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Network Aesthetics
Network Aesthetics: American Fictions in the Culture of Interconnection by Patrick Jagoda Department of English Duke University Date:_______________________ Approved: ___________________________ Priscilla Wald, Supervisor ___________________________ Katherine Hayles ___________________________ Timothy W. Lenoir ___________________________ Frederick C. Moten Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2010 ABSTRACT Network Aesthetics: American Fictions in the Culture of Interconnection by Patrick Jagoda Department of English Duke University Date:_______________________ Approved: ___________________________ Priscilla Wald, Supervisor __________________________ Katherine Hayles ___________________________ Timothy W. Lenoir ___________________________ Frederick C. Moten An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2010 Copyright by Patrick Jagoda 2010 Abstract Following World War II, the network emerged as both a major material structure and one of the most ubiquitous metaphors of the globalizing world. Over subsequent decades, scientists and social scientists increasingly applied the language of interconnection to such diverse collective forms as computer webs, terrorist networks, economic systems, and disease ecologies. The prehistory of network discourse can be -
William Gibson Fonds
William Gibson fonds Compiled by Christopher Hives (1993) University of British Columbia Archives Table of Contents Fonds Description o Title / Dates of Creation / Physical Description o Biographical Sketch o Scope and Content o Notes File List Catalogue entry (UBC Library catalogue) Fonds Description William Gibson fonds. - 1983-1993. 65 cm of textual materials Biographical Sketch William Gibson is generally recognized as the most important science fiction writer to emerge in the 1980s. His first novel, Neuromancer, is the first novel ever to win the Hugo, Nebula and Philip K. Dick awards. Neuromancer, which has been considered to be one of the influential science fiction novels written in the last twenty-five years, inspired a whole new genre in science fiction writing referred to as "cyberpunk". Gibson was born in 1948 in Conway, South Carolina. He moved to Toronto in the late 1960s and then to Vancouver in the early 1970s. Gibson studied English at the University of British Columbia. He began writing science fiction short stories while at UBC. In 1979 Gibson wrote "Johnny Mnemonic" which was published in Omni magazine. An editor at Ace books encouraged him to try writing a novel. This novel would become Neuromancer which was published in 1984. After Neuromancer, Gibson wrote Count Zero (1986), Mona Lisa Overdrive (1988), and Virtual Light (1993). He collaborated with Bruce Sterling in writing The Difference Engine (1990). Gibson has also published numerous short stories, many of which appeared in a collection of his work, Burning Chrome (1986). Scope and Content Fonds consists of typescript manuscripts and copy-edited, galley or page proof versions of all five of Gibson's novels (to 1993) as well as several short stories. -
Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 "Science in skirts": representations of women in science in the "B" science fiction films of the 1950s Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Noonan, Bonnie, ""Science in skirts": representations of women in science in the "B" science fiction films of the 1950s" (2003). LSU Doctoral Dissertations. 3653. https://digitalcommons.lsu.edu/gradschool_dissertations/3653 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “SCIENCE IN SKIRTS”: REPRESENTATIONS OF WOMEN IN SCIENCE IN THE “B” SCIENCE FICTION FILMS OF THE 1950S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Bonnie Noonan B.G.S., University of New Orleans, 1984 M.A., University of New Orleans, 1991 May 2003 Copyright 2003 Bonnie Noonan All rights reserved ii This dissertation is “one small step” for my cousin Timm Madden iii Acknowledgements Thank you to my dissertation director Elsie Michie, who was as demanding as she was supportive. Thank you to my brilliant committee: Carl Freedman, John May, Gerilyn Tandberg, and Sharon Weltman. -
Nightmare Magazine, Issue 43 (April 2016)
TABLE OF CONTENTS Issue 43, April 2016 FROM THE EDITOR Editorial, April 2016 FICTION Reaper’s Rose Ian Whates Death’s Door Café Kaaron Warren The Girl Who Escaped From Hell Rahul Kanakia The Grave P.D. Cacek NONFICTION The H Word: The Monstrous Intimacy of Poetry in Horror Evan J. Peterson Artist Showcase: Yana Moskaluk Marina J. Lostetter Interview: David J. Schow Lisa Morton AUTHOR SPOTLIGHTS Ian Whates Kaaron Warren Rahul Kanakia P.D. Cacek MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks About the Nightmare Team Also Edited by John Joseph Adams © 2016 Nightmare Magazine Cover by Yana Moskaluk www.nightmare-magazine.com FROM THE EDITOR Editorial, April 2016 John Joseph Adams | 750 words Welcome to issue forty-three of Nightmare! This month, we have original fiction from Ian Whates (“Reaper’s Rose”) and Rahul Kanakia (“The Girl Who Escaped From Hell”), along with reprints by Kaaron Warren (“Death’s Door Cafe”) and P.D. Cacek (“The Grave”). We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, a showcase on our cover artist, and a feature interview with author David J. Schow. Nebula Award Nominations ICYMI last month, awards season is officially upon us, and it looks like 2015 was a terrific year for our publications. The first of the major awards have announced their lists of finalists for last year’s work, and we’re pleased to announce that “Hungry Daughters of Starving Mothers” by Alyssa Wong (Nightmare, Oct. 2015) is a finalist for the Nebula Award this year! Over at Lightspeed, “Madeleine” by Amal El-Mohtar (Lightspeed, June 2015) and “And You Shall Know Her by the Trail of Dead” by Brooke Bolander (Lightspeed, Feb. -
Cyberpunk and Dystopia: William Gibson, Neuromancer (1984)
13. CYBERPUNK AND DYSTOPIA: WILLIAM GIBSON, NEUROMANCER (1984) LARS SCHMEINK 1. Background 1.1 Terminologies and Definitions As with any literary genre, a clear-cut definition of cyberpunk is hard to find. Among scholars of science fiction (sf), many differentiate between a historical group of writers who met at the beginning of the 1980s, were originally known as ‘the Movement’, and consisted of William Gibson (*1948), Bruce Sterling (*1954), John Shirley (*1953), Rudy Rucker (*1946) and Lewis Shiner (*1950), and a sub-genre of science fiction that emerged at that time with that group but soon expanded beyond it. Its themes were appropriated and re-imagined by other authors, its tropes transported into other media and the subculture became absorbed into the mainstream, something that the propo- nents of the Movement deemed the death of cyberpunk (cf. Sterling 1998; Shiner 1991). Thomas Foster, however, points out, that “the transformation of cyberpunk into a full-fledged concept rather than a loose association of writers” needs to be under- stood not as its death but rather as “a sea change into a more generalized cultural for- mation” (2005: xiv). The term itself originated in the title of a short story by Bruce Bethke, but was used to refer to a specific sub-genre of sf writing by Gardner Dozois in order to describe an “80s generation in sf” adhering to a specific set of “goals and aesthetics” (1984: 9; cf. Heuser 2003: 7). These goals and aesthetics have been best documented by author Bruce Sterling, who as a preface to his Mirrorshades anthology has written the ultimate “Cyberpunk Manifesto” (1986). -
Univerzita Palackého V Olomouci
UNIVERZITA PALACKÉHO V OLOMOUCI Filozofická fakulta Katedra bohemistiky Kyberpunková literatura – vývoj, charakteristika, kulturní kontext Magisterská diplomová práce Bc. et Bc.Veronika Dostalová Česká filologie Vedoucí práce: Mgr. Vladimír P. Polách, Ph. D. Olomouc 2017 1 Prohlašuji, ţe jsem diplomovou práci vypracovala samostatně s vyuţitím uvedených pramenů a literatury. V Olomouci dne 20. 4. 2017 Podpis ……………………………….. 2 Poděkování Chtěla bych poděkovat za vedení mé práce Mgr. Vladimíru Poláchovi, Ph. D., a svému blízkému okolí za podporu během studia. 3 Obsah Úvod ......................................................................................................................................... 5 1 Americký kyberpunk ............................................................................................................. 7 1.1 Historie kyberpunku ....................................................................................................... 7 1.2 Postkyberpunk ............................................................................................................. 12 1.3 Nejvýznamnější představitelé ...................................................................................... 14 2 Český kyberpunk ................................................................................................................. 21 2.1 Nejvýznamnější představitelé ...................................................................................... 23 3 Nejvýznamnější vlivy, charakteristika žánru ...................................................................... -
THE MENTOR 87 “The Magazine Ahead of Its Time”
THE MENTOR 87 “The Magazine Ahead of its Time” JULY 1995 page 1 offers the above-mentioned omul in all varieties. The hotel stands on the banks of the Angara, not far from the city centre. THE TRAVELLING They also provide excursions and Baikal picnics in summer. The city does have other things to boast of: old wooden MUSCOVITE #2 houses in the historical centre, the #3 picture gallery in Russia (after the Hermitage and Tretyakov Gallery). Baikalskaya vodka (made with the pure Baikal water) and good theatre. The bad thing for me was that I was there in November, and could not enjoy either bathing in the Baikal (for this, one should go there by Pavel Viaznikov in July or the first half of August) or enjoying ice and snow (December to March). But I still enjoyed it. ** ** ** The Number One item in the local SF news is the 3- month old story of the Strannik (Wanderer) Prize, which was supposed to be a writers’ prize to the best novel, best short story, best publishing house, etc. Many fans considered it “morally incorrect”, as the nominees were jury members, and the TERRA FANTASTICA publishing house, sponsor of the Do you know Kirgizstan - a republic in our (ie ex-Soviet) prize, was awarded the Best Publishing House award. Middle Asia? Find it on a map, please. Just look for Bishkek (it Now another event at the InterpressCon (St. used to be Frunze). Well, recently I talked to a guy whose Petersburg), where this and several other awards were brother s erved in... -
The Non-Native Language of Cyberpunk: from Retro-Diction to Pre-Diction and Back Again
Knowledge Cultures 6(1), 2018 pp. 131–146, ISSN 2327-5731, eISSN 2375-6527 doi:10.22381/KC61201810 THE NON-NATIVE LANGUAGE OF CYBERPUNK: FROM RETRO-DICTION TO PRE-DICTION AND BACK AGAIN. AN INTERVIEW WITH BRUCE STERLING PETAR JANDRIĆ [email protected] Zagreb University of Applied Sciences ABSTRACT. Bruce Sterling, author, journalist, editor, and critic, was born in 1954. Best known for his ten science fiction novels, he also writes short stories, book reviews, design criticism, opinion columns, and introductions for books ranging from Ernst Juenger to Jules Verne. During 2005, he was the Visionary in Residence at Art Center College of Design in Pasadena. In 2008 he was the Guest Curator for the Share Festival of Digital Art and Culture in Torino, Italy, and the Visionary in Residence at the Sandberg Instituut in Amsterdam. In 2011 he returned to Art Center as Visionary in Residence to run a special project on Augmented Reality. In 2013, he was the Visionary in Residence at the Center for Science and the Imagination at Arizona State University. In 2015 he was the Curator of the Casa Jasmina project at the Torino Fab Lab. In 2016 he was Visionary in Residence at the Arthur C. Clarke Center for Human Imagination. Bruce’s nonfiction works include The Hacker Crackdown: Law and Disorder on the Electronic Frontier (1992), Tomorrow Now: Envisioning the Next Fifty Years (2003), Shaping Things (2005), and The Epic Struggle Of The Internet Of Things (2014). Bruce’s novels include Involution Ocean (1977), Islands in the Net (1988), The Difference Engine (1991) (with William Gibson), Holy Fire (1996), The Zenith Angle (2004), and Pirate Utopia (2016). -
BSFG News 364 January 2002
JANUARY 2002 ISSUE 364 Brum Honorary Presidents: BRIAN W ALDISS Group HARRY HARRISON Committee: News Vernon Brown (Chairman) Vicky Cook (Secretary) The Free Monthly Newsletter of the Alan Woodford (Treasurer) Rog Peyton (Newsletter Editor) BIRMINGHAM + Steve Jones & William McCabe SCIENCE FICTION GROUP NOVACON 31 Chairman: Tony Berry Friday 11th January Annual General Meeting of the Birmingham Science Fiction Group It’s THAT time of the year again! and be seated in plenty of time. The time that the current committee Non-members are welcome but may stands down after reporting on the not vote or voice opinions during the year’s activities and YOU get the AGM. chance to air your views and possibly stand for election to the new committee. Committee posts that you can stand for The evening will be chaired by our are:- Legal Officer, Tim Stannard. Chairman - needs to be a strong personality to keep the committee The meeting will take place in the meetings in order; has to introduce Lichfield room on the second floor of guest speakers at each meeting, so the Britannia Hotel, New Street should be articulate; has to make sure (entrance in Union Passageway that other members of the committee do opposite the Odeon). It will the jobs asked of them and if they fail to commence at 7.45pm so please arrive do so, ask (with the rest of the early, get your drinks from the bar committee’s approval), for their FEBRUARY 8TH MEETING - SF artist Fred Gambino will be talking to the Group and showing slides of his award-winning work. -
WLBT Archives MSS.366
Note: To navigate the sections of this PDF finding aid, click on the Bookmarks tab or the Bookmarks icon on the left side of the page. Mississippi State University Libraries Special Collections Department Manuscripts Division P.O. Box 5408, Mississippi State, MS 39762-5408 Phone: (662) 325–7679 E-mail: [email protected] WLBT archives MSS.366 Dates: 1967-1980 Extent: 155 cubic feet Preferred Citation: WLBT archives, Special Collections Department, Mississippi State University Libraries. Access: Open to all researchers. Copyright Statement: Any requests for permission to publish, quote, or reproduce materials from this collection must be submitted in writing to the Manuscripts Librarian for Special Collections. Permission for publication is given on behalf of Mississippi State University as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained. Donor: Communications Improvement, Incorporated, August 1982. Scope and Contents The WLBT archives have been arranged in the following series: Hewitt Griffin joined WLBT in 1961 as program manager, the position he continued to hold throughout Communications Improvement, Incorporated’s (CII) tenure with the exception of the period from January to September 1973. Series 1, 1967-1979, consists of Griffin's files, which primarily concern programming. The series has been grouped into ten divisions: General/personal, Programming, Programs Available, Programs Aired, Network Affiliates, Ratings/research, Promotional Materials (including photographs), TV Guide (1974-1978), Programming Logs (June 14, 1971 - December 31, 1977), and Discrepancy Sheets. See also Series 7. 38 cubic feet. In 1972 William H. Dilday, Jr. -
JACK ARNOLD Di Renato Venturelli
JACK ARNOLD di Renato Venturelli Tra gli autori della fantascienza anni ‘50, che rinnovò la tradizione del cinema fantastico e dell’horror, il nome che si impone con più evidenza è quello di Jack Amold. Il motivo di questo rilievo non sta tanto nell’ aver diretto i capolavori assoluti del decennio (La cosa è di Hawks, L’invasione degli ultracorpi è di Siegel...), quanto nell’aver realizzato un corpus di film compatto per stile e notevole nel suo insieme per quantità e qualità. Gli otto film fantastici realizzati fra il 1953 e il 1959 testimoniano cioè un autore riconoscibile, oltre a scandire tappe fondamentali per la mitologia del cinema fantastico, dalla Creatura della Laguna Nera (unico esempio degli anni ‘50 ad essere entrato nel pantheon dei mostri classici) alla gigantesca tarantola, dalla metafora esistenziale di Radiazioni B/X agli scenari desertici in cui l’uomo si trova improvvisamente di fronte ai limiti delle proprie conoscenze razionali. Uno dei motivi di compattezza del lavoro di Amold sta nella notevole autonomia con cui poté lavorare. Il suo primo film di fantascienza, Destinazione… Terra (1953), segnava infatti il primo tentativo in questa direzione (e nelle tre dimensioni) da parte della Universal-International. Il successo che ottenne, e che assieme agli incassi del Mostro della laguna nera risollevò la compagnia da una difficile situazione economica, fu tale da permettere ad Arnold di ritagliarsi una zona di relativa autonomia all’interno dello studio: “Nessuno a quell’epoca era un esperto nel fare film di fantascienza, così io pretesi di esserlo. Non lo ero, naturalmente, ma lo studio non lo sapeva, e così non si misero mai a discutere, qualsiasi cosa facessi”. -
Science Fiction Review 37
SCIENCE FICTION REVIEW $2.00 WINTER 1980 NUMBER 37 SCIENCE FICTION REVIEW (ISSN: 0036-8377) Formerly THE ALIEN CRITZ® P.O. BOX 11408 NOVEMBER 1980 — VOL.9, NO .4 PORTLAND, OR 97211 WHOLE NUMBER 37 PHONE: (503) 282-0381 RICHARD E. GEIS, editor & publisher PAULETTE MINARE', ASSOCIATE EDITOR PUBLISHED QUARTERLY FEB., MAY, AUG., NOV. SINGLE COPY — $2.00 COVER BY STEPHEN FABIAN SHORT FICTION REVIEWS "PET" ANALOG—PATRICIA MATHEWS.40 ASIMOV'S-ROBERT SABELLA.42 F8SF-RUSSELL ENGEBRETSON.43 ALIEN THOUGHTS DESTINIES-PATRICIA MATHEWS.44 GALAXY-JAFtS J.J, WILSON.44 REVIEWS- BY THE EDITOR.A OTT4I-MARGANA B. ROLAIN.45 PLAYBOY-H.H. EDWARD FORGIE.47 BATTLE BEYOND THE STARS. THE MAN WITH THE COSMIC ORIGINAL ANTHOLOGIES —DAVID A. , _ TTE HUNTER..... TRUESDALE...47 ESCAPE FROM ALCATRAZ. TRIGGERFINGER—an interview with JUST YOU AND Ft, KID. ROBERT ANTON WILSON SMALL PRESS NOTES THE ELECTRIC HORSEMAN. CONDUCTED BY NEAL WILGUS.. .6 BY THE EDITOR.49 THE CHILDREN. THE ORPHAN. ZOMBIE. AND THEN I SAW.... LETTERS.51 THE HILLS HAVE EYES. BY THE EDITOR.10 FROM BUZZ DIXON THE OCTOGON. TOM STAICAR THE BIG BRAWL. MARK J. MCGARRY INTERFACES. "WE'RE COMING THROUGH THE WINDOW" ORSON SCOTT CARD THE EDGE OF RUNNING WATER. ELTON T. ELLIOTT SF WRITER S WORKSHOP I. LETTER, INTRODUCTION AND STORY NEVILLE J. ANGOVE BY BARRY N. MALZBERG.12 AN HOUR WITH HARLAN ELLISON.... JOHN SHIRLEY AN HOUR WITH ISAAC ASIMOV. ROBERT BLOCH CITY.. GENE WOLFE TIC DEAD ZONE. THE VIVISECTOR CHARLES R. SAUNDERS BY DARRELL SCHWEITZER.15 FRANK FRAZETTA, BOOK FOUR.24 ALEXIS GILLILAND Tl-E LAST IMMORTAL.24 ROBERT A.W, LOWNDES DARK IS THE SUN.24 LARRY NIVEN TFC MAN IN THE DARKSUIT.24 INSIDE THE WHALE RONALD R.