DOCSLIB.ORG

A Haunted House”

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Haunted House” PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI VIRGINIA WOOLF’S PERSPECTIVES OF DEATH IN WOOLF’S “A HAUNTED HOUSE” AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By LUCIANNA SAPUTRO Student Number: 154214020 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2020 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI VIRGINIA WOOLF’S PERSPECTIVES OF DEATH IN WOOLF’S “A HAUNTED HOUSE” AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By LUCIANNA SAPUTRO Student Number: 154214020 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2020 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI “(S)he will be like a tree planted by the rivers of water, that brings forth its fruit in its season; its leaf will not wither, and whatever (s)he does will prosper.” Psalms 1: 3 (MEV) vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI FOR MY DAD IN HEAVEN, MY BELOVED MOM AND MY EXCEPTIONAL LITTLE BROTHER viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGEMENTS First of all, I want to address my deepest gratitude to God for giving me the strength, knowledge, and ability to complete my undergraduate thesis with enthusiasm. Without His blessings, this achievement would not have been possible. I want to express my gratitude to my family, especially for my father, who already passed away 4 years ago. He encouraged me to take English Letters as my major in university. I’m also grateful for my beloved mother and my little brother, who always pray for me and supporting me in every decisions I chose. I want to deliver my special thanks to my thesis advisor, Sri Mulyani, Ph.D., for her time, guidance and encouragement during the process of this thesis. My special thanks also dedicated to my academic advisor, Fransisca Kristanti, S.Pd., M.Hum., for supporting me for the past four and a half year of my study at Sanata Dharma University. Finally, to all my friends that I cannot mention their names one by one, thank you for supporting me throughout these years. I feel so lucky and blessed to have friends like them. Lucianna Saputro. ix PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI TABLE OF CONTENTS TITLE PAGE ........................................................................................................ ii APPROVAL PAGE ............................................................................................. iii ACCEPTANCE PAGE ........................................................................................ iv STATEMENT OF ORIGINALITY ..................................................................... v LEMBAR PERNYATAAN PERSETUJUAN PUBLIKASI KARYA ILMIAH .. vi MOTTO PAGE ................................................................................................... vii DEDICATION PAGE ........................................................................................ viii ACKNOWLEDGEMENTS ................................................................................. ix TABLE OF CONTENTS ....................................................................................... x ABSTRACT ......................................................................................................... xii ABSTRAK ............................................................................................................ xiii CHAPTER I: INTRODUCTION ......................................................................... 1 A. Background of the Study ................................................................................ 2 B. Problem Formulation ...................................................................................... 3 C. Objectives of the Study .................................................................................. 3 D. Definitions of Terms ....................................................................................... 4 CHAPTER II: REVIEW OF LITERATURE ..................................................... 5 A. Review of Related Studies .............................................................................. 5 B. Review of Related Theories ......................................................................... 10 1. Theory of Character and Characterization ................................................ 10 a. Character as seen by Another .............................................................. 11 b. Speech ................................................................................................. 11 c. Reactions ............................................................................................. 11 d. Thoughts .............................................................................................. 12 e. Mannerisms ......................................................................................... 12 f. Past Life............................................................................................... 12 2. Death Theories .......................................................................................... 12 a. Death Representation .......................................................................... 13 b. Writing in the Shadow of Death .......................................................... 14 c. Death Representation and the Afterlife ............................................... 15 3. Biographical Criticism .............................................................................. 16 C. Review of Related Backgrounds .................................................................. 18 1. The Author’s Background ........................................................................ 18 D. Theoretical Framework ................................................................................ 21 CHAPTER III: METHODOLOGY ................................................................... 22 A. Object of the Study ....................................................................................... 22 x PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI B. Approach of the Study .................................................................................. 23 C. Method of the Study ..................................................................................... 24 CHAPTER IV: ANALYSIS ................................................................................ 27 A. The Characteristics of the ghost couple in “A Haunted House” .................. 27 1. Character as seen by Another ................................................................. 28 2. Speech ..................................................................................................... 29 3. Reactions ................................................................................................ 30 4. Thoughts ................................................................................................. 31 5. Mannerisms ............................................................................................ 32 6. Past Life .................................................................................................. 33 B. Death Representations in “A Haunted House” ............................................. 34 C. The Factors which Influenced the Author’s Perspective of Death ............... 38 1. The Author’s Experience in Death ......................................................... 38 2. The Lifetime of the Author: Mental Issues and Wars ............................ 42 a. Mental Issues ....................................................................................... 42 b. Wars .................................................................................................... 45 CHAPTER V: CONCLUSIONS............................................................................... 48 BIBLIOGRAPHY ................................................................................................ 52 APPENDIX ........................................................................................................... 55 xi PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT SAPUTRO, LUCIANNA. (2020). Virginia Woolf’s Perspectives of Death in Woolf’s “A Haunted House”. Yogyakarta: Department of English Letters, Faculty of Letters, Sanata Dharma University. Death is the end of the life of a person or organism. In literature, authors use death in literary works to express their perspective on death. Meanwhile, perspective is a point of view toward or regarding something. Virginia Woolf’s “A Haunted House” is an example of literary works which shows the author’s death perspectives through the character. It can also be seen through the author’s lifetime. Therefore, the writer analyzes the characteristics of the character, find the death representation pictured in “A Haunted House” and analyzes the author’s lifetime in order to find the author’s perspectives of death. This study has three objectives. The first objective is to identify the characteristics of the character in the “A Haunted House”. The second objective is to explain death representation pictured through the characteristics of the character. The third objective is to find the factors which influenced the author’s perspectives of death through the author’s lifetime. This study uses library research method. The primary source of this study is a story by Virginia Woolf’s “A Haunted House”. The secondary source is taken from relevant journal, articles, essays and books related to the topic of
Load more

Recommended publications
  • The Domestic Tyranny of Haunted Houses in Mary Wilkins Freeman and Shirley Jackson
    humanities Article The Domestic Tyranny of Haunted Houses in Mary Wilkins Freeman and Shirley Jackson Christine Junker English Department, Wright State University—Lake Campus, Celina, OH 45822, USA; [email protected] Received: 24 April 2019; Accepted: 20 May 2019; Published: 30 May 2019 Abstract: Mary Wilkins Freeman and Shirley Jackson, though writing in different time periods, are both invested in recuperating domesticity and using their work to imagine what domesticity removed from the context of marriage and children can offer single women. Both authors assert that emplacement within domestic enclosure is essential to securing feminine subjectivity, but their haunted house narratives undermine that very emplacement. Freeman’s stories, “The Southwest Chamber” and “The Hall Bedroom” anticipate Jackson’s more well-known The Haunting of Hill House in the way that unruly domesticity threatens the female character’s emplacement. Their haunted house narratives show that neither Freeman nor Jackson, for all that they are subversive in some ways, wants to dissolve the traditional ideological constructs of domesticity; instead, they want these ideologies to work in the culturally promised patriarchal fashion. Reading their haunted house narratives together reveals the dynamics and tensions of a domesticity that is fluid, entangled, and vibrant and the feminist potential such sites engender, even if the characters and texts in question cannot fully realize that potential. Keywords: Shirley Jackson; Mary Wilkins Freeman; Feminism; Haunted Houses; The Haunting of Hill House; domesticity in literature 1. Introduction Writing nearly sixty years apart and in dramatically different cultural landscapes, Mary Wilkins Freeman and Shirley Jackson share the conviction that it is essential for women to be able to shape their own spaces, just as they are shaped by those spaces.
    [Show full text]
  • Exception, Objectivism and the Comics of Steve Ditko
    Law Text Culture Volume 16 Justice Framed: Law in Comics and Graphic Novels Article 10 2012 Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Jason Bainbridge Swinburne University of Technology Follow this and additional works at: https://ro.uow.edu.au/ltc Recommended Citation Bainbridge, Jason, Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko, Law Text Culture, 16, 2012, 217-242. Available at:https://ro.uow.edu.au/ltc/vol16/iss1/10 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Spider-Man, the question and the meta-zone: exception, objectivism and the comics of Steve Ditko Abstract The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law. This relationship has also informed superhero comics themselves – going all the way back to Superman’s debut in Action Comics 1 (June 1938). As DC President Paul Levitz says of the development of the superhero: ‘There was an enormous desire to see social justice, a rectifying of corruption. Superman was a fulfillment of a pent-up passion for the heroic solution’ (quoted in Poniewozik 2002: 57). This journal article is available in Law Text Culture: https://ro.uow.edu.au/ltc/vol16/iss1/10 Spider-Man, The Question and the Meta-Zone: Exception, Objectivism and the Comics of Steve Ditko Jason Bainbridge Bainbridge Introduction1 The idea of the superhero as justice figure has been well rehearsed in the literature around the intersections between superheroes and the law.
    [Show full text]
  • Unmasked Lex Text: a Review of on Comics and Legal Aesthetics
    THE COMICS GRID Journal of comics scholarship Review How to Cite: Simmons, TE. 2018. Unmasked Lex Text: A Review of On Comics and Legal Aesthetics – Multimodality and the Haunted Mask of Knowing. The Comics Grid: Journal of Comics Scholarship, 8(1): 17, pp. 1–11, DOI: https://doi.org/10.16995/cg.134 Published: 09 October 2018 Peer Review: This article has been peer reviewed through the double-blind process of The Comics Grid: Journal of Comics Scholarship, which is a journal published by the Open Library of Humanities. Copyright: © 2018 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: The Comics Grid: Journal of Comics Scholarship is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. Thomas E. Simmons, ‘Unmasked Lex Text: A Review of On THE COMICS GRID Comics and Legal Aesthetics – Multimodality and the Haunted Journal of comics scholarship Mask of Knowing’ (2018) 8(1): 17 The Comics Grid: Journal of Comics Scholarship, DOI: https://doi.org/10.16995/cg.134 REVIEW Unmasked Lex Text: A Review of On Comics and Legal Aesthetics – Multimodality and the Haunted Mask of Knowing On Comics and Legal Aesthetics – Multimodality and the Haunted Mask of Knowing, by Thomas Giddens, Routledge, 230 pages, 2018, 29 b/w images, ISBN: 978-1138224032 Thomas E.
    [Show full text]
  • Ditko' S H O R
    DITKO’ S Ditko’s Shorts DITKO’S is an incredibly fascinating compilation of one-, two- and three-page H Edited by comics! Only a brilliant master could tell CRAIG YOE a dramatic, compelling tale in such compact & FESTER FACEPLANT form. You’ll marvel as Ditko walks this thrilling high- O wire act without a net! The many genres in this beautiful book show the artist’s great range. There are horror, fantasy, science R fiction, western, and even humorous stories. Taken from rare comic H books from a who’s who of publishers, all the comics are T meticulously restored, with insightful introductions by punk-rocker and comics historian Fester Faceplant and Eisner Award-winner S Craig Yoe. In short, this is sure to be a much loved and talked about Ditko treasure! O R YOE & FACEPLANT YOE & FACEPLANT DITKO’S SHORTS 52499 ISBN: 978-1-63140-153-4 idwpublishing.com T $24.99 US Visit YoeBooks.com ® ® S Moment of Decision . 19 Triple Header! . 20 Flymouth Car Show . 22 What Happened? . 25 Starlight Starbright . 28 The Decision . 31 Will Power . 34 Menace of the Invisibles . 37 Stranger in the House . 40 The Man Who Crashed into Another Era! . 43 Free . 46 The Cheapest Steak in Nome . 49 The Shadow . 51 Mañana . 54 The Strange One . 56 Forbidden Planet . 58 A Remembered Friend . 60 The Careless Man . 62 Casy’s Kiss . 64 Information on Steve Ditko’s fascinating current comic books can be obtained by writing the publisher Robin Snyder, 3745 Canterbury Lane #81, Bellingham, WA 98225, or [email protected].
    [Show full text]
  • Since I Began Reading the Work of Steve Ditko I Wanted to Have a Checklist So I Could Catalogue the Books I Had Read but Most Im
    Since I began reading the work of Steve Ditko I wanted to have a checklist so I could catalogue the books I had read but most importantly see what other original works by the illustrator I can find and enjoy. With the help of Brian Franczak’s vast Steve Ditko compendium, Ditko-fever.com, I compiled the following check-list that could be shared, printed, built-on and probably corrected so that the fan’s, whom his work means the most, can have a simple quick reference where they can quickly build their reading list and knowledge of the artist. It has deliberately been simplified with no cover art and information to the contents of the issue. It was my intension with this check-list to be used in accompaniment with ditko-fever.com so more information on each publication can be sought when needed or if you get curious! The checklist only contains the issues where original art is first seen and printed. No reprints, no messing about. All issues in the check-list are original and contain original Steve Ditko illustrations! Although Steve Ditko did many interviews and responded in letters to many fanzines these were not included because the checklist is on the art (or illustration) of Steve Ditko not his responses to it. I hope you get some use out of this check-list! If you think I have missed anything out, made an error, or should consider adding something visit then email me at ditkocultist.com One more thing… share this, and spread the art of Steve Ditko! Regards, R.S.
    [Show full text]
  • Amazing Spider-Man 666-672 & Spider-Island Spotlight PDF Book
    AMAZING SPIDER-MAN: SPIDER ISLAND: AMAZING SPIDER-MAN 666-672 & SPIDER-ISLAND SPOTLIGHT PDF, EPUB, EBOOK Dan Slott,Humberto Ramos | 308 pages | 19 Jan 2012 | Panini Publishing Ltd | 9781846535017 | English | Tunbridge Wells, United Kingdom Amazing Spider-Man: Spider Island: Amazing Spider-Man 666-672 & Spider-Island Spotlight PDF Book Does not ship to Germany See details. Amazing Spider-Man began as a bimonthly title, but was quickly promoted to a monthly. For technical reasons , "The Amazing Spider-Man " redirects here. These were compiled in a comic book reprint called Amazing Spider-Man: Infested , which was released on August Taxes may be applicable at checkout. Wein's last story on Amazing was a five-issue arc in — Jan. Other offers may also be available. Alongside artist John Romita, Conway started his run by picking up where Lee left off. Archived from the original on June 15, There is a reason why this issue is called a prologue. Peter's been quite busy since Big Times started. Peter David wrote in that Romita "made the definitive statement of his arrival by pulling Mary Jane out from behind the oversized potted plant [that blocked the readers' view of her face in issue 25] and placing her on panel in what would instantly become an iconic moment. Help Learn to edit Community portal Recent changes Upload file. Main article: List of Spider-Man titles. Retrieved August 25, October 5, The now healthy Kaine shakes off Spider Queen's mind control and offers to help Peter. Special financing available. Longtime member. As part of their plan to defeat the Spider-Queen, Stregon reanimates dinosaur bones at the Museum of Natural History with his retro-generation ray, forcing the Queen to send forces to contain that threat.
    [Show full text]
  • The Evolution of Spaces, Minds, and Narrative in the Haunted House Novel
    Ghostly Substance: The Evolution of Spaces, Minds, and Narrative in the Haunted House Novel by Margaret Daubenfeld A thesis submitted to Sonoma State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in English Committee Members: Dr. Stefan Kiesbye Dr. Scott Miller May, 2019 Copyright 2019 by Margaret Daubenfeld ii Authorization for Reproduction of Master’s Thesis I grant permission for the print or digital reproduction of this thesis in its entirety, without further authorization from me, on the condition that the person or agency requesting reproduction absorb the cost and provide proper acknowledgment of authorship. Margaret Daubenfeld 1 May 2019 iii Ghostly Substance: The Evolution of Spaces, Minds, and Narrative in the Haunted House Novel Thesis by Margaret Daubenfeld ABSTRACT This project looks at three haunted house novels over a wide span of time: The Turn of the Screw by Henry James, The Haunting of Hill House by Shirley Jackson, and The Little Stranger by Sarah Waters. The investigation will seek to understand how the haunted house novel has evolved over time, by looking at three similar themes between the novels. The chapters examine the physical space of the haunted house, the inclusion of female protagonists as a method of propagating the haunting, and the reliance on ambiguity as a storytelling technique. The findings will show that the houses have drastically changed over time, with the house as a physical space starting as a relatively unimportant aspect of the narrative, and eventually evolving into a more prominent component of the haunting. A constant among the narratives was the presence of a female protagonist, who was in some way shaped by loss, deprivation, and unlucky romance.
    [Show full text]
  • MANUAL of MYSTICISM PD F Version 1.0
    Book 2: MANUAL OF MYSTICISM PD F Version 1.0 TABLE OF CONTENTS Introduction.....................................................................2 Miscellaneous Spells ....................................................27 Magic in General.............................................................2 Magical Items ...............................................................29 Dimensions ..................................................................6,7 Locations of Importance...............................................37 Entities and Entreating .................................................16 Cults..............................................................................38 Specific Entities ...........................................................18 Index .............................................................................40 Credits Designed by Canting Kim Eastland Edited by Epigraphic Ed Sollers (Books 1 and 2) and Erudite Eric Tobias (Book 3) Cover by Marshall Rogers and Terry Austin, TSR, Inc. Colored by Jeff Butler POB 756 Interior artwork by the Marvel Bullpen and Jeff Butler Lake Geneva, WI 53147 Graphic Design by Steve Winter TSR, Inc. ISBN 0-88038-278-3 PRODUCTS OF YOUR IMAGINATION™ 39 4 - 5 5 4 2 3 - X T S R 1 2 0 0 Typography by Betty Elmore Thanks to Peter Sanderson and Carl Potts for some clarifications. This book is protected under the copyright laws of the United States of America. Any rep roduction or other unauthorized use of the material or artwork contained herein is proh i b- ited without the
    [Show full text]
  • Celebration of the Strange : Youyang Zazu and Its Horror Stories
    CELEBRATION OF THE STRANGE: YOUYANG ZAZU AND ITS HORROR STORIES by LIN WANG (Under the Direction of Karin Myhre) ABSTRACT This dissertation seeks to uncover the artistic appeal and significance of horror tales in Youyang zazu with the assistance of Western concepts and theories. The study begins with an examination of the Youyang zazu collection in its textual and cultural context and argues that it is assembled according to the aesthetic principle of qi which rejects the normal and the familiar, and embraces the unusual, the special, the unique, the odd and the particularized. The study continues with a close analysis of selected horror tales in Youyang zazu using three different approaches—fantastic horror, monster horror and cosmic horror. By analyzing themes, structures and narrative techniques of these horror stories, I argue that these horror stories are integral components of the Youyang zazu collection. They add vitality and tension to the representation of the strange and advance the collection in its aesthetic pursuit of qi. These three approaches each emphasize a different aspect in the representation of the strange. From the literary mechanism that generates strangeness, to the very entity that embodies the strange and to the atmosphere that highlights the incomprehensibility and uncontrollability of the strange, each approach offers a unique perspective on how the effect of strangeness is conveyed and amplified. By investigating the aesthetic issues at play in the medium of horror and in the context of zhiguai through the lens of Western concepts, my study also explores the possibility of examining zhiguai tales from new literary perspectives and provides fresh critical insights on the poetics of Chinese horror narrative in general.
    [Show full text]
  • Follow Us on Facebook and Twitter @Back2past for Updates
    6/26 Silver Age Extravaganza: Marvel, DC, Dell, & More! 6/26/2021 This session will broadcast LIVE via ProxiBid.com at 6 PM on 6/26/21! Follow us on Facebook and Twitter @back2past for updates. Visit our store website at GOBACKTOTHEPAST.COM or call 313-533-3130 for more information! Get the full catalog with photos, prebid and join us live at www.proxibid.com/backtothepast! See site for full terms. LOT # QTY LOT # QTY 1 Auction Policies 1 16 Dennis The Menace Silver Age Comic Lot 1 Lot of (4) Hallden/Fawcett comics. #43, 47, 74, and 87. VG-/VG 2 Amazing Spider-Man #3/1st Dr. Octopus! 1 First appearance and origin of Dr. Octopus. VG- condition. condition. 3 Tales to Astonish #100 1 17 Challengers of the Unknown #13/22/27 1 Classic battle the Hulk vs the Sub-Mariner. VF/VF+ with offset DC Silver Age. VG to FN- range. binding and bad staple placement. 18 Challengers of the Unknown #34/35/48 1 DC Silver Age. VG-/VG condition. 4 Tales to Astonish #98 1 Incredible Adkins and Rosen undersea cover. VF- condition. 19 Challengers of the Unknown #49/50/53/61 1 DC Silver Age. VG+/FN condition. 5 Tales to Astonish #97 1 Hulk smash collaborative cover by Marie Severin, Dan Adkins, and 20 Flash Gordon King/Charlton Comics Lot 1 Artie Simek. FN+/ VF- with bad staple placement. 6 comics. #3-5, and #8 from King Comics and #12 and 13 from Charlton. VG+ to FN+ range. 6 Tales to Astonish #95/Semi-Key 1 First appearance of Walter Newell (becomes Stingray).
    [Show full text]
  • The Haunted House As Literary Motif
    Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1982 There's No Place Like Home: The aH unted House as Literary Motif Mary Catherine McDaniel Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation McDaniel, Mary Catherine, "There's No Place Like Home: The aH unted House as Literary Motif" (1982). Masters Theses. 2990. https://thekeep.eiu.edu/theses/2990 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. r-- Please sign one of the following statements: ... .. i ic Booth Library of Eastern Illinois University has my permission to lend £A my thesis to a reputable college or university for the purpose of copying 1: it for inclusion in that institution's library or research holdings. I · � a: w .... {/) :::; I s � .�. 19£;;. � Date Author 0 ! � • 111 <�iii �g I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced because --------------- la: .
    [Show full text]
  • Scary Story Writing Contest Winners
    SCARY STORY WRITING CONTEST WINNERS A LITERARY MAGAZINE WRITTEN BY KIDS FOR KIDS OCTOBER 2017 KIDS’ INK IS KIDSSPONSORED BY THE ELMHURST PUBLIC LIBRARY INK The Spootucular Mysterious cakes on the cafeteria tables and they the bat said these magical words, “Turn Snowy Halloween left the school. When the kids woke up back into normal children” and they all by Briana B., 8th Grade later that morning, they couldn’t believe did. The kids all said “This was the most it was snow on the ground. They couldn’t mysterious and snowy Halloween ever.” It was the day on an early Halloween figure out why there was snow on the So all of them went to figure out what morning, all the ghosts, witches, jack-o- ground? So they all went to school in secret ingredient was in the cake, and lanterns, and monsters were all meeting orange and black shirts and pants, and it was powerful magical sparkles that up at a Spooky Halloween House, and when they walked into the cafeteria, turned them into those evil Halloween they all had a plan to make it be a snowy they saw mysterious vanilla cakes on the characters. And they saw footprints of and mysterious day. So they all said, tables. So each and every one of them jack-o-lanterns, witches, ghosts, and “Magical evil snow, fall on the ground, ate the mysterious vanilla cake. Each monster footprints. So the children went and poof 2 inches of snow fell magically and every one of the children turned secretly to get all of their belongings and on the ground.
    [Show full text]