EUFF Malaysia 2019 Booklet
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Report on the Slovak Audiovisual Situation in 2012
REP ORT ON THE SL OVAK AUDI OVIS UAL SIT UATION IN 2012 REPORT ON THE SLOVAK AUDIOVISUAL SITUATION IN 20 12 § CONTENT I Introduction ........................................................................................... 03 I Legislation ............................................................................................. 04 I Film Education ....................................................................................... 04 I Film Production ...................................................................................... 07 I Slovak Audiovisual Fund ......................................................................... 08 I Literary Fund .......................................................................................... 12 I MEDIA ..................................................................................................... 13 I Eurimages ............................................................................................... 15 I Cinema Distribution ................................................................................. 15 I Videodistribution ..................................................................................... 19 I Cinemas ................................................................................................... 22 I Film Clubs ............................................................................................... 23 I Festivals and Reviews .............................................................................. 24 I Awards and Prizes Presented -
La Vida De Adèle
LA VIDA DE ADÈLE BLUE IS THE WARMEST COLOR Título original/Original title: LA VIE D'ADÈLE Otros títulos/Other titles: LA VIE D'ADÈLE CHAPITRES 1 ET 2 (España/Spain 10%Financiera-Francia/France 70%- Bélgica/Belgium 20%) Dirigido por/Directed by ABDELLATIF KECHICHE Productoras/Production Companies: VERTIGO FILMS, S.L. (10% Financiera) Carranza, 25, 7º. 28004 Madrid. Tel.: 91 524 08 19. Fax: 91 523 27 19. www.vertigofilms.es ; [email protected] WILD BUNCH, S.A. 99 rue de la Verrerie. 75004 Paris. (Francia) Tel.: + 33 1 53 01 50 20. Fax: + 33 1 53 01 50 49. www.wildbunch.biz ; [email protected] QUAT'SOUS FILMS. France. (Francia) SCOPE PICTURES. (20%) Belgium. (Bélgica) Con la participación de/With the participation of: FRANCE 2 CINÉMA, RTBF - RADIO TÉLÉVISION BELGE, CANAL+, CINÉ+, FRANCE TELEVISIONS. Director: ABDELLATIF KECHICHE. Producción/Producers: VINCENT MARAVAL, BRAHIM CHIOUA, ABDELLATIF KECHICHE. Producción ejecutiva/Executive Producers: ALCATRAZ FILMS, OLIVIER THERY LAPINEY, LAURENCE CLERC. Coproducción/Co-producers: GENEVIÈVE LEMAL, ANDRÉS MARTÍN. Dirección de producción/Line Producer: DIANA ANGULO. Guión/Screenplay: GHALYA LACROIX, ABDELLATIF KECHICHE. BASADA EN EL CÓMIC "EL AZUL ES UN COLOR CÁLIDO" DE JULIE MAROH / BASED ON THE COMIC BOOK "LE BLEU EST UNE COULEUR CHAUDE" BY JULIE MAROH - ÉDITIONS GLÉNAT Fotografía/Photography: SOFIAN EL FANI. Dirección artística/Production Design: JULIA LEMAIRE. Vestuario/Costume Design: PALOMA GARCIA MERTENS. Montaje/Editing: ALBERTINE LASTERA, CAMILLE TOUBKIS, JEAN- Web: www.lavidadeadele.es/ MARIE LENGELLÉ, GHALYA LACROIX. Montaje de sonido/Sound Design: PATRICK HUBARD. Sonido/Sound: JÉRÔME CHENEVOY. Sonido directo/Sound Mixers: FABIEN POCHET, ROLAND VOGLAIRE. Mezclas/Re-recording Mixer: JEAN-PAUL HURIER, YOANN NALLET. -
Co-Production Forum
CO-PRODUCTION FORUM 1 CONTENT PITCH SESSION : GAP FINANCING SESSIONS PITCHER BAYO BAYO BABY KANAKI FILMS - SPAIN 4 by Amaia Remírez & Raúl de la Fuente PITCHER BIRDS DON’T LOOK BACK SPECIAL TOUCH STUDIOS - 5 by Nadia Nakhlé FRANCE DIRTY LAND PITCHER BRO CINEMA - PORTUGAL 6 by Luis Campos PITCHER DREAMING OF LIONS PERSONA NON GRATA 7 by Paolo Marinou-Blanco PORTUGAL PITCHER AN ENEMY POKROMSKI STUDIO - POLAND 8 by Teresa Zofia Czepiec PITCHER FIRES CODE BLUE PRODUCTION D.O.O. - 9 by Nikola Ljuca MONTENEGRO PITCHER THE GLASS HOUSE DIRECTORY FILMS - UKRAINE 10 by Taras Dron PITCHER OUR FATHER THIS AND THAT PRODUCTIONS 11 by Goran Stankovic SERBIA PITCHER SOULS ON TAPE VILDA BOMBEN FILM AB 12 by Carl Javér SWEDEN PITCH SESSION : UP : UP-AND-COMING PRODUCERS PITCHER ARTURO’S VOICE MATRIOSKA - ITALY 14 by Irene Dionisio PITCHER AUTONAUTS OF THE COSMOROUTE IKKI FILMS - FRANCE 15 by Olivier Gondry & Leslie Menahem PITCHER CLEAN CARTOUCHE BVBA - BELGIUM by Koen Van Sande 16 PITCHER THE FURY RINGO MEDIA - SPAIN 17 by Gemma Blasco GROUND ZERO PITCHER RADAR FILMS - UKRAINE 18 by Zhanna Ozirna PINOT FILMS - POLAND PITCHER IN BETWEEN 19 by Piotr Lewandowski PITCHER SHINY NEW WORLD MAKE WAY FILM - NETHERLANDS 20 by Jan van Gorkum THREE SONGS CORTE A FILMS - SPAIN PITCHER 21 by Adrià Guxens PITCHER THE VIRGIN AND THE CHILD PLAYTIME FILMS - BELGIUM 22 by Binevsa Berivan PITCHER ZEJTUNE (UNTITLED GHANA PROJECT) LUZZU LTD - MALTA 23 by Alex Camilleri TIMETABLE 24 PITCH SESSION : GAP FINANCING SESSIONS 3 BAYO BAYO BABY - FICTION SPAIN Every night Aminata patrols the streets of Freetown searching for girls being exploited by pimps. -
Catálogo Catalogue
this is european cinema esto es cine europeo Es un proyecto de: Catálogo A project by: Catalogue Es un proyecto de: A project by: esto es Una publicación del ICAS, cine Instituto de la Cultura y las Artes de Sevilla A publication of the europeo Institute of Culture and Arts of Seville (ICAS) 6-14 noviembre 2020 this is european cinema November 6-14, 2020 FESTIVALES SEGUROS C M Y CM MY CY CMY K #YO EL INSTITUTO DE LA CINEMATOGRAFÍA Y DE LAS ARTES AUDIOVISUALES DE ESPAÑA EN SU OBJETIVO VOY DE PROMOCIÓN DEL CINE ESPAÑOL APOYA ESTE FESTIVAL AL CON LA FINANCIACIÓN DEL GOBIERNO DE ESPAÑA CINE FESTIVALES SEGUROS 17 FESTIVAL DE SEVILLA 17 FESTIVAL Como alcalde de la ciudad de Sevilla, es un ho- En este escenario marcado por la pandemia, nor escribir estas líneas para el catálogo del tenemos claro que la cultura deber ser uno de festival, pero, sin duda alguna, es un motivo los motores de la reactivación económica con de orgullo que estas palabras sirvan de salu- el objetivo de seguir construyendo entre todos do en una edición que, pese a las circunstan- una ciudad abierta al futuro y a la diversidad. cias en el contexto de la Covid19, se celebra En este sentido, el festival es uno de los pro- de manera presencial y en salas. Sevilla ha yectos que promueve el Ayuntamiento de Se- demostrado en los últimos años que la cultura villa más sólidos y cargados de futuro capaz es clave para la generación de riqueza y opor- de proyectar la compleja condición humana, tunidades con una apuesta decidida y sosteni- el pasado del viejo continente y los retos a los da en el tiempo de proyectos que se encuen- que nos enfrentamos como sociedad en lo re- tran, por derecho propio, en la agenda cultural ferente a la igualdad, a la emergencia climá- de todo el país, como la Bienal de Flamenco, tica, a la inmigración o al empleo. -
Agata Buzek | Biography
AGATA BUZEK | BIOGRAPHY Agata Buzek was born in Gliwice, Poland and trained at the Theatre Academy in Warsaw. Since her film debut in LA BALLATA DEI LAVAVETRI (Peter del Monte, Italy, 1998), she has worked in many international co- productions including LIBRE CIRCULATION (Jean-Marc Moutout, 2002), VALERIE (Birgit Möller, 2007) as well as in films with renowned directors including: THE HIDDEN TREASURE (Skarby Ukryte, Krysztof Zanussi, 2000); THE REVENGE (Zemsta, Andrzej Wajda, 2002) for which Agata was nominated as Best Supporting Actress at the Polish Film Awards; NIGHTWATCHING (Peter Greenaway, 2007) and WITHIN THE WHILRWIND (Marleen Gorris, 2008). For her performance in Borys Lankosz’s REVERSE (Poland’s national submission for the 2010 Academy Award for Best Foreign Language Film), Agata received a Best Actress award at the 34th Polish Film Festival in Gdynia and she was named as Berlinale Shooting Star 2010 for Poland. In 2012 Agata was co-starring alongside Jason Statham in HUMMINGBIRD. IMDb Pro and IMDb www.spiel-kind.com | 28.09.2021 Agata Buzek | CV FEATURE | TELEVISION 2021 | Das Netz - Prometheus (AT) | TV series | Director: Andreas Prochaska, Daniel Prochaska | MR Film, Sommerhaus Serien, Red Bull Media House, Beta Film | ARD Degeto, Servus TV 2020 | Paradis Sale | feature film | Director: Bertrand Mandico | Ecce Films 2019 | Tak ma byc | feature film | Director: Lukasz Grzegorzek | Koskino Natalia Grzegorzek 2019 | The Pit | feature film | Director: Dace Puce | Marana Production, Inland Film Company 2019 | Dune Dreams | feature -
List of Films Considered the Best
Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics. -
Tabla 1:Festivales Y Premios Cinematográficos
Tabla 1:Festivales y premios American Choreography Arts and Entertainment Critics cinematográficos Awards, USA Awards, Chile http://www.imdb.com/Sections/ American Cinema Editors, USA Artur Brauner Award Awards/Events American Cinema Foundation, Ashland Independent Film USA Festival American Cinematheque Gala Asia-Pacific Film Festival 2300 Plan 9 Tribute Asian American Arts 30th Parallel Film Festival American Comedy Awards, Foundation 7 d'Or Night USA Asian American International American Film Institute, USA Film Festival - A – American Independent Film Asianet Film Awards Festival Aspen Filmfest A.K.A. Shriekfest American Indian Film Festival Aspen Shortsfest ABC Cinematography Award American Movie Awards Association for Library Service ACTRA Awards American Screenwriters to Children AFI Awards, USA Association, USA Athens Film Festival, Georgia, AFI Fest American Society of USA AGON International Meeting of Cinematographers, USA Athens International Film Archaeological Film Amiens International Film Festival ALMA Awards Festival Athens International Film and AMPIA Awards Amnesty International Film Video Festival, Ohio, USA ARIA Music Awards Festival Athens Panorama of European ARPA International Film Amsterdam Fantastic Film Cinema Festival Festival Atlanta Film Festival ASCAP Film and Television Amsterdam International Atlantic City Film Festival Music Awards Documentary Film Festival Atlantic Film Festival ASIFA/East Animation Festival Anchorage International Film Atv Awards, Spain ATAS Foundation College Festival Aubagne International -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Nadavulakere, S.S. (2008). International Film Festivals as Field-Configuring Events. (Unpublished Doctoral thesis, City University London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/8591/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] International Film Festivals as Field-Configuring Events ShivasharanS. Nadavulakere Thesis submitted in fulfillment of the requirementsfor PhD in Management City University, London Faculty of Management Cass Business School October 2008 I'\ To Anushri, my love Chapter Contents Page Dedication ii ....................................................................................... List Tables & Figures of .................................................... -
The Innocents
presents THE INNOCENTS A film by Anne Fontaine 115 min | France/Poland | 2016 | PG-13 | 1.85 In French and Polish with English subtitles Official Website: http://www.musicboxfilms.com/innocents Press Materials: http://www.musicboxfilms.com/innocents-press New York/National Press Contacts: Sophie Gluck & Associates Sophie Gluck: [email protected] | 212-595-2432 Aimee Morris: [email protected] | 212-595-2432 Los Angeles Press Contacts: Marina Bailey Film Publicity Marina Bailey: [email protected] | 323-962-7511 Sara Tehrani: [email protected] | 323-962-7511 Music Box Films Contacts Marketing & Publicity Yasmine Garcia | [email protected] | 312-508-5362 Theatrical Booking Brian Andreotti | [email protected] | 312-508-5361 Exhibition Materials Lindsey Jacobs | [email protected] | 312-508-5365 FESTIVALS AND AWARDS Official Selection – Sundance Film Festival Official Selection – COLCOA Film Festival Official Selection – San Francisco Int’l Film Festival Official Selection – Minneapolis St. Paul Int’l Film Festival Official Selection – Newport Beach Film Festival SYNOPSIS Warsaw, December 1945: the second World War is finally over and French Red Cross doctor Mathilde (Lou de Laage) is treating the last of the French survivors of the German camps. When a panicked Benedictine nun appears at the clinic begging Mathilde to follow her back to the convent, what she finds there is shocking: a holy sister about to give birth and several more in advanced stages of pregnancy. A non-believer, Mathilde enters the sisters’ fiercely private world, dictated by the rituals of their order and the strict Rev. Mother (Agata Kulesza, Ida). Fearing the shame of exposure, the hostility of the occupying Soviet troops and local Polish communists and while facing an unprecedented crisis of faith, the nuns increasingly turn to Mathilde as their beliefs and traditions clash with harsh realities. -
Report on the Slovak Audiovisual Situation in 2014
REP ORT ON THE SL OVAK AUDI OVIS UAL SIT UATION IN 2014 REPORT ON THE SLOVAK AUDIOVISUAL SITUATION IN 2014 § CONTENT I Introduction ........................................................................................... 03 I Legislation ............................................................................................. 04 I Film Education ....................................................................................... 05 I Film Production ...................................................................................... 08 I Slovak Audiovisual Fund ......................................................................... 12 I Literary Fund .......................................................................................... 19 I MEDIA ..................................................................................................... 19 I Eurimages ............................................................................................... 21 I Cinema Distribution ................................................................................. 22 I Videodistribution ..................................................................................... 26 I Cinemas ................................................................................................... 30 I Film Clubs ............................................................................................... 32 I Festivals and Reviews .............................................................................. 34 I Awards of Slovak Films -
Eva Nová the Cleaner Waiting Room Marko Škop
2016 SPECIAL EDITION OF THE MONTHLY MAGAZINE ON SLOVAK CINEMA REVIEWS f Eva Nová f The Cleaner f Waiting Room INTERVIEW f www.filmsk.sk Marko Škop 2015 IN SLOVAK FILM WE INTRODUCE THE SLOVAK FILM INSTITUTE Film entries written by Peter Hames I, Olga Hepnarová (Ja, Olga Hepnarová) The History And Present and In Your Dreams! (Ani ve snu!) were included in this year’s Berlin International of Film.sk Film Festival programme. These fi lms are Czech majority fi lms, but Slovakia also had Film.sk is a monthly about fi lm events in Slovakia EDITORIAL a part in their making. The interconnection published by the Slovak Film Institute. It has been between the Slovak and Czech audiovisual published since January 2000 and up to 2010 it environments remains obvious, even was the only fi lm periodical in print in Slovakia. although it is now more than twenty The magazine’s editor-in-chief Simona Nôtová years since the break-up of the former was present at its birth and she managed it until federal republic. You will fi nd several September 2012. Naturally, the monthly has co-productions in the New Films section undergone conceptual changes over the course which off ers a selection of Slovak fi lms that of its existence but it was always based on the are planned to have their premières in 2016. principle of the provision of a broad range of Eva Nová is also a Slovak-Czech fi lm; we information on the events in the local fi lm and carry a review of the fi lm in the magazine audiovisual milieu. -
Fondée En 1989, La Société Entre Chien Et Loup a Réussi À S'imposer
Fondée en 1989, la société Entre Chien et Loup a réussi à s’imposer sur le marché audiovisuel européen par une politique de production de films à contenu. Notre philosophie de production tant dans la fiction, les documentaires, que dans les séries TV, est issue d’une même réflexion : l’accès à la diffusion d’œuvres audiovisuelles relève d’un défi permanent et formidable dans une société où la consommation d’images prédigérées est devenue norme. Entre Chien et Loup reste fidèle à son intention de base: faire des films alliant une narration engagée (par ses auteurs et leurs sujets), une cinématographie forte et une production adéquate pour rencontrer cette ambition. Et au fil du temps, cette obstination a été payante. Producers Sébastien DELLOYE & François TOUWAIDE Line Producer Raquel MORTE Production Assistants Coline LECHAT & Molly POUSSART Financial Director Gaëlle VERSTRAETEN Chief Accountant Kevin THIRY Accountant Joyce THIRY Production Administrator Natalia PIETRANIUK ENTRE CHIEN ET LOUP scrl 40-42 rue de la Luzerne • 1030 Brussels • Belgium Tel : 32 2 736 48 13 • Fax : 32 2 732 33 83 [email protected] • www.entrechienetloup.be T.V.A. : BE 0437.078.634 • R.C.B : 516.980 IN FESTIVALS PUBLIC ENNEMY – SEASON 2 (TV Series) Co-produced with Playtime Films (BE) BEING BROADCASTED XDDL XAVIER DUPONT DE LIGONNÈS (TV docufiction) by Ionut Teianu Co-produced with C-Productions for M6 (FR) IN POST-PRODUCTION LE MILIEU DE L’HORIZON (Feature Film) by Delphine Lehericey Co-produced with Box Productions (CH) GOD EXISTS, HER NAME IS PETRUNIJA