S67-00060-N168-1989-06.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

S67-00060-N168-1989-06.Pdf The SFRA Newsletter Published ten times a year for Tile Science Fiction Research Association by Alan Newcomer, Hypatia Press, Eugene, Oregon. Copyright !£l 1989 by the SFRA. E-Mail: [email protected]. Editorial correspondence: SFRA Newsletter, English Dept., Florida Atlantic U., Boca Raton, FL 33431 (Tel. 407-367-3838) Editor: Robert A. Collins; Associate Editor: Catherine Fischer; Review Editor: Rob Latham; Film Editor: Ted Krulik; Book News Editor: Martin A. Schneider; Editorial Assistant: Jeanette Lawson. Send changes of address to the Secretary, enquiries concerning subscriptions to the Treasurer, listed below. Past Presidents of SFRA SFRA Executive Thomas D. Clareson (1970-76) Arthur O. Lewis, Jr. (1977-78) Committee Joe De Bolt (1979-80) James Gunn (1981-82) Patricia S. Warrick (1983-84) President Donald M. Hassler (1985-86) Elizabetll Anne Hull Liberal Arts Division Past Editors of the Newsletter William Rainey Harper College Fred Lerner (1971-74) Palatine, Illinois 60067 Beverly Friend (1974-78) Roald Tweet (1978-81) Vice-President Elizabeth Anne Hull (1981-84) Neil Barron Richard W. Miller (1984-87) 1149 Lime Place Vista, California 92083 Pilgrim Award Winners J. O. Bailey (1970) Secretary Marjorie Hope Nicolson (1971) David G. Mead Julius Kagarlitski (1972) English Department Jack Williamson (1973) Corpus Christi State University I. F. Clarke (1974) Corpus Christi, Texas 78412 Damon Knight (1975) James Gunn (1976) Treasurer Tilomas D. Clareson (1977) Tilomas J. Remington Brian W. Aldiss (1978) English Department Darko Suvin (1979) University of Northern Iowa Peter Nicholls (1980) Cedar Falls, Iowa 50614 Sam Moskowitz (1981) Neil Barron (1982) Immediate Past President H. Bruce Franklin (1983) William H. Hardesty Everett Bleiler (1984) English Department Samuel R. Delany (1985) Miami University George Slusser (1986) Oxford, Ohio 45056 Gary K. Wolfe (1987) Joanna Russ (1988) Ursula K. Le Guin (1989) SFRA Newsletter. No. 168, June 1989 President's Message Time Capsule s I write this, I'm preparing to leave forthe World SF Meeting, which Ais being held this year in conjunction with Eurocon, in the Republic of San Marino, the tiny country entirely encompassed by Italy. It's a bit eerie to realize that you will be reading this after our own SFRA annual meeting at Oxford, Ohio. So what can I say that will be relevant to the future? Much seems to depend on the discussion of questions at the annual meeting. Shall we keep the benefits package as is, or modify it, and if the latter, modify it in what ways? What other changes will our organization require to keep it healthy? Shall we alter the way we select awards, or the way the jury is selected, as proposed by Adam Frisch? Last month Fred and I participated in the awards ceremonies of the Writers of the Future at the UN Headquarters in New York. As a judge of the WotF, Fred was asked to contribute a prediction to the time capsule they sealed (to be opened in the year 2089). The last time he was asked to write a similar prediction he told me he could see too many possible futures to predict just one; there are so many ways things could go wrong and end In disaster. Don't worry, I advised him. You can be completely optimistic .. 1 pointed out that if anyone is around to open the capsule, that means we at least avoided all the terminal disasters, such as a nuclear war, in which case all our other problems should be solvable. This time, however, it seems that there are other ways than nuclear holocaust to destroy the habitat. We may experience a population "sink" or die off, the sort of thing that occurs in the ecology when one species overpopulates a limited area or some natural disaster curtails the food supply. But even If we survive this, our great-grandchildren may experience such poverty that they may never be able to share the optimism we feel about the possibilities of space exploration, much less space colonization. Or we may be survived by an illiterate genera­ tion that is barely wealthy enough to support a very few "antiquarian scholars" who can decipher our time capsule messages. Gloomy, sobering thoughts! Somethow, though, this challenge gives me a perspective that :\ SFRA Newsletter. No. 168, June 1989 makes my own load look lighter. After all, all I have to do is talk to SFRA members, you who can not only read but also write. I know this to be true because I have received a half dozen letters from SFRA members this spring, each with constructive suggestions for ways to Increase membership and/or make SFRA a better organization. I'm looking forward to some lively debate at the meeting, but for those of you who cannot be there, I Invite you especially to drop me a line about your ideas and concerns, and I will share them with the Executive Committee. - Elizabeth Anne Hull -President Editorial Note: The next issue of this newsletter will be a July/August double-issue containing a full report on the SFRA meeting in Oxford, with pictures, minutesof the executive and business meetings, and the Pilgrim Award acceptance speech. So as not to keep those of you who did not attend the meeting In suspense, however, we would like to indicate that this year's Pilgrim winner was Ursula K. Le Guin, whose speech of accep­ tance was both brilliant and charming. Also, we would like to add a footnote to some of President Hull's musings above: Neil Barron's proposal for a flexible membership benefits package was voted down at the business meeting, and would seem to be a dead issue. Barron received approximately 75 responses to his poll, and the general trend of the responses indicated that Science-Fiction Studies and Extrapola­ tion, the two journals included in the current package, were far and away the most popular choices among members. Discussion at the meeting stressed the importance of SFRA maintaining its scholarly identity by continuing to offer these journals to members. Fuller details will appear In next month's issue. Feminist Forum Forms A t the SFRA meeting in Oxford, a feminist caucus announced the organization of the Science Fiction and Fantasy Feminist Forum, a group designed to provide a network of support for scholars inter­ ested in feminism in/and speculative fiction. Immediate plans are to begin a newsletter and seek new members. Send dues ($5) to Joan Gordon [Hulip Lane, Commack, NY 11725], news to Patrick Murphy [English Dept., Indiana Univ. of Pennsylvania, Indiana, PA 15705]. More in the conference report next month. -- Rob Latham 4 SFRA Newsletter, No. 168, June 1989 Editorial ~ Now We Need Help We Got a Pretty Good Thing Going .. ET'S take a moment to survey our accomplishments in the last two Lyears. When Fantasy Review folded in August, 1987, your Newslet­ ter undertook publication of its review section, somewhat shortened but without a break. Though few people realize it, that made the SFRA Newsletter the largest and most comprehensive review service in the field. For the past two years our monthly issues have reviewed more books than any other venue, Including LOCUS, Thrust, SF Chronicle, and the New York Review of Science Fiction. We've presented an average of 21 reviews per issue, each averaging about 500 words (one page), including several longer review articles. More of the latter have been planned, in response to encouragement from members at the June meeting in Oxford, Ohio. (A full write-up of the meeting, inciden­ tally, will be featured in our next issue.) SFRA's determination to underwrite this review service is admirable, to say the least, since it's expensive. Earlier this year a crisis in membership, plus the high cost of commercial printing, almost did us In. A generous offer from Hypatia Press, to produce the magazine for us almost at cost, plus an aggressive campaign to retrieve lost mem­ bership, has rectified that situation, however. We have more than 300 members at present, and we've reduced costs to slightly less than $300 per issue. That brings the cost under control at a buck per member per issue, or about $10 a year taken from annual dues. Wider circula­ tion of the journal could reduce costs further - we might consider marketing the newsletter in specialty bookstores, or offering subscrip­ tions separately (not Insisting on full membership as a prerequisite for subscriptions), but that's a policy decision for the future. In any case, our financial problems appear to have been solved. Now The Editors Need Relief Though few people know It, the major workhorse In producing this successful effort has been Rob Latham. Latham has not only assigned the books and edited the reviews, he has "keyboarded" and "for- SFRA Newsletter, No. 168, June 1989 matted" the review copy, which ranges from 50% to 90% of the content In each issue. Rob will be moving to Stanford University in Palo Alto this fall, where he has been awarded a Jacob Javits Fellowship for four years of doctoral study. He does not feel he can jeopardize his progress there by continuing to produce the newsletter. I, too, am weary, after eight years of meeting (or trying to meet) monthly deadlines. During the past few years my health has seriously deteriorated, so that I feel I owe myself and family some "rehab" time. Accordingly, I announced, through Betty Hull at the June conference, my resignation as Newsletter editor, effective with the July/August Issue. That still leaves us plenty of time to make a smooth transition to a new editorship, provided a qualified volunteer can be located quickly.
Recommended publications
  • Network Aesthetics
    Network Aesthetics: American Fictions in the Culture of Interconnection by Patrick Jagoda Department of English Duke University Date:_______________________ Approved: ___________________________ Priscilla Wald, Supervisor ___________________________ Katherine Hayles ___________________________ Timothy W. Lenoir ___________________________ Frederick C. Moten Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2010 ABSTRACT Network Aesthetics: American Fictions in the Culture of Interconnection by Patrick Jagoda Department of English Duke University Date:_______________________ Approved: ___________________________ Priscilla Wald, Supervisor __________________________ Katherine Hayles ___________________________ Timothy W. Lenoir ___________________________ Frederick C. Moten An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2010 Copyright by Patrick Jagoda 2010 Abstract Following World War II, the network emerged as both a major material structure and one of the most ubiquitous metaphors of the globalizing world. Over subsequent decades, scientists and social scientists increasingly applied the language of interconnection to such diverse collective forms as computer webs, terrorist networks, economic systems, and disease ecologies. The prehistory of network discourse can be
    [Show full text]
  • William Gibson Fonds
    William Gibson fonds Compiled by Christopher Hives (1993) University of British Columbia Archives Table of Contents Fonds Description o Title / Dates of Creation / Physical Description o Biographical Sketch o Scope and Content o Notes File List Catalogue entry (UBC Library catalogue) Fonds Description William Gibson fonds. - 1983-1993. 65 cm of textual materials Biographical Sketch William Gibson is generally recognized as the most important science fiction writer to emerge in the 1980s. His first novel, Neuromancer, is the first novel ever to win the Hugo, Nebula and Philip K. Dick awards. Neuromancer, which has been considered to be one of the influential science fiction novels written in the last twenty-five years, inspired a whole new genre in science fiction writing referred to as "cyberpunk". Gibson was born in 1948 in Conway, South Carolina. He moved to Toronto in the late 1960s and then to Vancouver in the early 1970s. Gibson studied English at the University of British Columbia. He began writing science fiction short stories while at UBC. In 1979 Gibson wrote "Johnny Mnemonic" which was published in Omni magazine. An editor at Ace books encouraged him to try writing a novel. This novel would become Neuromancer which was published in 1984. After Neuromancer, Gibson wrote Count Zero (1986), Mona Lisa Overdrive (1988), and Virtual Light (1993). He collaborated with Bruce Sterling in writing The Difference Engine (1990). Gibson has also published numerous short stories, many of which appeared in a collection of his work, Burning Chrome (1986). Scope and Content Fonds consists of typescript manuscripts and copy-edited, galley or page proof versions of all five of Gibson's novels (to 1993) as well as several short stories.
    [Show full text]
  • Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected]
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 "Science in skirts": representations of women in science in the "B" science fiction films of the 1950s Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Noonan, Bonnie, ""Science in skirts": representations of women in science in the "B" science fiction films of the 1950s" (2003). LSU Doctoral Dissertations. 3653. https://digitalcommons.lsu.edu/gradschool_dissertations/3653 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “SCIENCE IN SKIRTS”: REPRESENTATIONS OF WOMEN IN SCIENCE IN THE “B” SCIENCE FICTION FILMS OF THE 1950S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Bonnie Noonan B.G.S., University of New Orleans, 1984 M.A., University of New Orleans, 1991 May 2003 Copyright 2003 Bonnie Noonan All rights reserved ii This dissertation is “one small step” for my cousin Timm Madden iii Acknowledgements Thank you to my dissertation director Elsie Michie, who was as demanding as she was supportive. Thank you to my brilliant committee: Carl Freedman, John May, Gerilyn Tandberg, and Sharon Weltman.
    [Show full text]
  • Nightmare Magazine, Issue 43 (April 2016)
    TABLE OF CONTENTS Issue 43, April 2016 FROM THE EDITOR Editorial, April 2016 FICTION Reaper’s Rose Ian Whates Death’s Door Café Kaaron Warren The Girl Who Escaped From Hell Rahul Kanakia The Grave P.D. Cacek NONFICTION The H Word: The Monstrous Intimacy of Poetry in Horror Evan J. Peterson Artist Showcase: Yana Moskaluk Marina J. Lostetter Interview: David J. Schow Lisa Morton AUTHOR SPOTLIGHTS Ian Whates Kaaron Warren Rahul Kanakia P.D. Cacek MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks About the Nightmare Team Also Edited by John Joseph Adams © 2016 Nightmare Magazine Cover by Yana Moskaluk www.nightmare-magazine.com FROM THE EDITOR Editorial, April 2016 John Joseph Adams | 750 words Welcome to issue forty-three of Nightmare! This month, we have original fiction from Ian Whates (“Reaper’s Rose”) and Rahul Kanakia (“The Girl Who Escaped From Hell”), along with reprints by Kaaron Warren (“Death’s Door Cafe”) and P.D. Cacek (“The Grave”). We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, a showcase on our cover artist, and a feature interview with author David J. Schow. Nebula Award Nominations ICYMI last month, awards season is officially upon us, and it looks like 2015 was a terrific year for our publications. The first of the major awards have announced their lists of finalists for last year’s work, and we’re pleased to announce that “Hungry Daughters of Starving Mothers” by Alyssa Wong (Nightmare, Oct. 2015) is a finalist for the Nebula Award this year! Over at Lightspeed, “Madeleine” by Amal El-Mohtar (Lightspeed, June 2015) and “And You Shall Know Her by the Trail of Dead” by Brooke Bolander (Lightspeed, Feb.
    [Show full text]
  • Cyberpunk and Dystopia: William Gibson, Neuromancer (1984)
    13. CYBERPUNK AND DYSTOPIA: WILLIAM GIBSON, NEUROMANCER (1984) LARS SCHMEINK 1. Background 1.1 Terminologies and Definitions As with any literary genre, a clear-cut definition of cyberpunk is hard to find. Among scholars of science fiction (sf), many differentiate between a historical group of writers who met at the beginning of the 1980s, were originally known as ‘the Movement’, and consisted of William Gibson (*1948), Bruce Sterling (*1954), John Shirley (*1953), Rudy Rucker (*1946) and Lewis Shiner (*1950), and a sub-genre of science fiction that emerged at that time with that group but soon expanded beyond it. Its themes were appropriated and re-imagined by other authors, its tropes transported into other media and the subculture became absorbed into the mainstream, something that the propo- nents of the Movement deemed the death of cyberpunk (cf. Sterling 1998; Shiner 1991). Thomas Foster, however, points out, that “the transformation of cyberpunk into a full-fledged concept rather than a loose association of writers” needs to be under- stood not as its death but rather as “a sea change into a more generalized cultural for- mation” (2005: xiv). The term itself originated in the title of a short story by Bruce Bethke, but was used to refer to a specific sub-genre of sf writing by Gardner Dozois in order to describe an “80s generation in sf” adhering to a specific set of “goals and aesthetics” (1984: 9; cf. Heuser 2003: 7). These goals and aesthetics have been best documented by author Bruce Sterling, who as a preface to his Mirrorshades anthology has written the ultimate “Cyberpunk Manifesto” (1986).
    [Show full text]
  • Univerzita Palackého V Olomouci
    UNIVERZITA PALACKÉHO V OLOMOUCI Filozofická fakulta Katedra bohemistiky Kyberpunková literatura – vývoj, charakteristika, kulturní kontext Magisterská diplomová práce Bc. et Bc.Veronika Dostalová Česká filologie Vedoucí práce: Mgr. Vladimír P. Polách, Ph. D. Olomouc 2017 1 Prohlašuji, ţe jsem diplomovou práci vypracovala samostatně s vyuţitím uvedených pramenů a literatury. V Olomouci dne 20. 4. 2017 Podpis ……………………………….. 2 Poděkování Chtěla bych poděkovat za vedení mé práce Mgr. Vladimíru Poláchovi, Ph. D., a svému blízkému okolí za podporu během studia. 3 Obsah Úvod ......................................................................................................................................... 5 1 Americký kyberpunk ............................................................................................................. 7 1.1 Historie kyberpunku ....................................................................................................... 7 1.2 Postkyberpunk ............................................................................................................. 12 1.3 Nejvýznamnější představitelé ...................................................................................... 14 2 Český kyberpunk ................................................................................................................. 21 2.1 Nejvýznamnější představitelé ...................................................................................... 23 3 Nejvýznamnější vlivy, charakteristika žánru ......................................................................
    [Show full text]
  • THE MENTOR 87 “The Magazine Ahead of Its Time”
    THE MENTOR 87 “The Magazine Ahead of its Time” JULY 1995 page 1 offers the above-mentioned omul in all varieties. The hotel stands on the banks of the Angara, not far from the city centre. THE TRAVELLING They also provide excursions and Baikal picnics in summer. The city does have other things to boast of: old wooden MUSCOVITE #2 houses in the historical centre, the #3 picture gallery in Russia (after the Hermitage and Tretyakov Gallery). Baikalskaya vodka (made with the pure Baikal water) and good theatre. The bad thing for me was that I was there in November, and could not enjoy either bathing in the Baikal (for this, one should go there by Pavel Viaznikov in July or the first half of August) or enjoying ice and snow (December to March). But I still enjoyed it. ** ** ** The Number One item in the local SF news is the 3- month old story of the Strannik (Wanderer) Prize, which was supposed to be a writers’ prize to the best novel, best short story, best publishing house, etc. Many fans considered it “morally incorrect”, as the nominees were jury members, and the TERRA FANTASTICA publishing house, sponsor of the Do you know Kirgizstan - a republic in our (ie ex-Soviet) prize, was awarded the Best Publishing House award. Middle Asia? Find it on a map, please. Just look for Bishkek (it Now another event at the InterpressCon (St. used to be Frunze). Well, recently I talked to a guy whose Petersburg), where this and several other awards were brother s erved in...
    [Show full text]
  • The Non-Native Language of Cyberpunk: from Retro-Diction to Pre-Diction and Back Again
    Knowledge Cultures 6(1), 2018 pp. 131–146, ISSN 2327-5731, eISSN 2375-6527 doi:10.22381/KC61201810 THE NON-NATIVE LANGUAGE OF CYBERPUNK: FROM RETRO-DICTION TO PRE-DICTION AND BACK AGAIN. AN INTERVIEW WITH BRUCE STERLING PETAR JANDRIĆ [email protected] Zagreb University of Applied Sciences ABSTRACT. Bruce Sterling, author, journalist, editor, and critic, was born in 1954. Best known for his ten science fiction novels, he also writes short stories, book reviews, design criticism, opinion columns, and introductions for books ranging from Ernst Juenger to Jules Verne. During 2005, he was the Visionary in Residence at Art Center College of Design in Pasadena. In 2008 he was the Guest Curator for the Share Festival of Digital Art and Culture in Torino, Italy, and the Visionary in Residence at the Sandberg Instituut in Amsterdam. In 2011 he returned to Art Center as Visionary in Residence to run a special project on Augmented Reality. In 2013, he was the Visionary in Residence at the Center for Science and the Imagination at Arizona State University. In 2015 he was the Curator of the Casa Jasmina project at the Torino Fab Lab. In 2016 he was Visionary in Residence at the Arthur C. Clarke Center for Human Imagination. Bruce’s nonfiction works include The Hacker Crackdown: Law and Disorder on the Electronic Frontier (1992), Tomorrow Now: Envisioning the Next Fifty Years (2003), Shaping Things (2005), and The Epic Struggle Of The Internet Of Things (2014). Bruce’s novels include Involution Ocean (1977), Islands in the Net (1988), The Difference Engine (1991) (with William Gibson), Holy Fire (1996), The Zenith Angle (2004), and Pirate Utopia (2016).
    [Show full text]
  • BSFG News 364 January 2002
    JANUARY 2002 ISSUE 364 Brum Honorary Presidents: BRIAN W ALDISS Group HARRY HARRISON Committee: News Vernon Brown (Chairman) Vicky Cook (Secretary) The Free Monthly Newsletter of the Alan Woodford (Treasurer) Rog Peyton (Newsletter Editor) BIRMINGHAM + Steve Jones & William McCabe SCIENCE FICTION GROUP NOVACON 31 Chairman: Tony Berry Friday 11th January Annual General Meeting of the Birmingham Science Fiction Group It’s THAT time of the year again! and be seated in plenty of time. The time that the current committee Non-members are welcome but may stands down after reporting on the not vote or voice opinions during the year’s activities and YOU get the AGM. chance to air your views and possibly stand for election to the new committee. Committee posts that you can stand for The evening will be chaired by our are:- Legal Officer, Tim Stannard. Chairman - needs to be a strong personality to keep the committee The meeting will take place in the meetings in order; has to introduce Lichfield room on the second floor of guest speakers at each meeting, so the Britannia Hotel, New Street should be articulate; has to make sure (entrance in Union Passageway that other members of the committee do opposite the Odeon). It will the jobs asked of them and if they fail to commence at 7.45pm so please arrive do so, ask (with the rest of the early, get your drinks from the bar committee’s approval), for their FEBRUARY 8TH MEETING - SF artist Fred Gambino will be talking to the Group and showing slides of his award-winning work.
    [Show full text]
  • WLBT Archives MSS.366
    Note: To navigate the sections of this PDF finding aid, click on the Bookmarks tab or the Bookmarks icon on the left side of the page. Mississippi State University Libraries Special Collections Department Manuscripts Division P.O. Box 5408, Mississippi State, MS 39762-5408 Phone: (662) 325–7679 E-mail: [email protected] WLBT archives MSS.366 Dates: 1967-1980 Extent: 155 cubic feet Preferred Citation: WLBT archives, Special Collections Department, Mississippi State University Libraries. Access: Open to all researchers. Copyright Statement: Any requests for permission to publish, quote, or reproduce materials from this collection must be submitted in writing to the Manuscripts Librarian for Special Collections. Permission for publication is given on behalf of Mississippi State University as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained. Donor: Communications Improvement, Incorporated, August 1982. Scope and Contents The WLBT archives have been arranged in the following series: Hewitt Griffin joined WLBT in 1961 as program manager, the position he continued to hold throughout Communications Improvement, Incorporated’s (CII) tenure with the exception of the period from January to September 1973. Series 1, 1967-1979, consists of Griffin's files, which primarily concern programming. The series has been grouped into ten divisions: General/personal, Programming, Programs Available, Programs Aired, Network Affiliates, Ratings/research, Promotional Materials (including photographs), TV Guide (1974-1978), Programming Logs (June 14, 1971 - December 31, 1977), and Discrepancy Sheets. See also Series 7. 38 cubic feet. In 1972 William H. Dilday, Jr.
    [Show full text]
  • JACK ARNOLD Di Renato Venturelli
    JACK ARNOLD di Renato Venturelli Tra gli autori della fantascienza anni ‘50, che rinnovò la tradizione del cinema fantastico e dell’horror, il nome che si impone con più evidenza è quello di Jack Amold. Il motivo di questo rilievo non sta tanto nell’ aver diretto i capolavori assoluti del decennio (La cosa è di Hawks, L’invasione degli ultracorpi è di Siegel...), quanto nell’aver realizzato un corpus di film compatto per stile e notevole nel suo insieme per quantità e qualità. Gli otto film fantastici realizzati fra il 1953 e il 1959 testimoniano cioè un autore riconoscibile, oltre a scandire tappe fondamentali per la mitologia del cinema fantastico, dalla Creatura della Laguna Nera (unico esempio degli anni ‘50 ad essere entrato nel pantheon dei mostri classici) alla gigantesca tarantola, dalla metafora esistenziale di Radiazioni B/X agli scenari desertici in cui l’uomo si trova improvvisamente di fronte ai limiti delle proprie conoscenze razionali. Uno dei motivi di compattezza del lavoro di Amold sta nella notevole autonomia con cui poté lavorare. Il suo primo film di fantascienza, Destinazione… Terra (1953), segnava infatti il primo tentativo in questa direzione (e nelle tre dimensioni) da parte della Universal-International. Il successo che ottenne, e che assieme agli incassi del Mostro della laguna nera risollevò la compagnia da una difficile situazione economica, fu tale da permettere ad Arnold di ritagliarsi una zona di relativa autonomia all’interno dello studio: “Nessuno a quell’epoca era un esperto nel fare film di fantascienza, così io pretesi di esserlo. Non lo ero, naturalmente, ma lo studio non lo sapeva, e così non si misero mai a discutere, qualsiasi cosa facessi”.
    [Show full text]
  • Science Fiction Review 37
    SCIENCE FICTION REVIEW $2.00 WINTER 1980 NUMBER 37 SCIENCE FICTION REVIEW (ISSN: 0036-8377) Formerly THE ALIEN CRITZ® P.O. BOX 11408 NOVEMBER 1980 — VOL.9, NO .4 PORTLAND, OR 97211 WHOLE NUMBER 37 PHONE: (503) 282-0381 RICHARD E. GEIS, editor & publisher PAULETTE MINARE', ASSOCIATE EDITOR PUBLISHED QUARTERLY FEB., MAY, AUG., NOV. SINGLE COPY — $2.00 COVER BY STEPHEN FABIAN SHORT FICTION REVIEWS "PET" ANALOG—PATRICIA MATHEWS.40 ASIMOV'S-ROBERT SABELLA.42 F8SF-RUSSELL ENGEBRETSON.43 ALIEN THOUGHTS DESTINIES-PATRICIA MATHEWS.44 GALAXY-JAFtS J.J, WILSON.44 REVIEWS- BY THE EDITOR.A OTT4I-MARGANA B. ROLAIN.45 PLAYBOY-H.H. EDWARD FORGIE.47 BATTLE BEYOND THE STARS. THE MAN WITH THE COSMIC ORIGINAL ANTHOLOGIES —DAVID A. , _ TTE HUNTER..... TRUESDALE...47 ESCAPE FROM ALCATRAZ. TRIGGERFINGER—an interview with JUST YOU AND Ft, KID. ROBERT ANTON WILSON SMALL PRESS NOTES THE ELECTRIC HORSEMAN. CONDUCTED BY NEAL WILGUS.. .6 BY THE EDITOR.49 THE CHILDREN. THE ORPHAN. ZOMBIE. AND THEN I SAW.... LETTERS.51 THE HILLS HAVE EYES. BY THE EDITOR.10 FROM BUZZ DIXON THE OCTOGON. TOM STAICAR THE BIG BRAWL. MARK J. MCGARRY INTERFACES. "WE'RE COMING THROUGH THE WINDOW" ORSON SCOTT CARD THE EDGE OF RUNNING WATER. ELTON T. ELLIOTT SF WRITER S WORKSHOP I. LETTER, INTRODUCTION AND STORY NEVILLE J. ANGOVE BY BARRY N. MALZBERG.12 AN HOUR WITH HARLAN ELLISON.... JOHN SHIRLEY AN HOUR WITH ISAAC ASIMOV. ROBERT BLOCH CITY.. GENE WOLFE TIC DEAD ZONE. THE VIVISECTOR CHARLES R. SAUNDERS BY DARRELL SCHWEITZER.15 FRANK FRAZETTA, BOOK FOUR.24 ALEXIS GILLILAND Tl-E LAST IMMORTAL.24 ROBERT A.W, LOWNDES DARK IS THE SUN.24 LARRY NIVEN TFC MAN IN THE DARKSUIT.24 INSIDE THE WHALE RONALD R.
    [Show full text]