter- ranean, and especially since the 1970s, the out- flow of scholarly articles and monographs on the subject has continued without pause. The basis for the majority of this work has beenformal criteria: discussion of the Corinthian capital has restedabove all onstyle and carving technique, on the mathematical proportional relationships of the capital’s design, and on analysis of the various carved components. Much of this work carries on the tradition of the Italian art critic Giovanni Morelli whereby a class of object may be reduced to an aggregation of details and elements of Fig. 1: A two-piece Corinthian capital. which, once collected and sorted, can help to de- Flavian period repairs to structures related to termine workshop attributions, regional varia- it on the west side of the Forum in Rome, tions,and ultimatelychronological progressions.2 second half of the first century CE (photo by author). -
October 1893
ENTRANCE TO THE CITY HALL, COLOGNE. TTbe VOL. III. OCTOBER-DECEMBER, 1893. NO. 2. THE PROBLEM OF NATIONAL AMERICAN ARCHITECTURE. I. THE QUESTION STATED. HAT is to be the must in due time be developed, in the character of the peculiar circumstances of American style of artistic progress, a particular variety of that architectural de- artistic treatment of building which is sign which sooner one of the instincts of mankind, is a or later is to be- proposition that is scarcely open to come established debate. The question before us there- in the United fore is simply this: Considering what States as a national style ? Of course these peculiar circumstances are, and this is a to to those natural speculative question ; but, having regard laws, American architects and connoisseurs, how far can we foresee the outcome? it is not merely an extremely interest- Is this American originality likely to be ing one, it is a highly important one, great or small; essential or not; good, and indeed a practical problem for bad, or indifferent; of speedy achieve- daily consideration. ment or slow; permanent or evanescent? Americans may ask whether it is not for themselves to solve this problem, II. A PECULIAR CONTROVERSY IN without any help from friends, however ENGLAND. friendly, in the Old World a world, moreover, which to many persons in It may be well to premise that there these days seems somewhat effete in is at the present moment a very pecul- many ways, and confessedly, amongst iar and somewhat acrimonious contro- the rest, not up to the mark in archi- versy agitating the architectural profes- tecture. -
The Martini Henry 2
The Journal of the Historical Breechloading Smallarms Association Volume 4, No. 8 ISSN: 0305-0440 © 2016 The Historical Breechloading Smallarms Association, BCM HBSA, London WC1N 3XX The cover picture A sketch of the action of the original type of Gehendra rifle made by John Walter during research for the book: “Guns of the Gurkhas”. Advice to authors he HBSA Journal is published annually and welcomes contributions on topics concerning Tbreechloading arms from the 18th century onwards, covering developments in smallarms technology, ammunition, sights and accoutrements. Short articles of a few hundred words can be published, and major works should not normally exceed 12,000 words. Manuscripts should be sent to the editor electronically, with text and illustrations separately. Permission should be obtained from any copyright holder of illustrations and such permission should be acknowledged in the article. References should be listed at the end of the article using the Havard referencing style: http://goo.gl/CBDmp. Articles are subject to peer-review and may be edited with the author’s agreement. Authors are requested to contact the editor ([email protected]) before submitting a manuscript. Layout and Artwork David Butterworth Tel 020 8816 8472, [email protected] www.davidbutterworth.co.uk Print Print Impressions Ltd. Unit 18, West Station Industrial Estate, Maldon, Essex CM9 6TW Tel 016 2192 8083 Historical Breechloading Smallarms Association Volume 4, Number 8 November 2016 Patron: Commander The Lord Cottesloe KStJ JP -
Firearm Upgrades” Below)
Sample file Gunslinger Adept Marksman When you choose this archetype at 3rd level, you Most warriors and combat specialists spend their learn to perform powerful trick shots to disable or years perfecting the classic arts of swordplay, damage your opponents using your firearms. archery, or polearm tactics. Whether duelist or Trick Shots. You learn two trick shots of infantry, martial weapons were seemingly perfected your choice, which are detailed under "Trick Shots" long ago, and the true challenge is to master them. below. Once per turn, when you make an attack with However, some minds couldn't stop with the a firearm as part of the Attack action, you can apply innovation of the crossbow. Experimentation with one of your trick shots to that attack. Unless alchemical components and rare metals have otherwise noted, you must declare a trick shot before unlocked the secrets of controlled explosive force. the attack roll is made. You learn an additional trick The few who survive these trials of ingenuity may shot of your choice at 7th, 10th, 15th, and 18th level. become the first to create, and deftly wield, firearms. Grit. You have 3 grit points. You gain This archetype focuses on the ability to another grit point at 7th level and one more at 15th design, craft, and utilize powerful, yet dangerous, level. You regain 1 expended grit point each time you ranged weapons. Through creative innovation and roll a 20 on the d20 roll for an attack with a firearm, immaculate aim, you become a distant force of death or reduce a creature of challenge rating ⅛ or higher on the battlefield. -
Voy Ages and Travels. London
FRAGMENTS OF VOY AGES AND TRAVELS. LONDON: J. 1\IOYES, CASTLE STnEET, LF.JCf.s'l'.~R SQUA}tF,. FRAGMENTS OF VOYAGES AND TRAVELS. By CAPTAIN BASIL HALL, R.N. F.R.S. IN THREE VOLUMES. VOL. n. ROBERT CA DELL, EDiNBURGH; WHITTAKER, TRE,\CHER, lit co. LONDON. M.DCCC.XXXIIl. G- ~·1D 1-1/ b J R 33 CQNTENTS OF VI V·')... pAGE EXCURSION TO CANDELAY LAKE IN CEYLON 1 GRIFFINS IN INDIA - SINBAD'S VALLEY OF DIAMONDS-A MOSQUITO HUNT.... •••••• 34 CEYLONESE CANOES-PERUVIAN BALSAS-THE FLOATING WINDLASS OF THE COROMANDEL FISHERMEN •••••••••••••••••••••••••• 68 TilE SURF AT MADRAS ••••••••••••••••••• , 100 TilE SUNNYASSES •••••••••••••••••••••••• 128 PALANKEEN TRAVELLING-IRRIGATING TANKS IN TIlE MYSORE COUNTRY •••••••••••••• 146 THE DESSERA FESTIVAL AT MYSORE 191 GRANITE MOUNTAIN CUT INTO A STATUE- BAMBOO FOREST-RAJAH OF COORG ••••• 232 VISIT TO TilE SULTAN OF PONTIANA, IN BORNEO - SIR SAMUEL HOOD •••••••••••••••••• 270 FRAGMENTS OF VOYAGES AND TRAVELS. CHAPTER I. EXCURSION TO CANDELAY LAKE IN CEYLON. THE fervid activity of our excellent admi ral, Sir Samuel Hood, in whose flag-ship I served as lieutenant from ]812 to 1815 on the Indian station, furnished abundant materials for journal-writing, had we only known how to profit by them. There was ever observable a boyish hilarity about this great officer which made it equally delightful to serve officially under him, and to enjoy his friendly companionship; in either case, we always felt certain of making the most of our opportunities. VOL. n.-SERIES Ill. B 2 FRAGMENTS OF Scarcely, t'hel'efore, had we returned from the alligator hunt, near Trincomalee, which I have already described, when Sir Samuel applied himself to the collector of the district, who was chief civilian of the place, and begged to know what he would recommend us to see next . -
Taylor's 1873
1911 4-7contents1886/1871 SPORTING RIFLES ............................ 39 series | 1892 LEVER ACTION ................................... 40-41 1911 FULL SIZE SERIES ..................................... 4-5 1892 ALASKAN TAKE DOWN RIFLE ..................... 42 1911 CLASSIC SERIES ............................................ 6 1876 CENTENNIAL RIFLE ................................... 43 1911 COMPACT SERIES .......................................... 7 1883 BURGESSTM ............................................... 43 8 REVOLVING CARBINE ......................................... 44 taylor tuned | LIGHTNING PUMP ACTION .................................. 44 9-29 1865 SPENCER .................................................. 45 revolvers | 1885 SINGLE-SHOT RIFLE ............................ 46-47 1873 SINGLE ACTION REVOLVER COLLECTION ................................. 9-23 SPRINGFIELD TRAPDOOR .................................... 47 SHORT-STROKE COMPETITION SERIES ................ 10 1874 SHARPS .............................................. 48-50 THE SMOKE WAGONTM ....................................... 11 BABY ROLLING BLOCK CARBINE .......................... 50 THE RUNNIN’ IRON® ................................... 12-13 ROLLING BLOCK MODELS .................................. 51 1873 CATTLEMAN WITH STEEL BACK BADGER SINGLE SHOT RIFLE .............................. 52 STRAP AND TRIGGER GUARD................................ 14 X-CALIBER SURVIVAL RIFLE ................................ 52 TAYLOR MARSHAL ............................................