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Captain Cool: the MS Dhoni Story
Captain Cool The MS Dhoni Story GULU Ezekiel is one of India’s best known sports writers and authors with nearly forty years of experience in print, TV, radio and internet. He has previously been Sports Editor at Asian Age, NDTV and indya.com and is the author of over a dozen sports books on cricket, the Olympics and table tennis. Gulu has also contributed extensively to sports books published from India, England and Australia and has written for over a hundred publications worldwide since his first article was published in 1980. Based in New Delhi from 1991, in August 2001 Gulu launched GE Features, a features and syndication service which has syndicated columns by Sir Richard Hadlee and Jacques Kallis (cricket) Mahesh Bhupathi (tennis) and Ajit Pal Singh (hockey) among others. He is also a familiar face on TV where he is a guest expert on numerous Indian news channels as well as on foreign channels and radio stations. This is his first book for Westland Limited and is the fourth revised and updated edition of the book first published in September 2008 and follows the third edition released in September 2013. Website: www.guluzekiel.com Twitter: @gulu1959 First Published by Westland Publications Private Limited in 2008 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland and the Westland logo are the trademarks of Westland Publications Private Limited, or its affiliates. Text Copyright © Gulu Ezekiel, 2008 ISBN: 9788193655641 The views and opinions expressed in this work are the author’s own and the facts are as reported by him, and the publisher is in no way liable for the same. -
Mahendra Singh Dhoni Exemplified the Small-Town Spirit and the Killer Instinct of Jharkhand by Ullekh NP
www.openthemagazine.com 50 31 AUGUST /2020 OPEN VOLUME 12 ISSUE 34 31 AUGUST 2020 CONTENTS 31 AUGUST 2020 7 8 9 14 16 18 LOCOMOTIF INDRAPRASTHA MUMBAI NOTEBOOK SOFT POWER WHISPERER OPEN ESSAY Who’s afraid of By Virendra Kapoor By Anil Dharker The Gandhi Purana By Jayanta Ghosal The tree of life Facebook? By Makarand R Paranjape By Srinivas Reddy By S Prasannarajan S E AG IM Y 22 THE LEGEND AND LEGACY OF TT E G MAHENDRA SINGH DHONI A cricket icon calls it a day By Lhendup G Bhutia 30 A WORKING CLASS HERO He smiled as he killed by Tunku Varadarajan 32 CAPTAIN INDIA It is the second most important job in the country and only the few able to withstand 22 its pressures leave a legacy By Madhavankutty Pillai 36 DHONI CHIC The cricket story began in Ranchi but the cultural phenomenon became pan-Indian By Kaveree Bamzai 40 THE PASSION OF THE BOY FROM RANCHI Mahendra Singh Dhoni exemplified the small-town spirit and the killer instinct of Jharkhand By Ullekh NP 44 44 The Man and the Mission The new J&K Lt Governor Manoj Sinha’s first task is to reach out and regain public confidence 48 By Amita Shah 48 Letter from Washington A Devi in the Oval? By James Astill 54 58 64 66 EKTA KAPOOR 2.0 IMPERIAL INHERITANCE STAGE TO PAGE NOT PEOPLE LIKE US Her once venerated domestic Has the empire been the default model On its 60th anniversary, Bangalore Little Streaming blockbusters goddesses and happy homes are no for global governance? Theatre produces a collection of all its By Rajeev Masand longer picture-perfect By Zareer Masani plays performed over the decades By Kaveree Bamzai By Parshathy J Nath Cover photograph Rohit Chawla 4 31 AUGUST 2020 OPEN MAIL [email protected] EDITOR S Prasannarajan LETTER OF THE WEEK MANAGING EDITOR PR Ramesh C EXECUTIVE EDITOR Ullekh NP Congratulations and thanks to Open for such a wide EDITOR-AT-LARGE Siddharth Singh DEPUTY EDITORS Madhavankutty Pillai range of brilliant writing in its Freedom Issue (August (Mumbai Bureau Chief), 24th, 2020). -
Brand Ambassadors
DESIZN CIRCLE Fashion GK – Module 2020 • Reebok – Katrina Kaif • Pro-Kabbadi team Patna Pirates – Neetu Chandra • V-Nourish – Shahrukh Khan • Brune & Bareskin – Harbhajan Singh • Gatorade – Hima Das • Havells male grooming products – Vicky Kaushal • Bharat-Pe – Salman Khan • MG Motor India – Benedict Cumberbatch • Indian Terrain – M.S. Dhoni • Himalaya Men – Virat Kohli & Rishab Pant • PolicyX.com – Virendra Sehwag • Lloyd – Ranveer Singh & Deepika Padukone • Puma – M.C. Mary Kom • Swasth Immunised India Campaign – Kareena Kapoor • Denver – Mahesh Babu • Mobile Premier League – Virat Kohli • Clean India Mission – PV Sindhu & Sakshi Malik • Kurkure – Taapsee Pannu • Mwoop – Sakshi Maggo • Poker Starts India – Nawazuddin SiddiQui • Kent – Shahrukh Khan • Bharat Matrimony – MS Doni • Apollo Tyres – Sachin Tendulkar • Uber Eats – Alia Bhatt • SBI – Swapna Barman • Datsun India – Amir Khan • Holosuit – Yuvraj Singh • Maruti Suzuki Arena – Varun Dhawan • DishTV – Ranveer Singh • Mastercard – MS Doni • Nokia – Alia Bhatt • Siyarams – Ranveer Singh • Rupa & Company – Anushka Sharma (Softline) • Dabur Honey – JacQueline Fernandez • Isuzu India – Jonty Rhodes • Road Safety – Akshay Kumar • Flipkart – Ranbir Kapoor & Shraddha Kapoor • Assam (Sports) – Hima Das • Philips (Male) – Virat Kohli • Indigo Paints – MS Dhoni • Dabur FEM – Kirti Sanon • Dollar Missy – Chitrangda Singh • Reebok – Nathalie Emmanuel • L’oreal – Amber Heard • Kraftz India – Sourav Ganguly • Educate Girls (Non-Profit Organisation) – Katrina Kaif • BATA India – Kirti Sanon • Whirlpool -
Sl. No. Name of Players Father Name Gender Date of Birth Member Unit
Sl. No. Name of Players Father Name Gender Date of Birth Member Unit PLAYER ID NO 1 VIKAS VISHNU PILLAY PILLAY VISHNU MANIKAM Male 20.11.1989 AIR INDIA SPORTS PROMOTION BOARD PL / AIR / 00042 / 2013 2 YOUSUF AFFAN MOHAMMED YOUSUF Male 29.12.1994 AIR INDIA SPORTS PROMOTION BOARD PL / AIR / 00081 / 2013 3 LALIT KUMAR UPADHYAY SATISH UPADHYAY Male 01.12.1993 AIR INDIA SPORTS PROMOTION BOARD PL / AIR / 00090 / 2013 4 SHIVENDRA SINGH JHAMMAN SINGH Male 09.06.1983 AIR INDIA SPORTS PROMOTION BOARD PL / AIR / 01984 / 2014 5 ARJUN HALAPPA B K HALAPPA Male 17.12.1980 AIR INDIA SPORTS PROMOTION BOARD PL / AIR / 01985 / 2014 6 JOGA SINGH HARJINDER SINGH Male 01.01.1986 AIR INDIA SPORTS PROMOTION BOARD PL / AIR / 01986 / 2014 7 GIRISH RAVAJI PIMPALE RAVAJI BHIKU PIMPALE Male 06.05.1983 AIR INDIA SPORTS PROMOTION BOARD PL / AIR / 01987 / 2014 8 VIKRAM VISHNU PILLAY MANIKAM VISHNU PILLAY Male 27.11.1981 AIR INDIA SPORTS PROMOTION BOARD PL / AIR / 01988 / 2014 9 VINAYA VAKKALIGA SWAMY B SWAMY Male 24.11.1985 AIR INDIA SPORTS PROMOTION BOARD PL / AIR / 01989 / 2014 10 VINOD VISHNU PILLAY MANIKAM VISHNU PILLAY Male 05.12.1988 AIR INDIA SPORTS PROMOTION BOARD PL / AIR / 01990 / 2014 11 SAMEER DAD KHUDA DAD Male 25.11.1978 AIR INDIA SPORTS PROMOTION BOARD PL / AIR / 01991 / 2014 12 PRABODH TIRKEY WALTER TIREKY Male 15.12.1985 AIR INDIA SPORTS PROMOTION BOARD PL / AIR / 01992 / 2014 13 BIMAL LAKRA MARCUS LAKRA Male 04.05.1980 AIR INDIA SPORTS PROMOTION BOARD PL / AIR / 01993 / 2014 14 BIRENDAR LAKRA MARCUS LAKRA Male 22.12.1985 AIR INDIA SPORTS PROMOTION BOARD -
Our Past Concert Tours
Our Past Concert Tours: 2015 : Pandit Sanjeev Abhyankar (Vocal), Ustad Taufique Qureshi (Djembe) , Pt. Ramdas Palsule (Tabla) and Pt.Milind Tulankar (Jalatarang and Harmonium), Bhuvanesh Komkali (Vocal), Hindol Deb (Sitar) & Deepak Kshirsagar (slide guitar) 2014 : Smt. Ashwini Bhide-Deshpande (Vocal), Abhijit Pohankar (Keyboards), Ninad Mulaokar (Flute), Ojas Adhiya (Percussion), Meeta Pandit (Vocal) Classical, Semi-classical and devotional Music 2013 : Smt.Arati Ankalikar Tikekar (Vocal), Pushkar Lele (Vocal), Shubhendru Rao (Sitar) Mrs. Saskia Rao-de Haas (Cello), Sumedha Desai (Vocal) 2012 : Pt. Jayateerth Mevundi (Vocal), Pt. Atulkumar Upadhye (Violin), Kumud Diwan (Vocal), Pt. Purbayan Chatterji (Sitar), Kalapini Komkali (Vocal) 2011 : Sanjeev Abhyankar (Vocal), Ken Zuckerman (Sarod), Raghunandan Panshikar (Vocal) 2010 : Smt Ashwini Bhide Deshpande (Vocal), Pt. Ronu Majumdar (Flute), Dr. M. Manjunath (Violin), Pt. Uday Bhawalkar (Vocal), Smt. Yogini Gandhi (Indian Classical Dance) 2009 : Padma Talwalkar (Vocal), Pt Partho Sarothy (Sarod), Yogini Gandhi (Indian Classical dance), Sangeeta Katti-Kulkarni (Vocal), Pravin Ghodkhindi (Flute) 2008 : Devaki Pandit (Vocal), Kaveri Agashe, Sheetal Kolwalkar and Ketaki Shah (Kathak), Taalyogi Pt. Suresh Talwalkar (Tabla), Smt. Manjusha Kulkarni-Patil (Vocal), Pt. Ronu Majumdar & Ramdas Palsule (Flute, Tabla) 2007 : Sanjeev Abhyankar (Vocal), Pt Satish Vyas (Santoor), Bharatnatya- Kathak Jugalbandi by Shambhavi Vaze & Parimal Phadke, Meeta Pandit (Vocal), Kaivalya Kumar Gurav (Vocal). 2006 : -
Introduction 1
Notes Introduction 1 . See Ella Shohat, “Notes on the ‘Post-Colonial,’” Social Text 31/32 (1992), 103; and Arif Dirlik, “The Postcolonial Aura: Third World Criticism in the Age of Global Capitalism,” Critical Inquiry 20/2 (1994), 328–56. 2 . S e e D i p e s h C h a k r a b a r t y , Provincializing Europe: Postcolonial Thought and Historical Difference (Delhi: Oxford University Press, 2001). 3 . Beginning with Carlo Coppola’s PhD dissertation, Urdu Poetry—The Progressive Episode 1935–1970 , University of Chicago, 1975, we are fortu- nate to have some excellent studies of the Progressive Writers’ Movement. See, for example, Khizar Humayun Ansari’s, The Emergence of Socialist Thought Among North Indian Muslims (1917–1947) (Lahore: Shirkat Printing Press, 1990). 4 . See Yunus Javed’s comprehensive study of the history and activities of this important parallel organization: Halqa-e Arbab-e Zauq: Tanzim, Tahrik, Nazaria (Islamabad: Dost Publications, 2003). 5 . I am grateful to Dr. Naimur Rahman Farooqi, for making available the merit list of graduating students in 1940 and 1942. 6 . The critical-essays volumes are separate from the “Jhalkiyan” corpus. 7 . I discuss this in chapter 3 . 8 . See Stephen O. Murray’s empathetic and convincing essay, “The Will Not to Know: Islamic Accommodations of Male Homosexuality,” in Islamic Homosexualities, Culture, History and Literature , ed. Stephen Murray and Will Roscoe (New York: New York University Press, 1997), 14–54. Apparently tales of Askari and Firaq’s “relationship” were common in Allahabad in those days, though almost impossible to find recorded. -
Expression of Interest for Development of Lighthouse Tourism on PPP Mode
EOI for 65 Lighthouse Sites for development of Lighthouse Tourism Projects on PPP Mode Government of India Ministry of Ports, Shipping & Waterways Directorate General of Lighthouses & Lightships INTEREST Expression of Interest for 65 OF Lighthouse Sites for Development of Lighthouse Tourism Projects on Public Private Partnership Mode April, 2021 EXPRESSION Directorate General of Lighthouses & Lightships, Ministry of Ports, Shipping & Waterways, Government of India 1 EOI for 65 Lighthouse Sites for development of Lighthouse Tourism Projects on PPP Mode Table of contents 1. Introduction 3 2. Tourism of India 3 3. Promotion of tourism at Lighthouses across India 3 3.1 The Expression of Interest (EOI) 4 3.2 Contact Details 5-6 4 Schedule I: Details of Lighthouse site 7-10 5 Schedule II: Indicative terms and conditions 11 6. Schedule III: Formats for Expression of Interest 12 6.1 Letter of Application 12-13 6.2 Details of Applicant 14-15 6.3 Details of development interest for specific Lighthouse location 16-17 7 Schedule IV: Mapping of Lighthouses 18-84 2 EOI for Development of Tourism Projects at selected Lighthouses across India on PPP Mode F.No. T-201/1/2020-TC Date: 09/04/2021 1 Introduction Globally, Lighthouses are not only perceived as a navigational aid, but also as a symbol of history & icons of maritime heritage and are being developed into unique tourism destinations. While the presence of historic lighthouses act as a driver to attract tourists across the globe, the spectacular panoramic vistas available from these tall structures along the coastline add on to the attractiveness of the locations. -
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VRGR '%&((!1#VCEB R BP A"'!#$#1!$"$#$%T utqBVQWBuxy( 8 =! %$0/-$*> "*-$*>> -/+-.0"123 3"" )*+, 45--.646 3 ($!"% $0 1./234 +. 567 &./0 ! 8( :( ; ( 8 ( 8 9 !"!# #! (8 #!#!$!# ( (( : 8 ; ( 8; #!%#! ! &'!%!! 4 4( %%%'%"5 "%63< ) )+ '( closed on Monday as a mark of had met the former Chief respect for Kalyan Singh. Minister after he severed ties The importance of Kalyan with Mulayam Singh and had ormer Uttar Pradesh Chief Singh, former Rajasthan and not joined the BJP by then. FMinister and one of the Himachal Pradesh Governor, On Saturday night, his architects of the Ram could be gauged from the fact body was actually put on dis- Janmabhoomi movement that after he was admitted to play for the party workers to Kalyan Singh breathed his last hospital every senior BJP leader pay their tribute, wrapped in on Saturday evening. His who visited the poll-bound the party flag. dream to see the grand Ram State never missed a chance to Kalyan Singh was elected temple at Ayodhya could not be go to hospital to inquire about to UP Legislative Assembly fulfilled, for which he sacrificed his health. These included for the first time in 1967. In ays after ransacking two his political career. Union Home Minister Amit June 1991, the BJP got the DIndian consulates, the Kalyan died at the age of 89 Shah and national BJP presi- majority in the Assembly elec- Taliban on Saturday detained at SGPGI Lucknow, where he dent JP Nadda. tions and Kalyan Singh became 150 Indian citizens about to was admitted to the Intensive Kalyan Singh had a love the Chief Minister of Uttar return home. -
Q1. Which of the Following Bank Has Been Put In
Bankersadda.com Current Affairs Quiz for RBI Assistant Mains 2020 Adda247.com Quiz Date: 18th November 2020 Q1. Which of the following bank has been put in the „red flag‟ list, a system used for monitoring foreign portfolio investor (FPI) limits? (a) ICICI Bank (b) Punjab National Bank (c) Canara Bank (d) HDFC Bank (e) Yes Bank Q2. Recently, the RBI imposed a penalty of Rs 1 crore on Punjab National Bank for contravention of which of the following statute? (a) The Banking Regulation Act, 1949 (b) The Foreign Exchange Management Act, 1999 (c) The Reserve Bank of India Act, 1934 (d) The Negotiable Instruments Act, 1881 (e) The Payment and Settlement Systems Act, 2007 Q3. Who has been appointed as the Deputy Chief Minister of Bihar? (a) Sushil Modi (b) Tarkishore Prasad (c) Renu Devi (d) Both B and C (e) Both A and B Q4. Which of the following was the first foreign bank in India to obtain a banking license from RBI to operate as a wholly-owned subsidiary? (a) Deutsche Bank (b) SBM Bank (c) DBS Bank (d) Standard Chartered Bank (e) Royal Bank of Scotland Q5. Recently, Chandrawati passed away. She was a renowned ____________. (a) Author (b) Singer (c) Politician (d) Scientist (e) Dancer For any Banking/Insurance exam Assistance, Give a Missed call @ 01141183264 Bankersadda.com Current Affairs Quiz for RBI Assistant Mains 2020 Adda247.com Q6. The Union government has extended the tenure of Enforcement Directorate (ED) Director ___________ by a year after modifying his appointment order that was issued in 2018. -
Raag-Mala Music Society of Toronto: Concert History*
RAAG-MALA MUSIC SOCIETY OF TORONTO: CONCERT HISTORY* 2013 2012 2011 Praveen Sheolikar, Violin Ud. Shahid Parvez, Sitar Pt. Balmurli Krishna, Vocal Gurinder Singh, Tabla Subhajyoti Guha, Tabla Pt. Ronu Majumdar, Flute Arati Ankalikar Tikekar, Vocal Ud. Shujaat Khan, Sitar Kishore Kulkarni, Tabla Abhiman Kaushal, Tabla Ud. Shujaat Khan, Sitar Abhiman Kaushal, Tabla Anand Bhate, Vocal Vinayak Phatak, Vocal Bharat Kamat, Tabla Enakshi, Odissi Dance The Calcutta Quartet, Violin, Suyog Kundalka, Harmonium Tabla & Mridangam Milind Tulankar, Jaltrang Hidayat Husain Khan, Sitar Harvinder Sharma, Sitar Vineet Vyas, Tabla Ramdas Palsule, Tabla Warren Senders, Lecture- Raja Bhattacharya, Sarod Demonstration and Vocal Shawn Mativetsky, Tabla Raya Bidaye, Harmoium Ravi Naimpally, Tabla Gauri Guha, Vocal Ashok Dutta, Tabla Luna Guha, Harmonium Alam Khan, Sarod Hindole Majumdar, Tabla Sandipan Samajpati, Vocal Raya Bidaye, Harmonium Hindole Majumdar, Tabla Ruchira Panda, Vocal Pandit Samar Saha, Tabla Anirban Chakrabarty, Harmonium 2010 2009 2008 Smt. Ashwini Bhide Deshpande, Smt. Padma Talwalkar, Vocal Pt. Vishwa Mohan Bhatt, Mohan Vocal Rasika Vartak, Vocal Veena Vishwanath Shirodkar, Tabla Utpal Dutta, Tabla Subhen Chatterji, Tabla Smt. Seema Shirodkar, Suyog Kundalkar, Harmonium Heather Mulla, Tanpura Harmonium Anita Basu, Tanpura Milind Tulankar, Jaltarang Pt. Rajan Mishra, Vocal Sunit Avchat, Bansuri Pt. Sajan Mishra, Vocal Tejendra Majumdar, Sarod Ramdas Palsule, Tabla Subhen Chatterji, Tabla Abhijit Banerjee,Tabla Sanatan Goswami, Harmonium Kiran Morarji, Tanpura Irshad Khan, Sitar Manu Pal, Tanpura Subhojyoti Guha, Tabla Aparna Bhattacharji, Tanpura Aditya Verma, Sarod Ramneek Singh, Vocal Hindol Majumdar, Tabla Pt. Ronu Majumdar, Flute Won Joung Jin, Kathak Ramdas Palsule, Tabla Amaan Ali Khan, Sarod Rhythm Riders, Tabla Bharati, tanpura Ayaan Ali Khan, Sarod Vineet Vyas, Tabla 1 RAAG-MALA MUSIC SOCIETY OF TORONTO: CONCERT HISTORY* 2010 Cont. -
Unprivileged Power: the Strange Case of Persian (And Urdu) in Nineteenth-Century India
Unprivileged Power: The Strange Case of Persian (and Urdu) in Nineteenth-Century India I T , but it makes no attempt to present a solution. It is rather like a bad detective story where the questions, Who did it? and how? and why? are left unanswered. Perhaps the interest of this paper should lie in the fact that the question that it asks has never before been asked, or its existence even hinted at. Why the question should never have occurred to anyone so far is itself an interesting ques- tion, and an attempt to answer it is likely to tell us something about the way the minds of our historians have worked over the last century-and-a- quarter. I will, however, make no attempt to address this latter question, for my main problem is thorny enough as it is. Simply stated, the problem is: Why is it that sometime in the early nineteenth century, users of (Indian) Persian, and Urdu, lost their self- confidence and began to privilege all Indo-Iranian Persian writers against the other two, and all kinds of Persian and Arabic against Urdu? The lin- guistic totem pole that this situation created can be described as follows: TOP: Iranian Persian, that is, Persian as written by Iranians who never came to India. UPPER MIDDLE: Indo-Iranian Persian, that is, Persian written by Iranian-born writers who lived most or all of their creative life in India. LOWER MIDDLE: Indian Persian, that is, Persian written by Indians, • T A U S or close descendants of Iranians settled in India. -
Ragamala World Music 2017 Program Book
RAGAMALA 2017: WELCOME SCHEDULE Ragamala 2017 A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE For the 5th year, spanning 15 hours and featuring dozens of performers, Ragamala offers a FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts jaw-dropping assortment of Indian classical music from some of its greatest and emerging Ragamala: A Celebration of Indian Classical Music + Dance A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE practitioners. Ragamala functions as the perfect, immersive introduction to the classical music Chicago Cultural Center, Preston Bradley Hall FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 of India. Not only are both the music of the north (Hindustani) and the south (Carnatic) + Millennium Park, Great Lawn FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 - 6:30PM-10AM Chicago Cultural Center represented, but listeners will also get the rare chance to hear ragas performed at the time of 78 E. Washington Street, 3rd Floor Preston Bradley Hall, 3rd Floor day they were originally composed for—a facet of the tradition lost in the west. 6:30pm-10am 78 E Washington Street Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts 6:30pm-6:30am The word “raga” has a Sanskrit origin, meaning "coloring or dyeing". The term also connotes an Evolution of Songs from Indian Films: 1930-2017 emotional state referring to a "feeling, affection, desire, interest, joy or delight", particularly 6:30-7:30pm SATURDAY, SEPTEMBER 9 related to passion, love, or sympathy for a subject or something. In the context of ancient Anjali Ray, vocals with Rishi Thakkar, tabla and Anis Chandnani, harmonium Yoga + Gong Meditation Indian music it is often devotional and used as a prayer.